White No-Face, Xie Lian’s greatest fear and most hated enemy, has arrived…or so it seems. While the ghost with the half-crying, half-smiling mask is somewhere nearby, the creature is elusive as always, taunting Xie Lian from just out of reach and promising the total destruction of everything he holds dear.

As Xie Lian confronts the trauma of his last encounter with the terrifying ghost, Hua Cheng will do anything in his power to protect him. But White No-Face’s identity and purpose are not the only mysteries to unravel, as Hua Cheng also has a history in the labyrinthine tunnels beneath Mount Tonglu.

Will Xie Lian finally discover the full connection they share―and learn the true depths of Hua Cheng’s devotion?

Doc Immelman is alombekend vir sy avontuur- en jagverhale. Erns Grundling noem hom “Namibië se eie Hemingway”. Bloed op die duine en ander verhale is ’n keur uit sy kortverhale wat tussen 1955 en 1963 in Die Huisgenoot en Die Brandwag verskyn het. Die bundel sluit verder die novelle “Koms dans, Klaradyn” in, wat oorspronklik in ’n Seisoen vir Romanse (1966) verskyn het.

War and Peace is a vast epic centred on Napoleon's war with Russia. While it expresses Tolstoy's view that history is an inexorable process which man cannot influence, he peoples his great novel with a cast of over five hundred characters. Three of these, the artless and delightful Natasha Rostov, the world-weary Prince Andrew Bolkonsky and the idealistic Pierre Bezukhov illustrate Tolstoy's philosophy in this novel of unquestioned mastery. This translation is one which received Tolstoy's approval.

Sense and Sensibility is a delightful comedy of manners in which the sisters Elinor and Marianne represent these two qualities. Elinor's character is one of Augustan detachment, while Marianne, a fervent disciple of the Romantic Age, learns to curb her passionate nature in the interests of survival.

"A war's on and a murder has been committed-and we sit here talking nonsense about almond whirls and mince pies!" Good old Uncle Willie-rich, truculent and seemingly propped up by his fierce willpower alone-has come to stay with the Redpaths for the holidays. It is just their luck for him to be found dead in the snow on Boxing Day morning, dressed in his Santa Claus costume and seemingly poisoned by something in the Christmas confectionery. As the police flock to the house, Willie's descendants, past lovers and distant relatives are drawn into a perplexing investigation to find out how the old man met his fate, and who stands to gain by such an unseasonable crime. First published in 1944, Murder After Christmas is a lively riot of murder, mince pies and misdirection, cleverly twisting the tropes of Golden Age detective fiction to create a pacey, light-hearted package admirably suited for the holiday season.

"Wonderful, mind-expanding stuff, and well written too."-The Guardian Axiomatic is a wonderful collection of eighteen short stories by Hugo Award-winning author Greg Egan. The stories in this collection have appeared in such science fiction magazines as Interzone and Asimov's between 1989 and 1992. From junkies who drink at the time-stream to love affairs in time-reversed galaxies; from gene-altered dolphins that converse only in limericks to the program that allows you to design your own child; from the brain implants called axiomatics to the strange attractors that spin off new religions; from bioengineering to the new physics; and from cyberpunk to the electronic frontier, Greg Egan's future is frighteningly close to our own present. Included in this collection are such wonderful stories as: "Axiomatic" "Into Darkness" "The Safe-Deposit Box" "Blood Sisters" And many more! Axiomatic is the perfect collection for any science fiction fan, especially one who enjoys Greg Egan's work. The stories are imaginative and insightful, and written only the way that Greg Egan can do so. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

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In The Great Gatsby Fitzgerald brilliantly captures both the disillusion of post-war America and the moral failure of a society obsessed with wealth and status. But he does more than render the essence of a particular time and place, for in chronicling Gatsby's tragic pursuit of his dream, Fitzgerald recreates the universal conflict between illusion and reality.

Near the end of World War II and after, a small-town Nebraska youth, Jimmy Kugler, drew more than a hundred double-sided sheets of comic strip stories. Over half of these six-panel tales retold the Pacific War as fought by "Frogs" and "Toads," humanoid creatures brutally committed to a kill-or-be-killed struggle. The history of American youth depends primarily on adult reminiscences of their own childhoods, adult testimony to the lives of youth around them, or surmises based on at best a few creative artifacts. The survival then of such a large collection of adolescent comic strips from America's small-town Midwest is remarkable. Michael Kugler reproduces the never-before-published comics of his father's adolescent imagination as a microhistory of American youth in that formative era. Also included in Into the Jungle! A Boy's Comic Strip History of World War II are the likely comic book models for these stories and inspiration from news coverage in newspapers, radio, movies, and newsreels. Kugler emphasizes how US propaganda intended to inspire patriotic support for the war gave this young artist a license for his imagined violence. In a context of progressive American educational reform, these violent comic stories, often in settings modeled on the artist's small Nebraska town, suggests a form of adolescent rebellion against moral conventions consistent with comic art's reputation for "outsider" or countercultural expressions. Kugler also argues that these comics provide evidence for the transition in American taste from war stories to the horror comics of the late 1940s and early 1950s. Kugler's thorough analysis of his father's adolescent art explains how a small-town boy from the plains distilled the popular culture of his day for an imagined war he could fight on his audacious, even shocking terms.

The Great American Novel of love and betrayal in the Jazz Age. ‘I believe that on the first night I went to Gatsby’s house I was one of the few guests who had actually been invited. People were not invited – they went there’. Considered one of the all-time great American works of fiction, Fitzgerald’s glorious yet ultimately tragic social satire on the Jazz Age encapsulates the exuberance, energy and decadence of an era. After the war, the mysterious Jay Gatsby, a self-made millionaire pursues wealth, riches and the lady he lost to another man with stoic determination. He buys a mansion across from her house and throws lavish parties to try and entice her. When Gatsby finally does reunite with Daisy Buchanan, tragic events are set in motion. Told through the eyes of his detached and omnipresent neighbour and friend, Nick Carraway, Fitzgerald’s succinct and powerful prose hints at the destruction and tragedy that awaits.