Ná herhaaldelike polisiebrouwerk begin kaptein Ben Booysen die Krugersdorp-moorde in 2016 manalleen ondersoek.

Booysen haal koerantvoorblaaie toe hy die baasbrein, Cecilia Steyn, en haar vyf trawante vir minstens 11 moorde in hegtenis neem.

Suid-Afrika se eie “Chuck Norris” neem die leser tot agter die skerms van die satanistiese moorde en onthul nuwe, skokkende besonderhede van die misdade wat die land amper ’n dekade lank vasgenael gehou het.

This is Laurence Gardner's final book, written shortly before his death in 2010 and is the accompanying book to his Origin of God (published 2011 by dash house publishing). Together with Origin of God, this book outlines an irrefutable and searing indictment of conventional belief and exposes the evils and absurdities perpetuated over the millenia in the name of Christianity. In Revelation of the Devil, Laurence Gardner traces the history of the Devil, from its roots in Mesopotamia and the Old Testament all the way up to the modern world of today. Travelling through the New Testament, as well as the Koran, and then passing in turn through the Inquisitions, the Reformation and the Enlightenment, he unmasks what he has called "the myth of evil and the conspiracy of Satan." For nearly 2,000 years a supernatural entity known as the Devil has been held responsible by Church authorities for bringing sin and wickedness into the world. Throughout this period, the Devil has been portrayed as a constant protagonist of evil, although his origin remains a mystery and his personality has undergone many interpretive changes, prompting questions such as: If God is all good and all powerful, then why does evil exist? How can it exist? If God created everything, then where did the Devil come from? If the Devil exists, then why does he not feature in any pre-Christian document? Revelation of the Devil follows the Devil's sinister history, in the manner of a biography, from his scriptural introduction to the dark satanic cults of the present day. In a strict chronological progression, we experience the mood of each successive era as the Devil's image was constantly manipulated to suit the changing motives of his creators in their bid for threat-driven clerical control.

Recent years have seen a significant shift in the study of new religious movements. In Satanism studies, interest has moved to anthropological and historical work on groups and inviduals. Self-declared Satanism, especially as a religion with cultural production and consumption, history, and organization, has largely been neglected by academia. This volume, focused on modern Satanism as a practiced religion of life-style, attempts to reverse that trend with 12 cutting-edge essays from the emerging field of Satanism studies. Topics covered range from early literary Satanists like Blake and Shelley, to the Californian Church of Satan of the 1960s, to the radical developments that have taken place in the Satanic milieu in recent decades. The contributors analyze such phenomena as conversion to Satanism, connections between Satanism and political violence, 19th-century decadent Satanism, transgression, conspiracy theory, and the construction of Satanic scripture. A wide array of methods are employed to shed light on the Devil's disciples: statistical surveys, anthropological field studies, philological examination of The Satanic Bible, contextual analysis of literary texts, careful scrutiny of obscure historical records, and close readings of key Satanic writings. The book will be an invaluable resource for everyone interested in Satanism as a philosophical or religious position of alterity rather than as an imagined other.

This is a work of fundamental importance for our understanding of the intellectual and cultural history of early modern Europe. Stuart Clark offers a new interpretation of the witchcraft beliefs of European intellectuals based on their publications in the field of demonology, and shows how these beliefs fitted rationally with many other views current in Europe between the fifteenth and eighteenth centuries. Professor Clark is the first to explore the appeal of demonology to early modern intellectuals by looking at the books they published on the subject during this period. After examining the linguistic foundations of their writings, the author shows how the writers' ideas about witchcraft (and about magic) complemented their other intellectual commitments-in particular, their conceptions of nature, history, religion, and politics. The result is much more than a history of demonology. It is a survey of wider intellectual and ideological purposes, and underlines just how far the nature of rationality is dependent on its historical context.

The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake (""the devil's music""), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as ""the crossroads"" in 1999, claiming Johnson and the devil as their own.