The Mystery of Art lets the forms of art tell their own tale. Instead of analyzing the art expressions this narrative work invites the reader to re-discover the functions of art. The observation of the art-scenes starts with the present and winds its way backward through time and history. In the course of this journey the different art-expressions reveal themselves in a novel light.

Ce volume recueille des etudes d'oeuvres quebecoises et francaises considerees dans leur relation au fait religieux. A partir des ecrits des jesuites et des moniales en Nouvelle-France, en passant par les modeles offerts par Moliere et Chateaubriand, on suit le parcours, sinueux et parfois paradoxal, de l'autonomisation progressive du champ litteraire. Les analyses portent sur les strategies d'affirmation, de contournement, d'oubli ou de detournement du religieux adoptees par des auteurs comme Rejean Ducharme, Anne Hebert, Michel Tournier ou Nelly Arcan. Cette perspective diachronique et transatlantique contribue a faire emerger les points de contact entre les oeuvres, en creant un jeu de miroirs et de reflets fecond, dans lequel la relation au religieux s'impose comme un enjeu, parfois sous-jacent mais pourtant central, de la litterature contemporaine.

Zen art poses a conundrum. On the one hand, Zen Buddhism emphasizes the concept of emptiness, which among other things asserts that form is empty, that all phenomena in the world are illusory. On the other hand, a prodigious amount of artwork has been created in association with Zen thought and practice. A wide range of media, genres, expressive modes, and strategies of representation have been embraced to convey the idea of emptiness. Form has been used to express the essence of formlessness, and in Japan, this gave rise to a remarkable, highly diverse array of artworks and a tradition of self-negating art.In this volume, Yukio Lippit explores the painting The Gourd and the Catfish (ca. 1413), widely considered one of the most iconic works of Japanese Zen art today. Its subject matter appears straightforward enough: a man standing on a bank holds a gourd in both hands, attempting to capture or pin down the catfish swimming in the stream below. This is an impossible task, a nonsensical act underscored by the awkwardness with which the figure struggles even to hold his gourd. But this impossibility is precisely the point.

Shu'ayb al-'Arna'ut war ein zeitgenoessischer Hadith-Gelehrter, der einen grossen Teil des Hadith-Kanons und daruber hinaus klassifiziert hat. In diesem Band wird zum ersten Mal seine Methodologie vorgestellt. Anhand einer komparativen Analyse wird ein exemplarischer Korpus von Hadithen untersucht, um die Charakteristika der Methodologie von al-'Arna'ut feststellen zu koennen. Zudem werden seine Beurteilungen von Hadithen mit denen von al-Tahanawi und al-'Albani verglichen. Die Autorin zeigt in diesem Buch auf, wie zeitgenoessische Hadith-Gelehrte mit den Erkenntnissen fruherer Gelehrter umgehen, welche Herausforderungen und neuen Entwicklungen dabei entstanden sind.

"The Complete Book of Hymns" brings to life the stories behind more than 600 hymns and worship songs. With background on the composer, the inspiration behind the lyrics, scriptural references for devotional consideration, and a sampling of the song lyrics, this book brings forth the message of these great songs of the faith like never before!

In this volume, Charles Taliaferro and Jil Evans promote aesthetic personalism by examining three domains of aesthetics - the philosophy of beauty, aesthetic experience, and philosophy of art - through the lens of Judaism, Christianity, Islam, theistic Hinduism, and the all-seeing Compassionate Buddha. These religious traditions assume an inclusive, overarching God's eye, or ideal point of view, that can create an emancipatory appreciation of beauty and goodness. This appreciation also recognizes the reality and value of the aesthetic experience of persons and deepens the experience of art works. The authors also explore and contrast the invisibility of persons and God. The belief that God or the sacred is invisible does not mean God or the sacred cannot be experienced through visual and other sensory or unique modes. Conversely, the assumption that human persons are thoroughly visible, or observable in all respects, ignores how racism and other forms of bias render persons invisible to others.

