|
|
Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art
This next book in the "Enjoying Great Art" series shows great art
from four centuries - all around the theme of music. See musicians
and instruments alone and in groups, as the focus of a painting,
and as a mere prop. Enjoy these full cover copies of great art and
see the similarities and differences between each. Clearly three
dozen paintings can only show the tip of a theme - but they should
be enough to give adults and students of all ages a nice
introduction to "music in art." Note: As in all of Catherine's
other "In Art" books, these paintings have all been chosen to be
family-friendly (though we can make no guarantees about other
paintings by the same artists )
For four hundred years Caravaggio's (1571-1610) staggering artistic
achievements have thrilled viewers, yet his volatile personal
trajectory-the murder of Ranuccio Tomasini, the doubt surrounding
Caravaggio's sexuality, the chain of events that began with his
imprisonment on Malta and ended with his premature death-has long
confounded historians. In a bravura performance, Andrew
Graham-Dixon delves into the original Italian sources, presenting
fresh details about Caravaggio's sex life, his many crimes and
public brawls, and the most convincing account yet published of the
painter's tragic death at the age of thirty-eight. With
illuminating readings of Caravaggio's infamous religious paintings,
which often depict prostitutes and poor people, Graham-Dixon
immerses readers in the world of Italy at the height of the
Counter-Reformation and creates a masterful profile of the
mercurial painter's life and work.
Enjoying Great Art Series: Turkey is a land of intersections - the
intersection of Asia and Europe and the intersection of a variety
of people groups across a multitude of ages. A booklet this size
can merely touch on the art from across such a great region - and
from across more than two millennia. But maybe it will whet your
appetite to investigate this historic country more. This small
booklet is meant to be enjoyed by adults and students of all ages.
You may enjoy finding the similarities and differences between
different paintings or different artists - both topically and
stylistically: Explore the different treatments of color, of
landscapes, of animals, people, and more. Please pay special
attention to the variety of maps included.
This Is A New Release Of The Original 1900 Edition.
This little picture book brings you New York City through dozens of
beautiful paintings - paintings from a variety of artists from the
19th and 20th centuries. Each painting includes the title of the
painting, the artist's name, and the approximate date of its
completion.
One of the many books in the new "Enjoying Great Art" series: In
the past, particularly during the Middle Ages and the Renaissance,
religion was a common theme for paintings. So it should be no
surprise that different themes of Christmas were captured often by
painters of these times. Enjoy this pictorial look at different
aspects of the Christmas story - the angel's proclamation to Mary,
Mary and Elizabeth, the shepherds, and the Wise Men - as you've
likely never seen them before.
Robert W. Burns lives in an ordinary house in Brighton, England.
Except it's not an ordinary house. Not at all. On the outside, it
seems like any other dwelling, but on the inside, it's been
transformed into an incredible art gallery, a shrine to and
celebration of Renaissance art, containing wonderful reproductions
of classic works from centuries gone by; portraits, wall frescos,
lunettes and friezes alike. This picture book is packed with them.
Just turn the pages - you won't believe your eyes. The house also
contains original Renaissance-style portraits of Russell Brand and
Wayne Rooney.
As featured by BBC's 'The One Show', ABC, Channel 9 Australia and
AFP. Certain images are from Robert W. Burns, others included by
kind permission of legendary international photographer Facundo
Arrizabalaga.
A treat for art connoisseurs and historians everywhere, and a real
bargain, given the immense quality of the artwork on show.
One of the original books in the "Enjoying Great Art" series, but
now bigger and better: Hats - ordinary things we see every
day...But are they always ordinary? Here is a picture book for
students of all ages...A picture book of hats and other head
coverings Different styles, colors, shapes, and sizes...Some worn
by men, some by women, and some by children...Many representing
status or station in life...Some that look like they are just being
worn for the fun of it. Look through the paintings that span many
centuries and come from different parts of the globe. Notice the
similarities and the differences...See the colors, the textures and
patterns. Observe whether the hats seem to be a primary focus of
the painting, or merely a smaller, insignificant portion. But, most
of all, enjoy
Leon Battista Alberti made several references to miracoli della
pittura (miracles of painting) in two of his early works, Vita
(Life) and De Pictura (On Painting). After extensive research,
author Jim Egan has concluded that these "miracles of painting"
were the amazing full-detail and full-color images seen in a camera
obscura. In Latin, camera obscura means "dark room." In a dark room
with one small hole, the image of what's outside appears projected
on the interior wall upside-down and reversed left-to-right. The
room can be a people-sized room or a small box, like a pinhole
camera. Nowadays, with slide shows, movies, TV, and computers,
we're quite accustomed to seeing projected images. But over 575
years ago, back in the 1430s, a camera obscura image would have
blown the socks off people. However, there was a down side: this
was risky business. Creating full-color, full-motion, magical
images inside a dark room might be considered heretical. You might
find yourself on the wrong side of a barbecue. If you're so excited
that you must share your knowledge, there's a solution: write about
it cryptically. Only those "in-the-know" will catch your gist.
