Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Beasts and Lovers is a wonderful collection of provocative modern fairy tales. Frogs turn inappropriately into princes, an old hag pursued by social services reveals her true identity as a seductive Sheherazade, two brothers are brought face to face with the source of their savage longings, and three generations of secrets and lies are unravelled to reveal a healing truth. The stories explore our deepest fears and the surprising workings of the human heart, and shed light on the mysteries that lie at the roots of our very existence.

A rare gem of the mystery genre makes its first return to print since 1956

An honest policeman, Sergeant Wigan, escorts a drunk man home one night to keep him out of trouble and, seeing his fine book collection, slowly falls in to the gentle art of book collecting. Just as the friendship is blossoming, the policeman's book-collecting friend is murdered.

To solve the mystery of why the victim was killed, and which of his rare books was taken, Wigan dives into the world of 'runners' and book collectors, where avid agents will gladly cut you for a first edition and then offer you a lift home afterwards. This adventurous mystery, which combines exuberant characters with a wonderfully realised depiction of the second-hand book market, is sure to delight bibliophiles and classic crime enthusiasts alike.

Ashok Sawhny has in his six years of writing been prolific in the writing of poetry, both in English & Urdu, with eleven and three books, respectively, having been published. This collection of short stories is the beginning of his writing prose. The stories all seem to be based in England, perhaps, because of the time that he has spent in that country. It is indeed interesting to see a poet turn to writing prose. He is also working on another set of stories based elsewhere.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A nerd must fight powerful spirits and aliens all vying for the secret power of his “family jewel,” so who better to fight alongside him than his high school crush and a spirit granny?!

Momo Ayase and Okarun are on opposite sides of the paranormal spectrum regarding what they’ll believe in and what they won’t. Their quest to prove each other wrong leads them down a path of secret crushes and paranormal battles they’ll have to participate in to believe!

As Momo and the others fight desperately against the alien invaders, a recovering Okarun finally comes to and is able to join them. Unfortunately for him, it’s Tuesday, and that means one thing—the Evil Eye wants to fight! Thankfully, the invaders quickly capture the Evil Eye’s attention when they get in the way of his match, and with his help, the team begins to crush the enemy. But suddenly, Vamola’s suit is snatched by an octopus-shaped invader, landing the team in dire straits!

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Throughout the deepest reaches of space, a crew rebuilds beautiful and broken-down structures, painstakingly putting the past together. As Mia, the newest member, gets to know her team, the story flashes back to her pivotal year in boarding school, where she fell in love with a mysterious new student. When Mia grows close to her new friends, she reveals her true purpose for joining their ship - to track down her long-lost love.

Ravaged by years of war and civil conflict, Britain has changed its name to Airstrip One and become part of Oceania - one of the three totalitarian blocks dominating the world - ruled by a mysterious leader called Big Brother who keeps the population in thrall through strict surveillance and brutal police repression. In a society where the individual is suppressed and turned into an "unperson" for not conforming, and where not only personal thought, but also historical record and language itself are constantly being manipulated by the ruling regime, Ministry of Truth worker Winston Smith tries to make sense of the rebellious thoughts and passions that are stirring inside him, and finds himself impotent against the inexorable machine that surrounds him and threatens to crush him at any time. Arguably the greatest dystopian novel of all time and the most influential post-war work of fiction - which enriched the English language with words such as "Newspeak", "doublethink" and "thoughtcrime" - Nineteen Eighty-Four is a riveting read and a groundbreaking exploration of mass surveillance, censorship and mind control, which has a deep resonance with the world we live in.

Vatmaar vertel die boeiende verhaal van 'n klein gemeenskappie buite Kimberley, van die draai van die eeu tot ongeveer 1930. Die leser word bekend gestel aan 'n magdom fassinerende karakters sowel as aan nuwe perspektiewe op bekende historiese gebeure. Die stories is vol kleur en opwinding, dit voed jou siel en laat jou soms uitbars van die lag, net om netnou weer trane in die oë te kry.

"Why do stories come into one's head, or odd names or first lines? Perhaps deep in the brain there is a part that makes things up and they occasionally pop out if the stimulus is right. If nothing else is occupying the mind then the idea can be developed. Most of my poems are written at one sitting, with later tweaks. I use the form to be able to be more adventurous with words and to use the end of lines and the beginning of new ones to highlight a word or re-enforce an idea. Inspiration comes from events or sights or just thoughts. Often one works with a picture in one's head. An illustration therefore is sometimes a natural extension. I hope those included will add rather than detract from the reader's picture."

The bestselling modern classic, Milan Kundera’s iconic novel of love and politics in communist Czechoslovakia.

A young woman is in love with a successful surgeon; a man torn between his love for her and his womanising. His mistress, a free-spirited artist, lives her life as a series of betrayals; while her other lover stands to lose everything because of his noble qualities. In a world where lives are shaped by choices and events, and everything occurs but once, existence seems to lose its substance and weight – and we feel ‘the unbearable lightness of being’.

The Unbearable Lightness of Being encompasses passion and philosophy, infidelity and ideas, the Prague Spring and modern America, political acts and private desires, comedy and tragedy – in fact, all of human existence.

The adventure is over but life goes on for an elf mage just beginning to learn what living is all about. Elf mage Frieren and her courageous fellow adventurers have defeated the Demon King and brought peace to the land. But Frieren will long outlive the rest of her former party. How will she come to understand what life means to the people around her? The village priest Sein has no intention of becoming an adventurer, but his desire to find a long-lost friend may lead him to join Frieren's party on their journey north. They are headed for the magical city of AEusserst, where Frieren can obtain the first-class mage certification needed to enter the Northern Plateau region. At Frieren's urging, Fern decides to take the certification exam as well, and faces some unexpected competition...

Six friends. One remote hotel. A long-overdue reunion. Welcome to The Hitchcock Hotel...

Alfred Smettle adores Hitchcock.

And who better to become founder, owner and manager of The Hitchcock Hotel, a remote, sprawling Victorian house sitting atop a hill in the beautiful White Mountains, New England. There, guests can find movie props and memorabilia in every room, round-the-clock film screenings, and an aviary with fifty crows.

For the hotel's first anniversary, Alfred invites the five college friends he studied film with. He hasn't spoken to any of them in sixteen years. Not after what happened. But who better to appreciate Alfred's creation?

His guests arrive, and everything seems to go according to plan. Until one glimpses someone standing outside her shower curtain.

Another is violently ill every time she eats the hotel food. Then their mobile phones go missing.

You should always make the audience suffer as much as possible, right?

The guests are stuck in the middle of nowhere, and things are about to get even worse. After all, no Hitchcock set is complete without a dead body.

"A war's on and a murder has been committed-and we sit here talking nonsense about almond whirls and mince pies!" Good old Uncle Willie-rich, truculent and seemingly propped up by his fierce willpower alone-has come to stay with the Redpaths for the holidays. It is just their luck for him to be found dead in the snow on Boxing Day morning, dressed in his Santa Claus costume and seemingly poisoned by something in the Christmas confectionery. As the police flock to the house, Willie's descendants, past lovers and distant relatives are drawn into a perplexing investigation to find out how the old man met his fate, and who stands to gain by such an unseasonable crime. First published in 1944, Murder After Christmas is a lively riot of murder, mince pies and misdirection, cleverly twisting the tropes of Golden Age detective fiction to create a pacey, light-hearted package admirably suited for the holiday season.