What happens when we push past the surface and allow real, grounded, mutually challenging, and edifying friendships to develop? We need only look at the little-known friendship between eminent Christian thinkers Dorothy L. Sayers and C. S. Lewis to find out. Born out of a fan letter that celebrated mystery novelist Sayers wrote to Lewis as his star was just beginning to rise, this friendship between a married woman and a longtime bachelor developed over years of correspondence as the two discovered their mutual admiration of each other's writing, thinking, and faith. In a time when many Christians now aren't even sure that a man and a woman can be "just friends" and remain faithful, Gina Dalfonzo's engaging treatment of the relationship between two of Christianity's most important modern thinkers and writers will resonate deeply with anyone who longs for authentic, soul-stirring friendships that challenge them to grow intellectually and spiritually. Fans of Lewis and Sayers will find here a fascinating addition to their collections.

Die Beitrage untersuchen disziplinubergreifend das Phanomen Migration. Die AutorInnen betrachten Migration als ein konstitutives Element der Menschheitsgeschichte und als globales Zukunftsthema. Spatestens seit Beginn der Fluchtlingswelle aus Syrien nach Europa und auch OEsterreich in den Sommermonaten 2015 ist diese Thematik integraler Bestandteil medialer, politischer und oeffentlicher Kontroversen. Migration ist kein modernes Phanomen. Wanderungsprozesse aufgrund existenzieller Bedrohungen oder Hoffnung auf bessere Lebensbedingungen anderswo hat es immer gegeben. Die BeitragerInnen diskutieren Migration aus den Perspektiven der Theologie, Philosophie und der Kunstwissenschaft. Die Bandbreite der Sujets reicht hierbei von alttestamentarischen Bibelstellen bis hin zum Europa der Neuzeit, uber Kolonialismus, Imperialismus und Globalisierung. Aus kunstwissenschaftlicher Perspektive wird der Migrationsbegriff hinsichtlich unterschiedlicher Epochen und Kunstgattungen aufbereitet.

Logos Bookstore Association Award Dallas Willard Center Book Award Finalist Foreword INDIES Book of the Year Awards Finalist World Magazine's Best Books Aldersgate Prize by the John Wesley Honors College at Indiana Wesleyan University ECPA Top Shelf Book Cover Award Outreach Magazine Resource of the Year Missio Alliance Essential Reading List Shusaku Endo's novel Silence, first published in 1966, endures as one of the greatest works of twentieth-century Japanese literature. Its narrative of the persecution of Christians in seventeenth-century Japan raises uncomfortable questions about God and the ambiguity of faith in the midst of suffering and hostility. Endo's Silence took internationally renowned visual artist Makoto Fujimura on a pilgrimage of grappling with the nature of art, the significance of pain and his own cultural heritage. His artistic faith journey overlaps with Endo's as he uncovers deep layers of meaning in Japanese history and literature, expressed in art both past and present. He finds connections to how faith is lived in contemporary contexts of trauma and glimpses of how the gospel is conveyed in Christ-hidden cultures. In this world of pain and suffering, God often seems silent. Fujimura's reflections show that light is yet present in darkness, and that silence speaks with hidden beauty and truth.

In search of holistic Christian witness, missionaries have increasingly sought to take into account all the dimensions of people's cultural and religious lives-including their songs, dances, dramatic performances, storytelling, and visual arts. Missiologists, educators, and practitioners are cultivating new approaches for integrating the arts into mission praxis and celebrating creativity within local communities. And in an increasingly globalized and divided world, peacemaking must incorporate the use of artistic expressions to create understanding among peoples of diverse faiths. As Christians in all nations encounter members of other religions, how do they witness among these neighbors while respecting their distinct traditions? Building on sessions at the 2018 Missiology Lectures at Fuller Seminary, this book explores the crucial role of the arts in helping people from different cultures and faiths get caught up in the gospel story. Scholars and practitioners from throughout the world present historical and contemporary case studies and analyses. Their subjects include the use of Christian songs during the Liberian civil war and Ebola crisis, social critiques in contemporary Chinese art, interreligious dialogue through choir music in Germany, aesthetic practices of the Zapatista movement in Chiapas, Mexico, and how hip-hop music empowers urban young people in globalizing Mozambique. These essays foster a conversation about the work that missiologists, art critics, ethnodoxologists, and theologians can do together to help guide church leaders in promoting interfaith and intercultural relationships. While honestly identifying weaknesses in the church's practice, the contributors call all Christians to understand the power of art for expressing cultural and religious identity, opening spaces for transformative encounters, bridging divides, and resisting injustice. Missiological Engagements charts interdisciplinary and innovative trajectories in the history, theology, and practice of Christian mission, featuring contributions by leading thinkers from both the Euro-American West and the majority world whose missiological scholarship bridges church, academy, and society.

