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Arts & Crafts > Fine Art Supplies > Sculpture
No baking or firing required
Brushed onto the mould before casting, it simplifies the demoulding of crystal resin and protects the moulds. It can also used to protect the eyelashes and eyebrows, before moulding the face with alginate or with plastered strips. Prior testing before starting a project is advised.
Properties:QUALITY: Opaque and very bright, solvent based colours, ideal for decorating ceramics. Very good lightfastness.COLOUR MIXABILITY: YesDRYING: Oxidation in air. The colours are dry "dust free" in 3 hours at heart after 48 hours.SURFACES: Terracotta, ceramicTHINNER: Odourless mineral spirit or white spiritOpacity: Opaque Finish: BrilliantCARING (decorated supports): After drying, the colours are resistant to scratching and washing in cold water without soaking.BRUSHES: Pébéo Cobra deco or Iris brushesBRUSH CLEANING: Odourless mineral spirit or white spirit.Product Usage:The Ceramic colours are ideal on terracotta and earthenware. To maximize the brightness on porous surfaces it is recommended to apply, prior to painting, a filler undercoat. On rounded surfaces, be careful not to overload to avoid runs. Ceramic colours can be applied with brush, sponge, screen or bath. A sufficiently thick layer of colour can be combined with another material like sand or engraved with a stick. Objects decorated with Ceramic colours are for decorative use only. Always clean brushes thoroughly with white spirit or odourless mineral spirit, then rinse with soapy water.
Properties:QUALITY: Opaque and very bright, solvent based colours, ideal for decorating ceramics. Very good lightfastness.COLOUR MIXABILITY: YesDRYING: Oxidation in air. The colours are dry "dust free" in 3 hours at heart after 48 hours.SURFACES: Terracotta, ceramicTHINNER: Odourless mineral spirit or white spiritOpacity: Opaque Finish: BrilliantCARING (decorated supports): After drying, the colours are resistant to scratching and washing in cold water without soaking.BRUSHES: Pébéo Cobra deco or Iris brushesBRUSH CLEANING: Odourless mineral spirit or white spirit.Product Usage:The Ceramic colours are ideal on terracotta and earthenware. To maximize the brightness on porous surfaces it is recommended to apply, prior to painting, a filler undercoat. On rounded surfaces, be careful not to overload to avoid runs. Ceramic colours can be applied with brush, sponge, screen or bath. A sufficiently thick layer of colour can be combined with another material like sand or engraved with a stick. Objects decorated with Ceramic colours are for decorative use only. Always clean brushes thoroughly with white spirit or odourless mineral spirit, then rinse with soapy water.
Properties :QUALITY: Deep and glossy, transparent or opaque, with a superb enamelled appearance after baking. The range includes 10 shimmering colours, twinkling and iridescent effects, particularly opaque and covering. Excellent lightfastness.COLOUR MIXABILITY: Colours can be mixed together.DRYING: Tack free in a few minutes, fully dry in a minimum of 24 hours. Baking all colours and auxiliary products in the range : 35 minutes at 150°C (300°F) in domestic oven, after minimum 24 hours drying. For the markers: Allow to air dry 72 hours for decorative use with light washing and no soaking.Product Usage :Porcelaine 150 can be applied to all heat-stable bases that are able to withstand a temperature of 150°C (300°F), such as porcelain, china, glazed earthenware, terracotta, metal, enameled sheet steel, copper and glass. The choice of base enables numerous effects to be produced and experiments to be made with the transparency and intensity of the colours. Porcelaine 150 makes professional enameling available to all, with a new generation of 46 colours, glazed by simply baking at 150°C (300°F) in any domestic oven. In bottle, tube and marker, which can be mixed together, deep and glossy, transparent or opaque, with a superb enameled appearance after baking. Many applications are possible with Porcelaine 150: with brushes and also with sponge and stencil. The Porcelaine 150 outliners, in tube with nozzle, can be used for outlining work and screen printing. The markers are recommended for lines and writing. Shake well before use. Press tip repeatedly to start ink flow. Allow to air dry 72 hours for decorative use with light washing and no soaking. For dishwasher resistance, allow to air dry 24 hour after application then bake in oven for 35 minutes at 150°C (300°F). Store flatwise. Keep away from freezing.
