Across three decades of democracy, South Africa has seen an outpouring of longform, narrative journalism and creative nonfiction – genres in which some of the country’s finest writers have tried to make sense of a complex and changing society. This brand new, one-of-a-kind anthology collects some of the best nonfiction published since the end of apartheid, carefully selected and introduced by editors Sean Christie and Hedley Twidle.

From the underworld of zama-zama goldminers to the tragicomic closure of a Cape Town Zoo, from stick fighting to punk rock, game lodges to fruit farms, cricket pitches to mermaids, The Interpreters: South Africa’s New Nonfiction assembles a range of true stories that are often more far-fetched, and more compelling, than any fiction.

Creative nonfiction in South Africa has often been found at the margins of our media – in zines, journals, now defunct magazines and personal blogs. It is a kind of writing that has, in general, not made much financial sense – more a medium for those obsessed with pursuing a single story over months or years. In The Interpreters, the editors have combed through 30 years of post-apartheid writing to produce a collection that combines preeminent names with lesser known but no less immersive and powerful works of nonfiction – voices that deserve to be read and that represent fresh interpretations of a nation’s history.

Featuring Kimon de Greeff • William Dicey • Alexandra Dodd • Madeleine Fullard • Mark Gevisser • Anna Hartford • Anton Harber • Michiel Heyns • Anton Kannemeyer • Bongani Kona • Rustum Kozain • Antjie Krog • Alastair Laird • Adrian Leftwich • Lidudumalingani • Bongani Madondo • Rian Malan • Zanele Mji • Mogorosi Motshumi • Nosisi Mpolweni • Julie Nxadi • Njabulo Ndebele • Lindokuhle Nkosi • Sean O’Toole • Kopano Ratele • Warren Raysdorf • Srila Roy • Lin Sampson • Kwanele Sosibo • Jonny Steinberg • Niren Tolsi • Matthew Wilhelm-Solomon • Roger Young • Percy Zvomuya

From autism to allergies, ADHD to long Covid, more people are being labelled with medical conditions than ever before. But can a diagnosis do us more harm than good?

The boundaries between sickness and health are being redrawn. Mental health categories are shifting and expanding all the time, radically altering what we consider to be 'normal'. Genetic tests can now detect pathologies decades before people experience symptoms, and sometimes before they're even born. And increased health screening draws more and more people into believing they are unwell.

An accurate diagnosis can bring greater understanding and of course improved treatment. But many diagnoses aren't as definitive as we think. And in some cases they risk turning healthy people into patients.

Drawing on the stories of real people, as well as decades of clinical practice and the latest medical research, Dr Suzanne O'Sullivan overturns long held assumptions and reframes how we think about illness and health.

From the winner of the 2022 Royal Society Science Book Prize, a thrilling and thought-provoking account of the rise and fall of humankind.

For the first time in over ten millennia, the rate of human population growth is slowing down. The global population is forecast to begin declining in the second half of this century, and in 10,000 years’ time, our species will likely be extinct.

In The Decline and Fall of the Human Empire, Henry Gee shows how we arrived at this crucial moment in our history, beginning his story deep in the palaeolithic past and charting our dramatic rise from one species of human among many – teetering on the edge of extinction for more than a hundred millennia – to the most dominant animal to ever live on Earth.

But rapid climate change, a stagnating global economy, falling birth rates and an unexplainable decline in average human sperm count are combining to make our chances for longevity increasingly slim. There could be a way forward, but the launch window is narrow.

Gee argues that unless Homo sapiens establishes successful colonies in space within the next two centuries, our species is likely to stay earthbound and will have vanished entirely within another 10,000 years, bringing the seven-million-year story of the human lineage to an end.

Drawing on a dazzling array of the latest scientific research, Gee tells the extraordinary story of humanity with characteristic warmth and wit, and suggests how our exceptional species might avoid its tragic fate.

History loves a villain.

Across the entire span of human civilisation, certain people and groups have been identified as being responsible for the ills of the world, and have remained hated for it. In his continuing desire to separate out the facts from the fiction of history, Otto English looks at how these legacies were constructed and who told us that they were evil.

