At a time when surfing is more popular than ever, it's fitting to look back at the years that brought the sport into the mainstream. Developed by Hawaiian Islanders over five centuries ago, surfing began to peak on the mainland in the 1950s-becoming not just a sport, but a way of life, admired and exported across the globe. One of the key image-makers from that period is LeRoy Grannis, a surfer since 1931, who began photographing the longboard era of the early 1960s in both California and Hawaii. This edition brings back Grannis's hair-raising, sold-out Collector's Edition, curated from the photographer's personal archives, to showcase his most vibrant work in a compact and affordable format-from the bliss of catching the perfect wave at San Onofre to dramatic wipeouts at Oahu's famed North Shore. An innovator in the field, Grannis suction-cupped a waterproof box to his board, enabling him to change film in the water and stay closer to the action than any other photographer of the time. He also covered the emerging surf lifestyle, from "surfer stomps" and hordes of fans at surf contests to board-laden woody station wagons along the Pacific Coast Highway. It is in these iconic images that a sport still in its adolescence embodied the free-spirited nature of an era-a time before shortboards and celebrity endorsements, when surfing was at its bronzed best.

All of Richard Neutra's works gathered together in one volume
"" ...] the definitive volume on the Viennese-born architect." - Los Angeles Times," Los Angeles
Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style.
Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. His ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture.
For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers.

From the towering Sagrada Familia to the shimmering, textured facade of Casa Batllo and the enchanting landscape of Park Guell, it's easy to see why Antoni Gaudi (1852-1926) gained the epithet "God's architect." With fluid forms and mathematical precision, his work extols the wonder of natural creation: columns soar like tree trunks, window frames curve like flowering branches, and ceramic tiling shimmers like scaly, reptilian skin. With this outstanding attention to natural detail, his inspirations from both neo-Gothic and Orientalist aesthetics, and a lifelong commitment to Catalan identity, Gaudi created a unique brand of the Modernista movement which transformed, and defines, Barcelona's cityscape. With seven of Gaudi's projects listed as UNESCO World Heritage Sites, this book introduces the architect's extraordinary vision and unique legacy, exploring the influences and the details which allow his buildings to impress, inspire, and amaze, one century after their construction.

While some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form. Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that "turned the architecture world upside down." Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan's Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union. This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the "inside-out" Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano's own words, "each time, it is like life starting all over again."

Martin Kippenberger (1953-1997) was one of the most complex artists of the 80s and 90s. Resistant to any one medium, he instead regarded sculpture, painting, photography, drawing, catalogues, invitation cards and posters all as equally valid forms of artistic expression. His uvre played these various media off against one another in an output so prolific that it verged on the inflationary. His maxim was that "good artists are never on holiday" and he demanded the same total commitment from those who viewed his works. This updated edition of TASCHEN's original Kippenberger monograph documents two decades of Martin Kippenberger's work in 400 illustrations, from the early days of his Berlin office to his works for documenta X in Kassel and for the exhibition of sculpture in Munster, both of which were completed after his sudden and unexpected death in 1997.

Spider-Sense...Tingling!

The Marvel Universe's friendly neighborhood web-slinger

Since his debut in Amazing Fantasy No. 15 in August 1962, Spider-Man has been a hero to millions. Peter Parker was an ordinary teen who received powers from a radioactive spider, and failed to stop the man who would murder his uncle. This led him on a singular quest to take on the mantle of Spider-Man and rid New York City of the bad guys, and we've been rooting for him ever since. For more than 50 years he's been a star of comic books, television, movies, and Broadway, and now, with 192 pages of images with text by Roy Thomas, The Little Book of Spider-Man is your authoritative guide to the everyman super hero!

