Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.

Silk Colour has been developed with the most brilliant permanent pigments and a new easy flow acrylic resin formulated for delicate fibres. Colours apply evenly and smoothly, and are fixed by ironing.

All colours can be mixed with one another, or diluted with water. The range contains No-Flow Medium and Flow Improver, as well as a complete assortment of Guttas. Silk Colour is suitable for all techniques: brush, roller, airbrush, sponge, batik, etc. Although it is formulated especially for silk fabrics, some artists also use it on textiles, especially muslin and other thin cottons, whereas Textile colour can be used sparingly for accents and stencil techniques on silk. Silk Colour is not hazardous to users' health or to the environment if employed in a normal manner.

Silk Colour has been developed with the most brilliant permanent pigments and a new easy flow acrylic resin formulated for delicate fibres. Colours apply evenly and smoothly, and are fixed by ironing.

All colours can be mixed with one another, or diluted with water. The range contains No-Flow Medium and Flow Improver, as well as a complete assortment of Guttas. Silk Colour is suitable for all techniques: brush, roller, airbrush, sponge, batik, etc. Although it is formulated especially for silk fabrics, some artists also use it on textiles, especially muslin and other thin cottons, whereas Textile colour can be used sparingly for accents and stencil techniques on silk. Silk Colour is not hazardous to users' health or to the environment if employed in a normal manner.

Beautiful outlines and great effects are achieved with water based Marabu-Contours & Effects. As well as outlines, even smaller shapes can be painted with this product (e.g. by stencilling) producing new highlights on the silk. The flamboyant colours tone with the colour-shade groups of Marabu-Silk and Marabu-Silk Colour silk colours and increase the versatility of silk painting. In combination with Marabu-Velvet Touch velvety effect paint, these completely different effects can also be combined on one piece.The 25 ml liner is ideal for direct painting, because of the fine tips. For very fine outlines and decorations, Marabu paint tips can be screwed straight onto the liners. Marabu-Contours & Effects can be applied as outliner for further painting with Marabu-Silk, on dry silk painted with Marabu-Silk or on silk dyed with Marabu-Silk Colour and on untreated silk fabrics.

Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.

Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.

Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.

Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.

Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.

Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.

Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.