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Books > Fiction > Special features
Beginning with a story of an ex sex-worker drifting through a rural
town in South America, and ending with a young woman's sinister
wedding night, Nash writes across the complications of working
class women, rendering their desires with visceral prose and
psychologically dissecting the fundamental root that threads her
work: craving and the conflicts within.
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The Bees
(Paperback)
Laline Paull
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R295
R210
Discovery Miles 2 100
Save R85 (29%)
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Ships in 5 - 17 working days
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Shortlisted for the Women's Prize for Fiction
Longlisted for the Desmond Elliott Prize for New Fiction
Enter a whole new world, in this thrilling debut novel set entirely
within a beehive.
Born into the lowest class of her society, Flora 717 is a sanitation
bee, only fit to clean her orchard hive. Living to accept, obey and
serve, she is prepared to sacrifice everything for her beloved holy
mother, the Queen.
But Flora is not like other bees. Despite her ugliness she has talents
that are not typical of her kin. While mutant bees are usually
instantly destroyed, Flora is removed from sanitation duty and is
allowed to feed the newborns, before becoming a forager, collecting
pollen on the wing. She also finds her way into the Queen’s inner
sanctum, where she discovers secrets both sublime and ominous.
But enemies are everywhere, from the fearsome fertility police to the
high priestesses who jealously guard the Hive Mind. And when Flora
breaks the most sacred law of all her instinct to serve is overshadowed
by an even deeper desire, a fierce love that will lead to the
unthinkable …
Laline Paull’s chilling yet ultimately triumphant novel creates a
luminous world both alien and uncannily familiar. Thrilling and
imaginative, The Bees is the story of a heroine who, in the face of an
increasingly desperate struggle for survival, changes her destiny and
her world.
Dr. Jekyll and Mr. Hyde have become synonymous with the idea of a split personality. More than a morality tale, this dark psychological fantasy is also a product of its time, drawing on contemporary theories of class, evolution, criminality, and secret lives.
The journey to 100 friends begins with a single conversation.
Socially anxious high school student Shoko Komi's greatest dream is
to make some friends, but everyone at school mistakes her crippling
social anxiety for cool reserve. Luckily she meets Tadano, a timid
wallflower who decides to step out of his comfort zone in order to
help her achieve her goal of making 100 friends. It's Golden Week,
the Komi family is ready for adventure and a recently renovated
resort is calling their name! And they aren't the only ones lured
by the prospect of go-karts and camping-the Tadano family and their
tagalong Najimi are there for some fun too. But when a sudden storm
strands Tadano and Komi in a deserted cabin, things turn serious.
How will they avoid catching colds with only one blanket to warm
them?!
OLD books get NEW doodles - it's the classics as you've never seen
them before! A hilarious new series that brings the classics to
life with illustrations by Jack Noel. Perfect for 7-9 year olds and
fans of Tom Gates, Wimpy Kid and Dav Pilkey. And PIRATES. Get your
HOOKS into the one and only original pirate adventure! Jim Hawkins
spends his life helping out at his mum's boring old inn by the sea,
wishing he could sail away and have adventures. But when an old sea
captain turns up with a secret, it's the start of a bigger
adventure than Jim could ever have imagined - soon he's on a ship
on the trail of buried treasure, accompanied by a suspicious sailor
named Long John Silver ... Will Jim escape the pirates? Or will he
walk the plank? Climb aboard with Jim, a chatty parrot and a bunch
of crazy pirates for a hilarious adventure across the seven seas.
Look out for more COMIC CLASSICS: GREAT EXPECTATIONS: Join Pip in a
rip-roaring story of family secrets, scary grannies and a REALLY
annoying big sister. Get on the trail of THE HOUND OF THE
BASKERVILLES Solve the case with Holmes and Watson in a thrilling
tale of mystery, murder and things that go woof in the night.
Praise for GREAT EXPECTATIONS: A funny, thought-provoking treat,
it's the ideal way into [Dickens] (Imogen Russell Williams
Guardian) Buy a copy of Jack Noel's retelling of Great Expectations
before I set the dogs on you. Now, begone! (Philip Ardagh, Roald
Dahl Funny Prize-winning author) It is BRILLIANT! (Jenny Pearson,
author of The Super Miraculous Journey of Freddie Yates) Jack
Noel's brilliantly witty art perfectly complements Dickens' Great
Expectations, making this a fab KS2 text to sit alongside the
classic. Brilliant for dyslexic kids who may struggle with Dickens'
prose ... this book could bring a generation of kids to the
classics (Abi Elphinstone, author of Rumblestar, Sky Song and the
Dreamsnatcher trilogy) Jack Noel is a Jack of three trades: author,
illustrator, designer, who works mainly on children's books and is
a co-host on the Down the Rabbit Hole children's books podcast.
Once upon a time Jack sent this tweet, and rest is history (history
with doodles):
https://twitter.com/jackdraws/status/965492074157166592
https://jacknoelillustration.tumblr.com
Many of these stories are based on real events, and the author's
own experiences - such as a visit to the Morteratsch Glacier in
Switzerland with her sister in l966, which inspired "Murder in the
Mountains". An organised coach trip through Austria in 2006 with
her husband and several curious characters is faithfully recorded
in "An Austrian Adventure", but with all the names changed. In the
story "Jennie's Oak" this old tree existed in Hazelbadge Fields in
Poynton, Cheshire where Carol and her family lived for twenty
years. "Bedside Matters" was a painful recollection of the author's
stay in Maccles - field hospital. "The Speaker for Tonight..." was
gleaned from many talks given by the author to various
organisations over several years and is apologetically accurate.
Many of the shorter stories grew out of suggested titles given
during Creative Writing classes, and projects for homework. This
collection follows "Soap In My Eyes", 2005, memories of her career
in television, which is still available to order. "DiVerse Re
flections" published in 2012; "From Bottisham to Barcombe", a
childhood journey through the second world war; "Stage Right",
sketches and monologues for ladies; "Simply Stage Struck", the art
of acting for amateurs, are all available from Fast-Print
Publishers. In 2011, Carol wrote "The Cob Story", published
privately in Porthmadog for the U3A, to celebrate the 200th
anniversary of the building of the great embankment.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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