In this controversial, thought-provoking, and brilliant book, renegade thinkers Christopher Ryan and Cacilda Jetha debunk almost everything we "know" about sex, weaving together convergent, frequently overlooked evidence from anthropology, archaeology, primatology, anatomy, and psychosexuality to show how far from human nature monogamy really is. In Sex at Dawn, the authors expose the ancient roots of human sexuality while pointing toward a more optimistic future illuminated by our innate capacities for love, cooperation, and generosity.

Joss Whedon's works, across all media including television, film, musicals, and comic books, are known for their commitment to gender and sexual equality. They have always encouraged their audiences to love whomever, and however, they wish. This book is a history of the sexualities represented in the works of Joss Whedon and it covers all of Whedon's genres, including fantasy, horror, science fiction, westerns, superhero stories, and Shakespearean comedy. Unique for its consideration of the entire arc of Whedon's two-decade career, from the beginning of Buffy the Vampire Slayer's first season in 1997 through the conclusion of its twelfth (comic book) season in 2018, this book examines in detail both better-known queer sexualities of the LGBTQ spectrum, but also at lesser-known non-normative sexualities. The book includes chapters on Whedon's sexually dominant women and submissive men, sexual pluralism on Firefly, disabled sexualities in Whedon's superhero narratives, zoophilia in Buffy, queer and heteronormative sexualities in Dr. Horrible's Sing-Along Blog, the subversion of the sexual tropes of slasher films in The Cabin in Woods, and dominance and submission in Whedon's Much Ado About Nothing.

This collection of essays asks contributors to take the capaciousness of the word "queer" to heart in order to think about what medieval queers would have looked like and how they may have existed on the margins and borders of dominant, normative sexuality and desire. The contributors work with recent trends in queer medieval studies, blending together modern concepts of sexuality and desire with the queer configurations of eroticism, desire, and materiality as they might have existed for medieval audiences.

Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer's Canterbury Tales, for Chaucer's tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other - conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats, and decapitations. Like the macabre sprawl of conflict in the Canterbury Tales, this book brings together a number of conflicting modes of thinking and writing through the surprising and perhaps disconcerting use of "shadow" chapters that speak to or against the four "central" chapters, creating both dialogue and interruption.

Within the so-called seduction community, the ability to meet and attract women is understood as a skill which heterosexual men can cultivate through practical training and personal development. Though it has been an object of media speculation - and frequent sensationalism - for over a decade, this cultural formation remains poorly understood. In the first book-length study of the industry, Rachel O'Neill takes us into the world of seduction seminars, training events, instructional guidebooks and video tutorials. Pushing past established understandings of 'pickup artists' as pathetic, pathological or perverse, she examines what makes seduction so compelling for those drawn to participate in this sphere. Seduction vividly portrays how the twin rationalities of neoliberalism and postfeminism are reorganising contemporary intimate life, as labour-intensive and profit-orientated modes of sociality consume other forms of being and relating. It is essential reading for students and scholars of gender, sexuality, sociology and cultural studies, as well as anyone who wants to understand the seduction industry's overarching logics and internal workings.

The archive has assumed a new significance in the history of sex, and this book visits a series of such archives, including the Kinsey Institute's erotic art; gay masturbatory journals in the New York Public Library; the private archive of an amateur pornographer; and one man's lifetime photographic dossier on Baltimore hustlers. Shedding new light on American sexual history, the topics covered are both fascinating and wide-ranging: the art history of homoeroticism; casual sex before hooking-up; transgender; New York queer sex; masturbation; pornography; sex in the city. This book will appeal to a wide readership: those interested in American studies, sexuality studies, contemporary history, the history of sex, psychology, anthropology, sociology, gender studies, queer studies, trans studies, pornography studies, visual studies, museum studies, and media studies. -- .

