This monograph is devoted to small forms of engraving on stone. It summarizes the archaeological material obtained during the course of excavations at the Rauchuvagytgyn I site (dated to 2500 years ago) in northern Chukotka. The book analyzes the content and semantics of the pictorial resources, and ethnic identification is made. The interpretive part of the study raises issues of an ideological character and brings one closer to the inaccessible realm of ideas and concepts of the ancients. This well-illustrated book is directed primarily toward archaeologists, ethnographers, historians, and fine art experts but will also be of interest to a broad range of readers.

Archaeologists working in the Moche Valley of Peru have uncovered a number of tombs representing various cultures that flourished there prior to European contact. This book provides a full description of 103 such burials, spanning a period of more than 3,500 years. Each burial is documented with an accurate illustration of every artifact found, as well as details on the location, matrix, and construction of the graves, the individuals in the graves, and the placement of all the associated goods. This information constitutes an important resource for solving problems of ceramic chronology and style change. Age and sex data given for the burials will also enable scholars to establish status differences that existed in the pre-Columbian past. Finally, the authors have compared their sample with all the north coast burials previously reported, showing how their findings may be used to ascertain similarities and differences throughout the highland Andean region.

Ancient Burial Patterns of the Moche Valley, Peru is the first diachronic study of burial practices for any Andean region. It not only demonstrates changes in funerary practices in the area but also provides insight into the nature of local cultural development. It will be useful to specialists in Andean and New World archaeology as well as to collectors of pre-Columbian art.

Among the vast treasures discovered in Peru since its conquest by Pizarro, only a small fraction has been excavated scientifically. The Art and Archaeology of Pashash is an account of the discovery and excavation of the richest Pre-Columbian burial ever scientifically excavated in Peru. The tomb and its offerings unearthed at Pashash, in the northern Andes, provide new perspectives on the cultural meaning of Andean funerary treasure. About A.D. 500 the flexed body of an aristocrat was wrapped in cloth and set in a small tomb sealed by a heavy stone. Three separate offerings were put in place during the construction of the funerary temple above the tomb. Near the body were placed about fifty large gold pins with elaborately sculptured heads, the most important set of Peruvian metalwork scientifically recorded in context. Decorated pottery also accompanied the body. Beneath the doorway to the temple chamber above the tomb a second offering was placed, composed of vessels modeled as jaguars, snakes, and dragonlike combinations of the two, with other fine pottery, unfired clay bowls, and stone bowls. The images in this offering represented the theology of a shamanistic religion. A third offering of broken ritual vessels was placed in the earth fill just before the temple floor was built. This collection of several hundred works of art found together and dated by radiocarbon, related to a stratigraphic sequence for the site as a whole, makes possible a unique history of the art of this highland Andean region. Professor Grieder describes the phases of development and the symbolism of the previously little-known Recuay style of pottery and attributes many works to individuals, illuminating the role of artists and their relations with their patrons. Among the author's discoveries is evidence of the use of potters' wheels and lathes to make ceramic and stone vessels and ritual objects, reversing the long-held contention that these tools were unknown in Pre-Columbian America. The site and its contents are thoroughly illustrated. The Art and Archaeology of Pashash will be valuable to specialists in Andean archaeology as well as to those interested in the art and culture of Pre-Columbian America.

The causes and consequences of violence and warfare have long interested social scientists, historians, and philosophers. While economic motivations for conflict are among the most commonly discussed drivers of human violence, prehistorians have often downplayed economic factors when studying non-state society. This volume explores linkages between conflict and socioeconomic organization during the early Neolithic of eastern Belgium (c. 5200-5000 BC), using compositional analysis of ceramics from Linienbandkeramik villages to assess production organization and map intercommunity connections against the backdrop of increasing evidence for conflict.

This book brings together the scientific contributions of a wide panel of Sicilian and mainland Italian specialists in prehistory. Taking inspiration from a conference organised by the Soprintendenza ai Beni Culturali e Ambientali of Agrigento and by the municipal council of Sciacca in November 2011, the decision was taken to broaden and deepen some of the main themes discussed on that occasion. Therefore this book focuses on the Sciacca region and its landscape which is extraordinarily rich in natural geological phenomena and associated archaeological activity, for example the Grotta del Kronio and the numerous dolmens present nearby. This volume seeks to explore the various aspects - habitational or ritual - of the prehistoric use of the numerous caves present in the region and to analyse the many features of the island's megalithic architecture. The text includes an historical review of the processes of discovery of the archaeological evidence, also an account of the current research projects and research activities.

