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Books > Fiction > Special features
Goku's adventure from the best-selling classic manga Dragon Ball continues in this new series written by Akira Toriyama himself! Ever since Goku became Earth's greatest hero and gathered the seven Dragon Balls to defeat the evil Boo, his life on Earth has grown a little dull. But new threats loom overhead, and Goku and his friends will have to defend the planet once again in this continuation of Akira Toriyama's best-selling series, Dragon Ball! Granolah and Goku's battle reaches its climax! And Granolah is willing to put his life on the line to take Vegeta down with him too! But suddenly, Monaito appears with an important message for all three fighters-the truth about what happened on planet Cereal all those years ago...
Goku’s adventure from the best-selling classic manga Dragon Ball continues in this new series written by Akira Toriyama himself! Ever since Goku became Earth’s greatest hero and gathered the seven Dragon Balls to defeat the evil Boo, his life on Earth has grown a little dull. But new threats loom overhead, and Goku and his friends will have to defend the planet once again in this continuation of Akira Toriyama’s best-selling series, Dragon Ball! Goku and Vegeta are both struggling to master their respective ultra forms, which they’ll need to defeat Gas, now the strongest warrior in the universe. Can Granolah rejoin the battle and help turn things around? Later, back at home, a pair of superheroes are making headlines! Get ready for a new story arc set on Earth!
I was the guy who always found a way.
In 1943, there was an urgent need for Animal Farm. The Soviet Union had become Britain’s ally in the war against Nazi Germany, and criticism of Stalin’s brutal regime was either censored or discouraged. In any case, many intellectuals on the left still celebrated the Soviet Union, claiming that the terrors of its show trials, summary executions and secret police were either exaggerated or necessary. But, to Orwell, Stalin was always a “disgusting murderer” and he wanted to remind people of this fact in a powerful and memorable way. But how to do it? A political essay would never reach a wide enough audience; a traditional novel would take too long to write. Orwell hit on the inspired idea of combining the moralism of the traditional ‘beast fable’ with the satire of Gulliver’s Travels. A group of farmyard animals, led by the pigs, overthrow their human masters. Their revolution is inspired by high ideals: the farm will be run in the interests of its animals with no more slaughtering, plenty of food for all and comfort in retirement. But when Napoleon the pig takes command, he quickly corrupts their principles, creating a new tyranny worse than the old. Orwell wrote Animal Farm in the middle of the Second World War, but at first no publishers wanted to touch it. It was finally published in August 1945, once the war was over. This little book quickly became a seminal text in the emerging ‘cold war’ (a phrase that Orwell himself coined). It also became a site of that conflict itself, suffering various attempts to subvert or change its meaning. Today, Animal Farm remains a powerful fable about the nature of tyranny and corruption which applies for all ages. Our edition also includes the following essays:
An unsettling and creepy story collection of literary horror set in the Renfield universe from a major new talent. There’s something wrong in Renfield County. It’s in the water, the soil, the wood. But worst of all, it’s in the minds of the residents, slowly driving them mad. When Lawrence Renfield massacred his family and drew The Giant in his farmhouse with their blood, no one imagined the repercussions. At the very least, the bloodstained wood should have been set aflame, not chopped down and repurposed as furniture, décor, and heirlooms across the county. But that’s exactly what happened. Now regular people—like you and me—are sitting on… eating with… admiring… the cursed wood and reaping the consequences. These are their stories. In “My Name Is Ellie” a young girl uncovers disturbing secrets hiding in the walls of her beloved grandmother’s home. An unassuming box, built with reclaimed wood, connects a grieving widower with his late wife’s lingering spirit in “Hector Brim.” In “Detour” a father, desperate to return home, finds himself trapped in a dizzying maze, haunted by stories of lurking monsters that live off the remains of weary travelers. Playing with the uncanny to explore themes of loneliness and grief, Sam Rebelein returns upstate to unravel the mysteries of Renfield. But regardless of what started the trouble, there’s one thing of which we can be certain: for those living here, the nightmare is far from over.
'n Splinternuwe, skitterende versameling kortverhale deur Nataniël. 20 in Afrikaans en 8 in Engels. Skreeusnaaks, aangrypend, wys, onvoorspelbaar en -- soos altyd -- hoogs vermaaklik. Soos gewoonlik delf hy goud uit sy kinderjare -- oor sy ouers, sy ouma -- maar daar is ook fantastiese en fantasmagoriese verhale oor sy lewe as sanger op plattelandse dorpies, oor 'n vreemdeling wat hom een aand in sy huis help om sy vrese te besweer, en hoe 'n mens jou eerste reus oorwin . . .
An undocumented immigrant returns home after facing the indignities of the American dream working as a washer of the dead – only to be met with a tragedy. A child struggles to come to terms with the fate of their beloved one-eyed chicken Otuanya, who is treated as a family pet but is destined for the cooking pot. A family lives in fear of the dreaded Shadow Fever that haunts their town, keeping them trapped indoors after sunset lest they risk falling into an eternal sleep. From realistic explorations of family life, parenthood and infidelity, to gritty noir and fantastical horror, the stories collected here are a testament to the endless imagination and possibilities of African literature. These witty, provocative and compulsively readable stories grapple with feminism, patriarchy, class and exploitation and showcase these writers as astute observers of life. This anthology is a generous feast of diverse, delectable narratives that offers something for everyone. Midnight in the Morgue also features three remarkable South African literary talents: Sibongile Fisher, Morabo Morojele, and Nadia Davids. Davids has the distinction of being the first South African to win the Caine Prize since Lidudumalingani Mqombothi in 2016. Her story, Bridling, about a conflicted early-career actress performing in a subversive theatrical production was hailed as ‘a triumph of language, storytelling and risk-taking‘ by Chika Unigwe, Chair of Judges.