That's what Egan thinks Alberti did. Alberti, whose books On
Painting and On Architecture revolutionized these two fields, has
been explored extensively by art historians for years. Surely they
saw that Alberti was talking about a camera obscura. But no. Dozens
of the top art historians of the 20th century write that Alberti's
description of his "small box" was definitely not a reference to a
camera obscura. Instead, they think it was a "show box," a small
dark box with a small hole through which you viewed a picture,
which was painted on glass and backlit to make it luminous, like a
photographic slide. Who is Jim Egan to challenge great art
historians like Kenneth Clark, Helmut Gernsheim, Samuel Edgerton,
Anthony Grafton, and Robert Tavernor? For 40 years, Egan has been
an in-the-trenches guy: a professional photographer, spending hours
viewing upside-down images under the dark cloth of 4x5 and 8x10
view cameras. He has built dozens of pinhole cameras, camera
obscura rooms, and even a camera obscura building. Plus, he's
written ten books involving Renaissance optics, mathematics and
architecture. How did the art historians get it wrong? The short
answer is: "lost in translation" and "follow the leader." Egan
thinks Alberti not only had a camera, but that he also had a lens
to sharpen the image. And that Alberti had another camera obscura,
which was a "Lucy" machine, used to enlarge and reduce artwork. And
that Alberti hid clues expressing his understanding that "the eye
is a camera obscura" in the design of his "Winged Eye" symbol and
his bronze self-portrait plaque (both shown on the front cover).
Rembrandt's Code - From the Attic of Civilization can best be
described by quoting a reviewer: 5 out of 5 stars "Dr. Girsh has a
wonderful grasp of the complex nuances of Rembrandt's works, tying
together Biblical references to other important figures in history.
He shines light on hidden concepts that eludes even the most
analytical of readers. A strong theme of "the origin of thought"
branching into many subjects: languages, human thinking and
behavior. Truly a masterpiece " The book also serves as a guide to
the paintings in exhibition form enabling readers to enjoy the
reproductions of great masterpieces of European art on Biblical
themes, from Genesis to Deuteronomy. These are artistic
interpretations of scenes in Genesis: Creation, Noah and the Flood,
Abraham and the Binding of Isaac, Jacob Blessing the Sons of
Joseph. Rembrandt, Poussin, Rubens and West are but a few of the
prominent artists represented in Rembrandt's Code - From the Attic
of Civilization. For example, Rembrandt's masterpiece, "Isaac and
Rebecca," sensitively depicts the love that Isaac had for his wife,
Rebecca. The Biblical scenes are depicted by these classical
artists whose art is part of our cultural evolution. Rembrandt's
Code - From the Attic of Civilization has been honored by being
sold at the Metropolitan Museum of Art in New York and the National
Gallery of Art in Scotland. This book has been presented in
exhibition format throughout the country and has been very well
received. To quote a visitor present at an exhibition, "We were
treated to a 'feast for our eyes' with some of the greatest
Biblical art ever produced."
During Pope Sixtus V's reign at the end of the Roman Cinquecento
(1585-1590), counter-reformed Rome underwent a significant
transformation of its liturgy and of the way in which its religious
monuments were approached by the faithful. The changes implemented
by the pope affected the decoration of monuments on the various
estates over which the Vatican has historically held dominion.
"Renovatio Christiana" is a scholarly study detailing the many
building projects Pope Sixtus V carried out in order to provide
clergy, residents, and pilgrims better access to Rome's main
basilicas and churches, as well as to grant the clergy new
processional pathways across the major churches. It also emphasizes
the relationship between patron and artists, showing how Pope
Sixtus V reshaped the Holy Steps, for instance, from a private
chapel exclusively for papal use to a stand-alone building open to
anyone seeking penance.
A highly academic and original text, "Renovatio Christiana" is a
thoroughly informative and insightful must-read for anyone looking
for a more detailed history and understanding of Rome's art during
the late Italian Renaissance period.
When we think of the Last Supper and art, we often think
immediately of Leonardo da Vinci. But the Last Supper has actually
been the subject of paintings by artists for many centuries. Here
is a collection of more than three dozen versions of the Last
Supper - many by well-known artists (such as Peter Paul Rubens and,
of course, Leonardo da Vinci), and many by lesser-known artists. As
with the other books in the "Enjoying Great Art" series, this book
is a pictorial journey for adults and students of all ages. Words
are kept to a minimum - with an introduction to the book, and then
artists and dates for each painting. For more details on Leonardo's
famous version, you may also be interested in Catherine's
"Exploring Da Vinci's Last Supper."
This small book was originally designed to help students slow down
and enjoy a specific exhibit about the genius of Leonardo da Vinci.
But it has been redone to be useful for students anywhere -
students who have access to websites or books about Leonardo da
Vinci. It includes a scavenger hunt that gives a good overview of
Leonardo da Vinci as artist, architect, inventor, mathematician and
more Then there are several other hunts that delve into some of
those other "job titles" that Leonardo held during his very busy
67-year life. Happy Hunting
|
|