This book places the discourse surrounding stigmata within the visual culture of the late medieval and early modern periods, with a particular focus on Italy and on female stigmatics. Echoing, and to a certain extent recreating, the wounds and pain inflicted on Christ during his passion, stigmata stimulated controversy. Related to this were issues that were deeply rooted in contemporary visual culture such as how stigmata were described and performed and whether, or how, it was legitimate to represent stigmata in visual art. Because of the contested nature of stigmata and because stigmata did not always manifest in the same form - sometimes invisible, sometimes visible only periodically, sometimes miraculous, and sometimes self-inflicted - they provoked complex questions and reflections relating to the nature and purpose of visual representation. Dr Cordelia Warr is Senior Lecturer in Art History, University of Manchester, UK.

A visual feast of eclectic artwork informed and inspired by spiritual beliefs, magical techniques, mythology and otherworldly experiences. Mystical beliefs and practices have existed for millennia, but why do we still chase the esoteric? From the beginning of human creativity itself, image-makers have been drawn to these unknown spheres and have created curious artworks that transcend time and place - but what is it that attracts artists to these magical realms? From theosophy and kabbalah, to the zodiac and alchemy; spiritualism and ceremonial magic, to the elements and sacred geometry - The Art of the Occult introduces major occult themes and showcases the artists who have been influenced and led by them. Discover the symbolic and mythical images of the Pre-Raphaelites; the automatic drawing of Hilma af Klint and Madge Gill; Leonora Carrington's surrealist interpretation of myth, alchemy and kabbalah; and much more. Featuring prominent, marginalised and little-known artists, The Art of the Occult crosses mystical spheres in a bid to inspire and delight. Divided into thematic chapters (The Cosmos, Higher Beings, Practitioners), the book acts as an entertaining introduction to the art of mysticism - with essays examining each practice and over 175 artworks to discover. The art of the occult has always existed in the margins but inspired the masses, and this book will spark curiosity in all fans of magic, mysticism and the mysterious.

Quid est secretum? Visual Representation of Secrets in Early Modern Europe, 1500-1700 is the companion volume to Intersections 65.1, Quid est sacramentum? Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700. Whereas the latter volume focused on sacramental mysteries, the current one examines a wider range of secret subjects. The book examines how secret knowledge was represented visually in ways that both revealed and concealed the true nature of that knowledge, giving and yet impeding access to it. In the early modern period, the discursive and symbolical sites for the representation of secrets were closely related to epistemic changes that transformed conceptions of the transmissibility of knowledge. Contributors: Monika Biel, Alicja Bielak, C. Jean Campbell, Tom Conley, Ralph Dekoninck, Peter G.F. Eversmann, Ingrid Falque, Agnes Guiderdoni, Koenraad Jonckheere, Suzanne Karr Schmidt, Stephanie Leitch, Carme Lopez Calderon, Mark A. Meadow, Walter S. Melion, Eelco Nagelsmit, Lars Cyril Norgaard, Alexandra Onuf, Bret L. Rothstein, Xavier Vert, Madeleine C. Viljoen, Mara R. Wade, Lee Palmer Wandel, and Caecilie Weissert.

"Nightshades is the record of one remarkable magician's exploration of the inverse regions of the Tree of Life. Aleister Crowley's Liber 231 provides the map and Kenneth Grant's Nightside of Eden a travelogue. "Liber 231, apparently started life as a text within the Hermetic Order of the Golden Dawn, as an exercise to develop astral and trance abilities or perhaps in other more elaborate rites. The nightside aspect requires some care and alertness in case of accident. The correct attitude is said to be one of self or ego-less witness. Or maybe it's just one needs Or maybe it's just one needs the use of an all-embracing rather than a limited kind of identity and self-identification?" "The Nightside is always with us. It's so much older than the Dayside. Before the light began to shine, the night was there. Some assume that we are dealing with a simple polarity. On one hand the radiant world of colours and forms, more or less thinkable, reasonable and meaningful. Like the pretty picture of the Tree of Life it has its scenic cites, its hotels, restaurants, shopping opportunities and highways in between. On the other hand the chaotic world of uncertain and incomprehensible mysteries. Both of them connected by the voidness that makes them possible. It looks symmetrical. But when you reach the Nightside it doesn't work like that. The Nightside is not simply a reflection of the dayside with a few confusing and spooky bits thrown in. The Dayside is a tiny island of experience in a huge ocean, the Nightside, full of currents, island chains and continents of the possible and impossible. All and Nothing are present everywhere. Our island is not the opposite of the world-ocean, it is simply a tiny and comprehensible part of it." Jan Fries Nightshades comprises 72 intense drawings prefaced by an explanatory essay detailing the background and genesis of this ultimate magical adventure.

At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Goettler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Zupanov.

The hypothesis that the Gospel of Mark was heavily influenced by Pauline theology and/or epistles was widespread in the nineteenth century, but fell out of favour for much of the twentieth century. In the last twenty years or so, however, this view has begun to attract renewed support, especially in English language scholarship. This major and important collection of essays by an international team of scholars seeks to move the discussion forward in a number of significant ways - tracing the history of the hypothesis from the nineteenth century to the modern day, searching for historical connections between these two early Christians, analysing and comparing the theology and christology of the Pauline epistles and the Gospel of Mark, and assessing their reception in later Christian texts. This major volume will be welcomed by those who are interested in the possible influence of the apostle to the Gentiles on the earliest Gospel.

