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Books > Fiction > Special features
The bone-shaking new trilogy continues – the latest adventure in the
bestselling Skulduggery Pleasant series
Broke young man + chainsaw dog demon = Chainsaw Man! Denji was a small-time devil hunter just trying to survive in a harsh world. After being killed on a job, he is revived by his pet devil Pochita and becomes something new and dangerous-Chainsaw Man! In order to achieve the greatest goal in human history-to touch a boob-Denji will risk everything in a fight against the dangerous Bat Devil. But will getting what he wants actually make him happy...?
"Life always takes you by surprise. It finds you. That's the best part." In Una's new graphic novel Jolene finds friendship and creativity with a 'Cree' group. Follow her on her journey through the rural and urban landscape of County Durham in this gentle, colourful story that plays with symmetry and the sequential in Una's distinctive and innovative style. "In the everyday struggle, when beauty fades from view, slow down, pause a moment, look, listen. You might find things brighter than clearer than they seemed - even when your heart, broken, still beating, beats ill, beats low."
Five men survive a South Seas shipwreck and wash up on a
seemingly deserted beach, only to discover that five beautiful, winged
women inhabit the island. Dazzled and soon in love, the men will do
anything to possess these flying women . . . but what they plan, and
how the magical women respond, is tellingly—and predictably—human.
Our superhero's journey continues as we see him reunited with his family back home in Langelihle, Eastern Cape. Soon after Kwezi arrives, following a confrontation with his parents and a fall out with Azania, he is made aware of a scared , mystical mission which he must undertake in order to ascend to his truer, higher self. Meanwhile in the Namib desert, en route to seek counsel about the unravelling prophecy, Mohau and Khoi encounter "The Three Pillars", inter dimensional guardians who will stop at nothing to protect the seer. Back in the Gold City, something sinister is quietly brewing through the vicious hands of Mr Mpisi. Will Kwezi find what he is looking for in his misson and will Mohau and Khoi find their way to the great seer?.
Brave New World predicts - with eerie clarity - a terrifying vision of the future. Read the dystopian classic. EVERYONE BELONGS TO EVERYONE ELSE Welcome to New London. Everybody is happy here. Our perfect society achieved peace and stability through the prohibition of monogamy, privacy, money, family and history itself. Now everyone belongs. You can be happy too. All you need to do is take your Soma pills. Discover the brave new world of Aldous Huxley's classic novel, written in 1932, which prophesied a society which expects maximum pleasure and accepts complete surveillance - no matter what the cost. 'A masterpiece of speculation... As vibrant, fresh, and somehow shocking as it was when I first read it' Margaret Atwood, bestselling author of The Handmaid's Tale 'A grave warning... Provoking, stimulating, shocking and dazzling' Observer **One of the BBC's 100 Novels That Shaped Our World**
Join a young Ghanaian woman on her journey into Europe's heart of whiteness to meet the natives in this iconoclastic modern classic. Sissie is leaving Ghana for the first time. Arriving in Europe on a scholarship to experience the glories of a Western education, she plunges into this new continent's heart of whiteness, observing the strange customs of the natives. Drinking cocktails at the German Embassy, she cringes at her countrymen. In a Bavarian castle, she is seduced by the lonely mother of Little Adolf. In freezing London, she witnesses 'been-tos' sharing myths of an overseas idyll. In between continents, she writes a letter on the plane to her exiled former lover. But it is not sent. She will tell these tales back at home. Ama Ata Aidoo's landmark debut Our Sister Killjoy exploded into the world in 1977. With its blistering feminist satire of the West African diaspora, colonial legacies and toxic racism, expressed in a radical literary form - prose poetry, letter, manifesto - its provocative impact remains unmatched half a century on.
A non-fiction classic from Orwell. Part I documents his sociological investigations of the living conditions amongst the working class in Lancashire and Yorkshire in the industrial north of England in the 1930s. Part II covers his middle-class upbringing, the development of his political conscience, and a discussion of British attitudes towards socialism.
'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.' Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.
An undocumented immigrant returns home after facing the indignities of the American dream working as a washer of the dead – only to be met with a tragedy. A child struggles to come to terms with the fate of their beloved one-eyed chicken Otuanya, who is treated as a family pet but is destined for the cooking pot. A family lives in fear of the dreaded Shadow Fever that haunts their town, keeping them trapped indoors after sunset lest they risk falling into an eternal sleep. From realistic explorations of family life, parenthood and infidelity, to gritty noir and fantastical horror, the stories collected here are a testament to the endless imagination and possibilities of African literature. These witty, provocative and compulsively readable stories grapple with feminism, patriarchy, class and exploitation and showcase these writers as astute observers of life. This anthology is a generous feast of diverse, delectable narratives that offers something for everyone. Midnight in the Morgue also features three remarkable South African literary talents: Sibongile Fisher, Morabo Morojele, and Nadia Davids. Davids has the distinction of being the first South African to win the Caine Prize since Lidudumalingani Mqombothi in 2016. Her story, Bridling, about a conflicted early-career actress performing in a subversive theatrical production was hailed as ‘a triumph of language, storytelling and risk-taking‘ by Chika Unigwe, Chair of Judges.
