Before the Spanish conquest in the sixteenth century A.D., the Inka Empire stretched along the Pacific side of South America, all the way from Ecuador to northwest Argentina. Though today many Inka researchers focus on the imperial capital of Cuzco, Peru, and surrounding areas, ruins of Inka settlements abound throughout the vast territory of the former empire and offer many clues about how the empire was organized, managed, and defended. These outlying settlements, as well as those in the Cuzco area, form the basis for John Hyslop's detailed study Inka Settlement Planning.

Using extensive aerial photography and detailed site maps, Hyslop studies the design of several dozen settlements spread throughout the empire. In addition to describing their architecture and physical infrastructure, he gives special emphasis to the symbolic aspects of each site's design. Hyslop speculates that the settlement plans incorporate much iconography expressive of Inka ideas about the state, the cosmos, and relationships to non-Inka peoples--iconography perhaps only partially related to the activities that took place within the sites. And he argues that Inka planning concepts applied not only to buildings but also to natural features (stone outcrops, water sources, and horizons) and specialized landscaping (terracing).

Of interest to a wide readership in archaeology, architecture, urbanization, empire building, and Andean travel, Inka Settlement Planning charts one of Native America's greatest achievements.

During 1977 and 1978 the Meiron Excavation Project moved north from its excavations at Khirbet Shema and Meiron, excavating at the site of the synagogue at Gush Halav. With only very limited areas available for excavation, the team nevertheless was able to extract significant information for the history of Galilean synagogues. The synagogue here had a unique form, with spatial elements that have few if any parallels elsewhere. This publication will thus be of great importance for the history of Galilee in the first millennium C.E. and for the development of synagogue architecture and its relationship to the culture of the region in general.

This treatise, based on data from the 1982 to 1986 excavations at Nohmul, aims to reconstruct some aspects of the cultural history and population structure, and to identify changes in that structure over time.

Medieval boundaries, early Christian monuments or merely stones for cattle to scratch their backs on? This review and collection of new evidence suggests that the overwhelming number of those that have a prehistoric context are in places which have a ritual significance.

Prehistoric farmers in Mexico invented irrigation, developed it into a science, and used it widely. Indeed, many of the canal systems still in use in Mexico today were originally begun well before the discovery of the New World. In this comprehensive study, William E. Doolittle synthesizes and extensively analyzes all that is currently known about the development and use of irrigation technology in prehistoric Mexico from about 1200 B.C. until the Spanish conquest in the sixteenth century A.D.

Unlike authors of previous studies who have focused on the political, economic, and social implications of irrigation, Doolittle considers it in a developmental context. He examines virtually all the known systems, from small canals that diverted runoff from ephemeral mountain streams to elaborate networks that involved numerous large canals to irrigate broad valley floors with water from perennial rivers. Throughout the discussion, he gives special emphasis to the technological elaborations that distinguish each system from its predecessors. He also traces the spread of canal technology into and through different ecological settings.

This research substantially clarifies the relationship between irrigation technology in Mexico and the American Southwest and argues persuasively that much of the technology that has been attributed to the Spaniards was actually developed in Mexico by indigenous people. These findings will be important not only for archaeologists working in this area but also for geographers, historians, and engineers interested in agriculture, technology, and arid lands.

Excavations over many years in the Peruvian Andes and coastal regions have revealed that the village settlements on the west coast of South America were one of the early centers of world civilization. One of these settlements, La Galgada, flourished from 3000 B.C. to 1700 B.C. Its extraordinarily complete cultural remains help to reconstruct a picture of human life, health, activities, and trade relations as they were 4,000 years ago and allow us to enter the mental and artistic life of this early civilization. The location of La Galgada on Peru's Tablachaca River midway between the highlands and the coast caused it to be influenced by the culture of both those regions. The remains found at La Galgada tie together important textile collections from the coastal region with important architectural remains from the Andean highland to give a picture of a complete preceramic culture in ancient Peru. Numerous illustrations provide an exciting visual catalog of the finds at La Galgada. What also makes La Galgada such a significant site are the changes in art and architecture that can be documented in considerable detail from about 2500 B.C. to about 1700 B.C. During that period, La Galgada and the other preceramic communities in northern Peru were transformed with a rapidity that must have seemed shocking and revolutionary to their inhabitants. These changes record the first appearance of the powerful and intimidating Chavin culture that was to dominate the region for the next thousand years. They also allow us to watch a people change and adapt as they try to cope with the powerful pressure of technical and social development in their region.