Over the past few decades, there has been a dynamic world-wide societal shift away from traditional routes for finding a partner and establishing intimate relationships. This multidisciplinary volume investigates the impact of online dating and the role of technology in relationship formation; the nature of cohabitation and its relative meaning with marriage; assortative mating patterns; the role of parents and siblings in the selection of a partner; gender and sexuality within dating and mating; evolving forms of non-traditional marriage; the interplay of personality and sociodemographic traits within partner selection; and the role of race, ethnicity, and religion in dating and mating. Together, this collection provides a unique and truly global collection of research on the nature of dating, mating, and coupling, as they occur across a variety of cultures.

What are the archives of gay and lesbian leather histories, and how have contemporary artists mined these archives to create a queer politics of the present? This book sheds light on an area long ignored by traditional art history and LGBTQ studies, examining the legacies of the visual and material cultures of US leather communities. It discusses the work of contemporary artists such as Patrick Staff, Dean Sameshima, Monica Majoli, AK Burns and AL Steiner, and the artist collective Die Kranken, showing how archival histories and contemporary artistic projects might be applied in a broader analysis of LGBTQ culture and norms. Hanky codes, blurry photographs of Tom of Finland drawings, a pin sash weighted down with divergent histories - these become touchstones for writing leather histories. -- .

This book examines the Red Love vogue that swept across the Asia-Pacific in the 1920s and 1930s as part of a worldwide interest in socialism and follows its trails throughout the twentieth century. Encouraging both political and sexual liberation, Red Love was a transnational movement demonstrating the revolutionary potential of love and desire.

Love at first sight . . . hooking up . . . jealousy . . . adultery. . . . Helen Fisher explains it all in this thought-provoking anthropological view of human sexual and romantic behavior. Examining marriage and divorce in fifty-eight societies, infidelity in forty-two cultures, and new national studies of singles in America, she argues that we are returning to patterns of sex, romance, love, and attachment that echo our ancient past. This classic book has been updated throughout to include her revolutionary work on the brain in love, love addictions, and why we are biologically drawn to specific partners, and includes a new chapter on future sex.

The topic of sexuality and gender within the South Asian context is timely and widely discussed across a variety of academic disciplines. Since the end of the last century, there have been debates in the cultural sphere in India on issues concerning Lesbian Gay Bisexual Transgender people's rights, gender, sex workers' rights and caste. There has also been an explicit visibility for sexuality in the form of discussion around intimate scenes in films, advertisements and moral concerns around pre-marital heterosexual relationships and same-sex relationships. This book brings out the modalities through which explicit visibility of sexuality gets constituted in the public space of India after the 1990s. The specificities through which relations of gender/ sexuality and caste get constituted and performed in regional media provide significant entry points to an understanding of larger structures and the ever-present fissures through which these larger structures emerge. Focussing on the southern state of Kerala, the book investigates women's sexuality and caste through a number of case studies: the Suryanelli rape case, neology in the media and the debates around the life narratives of Nalini Jameela, a sex worker. The book does not stop at representational practices as it also looks at the negotiations between the subject and her represented figures which is a significant addition to the existing body of work in the field of media and gender studies. Sexuality and Public Space in India is a careful interrogation of the mass-mediatized space of contemporary public discourse around sexuality. It will be of interest to academics in South Asian Studies, Sociology, Anthropology and Gender Studies.

The scientific and technological innovations that will take place over the next decade will transform our society in profound ways. Sex robots, or robots made for sex, are already becoming a reality as a substitute for human beings in bed: although current prototypes are relatively simple and crude, future technological capabilities will render sex robots capable of interacting with humans in more human-like ways. They will be able to recognize their partner, understand their state of mind, and learn their tastes and preferences. Professor Maurizio Balistreri introduces us to the fascinating world of sex of the future by addressing all the ethical issues that the large-scale commercialization of sex robots will raise without taboos and judgements. What will become of love if all our sexual relationships are conducted with machines? What will happen to the world of paid sex and pornography? Will sex robots increase or decrease sexual violence? In addition to confronting the international debate on the moral acceptability of sex robots, this book examines the most recent studies on violent video games and pornography, questioning the widespread belief that playing violent games or witnessing violent representations corrupts people and makes them violent. Not only could sex robots be an essential tool for expressing and exploring our most forbidden sexual fantasies, but they could also be used to treat sex offenders and paedophiles. Sex Robots is a book that questions our prejudices towards sex robots with clarity and simplicity, helping us reason and reflect on a future that is already present, in the awareness that robots will change the world and our lives.