"What has Jesus Christ to do with English literature?" ask David Lyle Jeffrey and Gregory Maillet in this insightful survey. First and foremost, they reply, many of the world's best authors of literature in English were formed--for better or worse--by the Christian tradition. Then too, many of the most recognized aesthetic literary forms derive from biblical exemplars. And finally, many great works of literature demand of readers evaluative judgments of the good, the true and the beautiful that can only rightly be understood within a Christian worldview. In this book Jeffrey and Maillet offer a feast of theoretical and practical discernment. After an examination of literature and truth, theological aesthetics, and the literary character of the Bible, they turn to a brief survey of literature from medieval times to the present, highlighting distinctively Christian themes and judgments. In a concluding chapter they suggest a path for budding literary critics through the current state of literary studies. Here is a must-read for all who are interested in a Christian perspective on literary studies. The Christian Worldview Integration Series, edited by J. P. Moreland and Francis J. Beckwith, seeks to promote a robust personal and conceptual integration of Christian faith and learning, with textbooks focused on disciplines such as education, psychology, literature, politics, science, communications, biology, philosophy, and history.

So many books, so little time. How do you decide what to read? Walking into a bookstore, a library, or looking online can be an intimidating and overwhelming experience, to say the least. With so many options and not knowing what's best for you, it's easy to just end up making an impulse buy or giving up on reading altogether. We barely spend as much time reading as we'd like, and then we often end up completely frustrated by what we chose to read. Besides the Bible is a guide to the really great books that you should read--ones that matter. Covering a wide array of subjects and authors, from Christian bookstore best sellers to classics of Christian history and more, you'll find yourself agreeing with some titles, shaking your head at others, and even shocked by a few. This isn't a dry catalog with dull summaries of books authored by a bunch of dead guys. Dan Gibson, Jordan Green, and John Pattison, along with an all-star team of today's most interesting Christian thinkers--including Donald Miller, Derek Webb, Phyllis Tickle, Steve Taylor, and William P. Young-- will re-ignite your love for reading or if you're a little lazy, give you enough information to make it seem like you're incredibly well read.

More and more in our modern and postmodern culture the twin concepts of beauty and truth have been separated both from each other and from their individual connection to the divine source of Beauty and Truth. Even as our public schools move further and further away from their connection to the universal moral code, the world of art (both high and low) embraces an aesthetic that privileges ugliness over beauty, nihilism over form, and radical self-expression over the pursuit of higher truth. As both an effective apologist for truth-based education and as a sub-creator of his own beauty-enhancing fiction, C.S. Lewis is the ideal guide for those who would seek to restore truth and beauty to their proper place and role in our modern world. Sections one and two analyze Lewis' eleven novels, showing how Lewis counters the growing cult of the ugly and helps restore a clearer understanding of the nature of good and evil. Sections three and four turn to Lewis' nonfiction works to assess what advice Lewis can give educators at all levels who would steer their students away from chronological snobbery and values-free education toward a true re-engagement with the past. The book concludes with a commentary onScrewtape Letters that exposes what Satan's main temptation tactics have been since the 1960s and a detailed bibliographical essay of books by and about Lewis.

Conflict has been an inescapable facet of religion from its very beginnings. This volume offers insight into the mechanisms at play in the centuries from the Jesus-movement's first attempts to define itself over and against Judaism to the beginnings of Islam. Profiling research by scholars of the Centre for Early Christian Studies at Australian Catholic University, the essays document inter- and intra-religious conflict from a variety of angles. Topics relevant to the early centuries range from religious conflict between different parts of the Christian canon, types of conflict, the origins of conflict, strategies for winning, for conflict resolution, and the emergence of a language of conflict. For the fourth to seventh centuries case studies from Asia Minor, Syria, Constantinople, Gaul, Arabia and Egypt are presented. The volume closes with examinations of the Christian and Jewish response to Islam, and of Islam's response to Christianity. Given the political and religious tensions in the world today, this volume is well positioned to find relevance and meaning in societies still grappling with the monotheistic religions of Judaism, Christianity, and Islam.

"The true poet bares not only his mind and heart but reveals the depths of hissoul. After reading Dave Dowd's current collection, I am fi rmly convinced that he is, indeed, a true poet. Dave's poetry is teeming with stories, teachings, and truisms thatmake us all stop to think, to refl ect and ultimately, to examine our own humanity.From poetry that celebrates the victory and defeat of his beloved Boston Red Sox, toheartfelt love poems, to a selection of work inspired by the epic battle for human life, Dave does not disappoint. This poetry acts as a beacon of light in a time so mired indarkness that its inspired words must be read and its message lived."Host of EWTN Radio's Open Line & The Good FightGod keep you, Dave! Great job!B A R B A R A M C G U I G A N

Kids and adults alike love Pixar's movies. We come out of the theater not just entertained or amused, but inspired. Everybody agrees: Pixar makes fun, clean, terrific movies. But what makes these movies so appealing is not merely amazing CGI animation, clever humor or fantastic imagination. These movies are not just great. Pixar's movies are good. Robert Velarde unpacks the movies of Pixar and shows how they display the best of classic Christian virtues. Pixar's films resonate with us because of their moral character. Their virtuous themes of hope and courage, friendship and love connect with our deepest human longings. Whether we identify with the plight of a lost fish or the adventures of toys, bugs or cars, Pixar's characters help us build our own character, with the kind of virtue that we want for ourselves and those around us. Insightfully exploring each of Pixar's movies, this book is a friendly companion for fans, parents and church leaders. Discover how the imagination of Pixar can awaken in you a Christian vision for a moral life and a better society.