"A pioneering study of Crowley's relationship to politics. Marco Pasi's brilliant analysis of events, facts and ideas refutes many of the preconceived notions of the relationship between occultism and politics. This is a groundbreaking book not only for the study of Crowley, but also for 20th century occultism." - Henrik Bogdan, University of Gothenburg, Sweden "In this sweeping survey, Marco Pasi deftly reconstructs the political tapestries of Britain, Germany, Italy, France, the United States and Soviet Union, providing valuable context for the settings which influenced Crowely's political thought, and against which that thought played out. Putting tired and inaccurate tropes about its subject to bed while opening doors to fresh areas of inquiry, this book should be on the shelf of anyone with an interest in Crowley or in the intersection of political and esoteric thought in the Twentieth Century." - Richard Kaczynski, School of Medicine, Yale University Aleister Crowley (1875-1947) is one of the most (in)famous and significant authors in the history of Western esotericism. Crowley has been long ignored by scholars of religion whilst the stories of magical and sexual practice which circulate about him continue to attract popular interest. Aleister Crowley and the Temptation of Politics looks at the man behind the myth - by setting him firmly within the politics of his time - and the development of his ideas through his extensive and extraordinarily varied writings. Crowley was a rationalist, sympathetic to the values of the Enlightenment, but also a romantic and a reactionary. His search for an alternative way to express his religious feelings led him to elaborate his own vision of social and political change. Crowley's complex politics led to his involvement with many key individuals, organizations and groups of his day - the secret service of various countries, the German Nazi party, Russian political activists, journalists and politicians of various persuasions, as well as other writers - both in Europe and America.

There has long been a debate about implications of globalization for the survival of the world of sovereign nation-states, and the role of nationalism as both an agent of and a response to globalization. In contrast, until recently there has been much less debate about the fate of religion. 'Globalization' has been viewed as part of the rationalization process, which has already relegated religion to the dustbin of history, just as it threatens the nation, as the world moves toward a cosmopolitan ethics and politics. The chapters in this book, however, make the case for the salience and resilience of religion, often in conjunction with nationalism, in the contemporary world in several ways. This book highlights the diverse ways in which religions first and foremost make use of the traditional power and communication channels available to them, like strategies of conversion, the preservation of traditional value systems, and the intertwining of religious and political power. Nevertheless, challenged by a more culturally and religiously diversified societies and by the growth of new religious sects, contemporary religions are also forced to let go of these well known strategies of preservation and formulate new ways of establishing their position in local contexts. This collection of essays by established and emerging scholars brings together theory-driven and empirically-based research and case-studies about the global and bottom-up strategies of religions and religious traditions in Europe and beyond to rethink their positions in their local communities and in the world.

Exploring the religious category of dying to self, this book aims to resolve contemporary issues that relate to detachment. Beginning with an examination of humility in its general notion and as a religious virtue that detachment presupposes, Kellenberger draws on a range of ancient, medieval, modern, and contemporary sources that address the main characteristics of detachment, including the work of Meister Eckhart, St. Teresa, and Simone Weil, as well as writers as varied as Gregory of Nyssa, Rabi'a al-Adawiyya, SAren Kierkegaard, Andrew Newberg, John Hick and Keiji Nishitani. Kellenberger explores the key issues that arise for detachment, including the place of the individual's will in detachment, the relationship of detachment to desire, to attachment to persons, and to self-love and self-respect, and issues of contemporary secular detachment such as inducement via chemicals. This book heeds the relevance of the religious virtue of detachment for those living in the twenty-first century.

Were holy men historical figures or figments of the theological imagination? Did the biographies devoted to them reflect facts or only the ideological commitments of their authors? For decades, scholars of late antiquity have wrestled with these questions when analysing such issues as the Christianization of Europe, the decline of paganism, and the 'rise of the holy man' and of the hagiographical genre. In this book Peter Turner suggests a new approach to these problems through an examination of a wide range of spiritual narrative texts from the third to the sixth centuries A.D.: pagan philosophical biographies, Greek and Latin Christian saints' lives, and autobiographical works by authors such as Julian and Augustine. Rather than scrutinizing these works for either historical facts or religious and intellectual attitudes, he argues that a deeper historicity can be found only in the interplay between these types of information. On the textual level, this analysis recognises the genuine commitment of spiritual authors to write truthfully and to record realistically a world felt to be replete with spiritual and symbolic meaning. On the historical level, it argues that holy men, expecting the same symbolism within their own lives, adopted lifestyles which ultimately provoked and confirmed this world view. Such praxis is detectable not only in the holy men who inspired biography but also in the period's scattered autobiographical writings. As much a historical as a textual phenomenon, this spiritually-minded scrutiny of the world created interpretations which were always open and contested. Therefore, this book also associates spiritual narrative texts with only one possible voice of religious experience in a constant dialogue between believers, opponents, and the sceptical undecided.