Sex on and with social media is often construed as deviant, risky, or something only teenagers do because they don't know better. Yet, academic scholarship has shown that sex on/with social media can allow people to create and playfully experiment with their identities; build meaningful relationships; accept themselves or build communities. This book brings the multiplicity and richness of sexual practices on, with, and around social media to a curious, intelligent lay reader, and highlights the discrepancy between the media headlines (people fearing it) and what popular Google searches show (people wanting it). The authors describe how social media has changed and shaped sex; address the common misconceptions about socially mediated sex; explain the spaces where social media sex happens, and the practices that count as social media sex. Chapters examine the main misconceptions and anxieties pertaining to socially mediated sex; explore how sexual social media practices are part of our identity; look at it as a communal/ group phenomenon; and analyse social media platforms as the intermediaries and infrastructures shaping and constraining sex. It offers an academically informed, critical but accessible discussion on sex and sexuality on and with social media.

Honorable Mention for the 2014 MLA Alan Bray Memorial Award Finalist for the 2013 LAMBDA LGBT Studies Book Award In nineteenth-century America-before the scandalous trial of Oscar Wilde, before the public emergence of categories like homo- and heterosexuality-what were the parameters of sex? Did people characterize their sexuality as a set of bodily practices, a form of identification, or a mode of relation? Was it even something an individual could be said to possess? What could be counted as sexuality? Tomorrow's Parties: Sex and the Untimely in Nineteenth-Century America provides a rich new conceptual language to describe the movements of sex in the period before it solidified into the sexuality we know, or think we know. Taking up authors whose places in the American history of sexuality range from the canonical to the improbable-from Whitman, Melville, Thoreau, and James to Dickinson, Sarah Orne Jewett, Harriet Jacobs, Frederick Douglass, and Mormon founder Joseph Smith-Peter Coviello delineates the varied forms sex could take in the lead-up to its captivation by the codings of "modern" sexuality. While telling the story of nineteenth-century American sexuality, he considers what might have been lostin the ascension of these new taxonomies of sex: all the extravagant, untimely ways of imagining the domain of sex that, under the modern regime of sexuality, have sunken into muteness or illegibility. Taking queer theorizations of temporality in challenging new directions, Tomorrow's Parties assembles an archive of broken-off, uncreated futures-futures that would not come to be. Through them, Coviello fundamentally reorients our readings of erotic being and erotic possibility in the literature of nineteenth-century America.

While sex work has long been controversial, it has become even more contested over the past decade as laws, policies, and enforcement practices have become more repressive in many nations, partly as a result of the ascendancy of interest groups committed to the total abolition of the sex industry. At the same time, however, several other nations have recently decriminalized prostitution. Legalizing Prostitution maps out the current terrain. Using America as a backdrop, Weitzer draws on extensive field research in the Netherlands, Belgium, and Germany to illustrate alternatives to American-style criminalization of sex workers. These cases are then used to develop a roster of "best practices" that can serve as a model for other nations considering legalization. Legalizing Prostitution provides a theoretically grounded comparative analysis of political dynamics, policy outcomes, and red-light landscapes in nations where prostitution has been legalized and regulated by the government, presenting a rich and novel portrait of the multifaceted world of legal sex for sale.

