In the exhilarating second romantasy novel in Rebecca Robinson’s Dark Inheritance Trilogy, a fiery couple forced apart must navigate a deadly maze of politics and power to reunite across a continent at war.

Torn from her husband Reid’s arms and dragged back to her homeland in chains, Vaasa is no longer a ruler, but a political pawn. Now under the control of Ozik—a cunning Zetyr witch with a stranglehold on her magic—she faces annulment, forced betrothal, and a kingdom that no longer feels like her own. As Ozik’s machinations aim to install himself as the true power behind the Asteryan throne, Vaasa is forced to take part in his game.

Meanwhile, across the continent, Reid is done playing politics. But waging war is never simple, and a soldier’s fury cannot stand up against Icruria’s bureaucracy. With allies fading and time slipping away, Reid may have no choice but to infiltrate Asterya on his own to find the woman he loves and bring her home.

As Vaasa’s magic begins to flare, she desperately seeks control, even if Ozik is the only one who can offer it. She then finds a cryptic final message from her mother about a precious missing necklace that might just be the answer to finally freeing her magic from Ozik. Yet when a ghost from Vaasa’s past reemerges among the suitors vying for her hand, escape might be within reach—but will it demand a betrayal that real love may not survive?

Dancing at the End of the World is a sprawling collection of connected stories and lives that span a century of Berlin’s rich and complicated history.

Beginning in 1933 amidst the rumblings of fascism and the demise of the Weimar Republic, and concluding in the fraught social and political climate of the present day, the collection weaves seamlessly through the defining years of the iconic city.

From the first story, we are introduced to Klara von Arnsberg, the aristocratic daughter of a famed industrialist, whose fierce instinct for both survival and reinvention is a mirror for that of Berlin itself. The life—or rather, many lives—that Klara builds for herself over the decades to come, are ever entangled with the fate of the city as we bear witness to the Holocaust, the post-war years, the Cold War, the fall of the Berlin Wall, and the ensuing years of dramatic transformation.

As we move through the decades of the twentieth and twenty-first century, Klara is ever-present in the stories and the characters we encounter: Turkish guest workers in the 1960s and Syrian refugees in the twenty-first century, frustrated housewives in the new Berlin of money and rampant gentrification, Cold War Berliners hardened by unimaginable cruelty, expats in search of themselves, tech entrepreneurs who dream of immortality, and the lost children of the cultural revolution.

All are linked to Klara, to her desires and fears, her greatest love, and the ultimate fate of both her legacy and the country itself.

Welcome to Phantasma. There are only two rules to the game: Stay alive. And don’t fall in love.

When Ophelia’s sister disappears, there is only one way to save her. Ophelia must enter Phantasma, a deadly contest inside a haunted mansion, and claim its prize—a single wish.

Phantasma is a maze of twisting corridors and lavish ballrooms, of demons and temptations. Ophelia will face nine challenges, each more dangerous than the last. There can only be one winner, and the other contestants will stop at nothing to eliminate their rivals.

Every day the house creates new monsters. But just as Ophelia’s fears threaten to overwhelm her, a mysterious stranger offers her a bargain.

Charming, arrogant and infuriatingly attractive, Blackwell claims he can guide her through the lethal trials ahead. All he asks in return is ten years of her life.

Ophelia knows she shouldn’t trust him. Blackwell doesn’t seem dangerous, but appearances can be deceptive. Worse still, she feels a dark and irresistible attraction drawing them closer and closer.

Her life is on the line. But in Phantasma, the only thing deadlier than losing the game is losing your heart . . .

The adventure is over but life goes on for an elf mage just beginning to learn what living is all about. Elf mage Frieren and her courageous fellow adventurers have defeated the Demon King and brought peace to the land. But Frieren will long outlive the rest of her former party. How will she come to understand what life means to the people around her? The mages begin the second stage of their certification exam: a dangerous expedition into the innermost depths of the ruins of the king's tomb. This time, there are no teams and it's every mage for themselves. Whether they want to team up or not, the challenge they will face-their own clones-will push their skills to the limit.

Wuthering Heights is a wild, passionate story of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and wrongly believing that his love for Catherine is not reciprocated, leaves Wuthering Heights, only to return years later as a wealthy and polished man. He proceeds to exact a terrible revenge for his former miseries. The action of the story is chaotic and unremittingly violent, but the accomplished handling of a complex structure, the evocative descriptions of the lonely moorland setting and the poetic grandeur of vision combine to make this unique novel a masterpiece of English literature.

“Ek wil ’n enkelkaartjie bespreek,” fluister Selma aan die man agter die toonbank in Flight Centre.