Properties :QUALITY: Deep and glossy, transparent or opaque, with a superb enamelled appearance after baking. The range includes 10 shimmering colours, twinkling and iridescent effects, particularly opaque and covering. Excellent lightfastness.COLOUR MIXABILITY: Colours can be mixed together.DRYING: Tack free in a few minutes, fully dry in a minimum of 24 hours. Baking all colours and auxiliary products in the range : 35 minutes at 150°C (300°F) in domestic oven, after minimum 24 hours drying. For the markers: Allow to air dry 72 hours for decorative use with light washing and no soaking.Product Usage :Porcelaine 150 can be applied to all heat-stable bases that are able to withstand a temperature of 150°C (300°F), such as porcelain, china, glazed earthenware, terracotta, metal, enameled sheet steel, copper and glass. The choice of base enables numerous effects to be produced and experiments to be made with the transparency and intensity of the colours. Porcelaine 150 makes professional enameling available to all, with a new generation of 46 colours, glazed by simply baking at 150°C (300°F) in any domestic oven. In bottle, tube and marker, which can be mixed together, deep and glossy, transparent or opaque, with a superb enameled appearance after baking. Many applications are possible with Porcelaine 150: with brushes and also with sponge and stencil. The Porcelaine 150 outliners, in tube with nozzle, can be used for outlining work and screen printing. The markers are recommended for lines and writing. Shake well before use. Press tip repeatedly to start ink flow. Allow to air dry 72 hours for decorative use with light washing and no soaking. For dishwasher resistance, allow to air dry 24 hour after application then bake in oven for 35 minutes at 150°C (300°F). Store flatwise. Keep away from freezing.
Properties :QUALITY: Deep and glossy, transparent or opaque, with a superb enamelled appearance after baking. The range includes 10 shimmering colours, twinkling and iridescent effects, particularly opaque and covering. Excellent lightfastness.COLOUR MIXABILITY: Colours can be mixed together.DRYING: Tack free in a few minutes, fully dry in a minimum of 24 hours. Baking all colours and auxiliary products in the range : 35 minutes at 150°C (300°F) in domestic oven, after minimum 24 hours drying. For the markers: Allow to air dry 72 hours for decorative use with light washing and no soaking.Product Usage :Porcelaine 150 can be applied to all heat-stable bases that are able to withstand a temperature of 150°C (300°F), such as porcelain, china, glazed earthenware, terracotta, metal, enameled sheet steel, copper and glass. The choice of base enables numerous effects to be produced and experiments to be made with the transparency and intensity of the colours. Porcelaine 150 makes professional enameling available to all, with a new generation of 46 colours, glazed by simply baking at 150°C (300°F) in any domestic oven. In bottle, tube and marker, which can be mixed together, deep and glossy, transparent or opaque, with a superb enameled appearance after baking. Many applications are possible with Porcelaine 150: with brushes and also with sponge and stencil. The Porcelaine 150 outliners, in tube with nozzle, can be used for outlining work and screen printing. The markers are recommended for lines and writing. Shake well before use. Press tip repeatedly to start ink flow. Allow to air dry 72 hours for decorative use with light washing and no soaking. For dishwasher resistance, allow to air dry 24 hour after application then bake in oven for 35 minutes at 150°C (300°F). Store flatwise. Keep away from freezing.
Studio Essentials Clay Modelling Tools are designed for shaping and molding with clay, plasticine, encaustic wax, as well as other soft sculptable material.Available with different wire shapes at each end, these tools are excellent for forming a variety of shapes and patterns. Made with treated wood and stainless steel ferrules, they are durable tools that are great value.Each tool measures approximately 16.5cm in length.
