Smile of the Buddha explores the influences of Asian world-views and particularly Buddhism on the art of Europe and America in the modern era. In an informative and perceptive introduction and essays on twenty well-known artists, Jacquelynn Baas analyzes how the teachings of the Buddha offered alternatives to Western intellectual conceptions of art and traces the various ways this inspiration materialized in artworks. The influence of Buddhism on art from the last quarter of the nineteenth century to the present has been greater than historians and critics generally recognize, Baas claims. Considering essential questions about the relationship of art and life, this timely and beautifully illustrated book expands our perspective on how spirituality and creativity inspire and inform one another. Baas's insights and the images she presents give the reader a new understanding and appreciation of a diverse array of Western artworks.

Learning about the ancient Jewish tradition of midrash, a rabbinic form of textual interpretation that seeks and imagines answers to unanswerable questions, felt to Amy Bornman like a poetic invitation to re-engage with the Bible in a new way. There is a Future: A Year of Daily Midrash - an award-winner in the Paraclete Poetry Prize competition - grew from a yearlong project to read the Bible daily, and write daily midrashic poems in response to the readings-to honor the text by wondering about, and struggling with, it. By engaging particular passages of scripture across the Old and New Testaments directly, these poems imagine new dimensions of the text, and make vivid connections to the world as it is now and to the author's own life-emerging at year's end with new hope in a future that at times feels impossible, as the days pile on days and the text's enduring questions continue to ring.

Art as Biblical Commentary is not just about biblical art but, more importantly, about biblical exegesis and the contributions visual criticism as an exegetical tool can make to biblical exegesis and commentary. Using a range of texts and numerous images, J. Cheryl Exum asks what works of art can teach us about the biblical text. 'Visual criticism' is her term for an approach that addresses this question by focusing on the narrativity of images-reading them as if, like texts, they have a story to tell-and asking what light an image's 'story' can shed on the biblical narrator's story. In Part I, Exum elaborates on her approach and offers a personal testimony to the value of visual criticism. Part 2 examines in detail the story of Hagar in Genesis 16 and 21. Part 3 contains chapters on erotic looking and voyeuristic gazing in the stories of Bathsheba, Susanna, Joseph and Potiphar's wife and the Song of Songs; on the distribution of renown among Jael, Deborah and Barak; on the Bible's notorious women, Eve and Delilah; and on the sacrificed female body in the stories of the Levite's wife (Judges 19) and Mary the mother of Jesus.