Most commonly associated with the birth of the Impressionist movement in mid-19th-century Paris, Edgar Degas (1834-1917) in fact defied easy categorization and instead developed a unique style, strongly influenced by Old Masters, the body in motion, and everyday urban life. The elder scion of a wealthy family, Degas cofounded a series of exhibitions of "Impressionist" art, but soon disassociated himself from the group in pursuit of a more realist approach. His subjects centered on the teeming, noisy streets of Paris, as well as its leisure entertainments, such as horse racing, cabarets, and, most particularly, ballet. With often ambitious, off-kilter vantage points, his images of ballerinas numbered approximately 1,500 works, all deeply invested in the physicality and the discipline of dance. Through illustrations of Foyer de la Danse (1872), Musicians in the Orchestra (1872), and many more, this book provides an essential overview of the artist who created a category all his own, a world of classical resonance, bold compositions, and an endless fascination with movement, which together produced some of the most striking and influential works of the era.

Architect Albert Frey (1903-1998) saw a modernist utopia in the desert. Born in Zurich, he studied in Europe with Le Corbusier before moving to the United States in 1930, convinced it was the land of architectural opportunity. On a visit to Palm Springs, he fell under the desert spell. It was here, amid the arid and empty landscape, that he could truly envisage a perfect modern future. Like fellow Californian luminary, John Lautner, Frey would spend the rest of his career nurturing the consonance of architecture and nature: studying the fall of sunlight and rain, and merging aluminum, steel, and glass with the boulders and sands of the West Coast wilds. His vision centered in particular on Palm Springs, capitalizing on the city's postwar population boom to create a bastion of the sleek, leisurely modernism that defines midcentury California. In this dependable architect introduction, we follow Frey's long and prestigious career from his European beginnings through to the apogee of his Californian practice, taking in his notes on De Stijl, Le Corbusier, and Bauhaus, and exploring the stylistic, material, and geographic makings of his unique "desert modernism."

Walt Disney dreamed for decades about opening the ultimate entertainment venue, but it wasn't until the early 1950s that his handpicked team began to bring his vision to life. Together, artists, architects, and engineers transformed a dusty tract of orange groves about an hour south of Los Angeles into one of the world's most beloved destinations. Today, there are Disney resorts from Paris to Shanghai, but the original Disneyland in Anaheim, California, which has been visited by more than 800 million people to-date, remains one of America's most popular attractions. From the day it opened on July 17, 1955, Disneyland brought history and fairy tales to life, the future into the present, and exciting cultures and galaxies unknown to our imaginations. This bountiful visual history draws on Disney's vast historical collections, private archives, and the golden age of photojournalism to provide unique access to the concept, development, launch, and enjoyment of this sun-drenched oasis of fun and fantasy. Disneyland documents Walt's earliest inspirations and ideas; the park's extraordinary feats of design and engineering; its grand opening; each of its immersive "lands" from Main Street, U.S.A., to Tomorrowland; and the park's evolution through the six decades since it opened. It is a treasure trove of original Disney documentation and expertise, with award-winning writer Chris Nichols drawing on his extensive knowledge of both Disneyland and Southern California history to reveal the fascinating tale of "the happiest place on Earth."

In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest portfolio of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. The Polaroid Book, a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favorite among artists for its quirky look and instantly gratifying, one-of-a-kind images. over 400 works from the Polaroid Collections essay by Polaroid's Barbara Hitchcock illuminating the beginnings and history of the collection technical reference section featuring the various types of Polaroid cameras

In the 15 years since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2,000 in 1996 are going for $ 200,000 and more today. Pin-up-drawings, paintings, and pastels of an idealized female face and figure intended for public display-was produced between 1920 and 1970 for use on calendars, magazine covers, and centerfolds. The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious. Today its popularity is huge, and ripe for an equally huge and truly comprehensive Collector's Edition. Formidably sized, The Art of Pin-up is an impressive book that will be coveted by casual fans as well as hardcore pin-up collectors. The top 10 artists are profiled in depth. Each chapter opens with a tipped-in reproduction of an original calendar or magazine cover by that artist. The reproduction quality of the paintings, pastels, and preparatory sketches that follow-largely sourced from the original art-invites the viewer to trace the brushstrokes, while the exquisite period calendars, vintage prints, and original model photos document the artists' creative process. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world's largest archive of vintage pin-up calendars. In addition to the chapters on the 10 featured artists, the book includes thumbnail bios and representative art of 85 additional artists, the most complete compendium of pin-up artists ever compiled. All this adds up to a hard-to-beat book on this popular subject.

