Fawning is the vital, newly-discovered topic in psychology. You've heard of fight, flight and freeze - but fawning might be the most common trauma response of all. Learn how to work through it and find freedom with the leading expert, Dr. Ingrid Clayton. Do you avoid conflict? Do you tend to take the blame? Do you take care of others at the expense of yourself? Do you live in a state of hypervigilance? Fawning can present as being more of who someone is: smart, generous, successful, funny, or beautiful, while for others it's about being less: vocal, ethnic, creative, self-assured or boundaried. Fawning can be visible or invisible; it can manifest in our relationships to sex or money, or in the tendency to 'people-please'; but one thing remains constant: it is about finding safety in an unsafe world, often at our own expense. Fawning expert and clinical psychologist Dr. Ingrid Clayton is here to bring clarity and support. The first book by a practitioner with years of experience, Fawning will shine a light on this under-represented but crucial piece of the trauma puzzle. Drawing on twenty years of clinical psychology work, as well as a lifetime of insight as a recovering fawner herself, this groundbreaking book brings this emerging concept into the mainstream conversation. Readers will learn WHY we fawn, HOW to recognize the signs of fawning and WHAT we can do to successfully 'unfawn', using Clayton's invaluable tools and resources to find meaningful, reciprocal connections - and finally be ourselves.

Frankenstein is the classic gothic horror novel which has thrilled and engrossed readers for two centuries. Written by Mary Shelley, it is a story which she intended would 'curdle the blood and quicken the beatings of the heart.' The tale is a superb blend of science fiction, mystery and thriller. Victor Frankenstein driven by the mad dream of creating his own creature, experiments with alchemy and science to build a monster stitched together from dead remains. Once the creature becomes a living breathing articulate entity, it turns on its maker and the novel darkens into tragedy. The reader is very quickly swept along by the force of the elegant prose, the grotesque, surreal imagery, and the multi-layered themes in the novel. Although first published in 1818, Shelley's masterpiece still maintains a strong grip on the imagination and has been the inspiration for numerous horror movies, television and stage adaptations.

Now in its nineteenth year, the Caine Prize for African Writing is Africa's leading literary prize and is awarded to a short story by an African writer published in English, whether in Africa or elsewhere. This collection brings together the five 2018 shortlisted stories: American Dream by Nonyelum Ekwempu (Nigeria); The Armed Letter Writers by Olofunke Ogundimu (Nigeria); Fanta Blackcurrant by Makena Onjerika (Kenya); Involution by Stacy Hardy (South Africa); Wednesday's Story by Wole Talabi (Nigeria). It also includes 12 stories written at the Caine Prize Writers' Workshop, which took place in Rwanda in April 2018: No Ordinary Soiree by Paula Akugizibwe; Tie Kidi by Awuor Onyango; Calling the Clouds Home by Heran T. Abate; America by Caroline Numuhire; All Things Bright and Beautiful by Troy Onyango; Departure by Nsah Mala; Where Rivers Go to Die by Dilman Dila; Ngozi by Bongani Sibanda; The Weaving of Death by Lucky Grace Isingizwe; Redemption Song by Arinze Ifeakandu; Spaceman by Bongani Kona; Grief is the Gift that Breaks the Spirit Open by Eloghosa Osunde. The 2018 judging panel comprises: Dinaw Mengestu, journalist, author and graduate of Georgetown University and of Columbia University's M.F.A. programme in fiction; Alain Mabanckou, prolific Francophone Congolese poet and novelist and Man Booker International Prize finalist (2015); reporter, columnist and poet Ahmed Rajab; Henrietta Rose-Innes, a South African author who won the Caine Prize in 2008; and Lola Shoneyin, a Nigerian writer who has won the Ken Saro-Wiwa Prose Prize.