This book addresses the growing academic concerns of the market-religion convergences in Asia.

Bringing together a group of leading scholars from Asia, Europe, Australia and North America, it discusses multiple issues regarding religious commodifications and their consequences across Asia's diverse religious traditions. Covering key issues in the anthropology and sociology of contemporary Asian religion, it draws theoretical implications for the study of religions in the light of the shift of religious institutions from traditional religious beliefs to material prosperity. The fact that religions compete with each other in a 'market of faiths' is also at the core of the analysis. The contributions show how ordinary people and religious institutions in Asia adjusted to, and negotiated with, the penetrative forces of a global market economy into the region's changing religio-cultural landscapes.

An excellent contribution to the growing demands of ethnographically and theoretically updated interpretations of Asian religions, Religious Commodifications in Asia will be of interest to scholars of Asian religion and new religious movements.

This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski's work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.

This book explores the history and evolution of Inochentism, a controversial new religious movement that emerged in the Russian and Romanian borderlands of what is now Moldova and Ukraine in the context of the Russian revolutionary period. Inochentism centres around the charismatic preaching of Inochentie, a monk of the Orthodox Church, who inspired an apocalyptic movement that was soon labelled heretical by the Orthodox Church and persecuted as socially and politically subversive by Soviet and Romanian state authorities. Inochentism and Orthodox Christianity charts the emergence and development of Inochentism through the twentieth century based on hagiographies, oral testimonies, press reports, state legislation and a wealth of previously unstudied police and secret police archival material. Focusing on the role that religious persecution and social marginalization played in the transformation of this understudied and much vilified group, the author explores a series of counter-narratives that challenge the mainstream historiography of the movement and highlight the significance of the concept of 'liminality' in relation to the study of new religious movements and Orthodoxy. This book constitutes a systematic historical study of an Eastern European 'home-grown' religious movement taking a 'grass-roots' approach to the problem of minority religious identities in twentieth century Eastern Europe. Consequently, it will be of great interest to scholars of new religions movements, religious history and Russian and Eastern European studies.

Divination is any ritual and its associated tradition performed in order to ask a more-than-human intelligence for guidance. A universal human practice, it has received surprisingly little academic attention. This interdisciplinary collection by leading scholars in the field is dedicated to fascinating new insights into divination and oracles arising from recent work in anthropology, religious studies, history and classical studies. Central importance is given to the practical and theoretical perspectives of diviners as well as scholars of divination; several contributors are both. This book explores philosophical issues such as the nature of divinatory intelligence, the relationship between divinatory and metaphorical truth, the primacy of ontology over epistemology, the importance of reflexivity in scholarly studies of divination, and astrology as the principal Western form of divination. The ethnographic and historical examples range from contemporary Nigeria, urban Cuba, Mayan Guatemala and the shamanic cultures of the circumpolar Arctic to classical Greece and ancient Judea.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Nuwaubian Nation takes the reader on a journey into an African-American spiritual movement. The United Nuwaubian Nation has changed shape since its inceptions in the 1970s, transforming from a Black Hebrew mystery school into a Muslim utopian community in Brooklyn, N.Y.; from an Egyptian theme park into an Amerindian reserve in rural Georgia. This book follows the extraordinary career of Dwight York, who in his teens started out in a New York street gang, but converted to Islam in prison. Emerging as a Black messiah, York proceeded to break the Paleman's spell of Kingu and to guide his people through a series of racial/religious identities that demanded dramatic changes in costume, gender roles and lifestyle. Dr. York's Blackosophy is analyzed as a new expression of that ancient mystical worldview, Gnosticism. Referring to theories in the sociology of deviance and media studies, the author tracks the escalating hostilities against the group that climaxed in a Waco-style FBI raid on the Nuwaubian compound in 2002. In the ensuing legal process we witness Dr. York's dramatic reversals of fortune; he is now serving a 135-year sentence as his Black Panther lawyer prepares to take his case to the Supreme Court. This book presents fresh and important insights into racialist spirituality and the social control of unconventional religions in America.