Archaeology of Northern Mesoamerica comprises the tenth and eleventh volumes in the Handbook of Middle American Indians, published in cooperation with the Middle American Research Institute of Tulane University under the general editorship of Robert Wauchope (1909-1979). Volume editors of Archaeology of Northern Mesoamerica are Gordon F. Ekholm and Ignacio Bernal. Gordon F. Ekholm (1909-1987) was curator of anthropology at The American Museum of Natural History, New York, and a former president of the Society for American Archaeology. Ignacio Bernal (1910-1992), former director of the Instituto Nacional de Antropologia e Historia, Mexico, was director of the Museo Nacional de Antropologia in Mexico and also a past president of the Society for American Archaeology. Volumes 10 and 11 describe the pre-Aztec and Aztec cultures of Mexico, from central Veracruz and the Gulf Coast, through the Valley of Mexico, to western Mexico and the northern frontiers of these ancient American civilizations. The thirty-two articles, lavishly illustrated and accompanied by bibliography and index, were prepared by authorities on prehistoric settlement patterns, architecture, sculpture, mural painting, ceramics and minor arts and crafts, ancient writing and calendars, social and political organization, religion, philosophy, and literature. There are also special articles on the archaeology and ethnohistory of selected regions within northern Mesoamerica. The Handbook of Middle American Indians was assembled and edited at the Middle American Research Institute of Tulane University with the assistance of grants from the National Science Foundation and under the sponsorship of the National Research Council Committee on Latin American Anthropology.

Humanity's written history stretches back only 5,000 years, a mere blip on the timeline of our existence. If you want to know what it really means to be fully human, to see the whole story, you need to go back. Way, way back. Prehistoric humans couldn't write, but they were adept at telling their own stories. On every continent and outpost where they gained a foothold, they left signs for modern man to decipher. From the Middle Bronze Age settlement of Arkaim on the Kazakh Steppes to the temples of the Olmec in Mexico; from one of the first European proto-cities at Nebelivka in Ukraine to the neolithic henges of Avebury and Stonehenge; from the dolmens of Antequera in the heart of Andalucia to the megalithic culture that thrived in isolation on Indonesia's tiny Nias Island.

In the past, Bronze Age painted plaster in the Aegean and the Eastern Mediterranean has been studied from a range of different but isolated viewpoints. This volume brings both technological and iconographic approaches closer together by completing certain gaps in the literature on technology and by investigating how and why technological transfer has developed and what broader impact this had on the wider social dynamics of the late Middle and Late Bronze Age in the eastern Mediterranean. This study approaches the topic of painted plaster by a multidisciplinary methodology and demonstrates the human forces through which transfer was enabled and how multiple social identities and the inter-relationships of these actors with each other and their material world were expressed through their craft production and organization. The investigated data from sixteen sites has been contextualized within a wider framework of Bronze Age interconnections both in time and space because studying painted plaster in the Aegean cannot be considered separate from similar traditions both in Egypt and in the Near East.

Brass from the Past is not only a history of the use and production of brass, but more broadly an insight into the journey of this important metal in the context of a changing and modernising world. The book follows the evolution of brass from its earliest forms around 2500 BC through to industrialised production in the eighteenth century. The story is told in the context of the people, economies, cultures, trade and technologies that have themselves defined the alloy and its spread around the world. It explores innovations, such as the distillation of zinc, that have improved the quality and ease of production. From national or religious priorities to exhaustion of raw material supplies, the themes from the past are echoed in our own world today. In the later centuries, the book shines a light on some of the more personal aspects of people, businesses and relationships that have influenced industry and its progress. Above all the book reflects the enthusiasm, not just of the author, but of all brass enthusiasts across the world. The search for information has involved scrambling down Bohemian ravines, stumbling over brass-works debris under trees, and studying pre-civil-war artefacts in Virginia. Academics and experts from across the world have provided information, from China to Qatar and the USA to the Czech Republic. Brass is a strong and attractive metal, which has been used to create items of great beauty and utility. It is hoped that the reader will come to value the qualities of this material which has become a passion for so many people around the world.