As literary political fiction, 1984 is considered a classic novel of the social science fiction subgenre. Since its publication in 1949, many of its terms and concepts, such as Big Brother, doublethink, thoughtcrime, Newspeak, and Memory hole, have become contemporary vernacular. In addition, the novel popularised the adjective Orwellian, which refers to lies, surveillance, and manipulation of the past in the service of a totalitarian agenda. In 1998, the Modern Library ranked 1984 13th on its list of the 100 best English-language novels of the 20th century. This edition includes footnotes, Appendix, and a new introduction.
Life gets pretty boring when you can beat the snot out of any villain with just one punch. Nothing about Saitama passes the eyeball test when it comes to superheroes, from his lifeless expression to his bald head to his unimpressive physique. However, this average-looking guy has a not-so-average problem—he just can’t seem to find an opponent strong enough to take on! In the deadly battle with the Monster Association, the heroes are all getting seriously injured. And to make matters worse, Garo appears as a monster! However, Bang is there to face him down. Who’ll have the upper hand in this master-pupil showdown?!
The Thought Police, Doublethink, Newspeak, Big Brother - 1984 itself: these terms and concepts have moved from the world of fiction into our everyday lives. They are central to our thinking about freedom and its suppression; yet they were newly created by George Orwell in 1949 as he conjured his dystopian vision of a world where totalitarian power is absolute. In this novel, continuously popular since its first publication, readers can explore the dark and extraordinary world he brought so fully to life. The principal characters who lead us through that world are ordinary human beings like ourselves: Winston Smith and Julia, whose falling in love is also an act of rebellion against the Party. Opposing them are the massed powers of the state, which watches its citizens on all sides through technology now only too familiar to us. No-one is free from surveillance; the past is constantly altered, so that there is no truth except the most recent version; and Big Brother, both loved and feared, controls all. Even the simple act of keeping a diary - as Winston does - is punishable by death. In Winston's battle to keep his freedom of thought, he has a powerful adversary in O'Brien, who uses fear and pain to enter his very thought processes. Does 2+2 = 4? Or is it 5? We find out in Room 101. Nineteen Eighty-Four was Orwell's last novel; but the world he created is always with us, as successive generations of readers find within it a mirror for their own times and a warning for the future. Our edition also includes the following selection of Orwell's essays, column extracts and broadcasts: A Hanging; Spilling the Spanish Beans; Reviews of Jack London, The Iron Heel; H. G. Wells, When the Sleeper Awakes; Aldous Huxley, Brave New World; Ernest Bramah, The Secret of the League ; England Your England; Looking Back on the Spanish War; Arthur Koestler; The Prevention of Literature; Politics and the English Language; Why I Write; Politics Vs Literature; Sir Walter Raleigh; The Three Super-States of the Future; Persecution of Writers in USSR; Literature and Totalitarianism; Imaginary Interview: George Orwell and Jonathan Swift
Winston Smith rewrites history. It’s his job. Hidden away in the Record Department of the sprawling Ministry of Truth, he helps the Party, and the omnipresent Big Brother, control the people of Oceania. Winston knows what a good citizen of Oceania must do: show his devotion for Big Brother and the Party; abstain from all vices; and, most importantly, possess no critical thoughts of their own. The new notebook he’s begun to write in is definitely against the rules – in fact, the Thought Police could arrest him simply for having it. Yet, as Winston begins to write his own history, a seed of rebellion begins to grow in his heart – one that could have devastating consequences. In George Orwell’s final and most well-known novel, he explores a dystopian future in which a totalitarian government controls the actions, thoughts and even emotions of its citizens, exercising power through control of language and history. Its lasting popularity is testament to Orwell’s powerful prose, and is a passionate political warning for today.
Frankenstein is the classic gothic horror novel which has thrilled and engrossed readers for two centuries. Written by Mary Shelley, it is a story which she intended would 'curdle the blood and quicken the beatings of the heart.' The tale is a superb blend of science fiction, mystery and thriller. Victor Frankenstein driven by the mad dream of creating his own creature, experiments with alchemy and science to build a monster stitched together from dead remains. Once the creature becomes a living breathing articulate entity, it turns on its maker and the novel darkens into tragedy. The reader is very quickly swept along by the force of the elegant prose, the grotesque, surreal imagery, and the multi-layered themes in the novel. Although first published in 1818, Shelley's masterpiece still maintains a strong grip on the imagination and has been the inspiration for numerous horror movies, television and stage adaptations.
Great Expectations was first published as a weekly serial in All the Year Round, December 1860 - August 1861. Its first appearance in volume form was as three-volume novel, without illustrations, in July 1861. A one-volume edition, the next year, preceded its inclusion in the collected editions of Dickens's lifetime. The three-volume 1861 edition is the basis of the present text: variant readings, including those in manuscript and extant proofs, are recorded in the textual apparatus, providing an unusually rich source of information on Dickens's methods of composition. The Introduction traces this process of composition and draws attention to the two unperformed dramatic adaptations: the reading version and the 1861 play version, made as a safeguard of copyright. Appendices include the original ending, the author's notes, and two textual examinations, one of the five so-called `editions' of 1861, the other a comparison of the one-volume 1862 edition with the 1864 Library edition. |
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