Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Christmas is a mysterious, as well as magical, time of year. Strange things can happen, and this helps to explain the hallowed tradition of telling ghost stories around the fireside as the year draws to a close. Christmas tales of crime and detection have a similar appeal. When television becomes tiresome, and party games pall, the prospect of curling up in the warm with a good mystery is enticing - and much better for the digestion than yet another helping of plum pudding. Crime writers are just as susceptible as readers to the countless attractions of Christmas. Over the years, many distinguished practitioners of the genre have given one or more of their stories a Yuletide setting. The most memorable Christmas mysteries blend a lively storyline with an atmospheric evocation of the season. Getting the mixture right is much harder than it looks.This book introduces readers to some of the finest Christmas detective stories of the past. Martin Edwards' selection blends festive pieces from much-loved authors with one or two stories which are likely to be unfamiliar even to diehard mystery fans. The result is a collection of crime fiction to savour, whatever the season.

Aunt Mildred declared that no good could come of the Melbury family Christmas gatherings at their country residence Flaxmere. So when Sir Osmond Melbury, the family patriarch, is discovered - by a guest dressed as Santa Klaus - with a bullet in his head on Christmas Day, the festivities are plunged into chaos. Nearly every member of the party stands to reap some sort of benefit from Sir Osmond's death, but Santa Klaus, the one person who seems to have every opportunity to fire the shot, has no apparent motive. Various members of the family have their private suspicions about the identity of the murderer, and the Chief Constable of Haulmshire, who begins his investigations by saying that he knows the family too well and that is his difficulty, wishes before long that he understood them better. In the midst of mistrust, suspicion and hatred, it emerges that there was not one Santa Klaus, but two. The Santa Klaus Murder is a classic country-house mystery that is now being made available to readers for the first time since its original publication in 1936.

To gain the power he needs to save his friend from a cursed spirit, Yuji Itadori swallows a piece of a demon, only to find himself caught in the midst of a horrific war of the supernatural! In a world where cursed spirits feed on unsuspecting humans, fragments of the legendary and feared demon Ryomen Sukuna have been lost and scattered about. Should any demon consume Sukuna's body parts, the power they gain could destroy the world as we know it. Fortunately, there exists a mysterious school of jujutsu sorcerers who exist to protect the precarious existence of the living from the supernatural! While investigating a strange set of mysterious deaths, Itadori meets Junpei, a troubled kid who is often bullied at school. However, Junpei is also befriended by the culprit behind the bloody incident-Mahito, a mischievous cursed spirit! Mahito sets in motion a devious plan involving Junpei, hoping to ensnare Itadori as well.

Ashok Sawhny has in his six years of writing been prolific in the writing of poetry, both in English & Urdu, with eleven and three books, respectively, having been published. This collection of short stories is the beginning of his writing prose. The stories all seem to be based in England, perhaps, because of the time that he has spent in that country. It is indeed interesting to see a poet turn to writing prose. He is also working on another set of stories based elsewhere.

'A terrific collection' Monica Ali, author of Brick Lane and Love Marriage Full of heart and humour, Gothataone Moeng's first collection, set between the rural village of Serowe and the thrumming capital city of Gaborone, captures a chorus of voices from a country in flux. Meet a young woman who has worn the same mourning clothes for almost a year, and a teenage girl who shies away from the room where her once vibrant aunt lies dying. Elsewhere, watch as a younger sister hides her romantic exploits from her family while her older brother openly flaunts his infidelities, and a traveller returns home laden with confusion and shame. Moeng, part of a new generation of writers coming out of Africa whose work is exploding onto the literary scene, offers us an insight into communities, experiences and landscapes through these cinematic stories peopled with unforgettable female protagonists. 'A good short story is a bit of alchemy, showing us so much in so few pages. Gothataone Moeng's debut collection does this over and over.' Rumaan Alam, author of Leave the World Behind

Feast upon a smorgasbord of monstrous cuisine in this delectable spread of all fourteen volumes of Delicious in Dungeon!

Join Laios, Marcille, Chilchuck, and Senshi as they delve into the depths to save their lost comrade—and stuff themselves silly in the process!

And if all that doesn’t whet your appetite, this box set even includes an exclusive poster for dessert!

A young man, broken down in the fog, witnesses a murder he is asked to conceal... A full-length novel adapted by Charles Osborne from Agatha Christie's acclaimed play. When a stranger runs his car into a ditch in dense fog in South Wales and makes his way to an isolated house, he discovers a woman standing over the dead body of her wheelchair-bound husband, gun in her hand. She admits to murder, and the unexpected guest offers to help her concoct a cover story. But is it possible that Laura Warwick did not commit the murder after all? If so, who is she shielding? The victim's young half-brother or his dying matriarchal mother? Laura's lover? Perhaps the father of the little boy killed in an accident for which Warwick was responsible? The house seems full of possible suspects... THE UNEXPECTED GUEST is considered to be one of the finest of Christie's plays. Hailed as 'another Mousetrap' when it opened on 12 August 1958 in the West End, it ran for 604 performances over the succeeding 18 months and has been staged many times around the world over the last 40 years.

An ordinary village A shocking announcement One morning the villagers of Chipping Cleghorn wake to find a strange notice in their papers: 'A murder is announced and will take place on Friday, October 29th, at Little Paddocks at 6.30pm.' Suspecting this is just a joke, they gather for some evening entertainment. Then a gunshot is heard. In desperation, the police turn to an old lady whose hobbies are gardening, gossiping - and solving murders. After all, old ladies know better than anyone exactly what goes on in quiet English villages... Never underestimate Miss Marple 'The queen of jaw-dropping, heart-stopping twists.' Karen M. McManus 'Establishes firmly her claim to the throne of detection. The plot is as ingenious as ever... the dialogue both wise and witty; while the suspense is maintained very skilfully until the final revelation.' A.A. Milne

At an apparently respectable dinner party, a vicar is the first to die... Thirteen guests arrived at dinner at the actor's house. It was to be a particularly unlucky evening for the mild-mannered Reverend Stephen Babbington, who choked on his cocktail, went into convulsions and died. But when his martini glass was sent for chemical analysis, there was no trace of poison - just as Poirot had predicted. Even more troubling for the great detective, there was absolutely no motive...

When a man plunges down a cliff, two adventurous young friends decide to find his killer... While playing an erratic round of golf, Bobby Jones slices his ball over the edge of a cliff. His ball is lost, but on the rocks below he finds the crumpled body of a dying man. With his final breath the man opens his eyes and says, 'Why didn't they ask Evans?' Haunted by these words, Bobby and his vivacious companion, Frankie, set out to solve a mystery that will bring them into mortal danger...

A middle-aged diplomat is accosted in an airport lounge and his identity stolen... Sir Stafford Nye's journey home from Malaya to London takes an unexpected twist in the passnger loungs at Frankfurt - a young woman confides in him that someone is trying to kill her. Yet their paths are to cross again and again - and each time the mystery woman is introduced as a different person. Equally at home in any guise in any society she draws Sir Stafford into a game of political intrigue more dangerous than he could possibly imagine. In an arena where no-one can be sure of anyone, Nye must do battle with a well-armed, well-financed, well-trained - and invisble - enemy...

A teenage murder witness is drowned in a tub of apples... At a Hallowe'en party, Joyce - a hostile thirteen-year-old - boasts that she once witnessed a murder. When no-one believes her, she storms off home. But within hours her body is found, still in the house, drowned in an apple-bobbing tub. That night, Hercule Poirot is called in to find the 'evil presence'. But first he must establish whether he is looking for a murderer or a double-murderer...