The Mycenaean Cemetery at Achaia Clauss near Patras: People, material remains and culture in context' comprises the study of the finds from the excavation of the Mycenaean cemetery of Clauss near Patras, carried out by the University of Ioannina and the Archaeological Society at Athens from 1988 to 1992, under the direction of Professor Thanassis Papadopoulos. In the course of the excavation project, fifteen chambered tombs were located and researched in detail, to be added to those already known from the pre-war excavations by Nikolaos Kyparissis. The presentation of the topic expands into seven thematic chapters: from a general review of the cemetery space and the sites, to analytical description of the excavation, remarks on the architecture, study of the finds, analysis of the burial customs and finally, narration of the overall history of the cemetery according to chronological period and generation of its occupants. The eighth and last chapter is an addendum including a brief presentation of the anthropological analysis of the skeletal material by Photini J. P. McGeorge and Wieslaw Wieckowski. The Mycenaean cemetery at Achaia Clauss near Patras presents fragments of the life and death of some members of a local community that existed for almost four centuries at the western end of the Mycenaean world.

This book addresses the nature of play and its relationships with the world, as well as the relationships between people and objects. It begins with an account of ethnographic fieldwork among chess and card players in Edinburgh and Orkney and moves on to consider the findings in the light of archaeological sources. The work carried out amongst chess and card players led towards a more cognitive appreciation of these activities: how can the relationships between player and pieces be understood? It is suggested here that they are an example of ‘active externalism’, where cognition is not contained within the person but distributed in the immediate environment. The consideration of the role of gaming pieces leads towards an examination of the ways in which the manipulation of objects during play brings new and unexpected discoveries to the participants. The discussion addresses this theme in terms of bricolage and considers the placement of things singly and in sets. The archaeological review focusses for the most part on the first millennium AD in Atlantic Scotland. The nature of the evidence, and of our expectations of where play should be found, is examined critically. This study represents a reappraisal of the relationship between play — an activity which is most often understood in terms of something ‘set apart’ — and everyday life; it leads towards the conclusion that play is not in fact so separate as is often assumed.

For more than a century, the study of hunting and gathering societies has been central to the development of both archaeology and anthropology as academic disciplines, and has also generated widespread public interest and debate. The Oxford Handbook of the Archaeology and Anthropology of Hunter-Gatherers provides a comprehensive review of hunter-gatherer studies to date, including critical engagements with older debates, new theoretical perspectives, and renewed obligations for greater engagement between researchers and indigenous communities. Chapters provide in-depth archaeological, historical, and anthropological case-studies, and examine far-reaching questions about human social relations, attitudes to technology, ecology, and management of resources and the environment, as well as issues of diet, health, and gender relations-all central topics in hunter-gatherer research, but also themes that have great relevance for modern global society and its future challenges. The Handbook also provides a strategic vision for how the integration of new methods, approaches, and study regions can ensure that future research into the archaeology and anthropology of hunter-gatherers will continue to deliver penetrating insights into the factors that underlie all human diversity.

While one might say that prehistory of the Adriatic was always in transition, the rhythm of change was not always the same. On several occasions, a series of changes over a relatively short time period resulted in dramatic transformations. Three crucial episodes of change marked the later Adriatic prehistory. The first one, which took place around year 6000 BC, was a transformation of subsistence strategy, transition from hunting and gathering to farming. The second one was a social transformation that played out in the third millennium BC, when for the first time the power of individuals was clearly expressed by material culture. The third episode, inclusion into the classic Mediterranean civilization, coincided with the end of prehistory in the Adriatic region. During all of those episodes, travel and connectivity with distant lands played an exceptionally important role, and certain places gained particular importance due to their unique geographic location. Palagruza is among the most prominent such places, its importance being out of all proportion to its physical size. Adriatic prehistory cannot be told without mentioning Palagruza, and prehistory of Palagruza cannot be understood without knowing Adriatic prehistory. Due to its strategic position in the very center of the Adriatic Sea, due to the mystery born of distance and isolation, due to its wild and spectacular landscape, Palagruza indeed is a special place. A reflection of its specialty is an unexpected abundance of high-grade archaeological evidence, dating precisely from the three aforementioned periods marked by radical change.

From the Archaeological Record to Virtual Reconstruction' describes the use of New Information Technologies (IT) for the analyses and interpretation of archaeological record of the San Chuis Hillfort (San Martin de Beduledo, Allande, Asturias, Spain). The data gathered during the eight excavation campaigns conducted by Francisco Jorda Cerda in the sixties and eighties of the 20th century was mechanised and digitalised. Spatial Data Infrastructure (SDI) of the hillfort was performed, followed by a creation of spatial analysis through the establishment of relations between the elements of the archaeological record. At the end, having studied and investigated the site's urban evolution throughout its occupation period (890 cal. BP - 530 cal. AD), a virtual reconstruction of the hillfort in its different settlement phases, presenting various evolution scenarios, is presented. In the process a work methodology and a set of computer applications adapted for each step of this process have been estableshed, such as insertion of data records in a database, planimetry drawings, hillfort virtualization, etc.