Much has been written about the law as it affects new and minority religions, but relatively little has been written about how such religions react to the law. This book presents a wide variety of responses by minority religions to the legal environments within which they find themselves. An international panel of experts offer examples from North America, Europe and Asia demonstrating how religions with relatively little status may resort to violence or passive acceptance of the law; how they may change their beliefs or practices in order to be in compliance with the law; or how they may resort to the law itself in order to change their legal standing, sometimes by forging alliances with those with more power or authority to achieve their goals. The volume concludes by applying theoretical insights from sociological studies of law, religion and social movements to the variety of responses. The first systematic collection focussing on how minority religions respond to efforts at social control by various governmental agents, this book provides a vital reference for scholars of religion and the law, new religious movements, minority religions and the sociology of religion.

This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski's work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.

A revised and updated edition of the book, first published in the Eighties, that still remains the main critical work written from outside the movement. This engaging introduction to Anthroposophy is written from the unique point of view of the English-speaking outside world. Employing Anthroposophical and external sources alike, Ahern offers an unbiased look into one of the world's most interesting mystical societies. Sun at Midnight guides the reader through Anthroposophy's beginnings as an offshoot of Theosophy, the life of its founder, Rudolph Steiner, and the movement's place in Western esoteric history while offering an accessible and incisive look into its deeper esoteric beliefs. Waldorf schools and bio-dynamics are woven together with the hardening of spirit into matter to create a fascinating image of Anthroposophy in all its facets.

Design and Spirituality examines the philosophical context of our current situation and argues for a re-establishment and re-affirmation of self-transcending priorities, together with an ethos of moderation and sufficiency. It covers a wide range of topics broadly related to the main theme, including material culture and spiritual teachings; sustainability and the spiritual perspective; traditional and indigenous knowledge; technology and spirituality; notions of meaningful design; and the deeper, symbolic significance of (some) material things. The author is a leading thinker in the field and he presents his arguments in a manner that invites the reader to reflect and to think about where we are going, why we are going there and what really matters.

Su-un and His World of Symbols explores the image which Choe Che-u (Su-un), the founder of Donghak (Eastern Learning) Korea's first indigenous religion, had of himself as a religious leader and human being. Su-un gave his life so that he could share his symbols, his scriptures and the foundational principals of his religion with all people, regardless of their status, gender, age or education. His egalitarian creed challenged the major religious traditions in Korea, and Korean society as a whole, to reflect on the innate dignity of each individual, and to reform their social, ethical and religious practices to accord with the reality of the Divine presence in the 'sacred refuge' that lies within. Exploring the two symbols which Su-un created and used to disseminate his religion, and the two books of Scripture which he composed, this book breaks new ground by presenting the only major work in English which attempts to ascertain the image Su-un had of himself as the prototype of a new kind of religious leader in Korea, and by extension, East Asia.

Torrance's vision of Theosis (deification/divinisation) is explored through his doctrine of creation and anthropology, his characterisation of the incarnation, his accounts of reconciliation and union with Christ, and his theology of church and sacraments. Myk Habets' study distinguishes Torrance's Reformed vision of theosis from other possible accounts of salvation as divinisation as they are found, for instance, within patristic thought and Eastern Orthodoxy. This book presents the first critique of the theology of T.F.Torrance to focus on theosis, and examines a model of theosis within the realm of reformed theology built upon Western theology.

The existence of Madame Blavatsky's occult 'Masters' has been fiercely debated for more than a century. Although scores of books have been written about her, none has focused on the historical identities of these elusive teachers. This book profiles 32 of Blavatsky's hidden sponsors, including leaders of secret societies in Europe and America, religio-political reformers in Egypt and India, and even British government agents. The milieu in which she carried out her spiritual quest is vividly revealed as a hotbed of revolutionary plots and secret coalitions. But beyond all the politics was a genuine spiritual awakening of global significance.

This book dispels the widely-held view that paganism survived in Russia alongside Orthodox Christianity, demonstrating that 'double belief', dvoeverie, is in fact an academic myth.
Scholars, citing the medieval origins of the term, have often portrayed Russian Christianity as uniquely muddied by paganism, with 'double-believing' Christians consciously or unconsciously preserving pagan traditions even into the twentieth century. This volume shows how the concept of dvoeverie arose with nineteenth-century scholars obsessed with the Russian 'folk' and was perpetuated as a propaganda tool in the Soviet period, colouring our perception of both popular faith in Russian and medieval Russian culture for over a century. It surveys the wide variety of uses of the term from the eleventh to the seventeenth century, and contrasts them to its use in modern historiography, concluding that our modern interpretation of dvoeverie would not have been recognized by medieval clerics, and that 'double-belief' is a modern academic construct. Furthermore, it offers a brief foray into medieval Orthodoxy via the mind of the believer, through the language and literature of the period.