Despite increasing visibility of same-sex relationships in South Africa, there remains a distinct lack of research and public discussion around same-sex family practices and related legislative and social issues. This new collection of essays, interviews and images seeks to address this critical information gap by both capturing recent scholarship and documenting the challenges and experiences of same-sex partnered families. By bringing together work from diverse academic and professional disciplines - as well as visual materials from two recent exhibitions - this unique collection will play a crucial role in promoting further research into LGBTI families in South Africa. Topics covered include the theory and context of LGBTI families in South Africa; the legislative framework; media representations of same-sex families; assisted reproduction technology - challenges, experiences and understandings; parenting practices; disclosure practices within families; and intimate partner violence.

Despite being integral parts of all our identities, sexuality, sex and intimacy are what many would call the Last Taboo in dementia care, usually seen as 'problem behaviours' to be stopped and dealt with. Informed by a combination of accessible neuroscience and person-centred compassion, Danuta Lipinska's new book shows that the human need for intimacy, attachment and sexual expression is as important for supporting the wellbeing and personhood of people with dementia as communication and care. Considering the brain as the body's biggest sex organ, it examines the cognitive changes that occur in dementia and what these changes mean in the context of sexual behaviour and consent. Taking Carl Rogers' Core Conditions and Tom Kitwood's psychological needs of persons living with dementia as a starting point, Lipinska offers a unique model for person-centred conversations about sex and sexuality that we have not seen before.

From the first, brief moving images of female nudes in the 1880s to the present, the motion picture camera made the female body a battleground in what we now call the culture wars. Churchmen feared the excitation of male lust; feminists decried the idealization of a body type that devalued the majority of women. This history of Hollywood's treatment of women's bodies traces the full span of the motion picture era. Primitive peepshow images of burlesque dancers gave way to the "artistic" nudity of the 1910s when model Audrey Munson and swimmer Annette Kellerman contended for the title of American Venus. Clara Bow personified the qualified sexual freedom of the 1920s flapper. Jean Harlow, Mae West and the scantily clad chorus girls of the early 1930s provoked the Legion of Decency to demand the creation of a Production Code Administration that turned saucy Betty Boop into a housewife. Things loosened up during World War II when Betty Grable and Rita Hayworth ruled the screen. The postwar years saw the blonde bombshells and "Mammary madness" of the 1950s while the 1960's brought bikini-clad sex kittens. With the replacement of the Production Code by a ratings system in 1968, nudity and sex scenes proliferated in the R-rated movies of the 1970s and 1980s. Recent movies, often directed by women, have pointed the way toward a more egalitarian future. Finally, the #MeToo movement and the fall of Harvey Weinstein have forced the industry to confront its own sexism. Each chapter of this book situates movies, famous and obscure, into the context of changes in the movie industry and the larger society.

Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters. To do so, Sensual Excess analyzes moments of brown jouissance that exceed these constraints. These ruptures illuminate multiple epistemologies of selfhood and sensuality that offer frameworks for minoritarian knowledge production which is designed to enable one to sit with uncertainty. Through examinations of installations and performances like Judy Chicago's The Dinner Party, Kara Walker's A Subtlety, Patty Chang's In Love and Nao Bustamante's Neapolitan, Musser unpacks the relationships between racialized sexuality and consumption to interrogate foundational concepts in psychoanalytic theory, critical race studies, feminism, and queer theory. In so doing, Sensual Excess offers a project of knowledge production focused not on mastery, but on sensing and imagining otherwise, whatever and wherever that might be.

Media are central to our experiences and understandings of sex, whether in the form of familiar 'mainstream' genres, pornographies and other sex genres, or the new zones, interactions and technosexualities made possible by the internet and mobile devices. In this engaging new book, Feona Attwood argues that to understand the significance of sex media, we need to examine them in terms of their distinctive characteristics, relationships to art and culture, and changing place in society. Observing the role that media play in relation to sex, gender, and sexuality, this book considers the regulation of sex and sexual representation, issues around the 'sexualization of culture', and demonstrates how a critical focus on sex media can inform debates on sex education and sexual health, as well as illuminate the relation of sex to labour, leisure, intimacy, and bodies. Sex Media is an essential resource for students and scholars of media, culture, gender and sexuality.

