Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

This set of textile inks includes six 4oz (118ml) jars of fabric screen printing ink in the following colours: Black, Red, Blue, White, Green and Yellow.

An ideal introduction to screen printing inks.

Contents Include: 6 x Speedball Ink Jars 4 oz (118ml)
1 x Black
1 x Red
1 x Blue
1 x White
1 x Green
1 x Yellow

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Strong, durable and lightweight, Jackson's Aluminium Screen Printing Screens are ideal for screenprinting for short or long paint runs. Made from aluminium box section welded frames and ready-stretched, high grade Swiss polyester mesh, Jackson's range of screens is available in a variety of sizes and mesh counts to suit your artistic needs and preferences. This 32T White Mesh Aluminium Printing Screen is great for use with opaque ink deposits, glitter or metallic inks on fabric. These inks have particles in them that will not pass through the typical mesh sizes. Jackson's Aluminium Screen Printing Screens are favoured for their durability and longevity. Unlike wood silk aluminium screen frames, Jackson's Aluminium Screen Printing Screens retain their shape throughout the printmaking process and will stay flat through thousands of prints. Aluminium frames can also be stretched and re-stretched many times. Jackson's Aluminium Screen Printing Screens come in a variety of mesh counts. As a guide, the higher the mesh count, the finer the threads and holes are in the screen. While the difference isn't extreme, you may have to vary your exposure times slightly for different mesh sizes. Mesh Counts (Threads Per CM): 32Size: 31 x 23 inches

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

This Screen Holder is adjustable in height and can be fixed in position using a locking system. The holder applies a safe pressure to the screen to hold it in place. The table and screen clamps are also adjustable to allow for different widths of screens and work surfaces.

With over 50 years of producing high quality screen printing inks, Speedball fabric screen printing inks have richer colours, greater coverage, smoother workability, softer hand and easier water cleanup! These inks will wear as long as the fabric! ACMI AP Non-Toxic Phosphorescent Fabric Inks4 Night-Glo Phosphorescent colors in 8oz. sealed jars - at night ink glows in the dark!

Heavy Body Artist Acrylic Paint, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. High pigment load produces rich, brilliant, permanent colour.

Strong, durable and lightweight, Jackson's Aluminium Screen Printing Screens are ideal for screenprinting for short or long paint runs. Made from aluminium box section welded frames and ready-stretched, high grade Swiss polyester mesh, Jackson's range of screens is available in a variety of sizes and mesh counts to suit your artistic needs and preferences. This 55T White Mesh Aluminium Printing Screen is great for most work on fabric and is best for creating finer detail. It is best suited for use with textile inks and water-based inks. Jackson's Aluminium Screen Printing Screens are favoured for their durability and longevity. Unlike wood silk aluminium screen frames, Jackson's Aluminium Screen Printing Screens retain their shape throughout the printmaking process and will stay flat through thousands of prints. Aluminium frames can also be stretched and re-stretched many times. Jackson's Aluminium Screen Printing Screens come in a variety of mesh counts. As a guide, the higher the mesh count, the finer the threads and holes are in the screen. While the difference isn't extreme, you may have to vary your exposure times slightly for different mesh sizes. Mesh Counts (Threads Per CM): 55Size: 31 x 23 inches

Strong, durable and lightweight, Jackson's Aluminium Screen Printing Screens are ideal for screenprinting for short or long paint runs. Made from aluminium box section welded frames and ready-stretched, high grade Swiss polyester mesh, Jackson's range of screens is available in a variety of sizes and mesh counts to suit your artistic needs and preferences. This 43T White Mesh Aluminium Printing Screen is great for most work on fabric and is especially good for T-shirts. It best suited for use with textile inks. Jackson's Aluminium Screen Printing Screens are favoured for their durability and longevity. Unlike wood silk aluminium screen frames, Jackson's Aluminium Screen Printing Screens retain their shape throughout the printmaking process and will stay flat through thousands of prints. Aluminium frames can also be stretched and re-stretched many times. Jackson's Aluminium Screen Printing Screens come in a variety of mesh counts. As a guide, the higher the mesh count, the finer the threads and holes are in the screen. While the difference isn't extreme, you may have to vary your exposure times slightly for different mesh sizes. Mesh Counts (Threads Per CM): 43Size: 31 x 23 inches

When applied to an emulsion-coated screen, it reclaims the screen with minimal cleaning effort. 32 ounces in a squeeze bottle.