Dala Casting Stone is a white powder product similar to Plaster of Paris, except it dries to a much harder finish. It can be poured or sculpted with. It can be poured into moulds to form a postive, or poured over objects to cast a negative.
Properties :QUALITY: Deep and glossy, transparent or opaque, with a superb enamelled appearance after baking. The range includes 10 shimmering colours, twinkling and iridescent effects, particularly opaque and covering. Excellent lightfastness.COLOUR MIXABILITY: Colours can be mixed together.DRYING: Tack free in a few minutes, fully dry in a minimum of 24 hours. Baking all colours and auxiliary products in the range : 35 minutes at 150°C (300°F) in domestic oven, after minimum 24 hours drying. For the markers: Allow to air dry 72 hours for decorative use with light washing and no soaking.Product Usage :Porcelaine 150 can be applied to all heat-stable bases that are able to withstand a temperature of 150°C (300°F), such as porcelain, china, glazed earthenware, terracotta, metal, enameled sheet steel, copper and glass. The choice of base enables numerous effects to be produced and experiments to be made with the transparency and intensity of the colours. Porcelaine 150 makes professional enameling available to all, with a new generation of 46 colours, glazed by simply baking at 150°C (300°F) in any domestic oven. In bottle, tube and marker, which can be mixed together, deep and glossy, transparent or opaque, with a superb enameled appearance after baking. Many applications are possible with Porcelaine 150: with brushes and also with sponge and stencil. The Porcelaine 150 outliners, in tube with nozzle, can be used for outlining work and screen printing. The markers are recommended for lines and writing. Shake well before use. Press tip repeatedly to start ink flow. Allow to air dry 72 hours for decorative use with light washing and no soaking. For dishwasher resistance, allow to air dry 24 hour after application then bake in oven for 35 minutes at 150°C (300°F). Store flatwise. Keep away from freezing.
Dala Plaster of Paris is a white, powder product that requires the addition of water to create a paste which can then be poured, or sculpted with. The paste is poured into a mould to create a 'positive', or poured over something to cast a 'negative'.
Properties:QUALITY: Opaque and very bright, solvent based colours, ideal for decorating ceramics. Very good lightfastness.COLOUR MIXABILITY: YesDRYING: Oxidation in air. The colours are dry "dust free" in 3 hours at heart after 48 hours.SURFACES: Terracotta, ceramicTHINNER: Odourless mineral spirit or white spiritOpacity: Opaque Finish: BrilliantCARING (decorated supports): After drying, the colours are resistant to scratching and washing in cold water without soaking.BRUSHES: Pébéo Cobra deco or Iris brushesBRUSH CLEANING: Odourless mineral spirit or white spirit.Product Usage:The Ceramic colours are ideal on terracotta and earthenware. To maximize the brightness on porous surfaces it is recommended to apply, prior to painting, a filler undercoat. On rounded surfaces, be careful not to overload to avoid runs. Ceramic colours can be applied with brush, sponge, screen or bath. A sufficiently thick layer of colour can be combined with another material like sand or engraved with a stick. Objects decorated with Ceramic colours are for decorative use only. Always clean brushes thoroughly with white spirit or odourless mineral spirit, then rinse with soapy water.
The paste is poured into a mould to create a 'positive', or poured over something to cast a 'negative'.
Dala Plaster of Paris is a white, powder product that requires the addition of water to create a paste which can then be poured, or sculpted with. The paste is poured into a mould to create a 'positive', or poured over something to cast a 'negative'.
This metal handled wire brush is small and lightweight with a textured grip handle. These brushes can be used on clay, ceramics, pottery and even for cake decorating. The bristles can be shaped or bent, adjusted and even cut (using side-cutters) to customise your own width and shape. They are useful for working with modelling materials to target and smooth out hard to reach areas, or for the creation of textures within the modelling material.
These flexible silicone tools are designed for use with heavy-bodied paints, Catalyst is at home with oils, acrylics, and water-miscible oils. Because they are heat-resistant, they excel with encaustics. Artists are using them with plaster and clay.
