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Books > Humanities > Religion & beliefs > Aspects of religions (non-Christian) > Religious life & practice
This collection of essays focuses on sacrifice in the context of
Jewish and Christian scripture and is inspired by the thought and
writings of Rene Girard. The contributors engage in a dialogue with
Girard in their search for answers to key questions about the
relation between religion and violence. The book is divided into
two parts. The first opens with a conversation in which Rene Girard
and Sandor Goodhart explore the relation between imitation and
violence throughout human history, especially in religious culture.
It is followed by essays on the subject of sacrifice contributed by
some of the most distinguished scholars in the field, including
Bruce Chilton, Robert Daly, Louis Feldman, Michael Fishbane, Erich
Gruen, and Alan Segal. The second part contains essays on specific
scriptural texts (Abraham's sacrifice of Isaac in Genesis 22 and
the book of Job in the Jewish tradition, the Gospel and Epistles in
the Christian tradition). The authors explore new ways of applying
Girardian analysis to episodes of sacrifice and scapegoating,
demonstrating that fertile ground remains to further our
understanding of violence in the Hebrew and Christian scriptures.
Contributors: Sandor Goodhart, Ann W. Astell, Rene Girard, Thomas
Ryba, Michael Fishbane, Bruce Chilton, Robert Daly, S.J., Alan F.
Segal, Louis H. Feldman, Erich S. Gruen, Stuart D. Robertson,
Matthew Pattillo, Stephen Stern, Chris Allen Carter, William
Morrow, William Martin Aiken, Gerard Rosse, Christopher S.
Morrissey, Poong-In Lee, Anthony Bartlett
In The Jewish Museum: History and Memory, Identity and Art from
Vienna to the Bezalel National Museum, Jerusalem Natalia Berger
traces the history of the Jewish museum in its various
manifestations in Central Europe, notably in Vienna, Prague and
Budapest, up to the establishment of the Bezalel National Museum in
Jerusalem. Accordingly, the book scrutinizes collections and
exhibitions and broadens our understanding of the different ways
that Jewish individuals and communities sought to map their
history, culture and art. It is the comparative method that sheds
light on each of the museums, and on the processes that initiated
the transition from collection and research to assembling a type of
collection that would serve to inspire new art.
A Room Called Remember brings together some of Buechner's finest writings on faith, love, and the power of words in the form of essays, addresses, and sermons. Here Buechner explores autobiography as theology, offers exhilarating reflections on biblical passages, and leads us into the "room called Remember," that "still room within us all where the past lives on as part of the present,...where with patience, with clarity, with quietness of heart, we remember consciously to remember the lives we have lived."
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Buckle Up
(Hardcover)
L. Lee Stout; Designed by Anna Faktorovich
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R793
R696
Discovery Miles 6 960
Save R97 (12%)
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Ships in 18 - 22 working days
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In what ways do Buddhists recognize, define, and sort waste from
non-waste? What happens to Buddhist-related waste? How do new
practices of Buddhist consumption result in new forms of waste and
consequently new ways of dealing with waste? This book explores
these questions in a close examination of a religion that is often
portrayed as anti-materialist and non-economic. It provides insight
into the complexity of Buddhist consumption, conceptions of waste,
and waste care. Examples include scripture that has been torn and
cannot be read, or an amulet that has disintegrated, as well as
garbage left behind on a pilgrimage, or the offerings of food and
prayer scarves that create ecological contamination. Chapters cover
mass-production and over-consumption, the wastefulness of
consumerism, the by-products of Buddhist practices like rituals and
festivals, and the impact of increased Buddhist consumption on
religious practices and social relations. The book also looks at
waste in terms of what is discarded, exploring issues of when and
why particular objects and practices are sorted and handled as
sacred and disposable. Contributors address how sacred materiality
is destined to wear and decay, as well as ideas about
redistribution, regeneration or recycling, and the idea of waste as
afterlife.
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