Originally published in 1978, The Occult Sourcebook has been compiled primarily for the many people who are for the first time becoming engrossed by the numerous and often confusing possibilities underlying the occult sciences. It consists of a series of articles on key areas, providing the reader with easy access to basic facts, together with a carefully planned guide to further reading. Critical comments on the recommended books allow the reader to select those which best suit their interests. The authors have also included a 'Who's Who of the occult' to provide short biographies of some of the more amazing figures who have already travelled down the mystic path. The book offers a programmed system of exploration into the realms of the unknown. It will be invaluable to the increasing number of people who are concerned with the exploration of enlarging human consciousness.

In this original study of witchcraft, Gibson explores the stories told by and about witches and their 'victims' through trial records, early news books, pamphlets and fascinating personal accounts. The author discusses the issues surrounding the interpretation of original historical sources and demonstrates that their representations of witchcraft are far from straight forward or reliable. Innovative and thought-provoking, this book sheds new light on early modern people's responses to witches and on the sometimes bizarre flexibility of the human imagination.

This is a regional and comparative study of early modern witchcraft. The history of witchcraft continues to attract attention with its emotive and contentious debates. The methodology and conclusions of this book have impacted not only on witchcraft studies but on the approach to social and cultural history with its quantitative and anthropological approach. The book provides a case study on Essex as well as drawing comparisons with other regions of early modern England. The second edition adds a historiographical introduction, placing the book in context in the late 1990s.

Pandemonium: An Illustrated History of Demonology presents for this first time Satan's family tree, providing a history and analysis of his fellow fallen angels from Asmodeus to Ziminiar. Throughout there will be short entries on individual demons, but Pandemonium will be more than just a visual encyclopedia. It will also focus on the influence of figures like Beelzebub, Azazel, Lilith, and Moloch on Western religion, literature, and art. Ranging from the earliest scriptural references to demons in the New Testament through the Enlightenment and Romantic eras when our devils took on a subtler form, Pandemonium functions as a compendium of Lucifer's subjects from Dante's The Divine Comedy to John Milton's Paradise Lost, and all points in between. Containing rarely seen illustrations of very old treatises on demonology as well as more well-known works by the great masters of Western painting, this book will celebrate the art of hell like never before!

This is a regional and comparative study of early modern witchcraft. The history of witchcraft continues to attract attention with its emotive and contentious debates. The methodology and conclusions of this book have impacted not only on witchcraft studies but on the approach to social and cultural history with its quantitative and anthropological approach. The book provides a case study on Essex as well as drawing comparisons with other regions of early modern England. The second edition adds a historiographical introduction, placing the book in context in the late 1990s.

Reading Witchcraft explores the stories told by and about `witches' and their `victims', and questions what can be recovered from their trial records, early news books, pamphlets and personal accounts. In her wide-ranging selection of original sources, Marion Gibson seeks to discover the truthfulness of stories of witchcraft. Who told them and why? How were they recorded? And how they might have been distorted or stereotyped?
Reading Witchcraft looks closely at these legal documents and printed pamphlets and shows that their representations of witchcraft are far from straightforward. Even the simplest story can mask a complex creative process which sometimes led to the deaths of innocent people. We are left with a challenging record of the power of the human imagination.
Reading Witchcraft is an exciting and invaluable study of witchcraft stories. It offers innovative, nuanced discussion of original historical sources and the issues which surround their interpretation.

This volume presents a chronological series of essays on various demonic traits and traditions handed down from classical antiquity, reinterpreted and systematized in the Middle Ages in Europe, and extending their influences to our present day and culture. The main focus lies on the adaptation and reformulation of specific demonological constellations in the fifteenth and sixteenth centuries, combining ethnological approaches with concepts of cultural history and their reflection in the arts and in literature. These superhuman and supernatural entities present us with a multitude of forms, figures, and functions - from helpful messengers and mediators to frightful and devilish antagonists of the humans they encounter. As model explanations of that which may not be explained in any other way they offer answers and interpretations of the 'Other' outside humanity as well as inside the human being.