Tanjiro sets out on the path of the Demon Slayer to save his sister and avenge his family! In Taisho-era Japan, kindhearted Tanjiro Kamado makes a living selling charcoal. But his peaceful life is shattered when a demon slaughters his entire family. His little sister Nezuko is the only survivor, but she has been transformed into a demon herself! Tanjiro sets out on a dangerous journey to find a way to return his sister to normal and destroy the demon who ruined his life. The complete saga of Demon Slayer, all in one epic box set! This box set contains all 23 volumes of the global hit Demon Slayer as well as an exclusive booklet and a double-sided poster.
A non-fiction classic from Orwell. Part I documents his sociological investigations of the living conditions amongst the working class in Lancashire and Yorkshire in the industrial north of England in the 1930s. Part II covers his middle-class upbringing, the development of his political conscience, and a discussion of British attitudes towards socialism.
Five men survive a South Seas shipwreck and wash up on a
seemingly deserted beach, only to discover that five beautiful, winged
women inhabit the island. Dazzled and soon in love, the men will do
anything to possess these flying women . . . but what they plan, and
how the magical women respond, is tellingly—and predictably—human.
The Thought Police, Doublethink, Newspeak, Big Brother - 1984 itself: these terms and concepts have moved from the world of fiction into our everyday lives. They are central to our thinking about freedom and its suppression; yet they were newly created by George Orwell in 1949 as he conjured his dystopian vision of a world where totalitarian power is absolute. In this novel, continuously popular since its first publication, readers can explore the dark and extraordinary world he brought so fully to life. The principal characters who lead us through that world are ordinary human beings like ourselves: Winston Smith and Julia, whose falling in love is also an act of rebellion against the Party. Opposing them are the massed powers of the state, which watches its citizens on all sides through technology now only too familiar to us. No-one is free from surveillance; the past is constantly altered, so that there is no truth except the most recent version; and Big Brother, both loved and feared, controls all. Even the simple act of keeping a diary - as Winston does - is punishable by death. In Winston's battle to keep his freedom of thought, he has a powerful adversary in O'Brien, who uses fear and pain to enter his very thought processes. Does 2+2 = 4? Or is it 5? We find out in Room 101. Nineteen Eighty-Four was Orwell's last novel; but the world he created is always with us, as successive generations of readers find within it a mirror for their own times and a warning for the future. Our edition also includes the following selection of Orwell's essays, column extracts and broadcasts: A Hanging; Spilling the Spanish Beans; Reviews of Jack London, The Iron Heel; H. G. Wells, When the Sleeper Awakes; Aldous Huxley, Brave New World; Ernest Bramah, The Secret of the League ; England Your England; Looking Back on the Spanish War; Arthur Koestler; The Prevention of Literature; Politics and the English Language; Why I Write; Politics Vs Literature; Sir Walter Raleigh; The Three Super-States of the Future; Persecution of Writers in USSR; Literature and Totalitarianism; Imaginary Interview: George Orwell and Jonathan Swift
As literary political fiction, 1984 is considered a classic novel of the social science fiction subgenre. Since its publication in 1949, many of its terms and concepts, such as Big Brother, doublethink, thoughtcrime, Newspeak, and Memory hole, have become contemporary vernacular. In addition, the novel popularised the adjective Orwellian, which refers to lies, surveillance, and manipulation of the past in the service of a totalitarian agenda. In 1998, the Modern Library ranked 1984 13th on its list of the 100 best English-language novels of the 20th century. This edition includes footnotes, Appendix, and a new introduction.
Dr. Ean Stromberg, Professor of Archeology, has spent his lifetime studying the Mayan civilization to understand why this Central American empire mysteriously vanished. Theories abounded but none rang true. The mystery obsessed him -- why, one thousand years ago, were their wondrous cities abandoned, seemingly obliterated overnight? This civilization flourished for centuries untold, producing temples and monuments to rival ancient Egypt. Now only a plethora of jungle-covered ruins remain to remember the tens of millions of proud Mayans and their sophisticated culture swallowed by the shadowy past. The mystery taunted Stromberg's scientific mind, it was almost eerie. On the verge of retirement, he finds a faded photograph of a wall painting in an ancient Mayan tomb. In its disturbing images of agony and death, he sees the semblance of a map. Dropping everything, he sets off on a shoestring expedition. The map leads him to El Mirador, a two thousand year old Mayan city buried in the Guatemalan jungle. Here the answer he finds unwittingly unleashes a horrifying scourge on our cities and streets. As the ghostly past reaches across time, we see the ancient Mayan shamans as they suffer their vengeful god, Chaka, incarnating from the underworld to consume them. The author was born and raised in Southern California where he still resides with his family. After receiving a degree in philosophy from Long Beach State University, he entered the transportation industry in which he is still active in a senior management capacity.
Translated by Constance Garnett, with an Introduction and Notes by Agnes Cardinal, Honorary Senior Lecturer in Comparative Literature at the University of Kent. Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.
Great Expectations was first published as a weekly serial in All the Year Round, December 1860 - August 1861. Its first appearance in volume form was as three-volume novel, without illustrations, in July 1861. A one-volume edition, the next year, preceded its inclusion in the collected editions of Dickens's lifetime. The three-volume 1861 edition is the basis of the present text: variant readings, including those in manuscript and extant proofs, are recorded in the textual apparatus, providing an unusually rich source of information on Dickens's methods of composition. The Introduction traces this process of composition and draws attention to the two unperformed dramatic adaptations: the reading version and the 1861 play version, made as a safeguard of copyright. Appendices include the original ending, the author's notes, and two textual examinations, one of the five so-called `editions' of 1861, the other a comparison of the one-volume 1862 edition with the 1864 Library edition.
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