Vast like the subcontinent itself and teeming with outrageous and exotic characters, "Net of Magic" is an enthralling voyage through the netherworld of Indian magic. Lee Siegel, scholar and magician, uncovers the age-old practices of magic in sacred rites and rituals and unveils the contemporary world of Indian magic of street and stage entertainers.
Siegel's journeys take him from ancient Sanskrit texts to the slums of New Delhi to find remnants of a remarkable magical tradition. In the squalid settlement of Shadipur, he is initiated into a band of Muslim street conjurers and performs as their shill while they tutor him in their con and craft. Siegel also becomes acquainted with Hindu theatrical magicians, who claim descent from court illusionists and now dress as maharajahs to perform a repertoire of tricks full of poignant kitsch and glitz.
Masterfully using a panoply of narrative sleights to recreate the magical world of India, Net of Magic intersperses travelogue, history, ethnography, and fiction. Siegel's vivid, often comic tale is crowded with shills and stooges, tourists and pickpockets, snake charmers and fakirs. Among the cast of characters are Naseeb, a poor Muslim street magician who guides Siegel into the closed circle of itinerant performers; the Industrial Magician, paid by a bank, who convinces his audience to buy traveler's checks by making twenty-rupee notes disappear; the Government Magician, who does a trick with condoms to encourage family planning; P. C. Sorcar, Jr., the most celebrated Indian stage magician; and the fictive Professor M. T. Bannerji, the world's greatest magician, who assumes various guises over a millennium of Indian history and finally arrives in the conjuring capital of the world--Las Vegas.
Like Indra's net--the web of illusion in which Indian performers ensnare their audience--"Net of Magic" captures the reader in a seductive portrayal of a world where deception is celebrated and lies are transformed into compelling and universal truths.

"The Secret Life of a Satanist" steps behind the curtain with the founder and High Priest of the Church of Satan.

What is contemporary Satanism, and why would one start a church dedicated to the Dark One? It wasn't a rebellion against an oppressive religious upbringing; it was Anton Szandor LaVey's disgust with most of humanity. Drawing from Jack London, H.L. Mencken, Friedrich Nietzsche, Marquis de Sade, George Bernard Shaw, John Milton, Benjamin Franklin, and a host of reprobates, with a large dose of alchemy and black magic, LaVey formulated a philosophy that deeply resonated with him.

LaVey did not worship Satan; he paid homage to the rebellious spirit of innovation, defiance, and self-reliance that the archetype embodied. His background as a musician, circus lion trainer, hypnotist, and police photographer is covered here. The author, who later became his paramour and mother to his only son, was allowed extraordinary access to documents concerning his life, testimonies from people who had known him for years, and, most importantly, anecdotes and fond memories from a man living out of his time.

After the original publication of this biography in 1990, LaVey and Blanche Barton fought through the Satanic Panic together, and guided the Church for another seven years. This revised edition adds a dozen new and never-before-seen images.

One of the most intriguing, and disturbing, aspects of history is that most people in early modern Europe believed in the reality and dangers of witchcraft. Most historians have described the witchcraft phenomenon as one of tremendous violence. In France, dozens of books, pamphets and tracts, depicting witchcraft as the most horrible of crimes, were published and widely distributed.

In "The Crime of Crimes: Demonology and Politics in France, 1560-1620," Jonathan Pearl shows that France carried out relatively few executions for witchcraft. Through careful research he shows that a zealous Catholic faction identified the Protestant rebels as traitors and heretics in league with the devil and clamoured for the political and legal establishment to exterminate these enemies of humanity. But the courts were dominated by moderate Catholics whose political views were in sharp contrast to those of the zealots and, as a result, the demonologists failed to ignite a major witch-craze in France.

Very few studies have taken such a careful and penetrating look at demonology in France. "The Crime of Crimes: Demonology and Politics in France, 1560-1620" sheds new light on an important period in the history of witchcraft and will be welcomed by scholars and laypersons alike.

Walter Scott (1779 1858), President and Theological Tutor at Airedale College in Bradford, delivered a series of lectures on the occult at the Congregational Library, London, in 1841. This 1843 volume is a collection of Scott's lectures, in which he employs scriptural and testimonial evidence to support his claim that evil spirits exist. Scott describes the character and behaviour of evil spirits and the methods they employ to contact and influence humans; for example witchcraft, divination, possession and temptation. Scott draws on Jewish and ancient Egyptian literature, as well as accounts of the oracles of classical antiquity to illustrate his thesis, as well as numerous anecdotes from famous cases like the Salem witch trials. A passionate and colourful example of non-conformist Christian thought on the occult, and on the significance of what Scott explains are 'fallen angels who were transformed by their own wilful rebellion and apostasy into demons'.

Sir Walter Scott (1771 1832) is best known for his poetry and for historical novels such as Ivanhoe and Rob Roy, but he also had a lifelong fascination with witchcraft and the occult. Following a spell of ill-health, Scott was encouraged by his son-in-law, publisher J. G. Lockhart, to put together a volume examining the causes of paranormal phenomena. This collection of letters, first published in 1830, is notable for both its scope (examining social, cultural, medical and psychological factors in peoples' paranormal experiences) and its clear, rational standpoint. Scott explores the influence of Christianity on evolving views of what is classified as 'witchcraft' or 'evil', and he explains the many (often innocuous) meanings of the word 'witch'. Written with palpable enthusiasm and from a strikingly modern perspective, this volume explores a range of topics including fairies, elves and fortune-telling as well as inquisitions and witch trials.

This book is exclusively devoted to demonic possession and exorcism in early modern England. It offers modernized versions of the most significant early modern texts on nine cases of demonic possession from the period 1570 to 1650, the key period in English history for demonic possession. The nine stories were all written by eyewitnesses or were derived from eyewitness reports. They involve matters of life and death, sin and sanctity, guilt and innocence, of crimes which could not be committed and punishments which could not be deserved. The nine critical introductions which accompany the stories address the different strategic intentions of those who wrote them. The modernized texts and critical introductions are placed within the context of a wide-ranging general Introduction to demonic possession in England across the period 1550 to 1700.

A landmark contribution to women's history that sheds new light on the Salem witch trials and one of its most crucial participants, Tituba of The Crucible In this important book, Elaine Breslaw claims to have rediscovered Tituba, the elusive, mysterious, and often mythologized Indian woman accused of witchcraft in Salem in 1692 and immortalized in Arthur Miller's The Crucible. Reconstructing the life of the slave woman at the center of the notorious Salem witch trials, the book follows Tituba from her likely origins in South America to Barbados, forcefully dispelling the commonly-held belief that Tituba was African. The uniquely multicultural nature of life on a seventeenth-century Barbadan sugar plantation—defined by a mixture of English, American Indian, and African ways and folklore—indelibly shaped the young Tituba's world and the mental images she brought with her to Massachusetts. Breslaw divides Tituba’s story into two parts. The first focuses on Tituba's roots in Barbados, the second on her life in the New World. The author emphasizes the inextricably linked worlds of the Caribbean and the North American colonies, illustrating how the Puritan worldview was influenced by its perception of possessed Indians. Breslaw argues that Tituba’s confession to practicing witchcraft clearly reveals her savvy and determined efforts to protect herself by actively manipulating Puritan fears. This confession, perceived as evidence of a diabolical conspiracy, was the central agent in the cataclysmic series of events that saw 19 people executed and over 150 imprisoned, including a young girl of 5. A landmark contribution to women's history and early American history, Tituba, Reluctant Witch of Salem sheds new light on one of the most painful episodes in American history, through the eyes of its most crucial participant.