The world’s leading psychiatric authority on demonic possession delves into the hidden world of exorcisms and his own transformation from cynic to believer over the course of his twenty-five-year career. Successful New York psychiatrist Richard Gallagher was skeptical yet intrigued when a hard-nosed, no-nonsense Catholic priest asked him to examine a woman for a possible exorcism. Meeting her, Gallagher was astonished. The woman’s behavior defied logic. In an instant, she could pinpoint a person’s secret weaknesses. She knew how individuals she’d never known had died, including Gallagher’s own mother, who passed away after a lengthy battle with ovarian cancer. She spoke fluently in multiple languages, including Latin—but only when she was in a trance. This was not psychosis, Gallagher concluded. It was, in his scientific estimation, what could only be describe as paranormal ability. The woman wasn’t mentally disturbed—she was possessed. This remarkable case was the first of many that Gallagher would encounter. Sought after today by leaders of all faiths—ministers, priests, rabbis and imams, Gallagher has spent a quarter-century studying demonic activity and exorcisms throughout history and has witnessed more cases than any other psychiatrist in the world today. In this eerie and enthralling book, Gallagher chronicles his most famous cases for the first time, including: A professional who claimed her spiritualist mother had “assigned” her a spirit who “turned on her.” A petite woman—”90 pounds soaking wet”—who threw a 200-pound Lutheran deacon across the room to the horror of onlookers in a church hall; And “Julia,” the so-called Satanic queen and self-described witch, who exhibited “the most harrowing” case, a “once-in-a-century” possession. Going beyond horror movies and novels, Demonic Foes takes you deep into this hidden world, sharing in full details of these true-life tales of demonic possession.

This highly original, engaging book is a journey through time and space in search of the changing perception and significance of the devil in western culture. Written by French historian Robert Muchembled, the book begins with the thirteenth century, when visual images of Satan began to appear, and looks forward to the twentieth century, dealing with the films of Stanley Kubrick, including "Eyes Wide Shut. The book reveals that changing figures of evil correlate over time with the ways in which conceive of their destinies and the future of their civilization. Fascination with the diabolical having reached its height in the witch hunts of the fifteenth and sixteenth centuries, it began to show signs of decline by the Enlightenment, a process that has continued up to today. The result of this process, for modern western society, is a subtle metamorphosis of the notion of the devil from fear of Satan into an eternal demon, "the demon within" characterized by distrust of oneself and one's desires. This conception of the diabolical is visible today in our interest in the supernatural and exorcism. "A History of the Devil is a rich, vivid account of a topic that never ceases to intrigue.

Journey into the underworld through three thousand years of visions of hell, from the ancient Near East to modern America From the Hebrew Bible's shadowy realm of Sheol to twenty-first-century visions of Hell on earth, The Penguin Book of Hell takes us through three thousand years of eternal damnation. Along the way, you'll take a ferry ride with Aeneas to Hades, across the river Acheron; meet the Devil as imagined by a twelfth-century Irish monk - a monster with a thousand giant hands; wander the nine circles of Hell in Dante's Inferno and witness the debates that raged in Victorian England when new scientific advances cast doubt on the idea of an eternal hereafter. Drawing upon religious poetry, epics, theological treatises, stories of miracles and accounts of saints' lives, this fascinating volume of hellscapes illuminates how Hell has long haunted us, in both life and death.

Power over Satan Can Be Yours...This book is written for all those children of God who hunger and thirst after a close personal relationship with Him. It is for those who long to hear His voice in their innermost being, who will not be satisfied with anything less than the experience of His presence and glory. It is for those who value such a relationship with our wonderful Creator enough to be willing to pay the price in their own lives to achieve it--the pain of daily carrying the cross. This book is for those who are willing to strive for holiness in obedience to our beloved Master, the Lord Jesus Christ.The purpose of this book is to help you understand the rapidly expanding world of the occult so that you can not only cleanse yourself from any involvement in it, but also so that you can avoid its traps.--Rebecca BrownSubjects include: * The key to spiritual power--personal holiness* The armor of God--how to use it effectively* The sin nature--how to understand it and control it* Defilement of God's temple--how to avoid it* The Holy Spirit vs. demon guides--knowing the difference* Deliverance--case studies and guidelinesThis book contains secret satanic war plans previously not found in print. It reveals how the followers of Satan are openly confronting the followers of Jesus Christ. You must learn the key to spiritual power before you need it!A must for every child of God!

First published in 1984. Routledge is an imprint of Taylor & Francis, an informa company.