“Waarnatoe?” vra hy en kyk op.

“Geen idee nie,” sê Selma en lek oor haar droë lippe. “Solank dit baie ver van Johannesburg is.”

Selma Barnard se hele lewe het soos ’n kaartehuis inmekaargetuimel. Eers verloor sy haar man, toe haar kinders, en nou is haar hart van nuuts af gebreek deur ’n sogenaamde ridder op ’n wit perd. Hoe kon sy haar so misgis het? En waar was Louise, haar hartsvriendin van veertig jaar? Hoekom het sý haar nie gewaarsku nie. Indië toe, dis waarheen sy sal vlug, besluit Selma. Sy sal al haar durf en moed bymekaarskraap, vrou-alleen op die vliegtuig klim Mumbai toe, en ’n nuwe mens terugkom. À la Eat Pray Love.

An utterly addictive and twisty thriller, full of dark family secrets and deadly stakes. Perfect for fans of One of Us is Lying and Knives Out.

She came from nothing.

Avery has a plan: keep her head down, work hard for a better future.

Then an eccentric billionaire dies, leaving her almost his entire fortune. And no one, least of all Avery, knows why.

They had everything.

Now she must move into the mansion she's inherited.

It's filled with secrets and codes, and the old man's surviving relatives - a family hell-bent on discovering why Avery got 'their' money.

Now there's only one rule: winner takes all.

Soon she is caught in a deadly game that everyone in this strange family is playing.

But just how far will they go to keep their fortune?

Hier is iets betreklik nuut in Afrikaans: wetenskapfiksie vir volwassenes.

Die stories is uiteenlopend, maar deur elk loop die silwer draad van fantasie en wetenskap. Uiteindelik gaan dit natuurlik oor die karakters en Schoombie se gatskop-verteltrant.

Hier is ’n bedrewe skrywer met ’n verstommende verbeelding aan die woord – innovering, spanning en die verrassingselement is op die spyskaart.

The heartwarming conclusion to the Hopeless series that illustrates the power of following a difficult journey to discover what happens next.

Friends Daniel, Six, Holder, Sky, and Breckin are planning to celebrate the upcoming Thanksgiving holiday with a Friendsgiving dinner at Sky’s parents’ house.

But things have been off within the tightknit group and when Daniel reaches out to Six to ask the hard questions he hasn’t dared to bring up since they last spoke about their shared secret, he’s dismayed to learn that it’s this very secret bringing a cloud over the holiday. Suddenly, Daniel must do everything he can to find answers for the one person he loves the most in the world, but will this search only lead to despair.

A shocking psychological thriller of a woman’s act of violence against her husband―and of the therapist obsessed with uncovering her motive.

Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.

Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.

Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations―a search for the truth that threatens to consume him....

The Little Prince is a modern fable, and for readers far and wide both the title and the work have exerted a pull far in excess of the book’s brevity. Written and published first by Antoine de St-Exupéry in 1943, only a year before his plane disappeared on a reconnaissance flight, it is one of the world’s most widely translated books, enjoyed by adults and children alike.

In the meeting of the narrator who has ditched his plane in the Sahara desert, and the little prince, who has dropped there through time and space from his tiny asteroid, comes an intersection of two worlds, the one governed by the laws of nature, and the other determined only by the limits of imagination. The world of the imagination wins hands down, with the concerns of the adult world often shown to be lamentably silly as seen through the eyes of the little prince. While adult readers can find deep meanings in his various encounters, they can also be charmed back to childhood by this wise but innocent infant. This popular translation contains the author’s own delightful illustrations, bringing to visual life the small being at the tale’s heart, and a world of fantasy far removed from any quotidian reality. It is also a sort of love story, in which two frail beings, the downed pilot and the wandering infant-prince who has left behind all he knows, share their short time together isolated from humanity and finding sustenance in each other.

This is a book which creates a unique relationship with each reader, whether child or adult.

GANGLAND BOSS ZANDER FINN DISAPPEARED AFTER THE BRUTAL MURDER OF HIS SON. He fled to London, seeking salvation by walking away from his money, his career and his legacy. But when his old second-in-command Malky Maloney tracks him down, Finn knows he must return. Both his real family and his crime family face an existential threat from Albanian mobsters hellbent on taking control of the Scottish underworld and the forces of law and order determined to inflict their own retribution. Finn's fight for survival is a rollercoaster ride of brutality, misplaced loyalties and the utterly unexpected. The road to redemption is perilous - and paved with blood.