Modelling tools. A little extra assistance to help your ideas take shape! Modelling and moulding have never been so easy with the Das accessories, spatulas and trimming tools – ready to transform your ideas by engraving and trimming however you like!
Catalyst tools allow artists a new form of expression. Catalyst tools are ergonomically designed to fit in your hand allowing a direct interaction with your work. Designed for use with heavy-bodied paints, Catalyst is at home with oils, acrylics, and water-miscible oils. Because they are heat-resistant, they excel with encaustics. Artists are using them with plaster, clay, and even frosting. Catalyst tools are even great for food crafting. Clean-up is a breeze, Catalyst tools are easy to wipe clean and is solvent resistant. Clean up in most cases may be done with mild soap and water. Dried paint can be peeled off the silicone surface. Catalyst Contours - Made of stiffer nylon and silicone, Catalyst Contours feel natural in your hand with their comfort-touch finish. Contours’ multiple edge shapes allow for extensive creativity with plaster, and heavy acrylic mediums. Hanging holes are great when it comes to studio organization. Size: C-61 Length: 64mm Width: 37mm
These flexible silicone tools are designed for use with heavy-bodied paints, Catalyst is at home with oils, acrylics, and water-miscible oils. Because they are heat-resistant, they excel with encaustics. Artists are using them with plaster and clay.
These flexible silicone tools are designed for use with heavy-bodied paints, Catalyst is at home with oils, acrylics, and water-miscible oils. Because they are heat-resistant, they excel with encaustics. Artists are using them with plaster and clay.
These flexible silicone tools are designed for use with heavy-bodied paints, Catalyst is at home with oils, acrylics, and water-miscible oils. Because they are heat-resistant, they excel with encaustics. Artists are using them with plaster and clay.
Catalyst tools allow artists a new form of expression. Catalyst tools are ergonomically designed to fit in your hand allowing a direct interaction with your work. Designed for use with heavy-bodied paints, Catalyst is at home with oils, acrylics, and water-miscible oils. Because they are heat-resistant, they excel with encaustics. Artists are using them with plaster, clay, and even frosting. Catalyst tools are even great for food crafting. Clean-up is a breeze, Catalyst tools are easy to wipe clean and is solvent resistant. Clean up in most cases may be done with mild soap and water. Dried paint can be peeled off the silicone surface. Catalyst Contours - Made of stiffer nylon and silicone, Catalyst Contours feel natural in your hand with their comfort-touch finish. Contours’ multiple edge shapes allow for extensive creativity with plaster, and heavy acrylic mediums. Hanging holes are great when it comes to studio organization. Size: C-62 Length: 56mm Width: 37mm
Not quite a brush. Not quite a palette knife. Catalyst tools are crafted from flexible silicone to allow artists a new form of expression. Catalyst Blades are mounted on artist brush handles offering a blend of tradition and innovation. Designed for use with heavy-bodied paints, Catalyst is at home with oils, acrylics, and water-miscible oils. Because they are heat-resistant, they excel with encaustics. Artists are using them with plaster, clay, and even frosting. Made of FDA-approved silicone, Catalyst Blades are even great for food crafting. Clean-up is a breeze, the silicone is easy to wipe clean and is solvent resistant. Clean up in most cases can be done with mild soap and water. Catalyst blades can even be separated from their wood handles for cleaning and easily replaced when dry. Dried paint can be peeled off the silicone surface. Mini-Blades - Catalyst Mini-Blades are indispensable in your creative workflow. Like their larger counterparts, Catalyst Blades, Mini-Blades can be separated from their shorter handles for more thorough cleaning. Size: 4 Length: 48mm Width: 30mm
These flexible silicone tools are designed for use with heavy-bodied paints, Catalyst is at home with oils, acrylics, and water-miscible oils. Because they are heat-resistant, they excel with encaustics. Artists are using them with plaster and clay. |
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