Exorcism is more widespread in contemporary England than perhaps at any other time in history. The Anglican Church is by no means the main provider of this ritual, which predominantly takes place in independent churches. However, every one of the Church of England dioceses in the country now designates at least one member of its clergy to advise on casting out demons. Such `deliverance ministry' is in theory made available to all those parishioners who desire it. Yet, as Francis Young reveals, present-day exorcism in Anglicanism is an unlikely historical anomaly. It sprang into existence in the 1970s within a church that earlier on had spent whole centuries condemning the expulsion of evil spirits as either Catholic superstition or evangelical excess. This book for the first time tells the full story of the Anglican Church's approach to demonology and the exorcist's ritual since the Reformation in the sixteenth century. The author explains how and why how such a remarkable transformation in the Church's attitude to the rite of exorcism took place, while also setting his subject against the canvas of the wider history of ideas.

Until the church recognizes the real face of the occult, it cannot serve as a source of hope and love.Its tentacles have infiltrated the very fiber of our day-to-day existence. Its symbols adorn our buildings, our currency, and the clothes and jewelry we lay upon our bodies. Its followers are legion, some of them blind to their own devotion while others pour out effort and intellect toward a broader understanding of the divine.
It is the occult, and it dominates the world's faith mind-set. Jeff Harshbarger and his friends know about occult practices. Jeff left his life of Satanism after two unsuccessful suicide attempts and an offer to become his group's first human sacrifice.
"Dancing with the Devil" tells the true stories of Jeff and others who have walked various paths of the occult. Each author's account of his or her experience with the occult is introduced by Jeff as he ties their stories together, weaving a tapestry that, by the book's close, shows the fabric of an occultist's real identity. Armed with stable faith and the sure love of Christ, they are stepping out to share a true look into the heart, mind, and soul of the occult and its followers.

Are we either good or bad, and do we really know the difference? Why do we want what we cannot have, and even to be what we're not? Can we desire others without wanting to possess them? Can we open to others and not risk possession ourselves? And where, in these cases, do we draw the line? Ewan Fernie argues that the demonic tradition in literature offers a key to our most agonised and intimate experiences. The Demonic ranges across the breadth of Western culture, engaging with writers as central and various as Luther, Shakespeare, Hegel, Dostoevsky, Melville and Mann. A powerful foreword by Jonathan Dollimore brings out its implications as an intellectual and stylistic breakthrough into new ways of writing criticism. Fernie unfolds an intense and personal vision, not just of Western modernity, but of identity, morality and sex. As much as it's concerned with the great works, this is a book about life.

"In the sixteenth century, a rise in sexual violence in European society was exacerbated by pressure from church and state to change basic sexual customs...As the centuries since have shown escalating levels both of violence, general and sexual, and of state control, the witchcraze can be considered a portent, even a model, of some aspects of what modern Europe would be like."

Over three centuries, approximately one hundred thousand persons, most of whom were women, were put to death under the guise of "witch hunts", particularly in Reformation Europe. The shocking annihilation of women from all walks of life is explored in this brilliant, authoritative feminist history Anne Llwellyn Barstow. Barstow exposes an unrecognized holocaust -- the "ethnic cleansing" of independent women in Reformation Europe -- and examines the residual attitudes that continue to influence our culture.

Barstow argues that it is only with eyes sensitive to gender issues that we can discern what really happened in the persecution and murder of these women. Her sweeping chronicle examines the scapegoating of women from the ills of society, investigates how their subjugation to sexual violence and death sent a message of control to all women, and compares this persecution of women with the enslavement and slaughter of African slaves and Native Americans.

Ultimately Barstow traces the current backlash against women to its gynophobic torture-filled origins. In the process, she leaves an indelible mark on our growing understanding of the legacy of violence against women around the world.

This book discusses two moral panics that appeared in the media in late apartheid South Africa: the Satanism scare and the so-called epidemic of white family murder. The analysis of these symptoms of social and political change reveals important truths about whiteness, gender, violence, history, nationalism and injustice in South Africa and beyond.

Personifications of evil in the form of demons, devils, spirits, vampires, and other malign entities can be found across the popular cultural spectrum. One only has to peruse the shelves of music and bookstores or view the content of some of the most successful films and television series to discover evidence for the phenomenal popular fascination with the demonic other. However, rather surprisingly, this is not an area in which much research has been done. The aim of this volume is to examine the demonic foil within popular culture. Moreover, it will bring together an international team of some of most important and creative scholars in the areas of Biblical Studies, Religious Studies, and Christian Theology currently exploring the religious significance of popular culture.