Stories do not have to be long. In the space of a couple of sentences - or even a page or two - we can see the human heart exposed in a way that is more powerful than in a novel. In Tiny Tales Alexander McCall Smith explores romance, ambition, kindness and happiness in thirty short stories that range in length from the short to the tiny. The settings are as diverse as the characters - Scotland, England, Australia, the United States - combining to create a rich and always surprising selection. An Australian pope?. A persuasive cosmetic surgeon? The world's laziest cat. A group of students living together and getting romantically entangled? All human and animal life is here - in miniature.

It's the nineteenth century. As America prepares for civil war, five men living within ninety miles of one another will change the course of history. The invention and refinement of the repeating firearm-the precursor to today's automatic weapons-means life in America and beyond will never be the same again. In this riveting work of narrative history, veteran reporter John Bainbridge, Jr. vividly brings to life the five charismatic and idiosyncratic men at the heart of the story: the huckster and hard-living Samuel Colt; the cunning former shirt-maker Oliver Winchester; the constant tinkerer Horace Smith; the resilient and innovative businessman Daniel Wesson; and the skinny abolitionist Christopher Spencer. As the men competed ferociously, each trying to corner the market for repeating weapons, invention and necessity collided in a perfect storm: America was crashing violently towards furious sectarianism, irrevocable tensions, and, of course, bloodthirsty war. Though capable of firing many times without reloading, astonishingly, the new guns faced a government backlash for using too much ammunition. Sold directly to soldiers, sometimes just as they were walking into battle, they quickly became coveted possessions, both during the Civil War and in the conquering of the West-and thus America's romance with personal firearms was born. Wide-ranging and vividly told, this is a gripping story of tenacity, conviction, innovation, and pure heartless greed.

For Landon Stackhouse, being called up from the Calgary farm team is exciting and terrifying, even if, as the backup goalie, he rarely leaves the bench. A quiet loner by nature, Landon knows he gives off strong “don’t talk to me” vibes. The only player who doesn’t seem to notice is Calgary’s superstar young winger, Casey Hicks.

Casey treats Landon like an old friend, even though they’ve only interacted briefly in the past. He’s endlessly charming and completely laid-back in a way that Landon absolutely can’t relate to. They couldn’t have less in common, but Landon needs a place to live that’s not a hotel room and Casey has just bought a massive house—and hates being alone.

As roommates, Casey refuses to be defeated by Landon’s one-word answers. As friends, Landon comes to notice a few things about Casey, like his wide, easy smile and sparkling green-blue eyes. Spending the holidays together only intensifies their bromance-turned-romance. But as the new year approaches, the countdown to the end of Landon’s time in Calgary is on.

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe has neither the look nor the voice of divinity, and is scorned and rejected by her kin. Increasingly isolated, she turns to mortals for companionship, leading her to discover a power forbidden to the gods: witchcraft.

When love drives Circe to cast a dark spell, wrathful Zeus banishes her to the remote island of Aiaia. There she learns to harness her occult craft, drawing strength from nature. But she will not always be alone; many are destined to pass through Circe's place of exile, entwining their fates with hers. The messenger god, Hermes. The craftsman, Daedalus. A ship bearing a golden fleece. And wily Odysseus, on his epic voyage home.

There is danger for a solitary woman in this world, and Circe's independence draws the wrath of men and gods alike. To protect what she holds dear, Circe must decide whether she belongs with the deities she is born from, or the mortals she has come to love.

'Dark, dangerous and intricately plotted - my heart literally pounded. I haven't been this addicted to anything since Serial. Holly Jackson is the next big thing, I promise' - Laura Steven, author of The Exact Opposite of Okay

A debut YA crime thriller as addictive as Serial as compelling as Riverdale and as page-turning as One of Us Is Lying

The case is closed. Five years ago, schoolgirl Andie Bell was murdered by Sal Singh. The police know he did it. Everyone in town knows he did it.

But having grown up in the same small town that was consumed by the crime, Pippa Fitz-Amobi isn't so sure. When she chooses the case as the topic for her final project, she starts to uncover secrets that someone in town desperately wants to stay hidden. And if the real killer is still out there, how far will they go to keep Pip from the truth . . . ?

Perfect for fans of One of Us Is Lying, Gone Girl, We Were Liars and Riverdale

Holly Jackson started writing stories from a young age, completing her first (poor) attempt at a novel aged fifteen. She lives in London and aside from reading and writing, she enjoys playing video games and watching true crime documentaries so she can pretend to be a detective. A Good Girl's Guide to Murder is her first novel. You can follow Holly on Twitter and Instagram @HoJay92