'...man is not truly one, but truly two.' In this powerful deconstruction of Calvinist belief and the hypocrisy at the heart of Victorian society, Stevenson creates a gothic icon in the divided self that is Dr Jekyll and Mr Hyde. Born from a nightmare and anticipating Freud's theory of the unconscious, Stevenson literalises the concepts of the supernatural doppelganger and the split personality in a timeless tale of guilt, desire, and violence by which all subsequent 'double' stories must be judged. In seeking to cleanse his soul of sin, Dr Henry Jekyll instead unleashes a monster. First published in 1886, this tragic study of the duality of man established Stevenson's international reputation as an author. This volume also contains Stevenson's 1887 collection of short stories, The Merry Men and Other Tales and Fables, which includes a further exploration of the mind of a murderer, 'Markheim', and the occult tales of terror, 'The Merry Men', 'Olalla', and 'Thrawn Janet'.

This is the classic novel brought to life in full colour! Bram Stoker's gothic masterpiece was first published in 1897, and has spawned so many classic films, all based on the character he invented when Queen Victoria was on the throne. Like "Frankenstein", the films have pushed the characters into the very fabric of our society, so it is with great pride that we bring you a visual treatment that is true to the original - made even more exciting by the wonderous talent that is Staz Johnson!

'Elisa said Yes and I said Yes. We said Yes in all the European languages. Yes. We said yes we said yes, yes to vague but powerful things, we said yes to hope which has to be vague, we said yes to love which is always blind, we smiled and said yes without blinking.' ('A Better Way to Live') ----------- How does love change us? And how do we change ourselves for love - or for lack of it? Ten stories by acclaimed author Deborah Levy explore these delicate, impossible questions. In Vienna, an icy woman seduces a broken man; in London, a bird mimics an old-fashioned telephone; in adland, a sleek copywriter becomes a kind of shaman. These are twenty-first century lives dissected with razor-sharp humour and curiosity, stories about what it means to live and love, together and alone.

Fawning is the vital, newly-discovered topic in psychology. You've heard of fight, flight and freeze - but fawning might be the most common trauma response of all. Learn how to work through it and find freedom with the leading expert, Dr. Ingrid Clayton. Do you avoid conflict? Do you tend to take the blame? Do you take care of others at the expense of yourself? Do you live in a state of hypervigilance? Fawning can present as being more of who someone is: smart, generous, successful, funny, or beautiful, while for others it's about being less: vocal, ethnic, creative, self-assured or boundaried. Fawning can be visible or invisible; it can manifest in our relationships to sex or money, or in the tendency to 'people-please'; but one thing remains constant: it is about finding safety in an unsafe world, often at our own expense. Fawning expert and clinical psychologist Dr. Ingrid Clayton is here to bring clarity and support. The first book by a practitioner with years of experience, Fawning will shine a light on this under-represented but crucial piece of the trauma puzzle. Drawing on twenty years of clinical psychology work, as well as a lifetime of insight as a recovering fawner herself, this groundbreaking book brings this emerging concept into the mainstream conversation. Readers will learn WHY we fawn, HOW to recognize the signs of fawning and WHAT we can do to successfully 'unfawn', using Clayton's invaluable tools and resources to find meaningful, reciprocal connections - and finally be ourselves.

Variety is truly the spice of life throughout, thanks to the inspired imagination of the author of this collection. Via his vision you can experience the hardship of poverty-stricken nineteenth-century England in "When God Looked Down to Help a Child", or futuristic space journeys in "Just One Chance", and the thrill of time travel in "Ahead of His Time". The reader should keep one thing in mind: in the great short story tradition of Vonnegut and Carver, the stories may start off as the ordinary run of the mill kind, but expect the unexpected and the far-from-ordinary.

Harry Gilmore has no idea of the terrible danger he faces when he meets a beautiful girl in a local student bar. Drugged and abducted, Harry wakes up in a secure wooden compound deep in the Welsh countryside, where he is groomed by the leaders of a manipulative cult, run by the self-proclaimed new messiah known as The Master. When the true nature of the cult becomes apparent, Harry looks for any opportunity to escape. But as time passes, he questions if The Master's extreme behavior and teachings are the one true religion. With Harry's life hanging by a thread, a team of officers, led by Detective Inspector Laura Kesey, investigate his disappearance. But will they find him before it's too late? *Previously published as The Girl in White*

Introduction and Notes by Deborah Parsons, University of Birmingham. 'I am writing to a rhythm and not to a plot', Virginia Woolf stated of her eighth novel, The Waves. Widely regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The subsequent continuity of these six main characters, as they develop from childhood to maturity and follow different passions and ambitions, is interspersed with interludes from the timeless and unifying chorus of nature. In pure stream-of-consciousness style, Woolf presents a cross-section of multiple yet parallel lives, each marked by the disintegrating force of a mutual tragedy. The Waves is her searching exploration of individual and collective identity, and the observations and emotions of life, from the simplicity and surging optimism of youth to the vacancy and despair of middle-age.

Frankenstein is the classic gothic horror novel which has thrilled and engrossed readers for two centuries. Written by Mary Shelley, it is a story which she intended would 'curdle the blood and quicken the beatings of the heart.' The tale is a superb blend of science fiction, mystery and thriller. Victor Frankenstein driven by the mad dream of creating his own creature, experiments with alchemy and science to build a monster stitched together from dead remains. Once the creature becomes a living breathing articulate entity, it turns on its maker and the novel darkens into tragedy. The reader is very quickly swept along by the force of the elegant prose, the grotesque, surreal imagery, and the multi-layered themes in the novel. Although first published in 1818, Shelley's masterpiece still maintains a strong grip on the imagination and has been the inspiration for numerous horror movies, television and stage adaptations.

So was Pemberley all peace, calm and pleasure after Elizabeth Bennet married the sternly handsome Fitzwilliam Darcy? The delightful short story from which this book takes its title tells us in faithful detail how Lizzy fared and how her faithful sister-in-law Georgiana rose Venus-like as a woman with her own will and talents - and made an excellent match into the bargain. In 'Trina', we visit Tsarist Russia and the Tolstoyan setting of St Petersburg, where a headstrong young girl falls for a man who can work on her mind - and her fondness for rubies. Against the backdrop of an era closer to our own, 'Friends and Relations' explores the impact of World War I and a friendly American giant on the tidy lives of a group of middle-class Britons. A keen eye for social differences, a wonderful sense of time and place, and occasional elegiac notes set these stories apart, guaranteeing the reader rich and continuing rewards.

Translated by Constance Garnett with an Introduction by A.D.P. Briggs. In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave a small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils, a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time. The satirical portraits of the revolutionaries, with their naivety, ludicrous single-mindedness and readiness for murder and destruction, might seem exaggerated - until we consider their all-too-recognisable descendants in the real world ever since. The key figure in the novel, however, is beyond politics. Nikolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly sexual crime - in a chapter long suppressed by the censor. This prophetic account of modern morals and politics, with its fifty-odd characters, amazing events and challenging ideas, is seen by some critics as Dostoevsky's masterpiece.

A man is found dead in an escape tunnel in an Italian prisoner-of-war camp. Did he die in an accidental collapse - or was this murder? Captain Henry `Cuckoo' Goyles, master tunneller and amateur detective, takes up the case. This classic locked-room mystery with a closed circle of suspects is woven together with a thrilling story of escape from the camp, as the Second World War nears its endgame and the British prisoners prepare to flee into the Italian countryside.