In Sudan the first ceramic containers appeared at the beginning of the 9th millennium BC, with the earliest dates c. 8700 BC from Sorourab 2, in Central Sudan, and c. 8600 BC from the district of Amara West, in Northern Sudan. This book presents a comprehensive critical analysis of diverse ceramic assemblages from Sai Island, in the Middle Nile Valley of Northern Sudan, on the border between ancient Upper and Lower Nubia. The assemblages included in this study cover about five millennia, spanning the period c. 8000 to c. 2500 BC. They go from the initial appearance of ceramic technology within hunting-fishing-gathering communities living in permanent or semi-permanent settlements (locally named 'Khartoum Variant' or 'Mesolithic' horizon: c. 7600-4800 BC), through the ceramic productions of the first 'Neolithic' pastoral societies (Abkan horizon: c. 5550 3700 BC), to those of the Pre-Kerma Nubian culture (c. 3600 2500 BC). A thorough stylistic macroscopic observation of the finds is integrated with a solid technological approach by means of archaeometric petrographic (OM), mineralogical (XRPD) and chemical (XRF) analyses. Data are discussed and compared across a broad geographical area, including Lower and Upper Nubia, Central Sudan and the Egyptian Western Desert. They provide an original synthesis and interpretation of the ceramic traditions in Nubia and Sudan and propose a critical review of the debate on the invention of pottery and the functional and cultural reasons for the emergence of the ceramic technology.

Physical Barriers, Cultural Connections: A Reconsideration of the Metal Flow at the Beginning of the Metal Age in the Alps considers the early copper and copper-alloy metallurgy of the entire Circum- Alpine region. It introduces a new approach to the interpretation of chemical composition data sets, which has been applied to a comprehensive regional database for the first time. An extensive use of GIS has been applied to investigate the role of topography in the distribution of metal and to undertake spatial and geostastical analysis that may highlight patterns of distribution of some specific key compositional element. The Circum-Alpine Chalcolithic and Early Bronze Age show some distinctively different patterns of metal use, which can be interpreted through changes in mining and social choices. But there are also some signs of continuity, in particular those which respect the use of major landscape features such as watersheds and river systems. Interestingly, the Alpine range does not act as a north-south barrier, as major differences in composition tend to appear on an east-west axis. Conversely, the river system seems to have a key role in the movement of metal. Geostastical analyses demonstrate the presence of a remelting process, applicable also in the case of ingots; evidence that opens new and interesting questions about the role of ingots and hoards in the distribution of metal at the beginning of the Metal Age. New tools and new analysis may also be useful to identify zones where there was a primary metal production and zones where metal was mostly received and heavily manipulated.

Archaic humans were present for over a million years in western Mediterranean Europe where they left very many traces of their early stone-age activities and behaviour, and sometimes even human skeletal remains. This book evaluates archaeological findings about their life-ways at many important sites in Italy, southern France, and Spain, from the earliest ones 1,300,000 years ago, to those of Neanderthals fifty-thousand years ago, just before they were superseded by skeletally-"modern" humans. The cognitive and manual skills of archaic humans in western Mediterranean Europe are considered in the Pleistocene contexts of major climatic fluctuations and changing environmental circumstances. The book focusses on their remarkable capacity to adapt, frequently reinvent themselves, and persist for long periods of time, even though finally they did not endure. Their achievements and abilities withstand comparison to those of ancient humans in Africa or Asia during Early, Middle, and early Late Pleistocene times.

Etruscan architecture underwent various changes between the later Iron Age and the Archaic period (c. 800-500 BC), as seen in the evidence from several sites. These changes affected the design and style of domestic architecture as well as the use of raw materials and construction techniques. However, based on a supposed linear progression from inferior to superior building materials, explanations and interpretations often portray an architectural transition in Etruria from 'prehistoric' to 'historic' building types. This perspective has encouraged a rather deterministic, overly simplified and inequitable view of the causes of change in which the replacement of traditional materials with new ones is thought to have been the main factor. This book aims to reconsider the nature of architectural changes in this period by focussing on the building materials and techniques used in the construction of domestic structures. Through a process of identification and interpretation using comparative analysis and an approach based on the chaine operatoire perspective, changes in building materials and techniques are examined, with special reference to four key sites: San Giovenale, Acquarossa, Poggio Civitate (Murlo) and Lago dell'Accesa. It is argued that changes occurred in neither a synchronous nor a linear way, but separately and at irregular intervals. In this monograph, they are interpreted as resulting mainly from multigenerational habitual changes, reflecting the relationship between human behaviour and the built and natural environments, rather than choices between old and new materials. Moreover, despite some innovations, certain traditional building techniques and their associated materials continued into the Archaic period, indicating that Etruscan domestic architecture did not undergo a complete transformation, as sometimes asserted or implied in other works. This study of building techniques and materials, while not rejecting the widely held view of a significant Etruscan architectural transition, argues for a more nuanced reading of the evidence and greater recognition of the nature of behavioural change during the period in question.

