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Books > Arts & Architecture > Art forms, treatments & subjects > Prints & printmaking
The lubok-a broadside or poster-played an important role in
Russia's cultural history. Evolving as a medium for communication
with a largely illiterate population, the popular prints were
adapted to express political propaganda. Stephen Norris examines
the use of such prints to stir patriotic fervor during times of
war, from Napoleon's failed attempt at conquering Russia to
Hitler's invasion. Norris shows how visual images of patriotism and
expressions of the Russian spirit changed over time, yet remained
similar. The lubok produced during Russia's modern wars
consistently featured the same key elements: the Russian peasant,
the Cossack, and a representation of "the Russian spirit." When
Russia was victorious, occasionally the tsar figured into the
imagery; but by the beginning of the twentieth century, ethnic
identity had replaced dynastic representations of Russian
nationhood. After the Revolutions of 1917, Bolshevik and Soviet
leaders appropriated the traditional elements of the wartime lubok
to promote their vision of the new socialist state. The political
power of lubok imagery did not end with the Bolsheviks'
adaptations. During World War II, political posters similar to
those of the tsarist era reemerged to express and to reinforce
Russia's culture of patriotism and strength. Amply illustrated, A
War of Images is the first comprehensive study of how popular
prints helped to construct national identity in Russia over a
period of more than a century. Readers interested in Russian art,
history, and culture will find its insights intriguing.
This title is part of UC Press's Voices Revived program, which
commemorates University of California Press's mission to seek out
and cultivate the brightest minds and give them voice, reach, and
impact. Drawing on a backlist dating to 1893, Voices Revived makes
high-quality, peer-reviewed scholarship accessible once again using
print-on-demand technology. This title was originally published in
1954.
This title is part of UC Press's Voices Revived program, which
commemorates University of California Press's mission to seek out
and cultivate the brightest minds and give them voice, reach, and
impact. Drawing on a backlist dating to 1893, Voices Revived makes
high-quality, peer-reviewed scholarship accessible once again using
print-on-demand technology. This title was originally published in
1954.
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