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Books > Arts & Architecture > Art forms, treatments & subjects > Prints & printmaking
This title is part of UC Press's Voices Revived program, which
commemorates University of California Press's mission to seek out
and cultivate the brightest minds and give them voice, reach, and
impact. Drawing on a backlist dating to 1893, Voices Revived makes
high-quality, peer-reviewed scholarship accessible once again using
print-on-demand technology. This title was originally published in
1954.
This title is part of UC Press's Voices Revived program, which
commemorates University of California Press's mission to seek out
and cultivate the brightest minds and give them voice, reach, and
impact. Drawing on a backlist dating to 1893, Voices Revived makes
high-quality, peer-reviewed scholarship accessible once again using
print-on-demand technology. This title was originally published in
1954.
This updated third edition explores new techniques in digital and
3D printing, as well as refreshing older techniques such as
mono-printing. Printing has become a common part of the ceramic
artist's practice and today there are more possibilities than ever
before. From low-tech mono-prints to digital laser decal, it is now
possible to employ a range of techniques to print on clay and
vitreous surfaces. With the ongoing advancement of new technologies
and more developed studio-based transfer processes artists continue
to push the boundaries of the medium. In this comprehensive update
of his popular Ceramics Handbook title, Paul Scott explains the
historical context for contemporary printed ceramics before
explaining the principles of core techniques and their application
in the studio. He explores photographic processes, as well as the
new opportunities presented by digital technology, including
digital and 3D printing. Illustrated with brand new images of
beautiful works by leading artists working in printed ceramics,
Ceramics and Print is a must-read guide for artists and makers
interested in this ever-developing field.
Rembrandt's stunning religious prints stand as evidence of the
Dutch master's extraordinary skill as a technician and as a
testament to his genius as a teller of tales. Here, several
virtually unknown etchings, collected by the Feddersen family and
now preserved for the ages at the University of Notre Dame, are
made widely available in a lavishly illustrated volume. Building on
the contributions of earlier Rembrandt scholars, noted art
historian Charles M. Rosenberg illuminates each of the 70 religious
prints through detailed background information on the artist's
career as well as the historical, religious, and artistic impulses
informing their creation. Readers will enjoy an impression of the
earliest work, The Circumcision (1625-26); the famous Hundred
Guilder Print; the enigmatic eighth state of Christ Presented to
the People; one of a handful of examples of the very rare final
posthumous state of The Three Crosses; and an impression and
counterproof of The Triumph of Mordecai. From the joyous epiphany
of the coming of the Messiah to the anguish of the betrayal of a
father (Jacob) by his children, from choirs of angels waiting to
receive the Virgin into heaven to the dog who defecates in the road
by an ancient inn (The Good Samaritan), Rembrandt's etchings offer
a window into the nature of faith, aspiration, and human
experience, ranging from the ecstatically divine to the worldly and
mundane. Ultimately, these prints- modest, intimate, fragile
objects-are great works of art which, like all masterpieces, reward
us with fresh insights and discoveries at each new encounter.
Chris Orr MBE RA is one of Britain's foremost printmakers. In this
definitive book he and Robert Hewison explore his remarkable
printmaking career, from his early experiments as a student in the
1960s, when he first discovered how etching could enhance his
drawing, to his later innovations in lithography, silkscreen and
digital printing, and his ingenious use of long-forgotten
processes. Hewison also considers the significant contribution that
Orr has made to printmaking as a teacher, first at Cardiff College
of Art and then in London at Central St Martins and the Royal
College of Art, where he was Professor of Printmaking from 1998 to
2008. Illustrated with over 150 of Orr's theatrical, witty and
wilfully allusive prints, this book looks for the first time in
depth at the gloriously original output of a ceaseless inventor.
The book will also be published in a limited edition containing a
specially made print signed by the artist.
From the beginning of the exciting century that saw a small nation
expand into a mighty world power, the famous lithographic firm of
Nathaniel Currier and James Merritt Ives produced over 7,000
prints, capturing scenes of American life in vivid detail. Currier
& Ives prints were each coloured individually, by hand, and
collectors have prized their skilled craftsmanship and keen sense
of composition for generations. This timeless collection, complete
with more than three hundred illustrations in full colour and a
masterful text by historian Walton Rawls, captures a beloved piece
of Americana. With festive holiday scenes, watershed historical
moments, and idyllic depictions of the American countryside, this
book will hold perennial appeal for lovers of history, art, and a
classic take on the American experience.
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