Inspired by the girls from Copacabana
Mario Testino is one of the world's most successful fashion and portrait photographers, whose images are noted for their freshness and intimacy. Peruvian by birth, Testino has been fascinated by Rio de Janeiro since his earliest summer vacations. "When I was 14, on holiday, and going from my house to the beach and seeing everyone walk everywhere in their tiny bathing suits--the girls and boys were so sexy and carefree and wild--I just could not believe it." This easy sensuality, sexual freedom and lust for life left a deep impression; Testino has been going back ever since, for work and fun, passion and inspiration. Featuring candid shots of exquisite "cariocas "baring nubile flesh, including supermodel Gisele Bundchen, "MaRIO DE JANEIRO Testino "captures the essence of this incomparably seductive city and its sultry citizens." "From its breathtaking sunset panoramas, to the throbbing chaos of its world-famous carnival, this is "Testino's love poem to the Brazilian metropolis" that captured his teenage heart, and never let go.
Features include:
- Foreword by songwriter and singer Caetano Veloso
- Introduction by actress/TV personality Regina Case
- Essay by supermodel Gisele Bundchen
- Softcover with plastic jacket--for beach reading--available in yellow, orange or red, inspired by Rio's glorious sunsets

From men in bowler hats, floating in the sky, to a painting of a pipe above the caption "this is not a pipe", Rene Magritte (1898-1967) created an echo chamber of object and image, name and thing, reality and representation. Like other Surrealist works, Magritte's paintings combine a precise, mimetic technique with abnormal, alienating configurations which defy the laws of scale, logic, and science: a comb the size of a wardrobe, rocks that float in the sky, clouds that drift through an open door. The result is a direct yet disorientating realm, often witty, often unsettling, and always prompting us to look beyond the visible, to "what is hidden by what we see." This introductory book explores Magritte's vast repertoire of visual humor, paradox, and surprise which to this day makes us look and look again, not only at the painting, but at our sense of self and the world.

In a world where products are out as soon as they're in, where communicating without wires doesn't come without strings, and even our accessories need accessories, we need simple tools. A book that helps us look inside because we are overloaded outside.
Keel's Simple Diary(TM) offers structure for those who don't have time to wonder, making it easy to record life's moments. It gives the pleasure of a quick response and the sense that no matter what's wrong, more is right.
Why Simple Diary(TM)?
There are three reasons why most people, although they have tried, won't keep a diary:
1. Not every day is very eventful.
2. It actually takes a lot of discipline to write.
3. In retrospect, many find what they have written embarrassing.
What is Simple Diary(TM)?
It is an assistant for life, a book for any occasion, for any person at any age. On every page you will discover a taste of philosophy, a pinch of psychology and a twist of insight.
And here are three things Simple Diary(TM) can do for you:
1. Entertain the mind.
2. Help you focus.
3. Keep you company.
Simple Diary(TM) is Keel's response to having too much information and not enough meaning, and needing to remember what made him smile. Three volumes and many pastrami sandwiches later, Keel finally had the answers to his own questions. Simple Diary(TM) is the culmination of his quest to gain insight into who we are, and why we do what we do.
Simple Diary(TM)
Let it happen.
Visit: SimpleDiary.com

In a world where products are out as soon as they're in, where communicating without wires doesn't come without strings, and even our accessories need accessories, we need simple tools. A book that helps us look inside because we are overloaded outside.
Keel's Simple Diary(TM) offers structure for those who don't have time to wonder, making it easy to record life's moments. It gives the pleasure of a quick response and the sense that no matter what's wrong, more is right.
Why Simple Diary(TM)?
There are three reasons why most people, although they have tried, won't keep a diary:
1. Not every day is very eventful.
2. It actually takes a lot of discipline to write.
3. In retrospect, many find what they have written embarrassing.
What is Simple Diary(TM)?
It is an assistant for life, a book for any occasion, for any person at any age. On every page you will discover a taste of philosophy, a pinch of psychology and a twist of insight.
And here are three things Simple Diary(TM) can do for you:
1. Entertain the mind.
2. Help you focus.
3. Keep you company.
Simple Diary(TM) is Keel's response to having too much information and not enough meaning, and needing to remember what made him smile. Three volumes and many pastrami sandwiches later, Keel finally had the answers to his own questions. Simple Diary(TM) is the culmination of his quest to gain insight into who we are, and why we do what we do.
Simple Diary(TM)
Let it happen.
Visit: SimpleDiary.com