Since the early 1990s there have been various waves of interest in what is often described as masculine spirituality. While diverse, a commonality among these interests has been a concern that spirituality has become too feminine, and that mens experiences of the spiritual are being marginalized. Masculine spirituality is therefore about promoting what it perceives to be authentic masculine characteristics within a spiritual context. By examining the nature of these characteristics, Numen, Old Men argues that masculine spirituality is little more than a thinly veiled patriarchal spirituality. The mythopoetic, evangelical, and to a lesser extent Catholic mens movements all promote a heteropatriarchal spirituality by appealing to neo-Jungian archetypes of a combative and oppressive nature, or understanding mens role as biblically ordained leader of the family. Numen, Old Men then examines Ken Wilbers integral spirituality which aims to honour and transcend both the masculine and feminine, but which privileges the former to the extent where it becomes another masculine spirituality, with all its inherent patriarchal problems. Gay spirituality is then offered as a form of masculine spirituality which to a large degree resists patriarchal tendencies, suggesting a queering of spirituality could be useful for all men, both gay and straight.

This is the first book to examine the subtle body - a model of subjectivity found in esoteric, eastern and western religious and philosophical traditions - from a transdisciplinary and cross-cultural perspective. It considers this radical form of self (and the aesthetic and ethical relations that emerge from its proposition) as enabling an innovative reconsideration of the dualisms at the heart of western discourse: mind-body, divine-human, matter-spirit, reason-emotion, I-other. Emerging from this consideration is an interrelated aesthetic-ethic that promotes an understanding of embodiment that is not exclusively tied to materiality (corporeality). This perspective posits an individual as inherently intersubjective, creative and open. It presents subjectivity as relation: a dynamic relation that does not erase individuality while being inclusive of relations with radical alterity (including the divine). The text considers subtle bodies as found in various traditions including Yoga and Tantra traditions, The Theosophical Society, Renaissance Hermeticism, Sufism and even within the work of contemporary philosopher Luce Irigaray. Conceptual interrelations are traced across the disciplines of religion, philosophy and art history/theory, with a particular focus on its relevance to contemporary feminist religious studies/philosophy, mysticism and theories of desire.

This book explores the impact and contribution of post-theories in the field of Christian feminist theology. Post-theory is an important and cutting-edge discursive field which has revolutionized the production of knowledge in both feminism and theology. This book fills a gap by providing a text that can make authoritative statements on the use and status of post-theory in feminist theology, and secondly it makes an on-going contribution to the discourse of Christian feminist theology and its liberation agenda. Distinguished and established scholars contribute conclusive essays on the most recent and exciting developments in post-theory, feminism and theology.

This book addresses the growing academic concerns of the market-religion convergences in Asia.

Bringing together a group of leading scholars from Asia, Europe, Australia and North America, it discusses multiple issues regarding religious commodifications and their consequences across Asia's diverse religious traditions. Covering key issues in the anthropology and sociology of contemporary Asian religion, it draws theoretical implications for the study of religions in the light of the shift of religious institutions from traditional religious beliefs to material prosperity. The fact that religions compete with each other in a 'market of faiths' is also at the core of the analysis. The contributions show how ordinary people and religious institutions in Asia adjusted to, and negotiated with, the penetrative forces of a global market economy into the region's changing religio-cultural landscapes.

An excellent contribution to the growing demands of ethnographically and theoretically updated interpretations of Asian religions, Religious Commodifications in Asia will be of interest to scholars of Asian religion and new religious movements.

This book dispels the widely-held view that paganism survived in Russia alongside Orthodox Christianity, demonstrating that 'double belief', dvoeverie, is in fact an academic myth.

Scholars, citing the medieval origins of the term, have often portrayed Russian Christianity as uniquely muddied by paganism, with 'double-believing' Christians consciously or unconsciously preserving pagan traditions even into the twentieth century. This volume shows how the concept of dvoeverie arose with nineteenth-century scholars obsessed with the Russian 'folk' and was perpetuated as a propaganda tool in the Soviet period, colouring our perception of both popular faith in Russian and medieval Russian culture for over a century. It surveys the wide variety of uses of the term from the eleventh to the seventeenth century, and contrasts them to its use in modern historiography, concluding that our modern interpretation of dvoeverie would not have been recognized by medieval clerics, and that 'double-belief' is a modern academic construct. Furthermore, it offers a brief foray into medieval Orthodoxy via the mind of the believer, through the language and literature of the period.