Archaeologists have developed various methods of studying cultural remains to infer population movement and other kinds of migration. Irving Rouse, author of much distinguished work in this field, here evaluates research on prehistoric migrations and explains why some of these methods have been more successful than others. Rouse begins with a discussion of the nature and ways of formulating migration hypotheses. He then focuses on four instances in which migration hypotheses have been successfully formed and tested: studies of the origins of the Polynesians, Eskimos, Japanese, and Tainos (the Indians encountered by Columbus when he discovered the New World). Contrasting these with popular but essentially fanciful postulations by authors such as Thor Heyerdahl and Barry Fell, Rouse draws conclusions about the methods of testing hypotheses, about kinds of migrations, and about their causes. He distinguishes between population movement, in which a wave of people from one area overwhelms the inhabitants of another area, and immigration, in which individuals from one area penetrate another and become absorbed into its population. Rouse argues that population movement must be studied in terms of patterns of change in the culture of the migrants, while immigration should be evaluated in terms of the cultural traits introduced by the migrants. In performing these tasks, says Rouse, archaeologists should investigate all elements of culture and should check their results against those obtained by linguists and physical anthropologists. Rouse's work demonstrates not only the viability of the inference of population movements from archaeological evidence but also the effectiveness of collaboration and communication between branches of archaeology and anthropology. His book is a lucid exposition of an important issue. "This is carefully thought out and simply and clearly written treatment of the process, or processes, of migrations in prehistory. It will be a basic reference for all archaeologists." -Gordon R. Willey, Peabody Museum of Archaeology and Ethnology, Harvard University

The papers gathered in this volume explore the economic and social roles of exchange systems in past societies from a variety of different perspectives. Based on a broad range of individual case studies, the authors tackle problems surrounding the identification of (pre-monetary) currencies in the archaeological record. These concern the part played by weight measurement systems in their development, the changing role of objects as they shift between different spheres of exchange, e.g. from gifts to commodities, as well as wider issues regarding the role of exchange networks as agents of social and economic change. Among the specific questions the papers address is what happens when new objects of value are introduced into a system, or when existing objects go out of use, as well as how exchange systems react to events such as crises or the emergence of new polities and social constellations. One theme that unites most of the papers is the tension between what is introduced from the outside and changes that are driven by social transformations within a given group.

Creativity is embedded in human history. Indeed, it is impossible to understand material change and the development of the new without invoking creativity. The location, exploration and analysis of creativity should therefore be of particular concern to archaeologists. This volume engages with this challenge by focusing on the outcomes of creativity - material culture - and an exploration of creative practice. The European Bronze Age provides a useful focus for discussions of the outcomes of creativity because in this period we see the development of new and pre-existing materials that we take for granted today, in particular textiles and bronze. We also see new ways of working with existing materials, such as clay, to create novel forms. In both new and existing materials it is frequently possible to see the growth of technical skill, to produce complex forms and elaborate decorated surfaces. The papers in this volume view Bronze Age objects through the lens of creativity in order to offer fresh insights into the interaction between people and the world, as well as the individual and cultural processes that lie behind creative expression. Many have their origin in the international conference Creativity: An Exploration Through the Bronze Age and Contemporary Responses to the Bronze Age held at Magdalene College, University of Cambridge in 2103 as part of the HERA-funded project Creativity and Craft Production in Middle and Late Bronze Age Europe. Contributions span the early to late Bronze Age, deal with a range of materials including textiles, metal, and ceramics, and reflect on data from across the continent including Iberia, Scandinavia, Central and Eastern Europe. This breadth illustrates the wideranging importance and applicability of creativity as an heuristic concept. The volume further develops a range of theoretical and methodological directions, opening up new avenues for the study of creativity in the past.