'One of the greatest achievements in comedy. A work of staggering genius' - David Walliams An international phenomenon and pop-culture classic, The Hitchhiker's Guide to the Galaxy has been a radio show, TV series, novel, stage play, comic book and film. Following the galactic (mis)adventures of Arthur Dent, Hitchhiker's in its various incarnations has captured the imaginations of curious minds around the world . . . It's an ordinary Thursday lunchtime for Arthur Dent until his house gets demolished. The Earth follows shortly afterwards to make way for a new hyperspace express route, and his best friend has just announced that he's an alien. At this moment, they're hurtling through space with nothing but their towels and an innocuous-looking book inscribed, in large friendly letters, with the words: DON'T PANIC. The weekend has only just begun . . . With exclusive bonus material from the Douglas Adams archives, and an introduction by former Doctor Who showrunner, Russell T Davies. The intergalactic adventures of Arthur Dent begin in the first volume of the 'trilogy of five', Douglas Adams' comedy sci-fi classic The Hitchhiker's Guide to the Galaxy.

Translated by Constance Garnett with an Introduction by A.D.P. Briggs. In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave a small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils, a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time. The satirical portraits of the revolutionaries, with their naivety, ludicrous single-mindedness and readiness for murder and destruction, might seem exaggerated - until we consider their all-too-recognisable descendants in the real world ever since. The key figure in the novel, however, is beyond politics. Nikolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly sexual crime - in a chapter long suppressed by the censor. This prophetic account of modern morals and politics, with its fifty-odd characters, amazing events and challenging ideas, is seen by some critics as Dostoevsky's masterpiece.

On holiday in Keldstone visiting his nephew, Jim, blanket manufacturer Athelstan Digby agrees to look after the old bookshop on the ground floor of his lodgings while his hosts are away. On the first day of his tenure, a vicar, a chauffeur and an out-of-town stranger enquire after The Life and Death of Mr. Badman by John Bunyan. When a copy mysteriously arrives at the shop in a bundle of books brought in by a young scamp, and is subsequently stolen, Digby moves to investigate the significance of the book along with his nephew, and the two are soon embroiled in a case in which the stakes have risen from antiquarian book-pinching to ruthless murder. First published in a limited run in 1934, this exceedingly rare and fast-paced bibliomystery set against the landscapes of Yorkshire is long overdue its return to print.

Six friends. One remote hotel. A long-overdue reunion. Welcome to The Hitchcock Hotel...

Alfred Smettle adores Hitchcock.

And who better to become founder, owner and manager of The Hitchcock Hotel, a remote, sprawling Victorian house sitting atop a hill in the beautiful White Mountains, New England. There, guests can find movie props and memorabilia in every room, round-the-clock film screenings, and an aviary with fifty crows.

For the hotel's first anniversary, Alfred invites the five college friends he studied film with. He hasn't spoken to any of them in sixteen years. Not after what happened. But who better to appreciate Alfred's creation?

His guests arrive, and everything seems to go according to plan. Until one glimpses someone standing outside her shower curtain.

Another is violently ill every time she eats the hotel food. Then their mobile phones go missing.

You should always make the audience suffer as much as possible, right?

The guests are stuck in the middle of nowhere, and things are about to get even worse. After all, no Hitchcock set is complete without a dead body.

FATES ALIGNED, BODIES INTERTWINED

The Reverend of Empty Words, a monster that feeds off the fears of the fortunate, is hunting Xie Lian’s friend, the Wind Master Shi Qingxuan. Knowing that his abysmal luck inoculates him from the creature’s power, Xie Lian doesn’t hesitate to throw himself into harm’s way—to Hua Cheng’s horror and panic. But another one of the Four Calamities may be closer than anyone knows, and even a ghost as powerful as Hua Cheng can lose control under the right circumstances. With his inhibitions gone, will desire overtake him?

To gain the power he needs to save his friend from a cursed spirit, Yuji Itadori swallows a piece of a demon, only to find himself caught in the midst of a horrific war of the supernatural!

In a world where cursed spirits feed on unsuspecting humans, fragments of the legendary and feared demon Ryomen Sukuna have been lost and scattered about. Should any demon consume Sukuna’s body parts, the power they gain could destroy the world as we know it. Fortunately, there exists a mysterious school of jujutsu sorcerers who exist to protect the precarious existence of the living from the supernatural!

Hakari and Panda head for Tokyo No. 2 Colony in search of Kashimo. When they enter, they get separated, and Hakari faces Charles, a culling game player and wannabe manga creator! Meanwhile, Panda encounters Kashimo and finds himself overwhelmed by their difference in strength!