This sumptuously illustrated volume analyzes artists' representations of angels and demons and heaven and hell from the Judeo-Christian tradition and describes how these artistic portrayals evolved over time. As with other books in the Guide to Imagery series, the goal of this volume is to help contemporary art enthusiasts decode the symbolic meanings in the great masterworks of Western Art.
The first chapter traces the development of images of the Creation and the Afterworld from descriptions of them in the Scriptures through their evolution in later literary and philosophical works. The following two chapters examine artists' depictions of the two paths that humans may take, the path of evil or the path of salvation, and the punishments or rewards found on each. A chapter on the Judgment Day and the end of the world explores portrayals of the mysterious worlds between life and death and in the afterlife. Finally, the author looks at images of angelic and demonic beings themselves and how they came to be portrayed with the physical attributes--wings, halos, horns, and cloven hooves--with which we are now so familiar.
Thoroughly researched by and expert in the field of iconography, Angels and Demons in Art will delight readers with an interest in art or religious symbolism.

Das biblische Danielbuch selbst formuliert die Erwartung: "viele werden es durchforschen ..." (Dan 12,4 Lutherubersetzung). Die Geschichte der Danielauslegung in Judentum, Christentum und Islam war im August 2006 in Berlin Gegenstand eines wissenschaftlichen Symposiums, dessen Tagungsbeitrage hier vorgelegt werden. Das Themenspektrum beginnt bei dem biblischen Danielbuch selbst und reicht dann uber die Danielrezeption im hellenistischen Judentum, im Markusevangelium und in der Alten Kirche (Hippolyt, Ephraem der Syrer, Hieronymus, Theodoret) uber Vertreter des Mittelalters (mittelalterliche islamische Literatur, Abravanel, Nikolaus von Lyra) und der Reformationszeit (Luther, Muntzer, Melanchthon, Calvin) bis hin zu Isaac Newton. Texte und Kunstwerke aus allen drei monotheistischen Weltreligionen werden eroertert. Die Aufsatze bilden Einzelstudien, denen in der Regel eine Quelle zugrunde liegt, die entweder aufgrund ihrer Exemplarizitat fur eine Epoche oder aufgrund ihrer Bedeutung als einer wichtigen Station oder eines Wendepunktes in der Rezeptionsgeschichte ausgewahlt wurde. Da bei den meisten behandelten Autoren ihre Danielrezeption zu einem fortlaufenden Kommentar gerinnt, liegt ein besonderes Augenmerk auf der Gattungsgeschichte des biblischen Kommentars.

Am 15. September 1680 fand die feierliche Translation der Reliquien der Katakombenheiligen Sergius, Bacchus, Hyacinthus und Erasmus im Kloster St. Gallen statt. Als Director musicae bekam der Stiftsorganist Pater Valentin Muller (Molitor) die Aufgabe, die Musik fur die Feier zu verfassen. 1681 wurde ein Teil des dafur komponierten Repertoires unter dem Titel Missa una cum tribus Mottetis in Solemni Translatione SS. MM. Sergii, Bacchi, Hyacinthi et Erasmi ab octo vocibus concertantibus, et 7. Instrumentis, sed tantium quatuor necessariis in Monasterio S. Galli decantata herausgegeben. Der im Kloster St. Gallen produzierte Musikdruck enthalt ein vollstandiges Ordinarium missae (Kyrie, Gloria, Credo, Sanctus und Agnus Dei) sowie drei Motetten. Grandios ist die aufwendige Besetzung mit zwei vierstimmigen Choeren sowie einem reichen, dem Festcharakter angemessenen Instrumentarium. Die Musik stellt damit ein wertvolles Zeugnis des benediktinischen Musikrepertoires dar, wie es im Kloster St. Gallen in der zweiten Halfte des 17. Jahrhunderts gepflegt wurde. Der vorliegende Band enthalt die vollstandige kritische Ausgabe der 1681 erschienenen Werke von Pater Valentin Muller (Molitor) sowie eine historische Einleitung.