The Cheshire hillforts are some of the most conspicuous features of the prehistoric landscape in Cheshire, located on the distinctive Cheshire Sandstone Ridge. They have been subject to years of archaeological research and investigation, however this has delivered only a limited understanding of their chronology, function, occupation history, economy and status. These hillforts are major elements of the prehistory of the region, but the lack of information about them is a major gap in our understanding. Funded by the Heritage Lottery Fund, the Habitats and Hillforts Landscape Partnership Project focused on six of the hillforts and their surrounding habitats and landscapes. The aim of the project was not only to develop archaeological understanding, but also to raise awareness of these special assets in the landscape and the management issues they face. The Habitats and Hillforts Project was a collaborative partnership, led by Cheshire West and Chester Council, with Historic England, the National Trust, the Woodland Trust and the Forestry Commission, as well as private landowners. These landowners and land managers came together to share approaches to managing heritage assets on the Sandstone Ridge. The project core team was assisted by university specialists and archaeological contractors in surveying, excavating and researching the hillforts. A range of techniques including archival research, geophysical survey, earthwork survey, lidar, fieldwalking, excavation and palaeoenvironmental analysis, was employed to develop our understanding of these significant sites. A large and dedicated group of volunteers and students joined in this work, which encouraged more people to enjoy these assets and take an active role in their management. The Habitats and Hillforts Project has shed new light on the Cheshire Hillforts. Their chronology can now be seen to have developed from middle/late Bronze Age origins, much earlier than traditionally accepted. The possible development of distinct architectural styles in their construction can be suggested and an enhanced understanding of their surrounding landscape has been achieved. This volume details the results of the four year project, and sets out how these contribute to a deeper understanding of the ordering of the landscape in western Cheshire during the later prehistoric period and beyond. It should form a vital resource for informing future research priorities regarding the late Bronze Age and Iron Age of both Cheshire and the wider North West region.

In the United States of America, Section 106 of the National Historic Preservation Act requires that projects funded, authorized, or permitted by the federal government consider historic properties that may be affected by the development of those projects. To comply with Section 106, an interstate pipeline corridor in southwestern Wyoming and northwestern Colorado was surveyed to identify cultural resources and to evaluate them in terms of significance and potential listing in the National Register of Historic Places. Once sites were identified, a mitigation strategy was developed in coordination with the Bureau of Land Management. That plan prioritized important cultural resources within a regional archaeological context and included substantial excavations at 14 sites. The archaeological excavations were successful in recovering the types of data necessary to address regional research issues that were raised in the project's alternative mitigation plan. The data recovery effort included site-specific geophysical assessments as well as providing an opportunity to analyze the geology, fauna, flora, and tens of thousands of prehistoric and historical artifacts from the sites. While there is nothing about the number of artifacts that inherently adds to our understandings of past lifeways, the analyses substantially added to regional datasets for the Paleoindian, Archaic, Formative, Protohistoric, and Historical components. Specifically, the analyses addressed prehistoric chronometric and settlement patterns (Chapter 5), subsistence strategies (Chapter 6), lithic reduction strategies (Chapter 7), as well as synthesizing information for prehistoric hearths (Chapter 8) and architecture (Chapter 9). Chapter 10 focuses on the results of remote sensing at two sites. That is followed by regional syntheses of the prehistoric (Chapter 11) and historical data (Chapter 12). When combined with existing datasets, this synthetic work substantially improves the quality of regional archaeological interpretations. Given the results presented herein, it is clear that the mitigation approach within the pipeline corridor was successful in providing important archaeological information that advances local and regional understandings of past lifeways.

Between January 2008 and July 2009, Northamptonshire Archaeology, now part of MOLA (Museum of London Archaeology), carried out a series of excavations along the route of a new water pipeline being constructed by Anglian Water Services as part of a major project to increase the supply of water to new homes and businesses in the south-east Midlands region. Nineteen sites were investigated, dating primarily to the Iron Age, Roman and Anglo-Saxon periods. The earliest remains were a late Bronze Age/early Iron Age pit alignment near Seaton, Rutland. The Iron Age and Roman sites were small rural settlements comprising ditched enclosures, the remains of roundhouses and pits. Settlements were located near Seaton and Caldecott in Rutland and in Northamptonshire at Swinawe Barn near Corby, Thorpe Malsor, White Hill Lodge, Great Cransley and Willows Nursery. A Roman site near Rushton, Northamptonshire may be associated with a villa estate. Other sites included part of a Roman field system at Violet Lane, near Corby, and Roman cremation burials near Gretton, Northamptonshire. The settlements mainly date from the late middle Iron Age, 2nd century BC, through to the 4th century AD, although there was little evidence for direct continuity of settlement between the Iron Age and Roman periods. An Anglo-Saxon cremation cemetery dated to the late 5th century to mid-7th century AD, at Glaston, Rutland, contained 16 cremation burials deposited in decorated and plain urns along with small assemblages of grave goods, often also burnt on the pyre, and including a brooch, glass beads, and fragments of a bone comb and mount. Later features generally comprised medieval and post-medieval furrows from ridge and furrow field systems and field boundary ditches.