In the realm of rock art, humanlike images appear widely through time and space from the Upper Palaeolithic to the Neolithic and Bronze Ages, and for some continents to later, yet still prehistoric, times. The artworks discussed in Anthropomorphic Images in Rock Art Paintings and Rock Carvings range from paintings, engravings or scratchings on cave walls and rock shelters, images pecked into rocky surfaces or upon standing stones, and major sacred sites (among them Gobekli Tepe, Avebury, Stonehenge, and the Palaeolithic Chauvet Cave) in which the possibility exists of recovery of the meanings intended by the artists and sculptors. Such prospects can relate to known or inferred legends, myths, folklore, rites and ritual, and often allude to matters that recognise the unremitting benefits of human, animal and crop fertility to humankind. Occasionally, relevant art forms are present not in whole but as pars pro toto, in which a part stands for or symbolises the whole. Images or artistic compositions often articulate, in ways more or less manifest, scenes of dramatic action as with hunting and dancing, mating and birthing, ritual and ceremony, some of which may openly or latently express yearnings for the rewards of fruitful fecundity - as with the much-loved worldview known as the hieros gamos or Sacred Marriage.

Winner, Society for American Archaeology Book Award, 2017 San Antonio Conservation Society Publication Award, 2019 The prehistoric hunter-gatherers of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico, created some of the most spectacularly complex, colorful, extensive, and enduring rock art of the ancient world. Perhaps the greatest of these masterpieces is the White Shaman mural, an intricate painting that spans some twenty-six feet in length and thirteen feet in height on the wall of a shallow cave overlooking the Pecos River. In The White Shaman Mural, Carolyn E. Boyd takes us on a journey of discovery as she builds a convincing case that the mural tells a story of the birth of the sun and the beginning of time-making it possibly the oldest pictorial creation narrative in North America. Unlike previous scholars who have viewed Pecos rock art as random and indecipherable, Boyd demonstrates that the White Shaman mural was intentionally composed as a visual narrative, using a graphic vocabulary of images to communicate multiple levels of meaning and function. Drawing on twenty-five years of archaeological research and analysis, as well as insights from ethnohistory and art history, Boyd identifies patterns in the imagery that equate, in stunning detail, to the mythologies of Uto-Aztecan-speaking peoples, including the ancient Aztec and the present-day Huichol. This paradigm-shifting identification of core Mesoamerican beliefs in the Pecos rock art reveals that a shared ideological universe was already firmly established among foragers living in the Lower Pecos region as long as four thousand years ago.

Social Complexity in Prehistoric Eurasia challenges current interpretations of the emergence, development, and decline of social complexity in the steppe region of China and the former Soviet Union. Through a thematic investigation of archaeological patterns ranging from monument construction and use and production and consumption of metals to the nature of mobility among societies, the essays in this volume provide the most up-to-date thinking on social and cultural change in prehistoric Eurasia. Collectively, they challenge broader theoretical trends in Anglo-American archaeology, which have traditionally favored comparative studies of sedentary agricultural societies over mobile pastoralist or agro-pastoralist communities. By highlighting the potential and limitations of comparative studies of social complexity, this volume sets the agenda for future studies of this region of the world. It emphasizes how the unique nature of early steppe societies can contribute to more comprehensive interpretations of social trajectories in world prehistory.

Sited at the furthest limits of the Neolithic revolution and standing at the confluence of the two great sea routes of prehistory, Britain and Ireland are distinct from continental Europe for much of the prehistoric sequence. In this landmark study, Richard Bradley offers an interpretation of the unique archaeological record of these islands. Highlighting the achievements of its inhabitants, Bradley surveys the entire archaeological sequence over a 5,000 year period, from the last hunter-gatherers and the adoption of agriculture in the Neolithic period, to the discovery of Britain and Ireland by travellers from the Mediterranean during the later pre-Roman Iron Age. His study places special emphasis on landscapes, settlements, monuments, and ritual practices. This edition has been thoroughly revised and updated. The text takes account of recent developments in archaeological science, such as isotopic analyses of human and animal bone, recovery of ancient DNA, and more subtle and precise methods of radiocarbon dating.

