In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual ""genius"" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.

Rembrandt's Code - From the Attic of Civilization can best be described by quoting a reviewer: 5 out of 5 stars "Dr. Girsh has a wonderful grasp of the complex nuances of Rembrandt's works, tying together Biblical references to other important figures in history. He shines light on hidden concepts that eludes even the most analytical of readers. A strong theme of "the origin of thought" branching into many subjects: languages, human thinking and behavior. Truly a masterpiece " The book also serves as a guide to the paintings in exhibition form enabling readers to enjoy the reproductions of great masterpieces of European art on Biblical themes, from Genesis to Deuteronomy. These are artistic interpretations of scenes in Genesis: Creation, Noah and the Flood, Abraham and the Binding of Isaac, Jacob Blessing the Sons of Joseph. Rembrandt, Poussin, Rubens and West are but a few of the prominent artists represented in Rembrandt's Code - From the Attic of Civilization. For example, Rembrandt's masterpiece, "Isaac and Rebecca," sensitively depicts the love that Isaac had for his wife, Rebecca. The Biblical scenes are depicted by these classical artists whose art is part of our cultural evolution. Rembrandt's Code - From the Attic of Civilization has been honored by being sold at the Metropolitan Museum of Art in New York and the National Gallery of Art in Scotland. This book has been presented in exhibition format throughout the country and has been very well received. To quote a visitor present at an exhibition, "We were treated to a 'feast for our eyes' with some of the greatest Biblical art ever produced."

During Pope Sixtus V's reign at the end of the Roman Cinquecento (1585-1590), counter-reformed Rome underwent a significant transformation of its liturgy and of the way in which its religious monuments were approached by the faithful. The changes implemented by the pope affected the decoration of monuments on the various estates over which the Vatican has historically held dominion.

"Renovatio Christiana" is a scholarly study detailing the many building projects Pope Sixtus V carried out in order to provide clergy, residents, and pilgrims better access to Rome's main basilicas and churches, as well as to grant the clergy new processional pathways across the major churches. It also emphasizes the relationship between patron and artists, showing how Pope Sixtus V reshaped the Holy Steps, for instance, from a private chapel exclusively for papal use to a stand-alone building open to anyone seeking penance.

A highly academic and original text, "Renovatio Christiana" is a thoroughly informative and insightful must-read for anyone looking for a more detailed history and understanding of Rome's art during the late Italian Renaissance period.

When we think of the Last Supper and art, we often think immediately of Leonardo da Vinci. But the Last Supper has actually been the subject of paintings by artists for many centuries. Here is a collection of more than three dozen versions of the Last Supper - many by well-known artists (such as Peter Paul Rubens and, of course, Leonardo da Vinci), and many by lesser-known artists. As with the other books in the "Enjoying Great Art" series, this book is a pictorial journey for adults and students of all ages. Words are kept to a minimum - with an introduction to the book, and then artists and dates for each painting. For more details on Leonardo's famous version, you may also be interested in Catherine's "Exploring Da Vinci's Last Supper."

One of the finest works from the golden era of Flemish manuscript illumination, the Getty's copy of the Romance of Gillion de Trazegnies tells of the adventures of a medieval nobleman. Part travelogue, part romance, and part epic, the text traces the exciting exploits of Gillion as he journeys to Jerusalem on pilgrimage, is imprisoned in Egypt and rises to the command of the Sultan's armies, mistakenly becomes a bigamist first with a Christian and then a Muslim wife, and dies in battle as a glorious hero. The tale encompasses the most thrilling elements of the Western romance genre -- love, villainy, loyalty, and war -- set against the backdrop of the East. This lavishly illustrated volume reveals for the first time the complexity of this illuminated romance. A complete reproduction of the book's illustrations and a partial translation of the text appear along with essays that explore the manuscript's vibrant cultural, historical, and artistic contexts. The innovative illuminations, by the renowned artist Lieven van Lathem, juxtapose the reality of medieval Europe with an idealized vision of the East. This unusual pairing, found in the text and illustrations, is the source of a rich discussion of the fifteenth-century political situation in the West and the Crusades in the East.

This small book was originally designed to help students slow down and enjoy a specific exhibit about the genius of Leonardo da Vinci. But it has been redone to be useful for students anywhere - students who have access to websites or books about Leonardo da Vinci. It includes a scavenger hunt that gives a good overview of Leonardo da Vinci as artist, architect, inventor, mathematician and more Then there are several other hunts that delve into some of those other "job titles" that Leonardo held during his very busy 67-year life. Happy Hunting

Mr. Lopez reinterprets the civilization of the High Renaissance in Italy as a dramatic succession of three ages: Youth, 1454-1494; Maturity, 1494-1527; Decline, 1527-1559. In the first period, political and economic stabilization brings forth a mood of confident expectation which expresses itself in literature, art, and philosophy, all reaching for a goal of "self-centered aesthetic harmony." In the second period, a series of foreign invasions shatters the political and economic well-being of the Indian elite but does not slow down the artistic and literary drive. Whether in hope or in sorrow, in response to shock or in escape from reality, the Renaissance attains its glorious climax. The third period is torn between conflicting tendencies. The political battle is lost but there is a second economic revival; art and literature give out despondent notes but successfully explore new channels; philosophic permissiveness comes to an end but scientific reserach comes into its own. Mr. Lopez's tripartition of an age which is usually described as a single sweep adds depth to the definition of the Italian Renaissance. It is enhanced by his fresh translations of Renaissance poems and by twenty-four illustrations which pick out from the incomparable wealth of Renaissance art a few historically significant works. All the famous names are there, from Lorenzo de'Medici to Ariosto, Machiavelli, and Cardano, from Botticelli to Leonardo, Michelangelo, and Palladio; but one also meets a large number of minor figures and anonymous people in the street. America is discovered; new diseases appear; anti-Semitism reawakens; religious unity is destroyed - these and other events form the backdrop. The sparkling narration is thoroughly grounded in contemporary sources.

This Is A New Release Of The Original 1900 Edition.

Another book in the "Enjoying Great Art" series: Horses are a part of our everyday life. But do we think of them when we think of great art? Here is a picture book for students of all ages...A picture book of horses in art Different colors, shapes, sizes...Some that are only small parts of the painting, some which are the focus of the painting.

This "In Art" book is dedicated to the men in my life who have spent decades of their lives in service to their country through the military: my father-in-law, Daniel Jaime, Sr., my father, John McGrew, and my husband, Daniel Jaime. Between them they saw service in the Korean War, the Vietnam War, and Desert Storm. This book is arranged chronologically, according to major conflicts that U.S. Soldiers have seen action in - from the French and Indian War when American soldiers fought alongside British soldiers, through to 2010 when American soldiers helped with relief efforts after the earthquake in Haiti. Note to parents/teachers: The books in this serious generally consist of family-friendly, "rated G" paintings. Because of the topic of this particular book, I would say this one is more of a "PG" rating.

Architecture is a part of our everyday life. But do we think of it when we think of great art? Here is a picture book for adults and students of all ages...A picture book of architecture in art Different colors, shapes, sizes...Some where the buildings are only a small part of the painting, some where they are the focus of the painting...Some where the exteriors of the buildings are the focus, a few where it is the interior that is the important portion. As with the other books in this series, the paintings in this book have been selected to be family-friendly (though the same cannot be said by all of the other paintings of some of these artists).

The newest book in the "Enjoying Great Art" series, this book focuses on the government of the United States - but from an artistic point of view. A great introduction to U.S. Government, a great review, or just a fun way to enjoy an important topic from a more visual perspective than usual.