A hairless, ghostly figure on a bridge. The sky orange-red above him. His hands raised to his ears, his mouth wide in a haunting wail. In painting The Scream, Edvard Munch (1863-1944) created Mona Lisa for our times. The shriek of his iconic figure reverberates around the world, its echo resounding in the work of Andy Warhol, Jasper Johns, Martin Kippenberger, Marlene Dumas, and Tracey Emin. This introductory book surveys Munch's staggering capacity for psychodrama in The Scream and beyond. With rich illustration, it looks at the lurid, dark, and deeply modern visions that made up the artist's response to relationships and emotions. These compelling images, regarded by the artist himself as a means of "free confession," remain as magnetic today as they were on the brink of modernism.

Contemplate the Immensity

A survey of panorama paintings

Enigmatic and ambiguous in its role as both setting and subject, the landscape has been one of the most important genres in painting for centuries. This dedicated survey spans from the late Middle Ages to modern times to bring the evolution of the landscape genre to life through its most critical works, executed by groundbreaking artists as diverse as Titian and Warhol.

As a form, landscapes represent the topography of the natural world as much as our own; reflecting the diversity of earth's vistas, but also keen indications of developments in representational aesthetics, religious and political history, notions of the sublime and the romantic, as well as the arrival of modernity and the vast changes wrought on the environment by industrialization and urbanization.

Opening this insightful volume is an introductory essay offering a meticulous overview of the genre and its most crucial developments. Luscious double page spreads on each of the 34 featured artworks include a crisp painting reproduction and an extensive art historical analysis on the masters of the form - including such greats as Hieronymus Bosch, Pieter Brueghel, El Greco, John Constable, Claude Monet, and David Hockney.

TASCHEN is proud to announce Lost + Found, Part I and Good News, Part II, the long-awaited, latest and final publications from artist David LaChapelle. The books are the fourth and fifth installments of LaChapelle's five-book anthology, which began with LaChapelle Land (1996), continued with Hotel LaChapelle (1999), and followed by Heaven to Hell (2006).Lost + Found, Part I is a visual recording of the times we live in and the issues we face, expressed through David LaChapelle's unique and distinctive vision. Featuring a monumental curation of images that have never before been published in book form, it chronicles LaChapelle's strongest images as a visionary to date while encapsulating our time in history. This fourth volume also introduces a decade of unseen work from LaChapelle's creative renaissance, where he offers a bridge into paradise and the sublime, leading viewers into volume two: Good News, Part II.Lost + Found, Part I features: Pamela Anderson, Julian Assange, Isabella Blow, David Bowie, Naomi Campbell, Hillary Clinton, Frances Bean Cobain, Miley Cyrus, Lana Del Rey, Lady Gaga, Sharon Gault, Daphne Guinness, Whitney Houston, Kris Jenner, Kendall Jenner, Bruce Jenner, Kylie Jenner, Dwayne Johnson, Khloe Kardashian, Kim Kardashian, Eartha Kitt, David LaChapelle, Amanda Lepore, Nicki Minaj, Katy Perry, Sergei Polunin, Keith Richards, Rihanna, Chris Rock, Amber Rose, Britney Spears, Uma Thurman, Andy Warhol, Kanye West, Pharrell Williams, Amy Winehouse, and many others...Lost + Found, Part I and Good News, Part II are sold separately. Also available as a two-volume Art Edition limited to 500 copies and accompanied by three prints signed by David LaChapelle.

