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Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art
In the early sixteenth century, Albrecht Altdorfer promoted
landscape from its traditional role as background to its new place
as the focal point of a picture. His paintings, drawings, and
etchings appeared almost without warning and mysteriously
disappeared from view just as suddenly. In "Albrecht Altdorfer and
the Origins of Landscape," Christopher S. Wood shows how Altdorfer
transformed what had been the mere setting for sacred and
historical figures into a principal venue for stylish draftsmanship
and idiosyncratic painterly effects. At the same time, his
landscapes offered a densely textured interpretation of that
quintessentially German locus--the forest interior. This revised
and expanded second edition contains a new introduction, revised
bibliography, and fifteen additional illustrations.
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Titian
(Paperback)
Estelle M Hurll
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R437
Discovery Miles 4 370
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Ships in 18 - 22 working days
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Few Renaissance Venetians saw the New World with their own eyes. As
the print capital of early modern Europe, however, Venice developed
a unique relationship to the Americas. Venetian editors, mapmakers,
translators, writers, and cosmographers represented the New World
at times as a place that the city's mariners had discovered before
the Spanish, a world linked to Marco Polo's China, or another
version of Venice, especially in the case of Tenochtitlan.
Elizabeth Horodowich explores these various and distinctive modes
of imagining the New World, including Venetian rhetorics of
'firstness', similitude, othering, comparison, and simultaneity
generated through forms of textual and visual pastiche that linked
the wider world to the Venetian lagoon. These wide-ranging stances
allowed Venetians to argue for their different but equivalent
participation in the Age of Encounters. Whereas historians have
traditionally focused on the Spanish conquest and colonization of
the New World, and the Dutch and English mapping of it, they have
ignored the wide circulation of Venetian Americana. Horodowich
demonstrates how with their printed texts and maps, Venetian
newsmongers embraced a fertile tension between the distant and the
close. In doing so, they played a crucial yet heretofore
unrecognized role in the invention of America.
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