Translated by Constance Garnett, with an Introduction by A. D. P. Briggs. As Fyodor Karamazov awaits an amorous encounter, he is violently done to death. The three sons of the old debauchee are forced to confront their own guilt or complicity. Who will own to parricide? The reckless and passionate Dmitri? The corrosive intellectual Ivan? Surely not the chaste novice monk Alyosha? The search reveals the divisions which rack the brothers, yet paradoxically unite them. Around the writhings of this one dysfunctional family Dostoevsky weaves a dense network of social, psychological and philosophical relationships. At the same time he shows - from the opening 'scandal' scene in the monastery to a personal appearance by an eccentric Devil - that his dramatic skills have lost nothing of their edge. The Karamazov Brothers, completed a few months before Dostoevsky's death in 1881, remains for many the high point of his genius as novelist and chronicler of the modern malaise. It cast a long shadow over D. H. Lawrence, Thomas Mann, Albert Camus, and other giants of twentieth-century European literature.

When Ann Beattie began publishing short stories in "The New Yorker "in the mid-seventies, she emerged with a voice so original, and so uncannily precise and prescient in its assessment of her characters' drift and narcissism, that she was instantly celebrated as a voice of her generation. Her name became an adjective: "Beattiesque." Subtle, wry, and unnerving, she is a master observer of the unraveling of the American family, and also of the myriad small occurrences and affinities that unite us. Her characters, over nearly four decades, have moved from lives of fickle desire to the burdens and inhibitions of adulthood and on to failed aspirations, sloppy divorces, and sometimes enlightenment, even grace.
Each Beattie story, says Margaret Atwood, is "like a fresh bulletin from the front: we snatch it up, eager to know what's happening out there on the edge of that shifting and dubious no-man's-land known as interpersonal relations." With an unparalleled gift for dialogue and laser wit, she delivers flash reports on the cultural landscape of her time. "Ann Beattie: The New Yorker Stories "is the perfect initiation for readers new to this iconic American writer and a glorious return for those who have known and loved her work for decades.

Tequio in Mexico, auzolan in Basque Country, lumbung in Indonesia, ubuntu in South Africa, mutirao in Brazil - all terms used around the world to describe the concept of collective work. Bringing together 8 publishing houses and 7 writers, each writing in a different language, Lumbung Stories is a true product of communal action. From speculative essays and experimental texts to intimate stories that portray collective work as something every day and habitual, each writer presents their unique take on what a "lumbung story" is. These tales take us from olive groves in Andalusia to tiger-filled forests in Indonesia; from youths fumbling through adolescence together in the Basque country, to outsiders uniting through vibrant rituals in Sao Paulo, and from explorations of intergenerational and transhistorical struggle in South Africa, to an academic text from a society rebuilding in a post-Capitalist, post-climate-crisis future. Blurring the lines between realism and fiction, the past and the future, this unique and powerful collection brims with life and is a vital reminder of the ties that unite us all.

One missing girl. Five bodies. Time is running out. When nineteen-year-old university student Emma goes missing, Detective Inspector Gareth Gravel is called in. But what is a simple missing person case soon turns into something much darker as Gravel's inquiries lead him to the graves of five young women - each of whom looks just like Emma. With a serial killer on the loose and his latest victim already in his control, can the police find Emma in time? Or will Emma have to save herself? The Carmarthen Murders is the first book in the dark, edge-of-your-seat Carmarthen Crime thriller series set in the stunning West Wales countryside. *Previously published as Portraits of the Dead*