This book contains a series of selected papers presented at two symposia entitled 'Scientific study of rock art', one held in the IFRAO Congress of Rock Art in La Paz, Bolivia, in June 2012, the other held in the IFRAO Congress in Caceres, Spain, in September 2015; as well as some invited papers from leading rock art scientists. The core topic of the book is the presentation of scientific approaches to the materiality of rock art, ranging from recording and sampling methods to data analyses. These share the fact that they provide means of testing hypotheses and/or of finding trends in the data which can be used as independent sources of evidence to support specific interpretations. The issue of the materiality of visual productions of the distant past, which in archaeological theory has attracted much attention recently and has stimulated much conceptual debate, is addressed through a variety of scientific approaches, including fieldwork methods, laboratory work techniques and/or data analysis protocols. These, in turn, will provide new insights into human agency and people-image engagements through the study of rock art production, display and use.

In 2011, cavers exploring a little-known cave on Moneen Mountain in County Clare in the west of Ireland discovered part of a human skull, pottery and an antler implement. An archaeological excavation followed, leading to the discovery of large quantities of Bronze Age pottery, butchered animal bones and oyster shells. The material suggests that Moneen Cave was visited intermittently as a sacred place in the Bronze Age landscape. People climbed the mountain, squeezed through the small opening in the cave roof, dropped down into the chamber, and left offerings on a large boulder that dominates the internal space. The excavation also resulted in the recovery of the skeletal remains of an adolescent boy who appears to have died in the cave in the 16th or 17th century. Scientific analyses revealed he had endured periods of malnutrition and ill health, providing insight into the hardships faced by many children in post-medieval Ireland.

Rock paintings and petroglyphs are a record of human memories. No doubt, this function defines in essence all archaeological objects. Yet some objects such as tools, beyond their symbolic value, are clearly fashioned for their utility. How does rock art as an object fashioned by human hands then differ from tools? What utility does it have beyond its symbolic value? The Vindhyan corpus of rock paintings has provided us with a very valuable opportunity to be answering such questions.

Since absolute dating of rock art is limited, relative chronologies remain useful in contextualising interpretations of ancient images. This book advocates the archival capacity of rock art and uses archival perspectives to analyse the chronology of paintings in order to formulate a framework for their historicised interpretations. The Western Cape painting sequence is customarily accepted to include the hunter-gatherer phase from c. 10,000 BP, pastoralism from c. 2,000 BP and finally the historical-cum-colonial period several centuries ago. Painting traditions with distinct depiction manners and content are conventionally linked to these broad periods. This study evaluates this schema in order to refine the diverse hunter-gatherer, herder and colonial era painting contexts and histories. Using superimpositions as one analytical tool, the notion of datum aided the referencing and correlation of layered imagery into a relative sequence. Although broad differences separate painting traditions, and these variations are generally indistinguishable within a single tradition, it is clear that the long-spanning hunter-gatherer segment of painting in this region reflects a hitherto unrecognised sub-tradition. Some painted themes such as elephants, fat-tailed sheep, handprints and possibly finger dots occur within various levels of the sequence, which this study views as shared graphic fragments occurring between and across traditions and sub-traditions. Through the archival concept of respect des fonds such observable complexities were clarified as coherent graphic narratives that run through the entire chronological sequence of the Western Cape rock paintings. Probing archaeological, ethnographic and historical sources revealed that while these themes remained fundamentally consistent throughout the stratigraphic sequence as preferred subject matter, their meanings might have transformed subliminally from earlier to later periods, possibly reflecting layered shifts in the socio-economic, cultural and political circumstances of the region. Fundamentally, the framework of image histories shown by the choice and sustenance of specific themes is understood to mean that their significance and specific graphic contexts throughout the chronological sequence are pivoted and mirrored through the long established hunter-gatherer rock paintings which predate periods of contact with other cultures. The resulting sequence and interpretation of these painted themes is a descriptive and organisational template reflecting the original organic character in the creation of the paintings and ordered cultural continuities in the use of animal/human symbolism. This book's agenda in part involves reviewing the Western Cape's changing social and historical landscape to show variation in painting over time and to project possible interpretative transformations. Painting sequences and cultural (dis)continuities are thus intricately entwined and can be disentangled through a recursive analytical relationship between archaeology, ethnography and history. This amalgamated analytical approach produces historicised narratives and contextual meanings for the rock paintings.