This book provides new insights into the relationship between humans and birds in Northern Europe during the Bronze Age. Joakim Goldhahn argues that birds had a central role in Bronze Age society and imagination, as reflected in legends, myths, rituals, and cosmologies. Goldhahn offers a new theoretical model for understanding the intricate relationship between humans and birds during this period. He explores traces of birds found in a range of archaeological context, including settlements and burials, and analyzes depictions of birds on bronze artefacts and figurines, rock art, and ritual paraphernalia. He demonstrates how birds were used in divinations, and provides the oldest evidence of omens taken from gastric contents of birds - extispicy - ever found in Europe.

'In Music, the Arts, and Ideas, ' Leonard B. Meyer uses music as a vantage point to discover patters in the perplexing, fragmented world of twentieth-century culture. The book is concerned with the aesthetics of music and with the relationships between music (and the other arts), ideology, and history--especially as these have shaped contemporary culture. The Postlude, written for this edition, looks back at the predictions made more than twenty-five years ago and speculates about what the coming decades may hold.

Ce livre est consacre a la recherche sur le developpement de la production et des echanges ceramiques entre le continent et les iles de Bretagne, du Neolithique a la periode gallo-romaine. L'analyse archeometrique de la ceramique est utilisee pour explorer le developpement des reseaux de communication: la circulation des personnes et des produits entre les iles et le continent. Ces iles produisaient-elles leur propre poterie ou etaient-elles dependantes de la production continentale? En determinant si la poterie a ete produite ou importee localement, il est possible d'identifier les degres variables de connexion ou d'isolement avec des reseaux plus larges. Plusieurs methodes d'analyse ont ete utilisees pour examiner 368 tessons de poterie provenant de 25 sites. Des observations macroscopiques ont ete effectuees afin de documenter les traitements de surface, ainsi que l'examen microscopique de coupes ceramiques minces pour l'identification de la composition mineralogique de l'argile et pour determiner ses origines geologiques et geographiques. Ces techniques ont ete completees par des analyses chimiques: SEM-EDS, XR-D et P-XRF. Enfin, une nouvelle approche methodologique a ete utilisee pour la provenance des argiles: l'analyse LA-ICP-MS. Cette methode est basee sur des comparaisons chimiques des inclusions minerales dans les pates ceramiques avec les memes types de mineraux dans les roches meres. Elle permet de determiner plus precisement les origines des argiles, surtout lorsque les pates n'offrent pas d'elements caracteristiques qui permettent de les distinguer des autres productions. La longue portee chronologique de cette etude nous permet de documenter l'evolution des caracteristiques ceramiques et les lieux changeants de l'approvisionnement en argile et de la production de poterie. Les resultats de cette recherche apportent de nouvelles preuves de l'occupation prehistorique des iles bretonnes. English Abstract Sea, ceramics and islands in western France: archaeometric approach to paleo-economic relations of island populations from the Neolithic to Antiquity This book is about research on the development of ceramic production and exchange between the mainland and islands of Brittany from the Neolithic to the Gallo-Roman period. Archaeometric analysis of ceramics is used to explore the development of communication networks: the movement of people and of products between the islands and the mainland. Did these islands produce their own pottery or were they dependent on mainland production? By determining whether pottery was locally produced or imported, it is possible to identify the changing degrees of connection with, or isolation from, wider networks. Several analytical methods have been employed to examine 368 sherds of pottery from 25 sites. Macroscopic observations were made in order to document surface treatments, as well as microscopic examination of ceramic thin sections for the identification of the mineralogical composition of the clay, and to determine its geological and geographic origins. These techniques have been complemented with chemical analyses: SEM-EDS, XR-D and P-XRF. Finally, a new methodological approach has been used to provenance the clays: LA-ICP-MS analysis. This method is based on chemical comparisons of the mineral inclusions in the ceramic pastes with the same mineral types in the parent rocks. It can determine more precisely the origins of clays, especially when the pastes do not offer characteristic elements that allow them to be distinguished from other productions. The long chronological scope of this study allows us to document the evolution of ceramic characteristics and the changing locations of clay supply and pottery production. The results of this research provide new evidence about the prehistoric occupation of the islands of Brittany.