(Book Jacket Status: Jacketed)
For the first time, all the major works of this beloved writer are gathered together in one hardcover volume.
Poet, artist, and mystic, Kahlil Gibran was born in 1883 to a poor Christian family in Lebanon and immigrated to the United States as an adolescent. His masterpiece, " The Prophet," a book of poetic essays that he began while still a youth in Lebanon, is one of the most cherished books of our time and has sold millions of copies in more than twenty languages since its publication in 1923. But all of Gibran's works--essays, stories, parables, and prose poems--are imbued with equally powerful simplicity and wisdom, whether they are addressing marriage or children, friendship or grief, work or pleasure. Perhaps no other twentieth-century writer has touched the hearts and minds of so remarkably varied and widespread a readership.
Included in this volume are" The Prophet, The Wanderer, Jesus the Son of Man, A Tear and a Smile, Spirits Rebellious, Nymphs of the Valley, Prose Poems, The Garden of the Prophet, The Earth Gods, Sand and Foam, The Forerunner," and" The Madman."

Die Studie erschliesst einen neuen Zugang zur "Liebe". Der Autor untersucht Liebe nicht lediglich als sinnlichen Affekt, sondern als Grundausrichtung auf das Gute. Seine rein philosophische Argumentation geht den Gegebenheiten der Erfahrung auf den Grund. Das Buch beginnt mit der Darstellung von Liebe als "Prinzip des Seins". Das in Evolution befindliche Sein des Kosmos weist auf das Goettliche als "sich verstroemende Liebe" hin. Liebe erscheint als Aufbauprinzip einer Seinsordnung, die zum Beispiel Ehe und Familie begrundet. Es folgt eine Betrachtung der Liebe als Prinzip des sinnlichen und des geistigen Erkennens. Die Betrachtung kulminiert in einem abschliessenden Teil mit einer Reflexion der Liebe als "Prinzip des Handelns" gegenuber dem Sein, der eigenen Person, den Mitmenschen und der Natur.

Although trained as a scientist and a philosopher, Rudolf Steiner always placed a high value on the practice of art and always worked artistically: whatever he did was done with great artistry. Furthermore, as a spiritual teacher, Steiner's ideal was the reunion of science, religion, and art in a new, human sacramental culture. The eleven lectures collected here reveal the many-facetted perspectives Steiner offered regarding the vital role of the visual arts in human affairs. For Steiner, art is above all a way of building a bridge between the spiritual and the physical realms. His views are not abstract theories or utopian ideals, but a constant striving through the inherent qualities of color and form to realize concrete artistic projects in architecture, sculpture, and painting.

On first meeting Steiner's radical ideas, many people -- artists as well as non-artists -- wonder what sense they can make of such an approach to art. The introduction by Michael Howard introduces these ideas by recounting one artist's experience of struggling to make Steiner's views and way of doing art his own. Ultimately, however each person must make their own relationship to Steiner's approach, buth the story of how one artist took up the challenge may stimulate others to do the same. The book includes numerous photographs.

A repackaged edition of the revered author’s treasury of essays and stories which examine the value of creative writing and imaginative exploration.

C. S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and bestselling author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—presents a well-reasoned case for the importance of story and wonder, elements often ignored by critics of his time.

He also discusses his favorite kinds of stories—children’s stories and fantasies—and offers insights into his most famous works, The Chronicles of Narnia and the Space Trilogy.

The magnificent bronze doors of Hildesheim Cathedral, the ivory, gold, enameled, and bejeweled book covers made to contain superbly illuminated manuscripts, the startling reliquary caskets made in the shape of the part of the body supposed to be contained within them-these and other sacred objects were contained within church treasuries and cloisters in the early Middle Ages in Europe. This beautiful book traces the development of these so-called Minor Arts and the major role they played alongside the other pictorial arts and architectural sculpture of the period. Although it is impossible to establish a strict chronology of this period, since styles evolved concurrently and with varying speed across diverse regions of Europe, Peter Lasko has established an object-based chronology that enables him to trace the developments of these styles. In addition, he describes the personalities, stylistic traits, and influence of some of the great craftsmen whose names are briefly recorded in cathedral treasury records. He surveys the sacred arts from Scandinavia to Spain and from Italy to England, examining the impact of English art on the court of Charlemagne and investigating external influences on English art both before and after the Norman Conquest. Lasko records the wide range of opinions on style and method and also explicates his own; his comprehensive survey of craftsmanship alters previous assumptions about chronologies, creates new groupings of materials, and reassesses stylistic sources.