Stonehenge is one of the world's most famous monuments. Who built it, how and why are questions that have endured for at least 900 years, but modern methods of investigation are now able to offer up a completely new understanding of this iconic stone circle. Stonehenge's history straddles the transition from the Stone Age to the Bronze Age, though its story began long before it was built. Serving initially as a burial ground, it evolved over time into a sacred place for gathering, feasting and building, and was remodelled several times as different peoples arrived in the area along with new technologies and customs. In more recent centuries it has found itself the centre of excavations, political protests and even conspiracy theories, embedding itself in the consciousness of the modern world. In this book Mike Parker Pearson draws on two decades of research, the results of recent excavations and cutting-edge scientific analyses to uncover many of the secrets that this prehistoric stone circle has kept for 5,000 years. In doing so, he paints the most comprehensive picture yet of the history of Stonehenge, from its origins up to the 21st century, and reveals how in some ways trying to explain its power of attraction in the present is harder than explaining its purpose in the ancient past.

This collection represents a major step forward in understanding the era from the end of Classic Maya civilization to the Spanish conquest.

This book is devoted to flintworking encountered in the so-called cult houses and ritual zones from the Late Bronze Age in southern Scandinavia, where thousands of barrows were built in the period from the Neolithic to the end of the Early Bronze Age. Considerable numbers of the barrows are still distinctly visible in the landscape of the area today. In the Late Bronze Age, the cult houses, as well as other ritual constructions in various forms, were built into the older barrows' mounds or were located on their edges. The excavated material from Jutland abounds in flint artefacts, which nearly always constitute the predominating category of finds.

Filiform rock art appears as a spontaneous technique, more simple and immediate than pecking, good either for autonomous strands of expression, or for sketches and first drafts regarding works of painting or pecking. According to the order of presentation of the session's papers during the XVII IUPPS (UISPP) Conference in Burgos, the articles published here are the following: Late prehistoric incised rock art in southern Europe: a contribution for its typology, by Fernando A. Coimbra, where the author presents a preliminary typology of this kind of rock art, divided in two groups (geometric and figurative), approaching not only common themes to several countries, but also some examples that have only a regional character; Filiform rock art in mount Bego (Tende, Maritime Alps, France), by Nicoletta Bianchi, which analyses some cases where pecked carvings overlap filiforms, therefore pre-dating pecked engravings and studies the interaction of the two carvings tradition; Filiform figures in the rock art of Valcamonica from Prehistory to the Roman age, by Umberto Sansoni, Cinzia Bettineschi and Silvana Gavaldo, that provides a general corpus of the figurative incised rock art of Valcamonica with a quantitative and qualitative approach, by considering the typological variety, the long-lasting chronological dating and the strong relation with the local pecked rock art of the Camunian filiforms; Threadlike engravings of historical period on the rocks and plaster of churches and civic buildings. Some comparisons and proposals of interpretation, by Federico Troletti, which presents the incised engravings exclusively of historical time located in some sites of Valcamonica - the area of Campanine di Cimbergo and Monticolo di Darfo; The rock art from Figueiredo (Serta, Portugal): typology, parallels and chronology, by Fernando A. Coimbra and Sara Garces, focusing vi on the description of the engravings from three carved rocks with incised motives from the place of Figueiredo, in central Portugal, which were studied during different fieldworks. Two other papers of researchers that couldn't attend the Conference were also presented: The filiform rock art from Kosovo, by Shemsi Krasniqi, which presents recent findings from Kosovo with a similar typology of figures from other European countries; The filiform rock engravings of the Parete Manzi of Montelapiano (Chieti, Italy), by Tomaso Di Fraia, which analyses the problematic of incised rock art from a rock shelter in the centre of Italy.