This book combines sex, race, health and genetics in a daring new theory. Written with accessible, direct prose, anecdotes, analogies, and examples from human and animal studies, it is sure to spark debate in a massive way.

Media are central to our experiences and understandings of sex, whether in the form of familiar 'mainstream' genres, pornographies and other sex genres, or the new zones, interactions and technosexualities made possible by the internet and mobile devices. In this engaging new book, Feona Attwood argues that to understand the significance of sex media, we need to examine them in terms of their distinctive characteristics, relationships to art and culture, and changing place in society. Observing the role that media play in relation to sex, gender, and sexuality, this book considers the regulation of sex and sexual representation, issues around the 'sexualization of culture', and demonstrates how a critical focus on sex media can inform debates on sex education and sexual health, as well as illuminate the relation of sex to labour, leisure, intimacy, and bodies. Sex Media is an essential resource for students and scholars of media, culture, gender and sexuality.

Few terms elicit such strong and varied feelings and yet have so little clarity as "democracy." Leaders of large states use "democracy" to designate their nations' public character even as critics and rivals use the term to validate their own political perspectives. In Envisioning Democracy, the editors and contributors address the following questions: What does democracy mean today? What could it mean tomorrow? What is the dynamic of democracy in an increasingly interdependent world? Envisioning Democracy explores these questions amid the dynamic of democracy as a political phenomenon interacting with forms of economic, ethical, ethnic, and intellectual life. The book draws on the work of Sheldon S. Wolin (1922-2015), one of the most influential American theorists of the last fifty years. Here, scholars consider the historical conditions, theoretical elements, and practical impediments to democracy, using Wolin's insights as touchstones in thinking through the possibilities and obstacles facing democracy now and in the future.

Many scholars in Biblical and Revelation studies have written at length about the imperial and patriarchal implications of the figure of the Whore of Babylon. However, much of the focus has been on the links to the Roman Empire and ancient attitudes towards gender. This book adds another layer to the conversation around this evocative figure by pursuing an ideological critique of the Great Whore that takes into account contemporary understandings of sexuality, and in so doing advances a de-moralization of apparent sexual deviancy both in the present and in the past. Offering an emancipatory reading of Revelation 17-18 using Foucauldian, postcolonial and queer historiographies, this study sets out alternative paths for identity construction in Biblical texts. By using these alternative critical lenses, the author argues that the common neglect of the ethical and political impact of Biblical texts in the present can be overcome. This, in turn, allows for fresh reflection on the study of the Bible and its implications for progressive politics. Situated at the intersection of Revelation Studies, Biblical Studies and Hermeneutics, as well as Contextual/Liberationist Theologies and Queer and Postcolonial Criticism, this is a cutting edge study that will be of keen interest to scholars of Theology and Religious Studies.

Sex is bad. Unprotected sex is a problem. Having a baby would be a disaster. Abortion is a sin. Teenagers in the United States hear conflicting messages about sex from everyone around them. How do teens understand these messages? In Mixed Messages, Stefanie Mollborn examines how social norms and social control work through in-depth interviews with college students and teen mothers and fathers, revealing the tough conversations teeangers just can't have with adults. Delving into teenagers' complicated social worlds Mollborn argues that by creating informal social sanctions like gossip and exclusion and formal communication such as sex education, families, peers, schools, and communities strategize to gain control over teens' behaviors. However, while teens strategize to keep control, they resist the constraints of the norms, revealing the variety of outcomes that occur beyond compliance or deviance. By proving that the norms existing today around teen sex are ineffective, failing to regulate sexual behavior, and instead punishing teens that violate them, Mollborn calls for a more thoughtful and consistent dialogue between teens and adults, emphasizing messages that will lead to more positive health outcomes.