The ERC-funded research project BuddhistRoad aims to create a new framework to enable understanding of the complexities in the dynamics of cultural encounter and religious transfer in pre-modern Eastern Central Asia. Buddhism was one major factor in this exchange: for the first time the multi-layered relationships between the trans-regional Buddhist traditions (Chinese, Indian, Tibetan) and those based on local Buddhist cultures (Khotanese, Uyghur, Tangut) will be explored in a systematic way. The second volume Buddhism in Central Asia II-Practice and Rituals, Visual and Materials Transfer based on the mid-project conference held on September 16th-18th, 2019, at CERES, Ruhr-Universitat Bochum (Germany) focuses on two of the six thematic topics addressed by the project, namely on "practices and rituals", exploring material culture in religious context such as mandalas and talismans, as well as "visual and material transfer", including shared iconographies and the spread of 'Khotanese' themes.

Holy Women Icons wouldn't be a book without first being a series of paintings. So, I am grateful for those galleries that have hosted them: Shell Ridge, Karma, Blue Lotus/Woven Soul, and Barnhills. I'm also tremendously grateful for all the people who have supported my art by purchasing or commissioning an original icon or buying a print. It means a great deal for someone to find enough value in my paintings to actually hang them in their home. The fact that these Holy Women are scattered all over the world, providing inspiration for friends, family, colleagues, and strangers is a gift. And these paintings would have never been written about had Xochitl Alvizo not invited me to become a regular writer on Feminism and Religion, featuring one icon each month and expounding upon her story. Xochitl would not have discovered these paintings if Kittredge Cherry had not interviewed me about my beloved queer saints on Jesus in Love. So, I am grateful to these two women who have helped my icons find voices in the wider public. And I am grateful to the Feminism in Religion community for offering encouragement, constructive feedback, and inspiration along the way.