Open area excavation on 14.45ha of land at Cambridge Road, Bedford was carried out in 2004-5 in advance of development. A background scatter of Early Neolithic flint, including a Langdale stone axe, may be related to the nearby presence of the Cardington causewayed enclosure. Two Early Bronze Age ring ditches sat on a low lying gravel ridge between the River Great Ouse and the Elstow Brook. A causewayed ring ditch, 30m in diameter, had a broad entrance to the southwest, where a shallow length of ditch either silted or had been filled in. Adjacent to the shallow ditch was a pit containing three crouched burials, probably in an oak-lined chamber, radiocarbon dated to the early Middle Bronze Age. A nearby small round barrow enclosed a deep central grave containing the crouched burial of a woman, probably within an oak-lined chamber. An L-shaped ditch to the east, radiocarbon dated to the Middle to Late Bronze transition, may have been the final feature of the monument group. It parallels the addition of L-shaped ditches/pit alignments at other contemporary ring ditch monuments. Shallow linear ditches formed a land boundary extending north and south from the Bronze Age ring ditch, and other contemporary ditches were remnants of a rectilinear field system, contemporary with a scatter of irregular pits and a waterhole. This phase came to an end at the Late Bronze Age/ Early Iron Age transition, when a large assemblage of decorated pottery was dumped in the final fills of the waterhole. By the Middle Iron Age there was a new linear boundary, comprising three near parallel ditches, aligned north-south; a rectangular enclosure and a complex of intercut pits. The pottery assemblage was sparse, but the upper fills of both the deepest linear boundary ditch and the pit complex contained some Roman pottery. To the south-east an extensive Romano-British ladder settlement is dated to the 1st to 4th centuries AD. Only the northern fringe lay within the excavated area, comprising successive boundary ditches, along with pits, a stone-lined well, an inhumation burial and animal burials. In the early Anglo-Saxon period (5th-6th centuries AD), there was a loose cluster of three sunken featured buildings with another to the south. In the middle Saxon period (8th-9th centuries AD) a small rectangular mausoleum contained a single inhumation burial, with a second inhumation to the immediate west. Subsequent land use comprised truncated furrows of the medieval ridge and furrow field cultivation and post-medieval quarry pits.

Colour defines our material world, operates as a communication tool and creates meaning. But despite the wealth of colour present in British Iron Age archaeology, interpretative studies have concentrated mostly on the shape of material objects and their decoration, with at best fleeting references to colour. This book revisits well known and well documented sites or artefacts and explores their colours and colour connotations - whether hue or luminosity, whether natural or man-made, whether innate or deliberately applied - by looking at various contexts such as processes, landscape, iconography, body decoration or the colour connotations of death. The importance of changes in colour caused by passing of time, processing, handling or exposure, as well as the deliberate concealment or defacing of colour is looked at . Finally and most importantly, using methodologies ranging from examination of written sources, comparisons from the fields of anthropology and ethnology to experimental archaeology the author attempts to shed light on the symbolic meaning behind such colours or colour contexts and contribute to our understanding of Iron Age cosmologies.

The remarkable preservation of the Early Bronze Age village of Afragola on the Campania Plain of Southern Italy is unmatched in Europe. The site was buried under nearly a meter of volcanic ash deposited by the Avellino eruption of Vesuvius ca. 3945+10 cal. BP. The site boasts a large number of well-preserved structures, built features and organic materials and thus provides a laboratory-type setting in which to investigate variability in artifact distribution and activity areas across a single village. This research utilizes micromorphological analysis of thin sections of undisturbed sediment collected at the site to understand how people used living spaces, organized daily activities and, when possible, to connect village life to broad issues related to the emergence of social complexity on the Campanian Plain. In particular, micromorphology is used to identify the type and range of human activities, the function of features and buildings, and the intensity of site occupation. The micromorphological analysis at Afragola provides a unique example of a briefly occupied agricultural village with what appears to be minimally stratified social organization during the Early Bronze Age of southern Italy.

This monograph is devoted to small forms of engraving on stone. It summarizes the archaeological material obtained during the course of excavations at the Rauchuvagytgyn I site (dated to 2500 years ago) in northern Chukotka. The book analyzes the content and semantics of the pictorial resources, and ethnic identification is made. The interpretive part of the study raises issues of an ideological character and brings one closer to the inaccessible realm of ideas and concepts of the ancients. This well-illustrated book is directed primarily toward archaeologists, ethnographers, historians, and fine art experts but will also be of interest to a broad range of readers.