From how Bloody Mary became the figurehead of uppity women and how Judas's betrayal became a template for religious tensions for centuries to what the Peasants Revolt and the Illuminati shows us about power struggles throughout the ages, English exposes the agendas behind the 'truths' we've been told to believe. And in looking at how xenophobia was weaponised during the 'Spanish' Flu, he reveals how our past sometimes bleeds into the present day.

Fascinating and fearless, Notorious will re-examine some of the history's biggest villains and change the way you see the world forever.

The culture war is over. If you want it to be. It wasn’t even a culture war; it was a war on culture. A sustained attack, Dan Hicks argues, in the form of the weaponisation of civic museums, public art, and even universities — and one that has a deeper history than you might think.

Tracing the origins of contemporary conflicts over art, heritage, memory, and colonialism, Every Monument Will Fall joins the dots between the building of statues, the founding of academic disciplines like archaeology and anthropology, and the warehousing of stolen art and human skulls in museums — including the one in which he is a curator.

Part history, part biography, part excavation, the story runs from the Yorkshire wolds to the Crimean War, from southern Ireland to the frontline of the American Civil War, from the City of London to the University of Oxford — revealing enduring legacies of militarism, slavery, racism and white supremacy hardwired into the heart of our cultural institutions.

Every Monument Will Fall offers an urgent reappraisal of how we think about culture, and how to find hope, remembrance and reconciliation in the fragments of an unfinished violent past. Refusing to choose between pulling down every statue, or living in a past that we can never change, the book makes the case for allowing monuments of all kinds to fall once in a while, even those that are hard to see as monuments, rebuilding a memory culture that is in step with our times.

The British far right is working to dismantle our democracy. This shocking, eye-opening undercover journey reveals who they are, how they operate and how they are normalising extreme ideologies including eugenics.

In summer 2024, riots swept England in the biggest wave of far-right violence in the post-war period. But far-right activity takes many other forms as well, all of them dangerous.

Journalist Harry Shukman knows the dangers all too well: he’d gone undercover to infiltrate these groups. For over a year, he carefully attached his hidden lapel camera and pretended to be an extremist named Chris.

We follow Shukman as he hangs out in the pub with a secretive community network, canvasses with political party Britain First and attends a neo-Nazi conference. We meet a circle of Holocaust deniers, a race science organisation with a major Silicon Valley investor and right-wing think tanks supported by Conservative policymakers. What we witness is hard to believe, or stomach.

Year of the Rat is a gripping and urgent exposé – nail-bitingly tense, darkly absurd and utterly chilling. Risking his safety and sanity, Shukman has removed the far right’s terrifyingly everyday mask. Now, we must ensure it stays off.

From a Pulitzer Prize-winning historian comes the first definitive history of the Western hemisphere, a sweeping five-century narrative of North and South America that redefines our understanding of both continents.

The story of the United States’ unique sense of itself was forged facing south – no less than Latin America’s was indelibly stamped by the looming colossus to the north. In this stunningly original reinterpretation of the New World, Professor Greg Grandin reveals how the Americas emerged from constant, turbulent engagement with each other, shedding new light on well-known historical figures like Bartolomé de las Casas, Simón Bolívar and Woodrow Wilson, as well as lesser-known actors such as the Venezuelan Francisco de Miranda, who almost lost his head in the French Revolution and conspired with Alexander Hamilton to free America from Spain.

America, América traverses half a millennium, from the Spanish Conquest – the greatest mortality event in human history – through the eighteenth-century wars for independence and the Monroe Doctrine, to the coups and revolutions of the twentieth century. This monumental work of scholarship fundamentally changes our understanding of slavery and racism, the rise of universal humanism, and the role of social democracy in staving off extremism. At once comprehensive and accessible, America, América shows how the United States and Latin America together shaped the laws, institutions, and ideals that govern the modern world. Drawing on a vast array of sources, and told with authority and flair, this is a genuinely new history of the New World.