""It was during dinner one evening just before the first publication of my photographs that Helmut asked me what name I intended to use. Jean Seberg and her Spanish boyfriend, Ricardo, were among the guests and Ricardo...asked for an atlas which I produced. He opened it to the map of Australia, asked for a pin, told me to shut my eyes and aim. The pin landed at the center of The Continent--Alice Springs. 'There's your name, ' he said."" The photographs by and of Springs featured throughout the book--a wonderful contemporary mix of personal snapshots and professional portraits of creative figures including Yves Saint Laurent, Gore Vidal, Balthus, Robert Mapplethorpe, Brassai, Nicole Kidman, and Angelica Houston--illustrate the story of her life, in which the houses and apartments where she has lived stand as milestones. Her previously unpublished diary extracts and her new writing are lit up by gentle irony, disarming honesty, and a photographer's eye for telling detail. Intensely personal and engaging, this book charts a remarkable 20th century woman's journey through life.

From birth, Katharine Hepburn seemed destined to become a symbol of the modern woman on stage, on screen, and in the world. Fiercely competitive, private, and independent, Hepburn was one part Olympic athlete Babe Didrikson, one part Amelia Earhart, and two parts Greta Garbo. Although often paired with the greatest actors in Hollywood - Humphrey Bogart ("The African Queen"); Cary Grant ("Bringing Up Baby"), James Stewart ("The Philadelphia Story"), and Spencer Tracy ("Adam's Rib", "Woman of the Year") - Hepburn was able to carry her own films like "Summertime", "Little Women", and "Sylvia Scarlett" over a stage and screen career that spanned eight decades. Her home was never in Hollywood (where she won four Oscars) or New York but in Connecticut, where she died lamenting "I could have accomplished three times as much. I haven't realized my full potential." "The Movie Icon" series: People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. "Movie Icons" is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars. For each title, series editor Paul Duncan has painstaking selected approximately 150 high quality enigmatic and sumptuous portraits, colorful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life.

Avengers Assemble!

The world's greatest super heroes

Iron Man! Thor! The Hulk! Wasp! Ant-Man! These five iconic characters made their debut as the first incarnation of the most exciting super-team ever assembled in September 1963, in The Avengers No. 1. From Captain America to Black Panther to Beast and Mockingbird and She-Hulk, they gained and lost members, added former super villains to the team, and fought every threat imaginable--each one bigger than the last. From the West Coast to the Secret teams (not to mention the Dark and Young and Mighty and All-New), The Little Book of Avengers is your definitive guide to the greatest super hero team the world has ever seen!

Diego Rivera (1886-1957) is a loud presence on the art historical stage. With devout political principles and a turbulent romantic history, he was at once husband and paladin of Frida Kahlo, advocate and adversary of Stalin's Soviet Union, and liberator and traitor of Leon Trotsky. Vibrant, graphic, and often monumental, Rivera's paintings carry the same live political and passionate charge as his personal biography. Fusing European influences such as Cubism with a socialist ideology and an exaltation of Mexico's indigenous and popular heritage, he created a new iconography for art history and for his country. He became one of the most important figures in the Mexican mural movement and won international acclaim for his public wall paintings, in which he presented a utopian yet accessible vision of a post-revolutionary Mexico. In 1931, Rivera was the subject of MoMA's second ever monographic exhibition. This book explores the unique blend of influence and ideology which secure Rivera's place as both a unique and a universal painter, bound to the particular turbulent experience of early 20th century Mexico, and yet preoccupied with subjects such as revolution and class inequity which continue to speak to us today.

As a boy, Tom's first crush was a strapping young farmhand who worked the fields around his family home. Finland is a land of tough physical men, catching fish in the icy sea; cutting logs in the endless forests; threshing oats, rye, and barley on the farms. Tom, a more sensitive boy, admired these rough men and their distinctive clothing, designed for protection and utility. He later said, "When I was young, leather was worn by people who worked outside because it was warm. All the men who wore leather, they were the type of men which I adored." When he began to draw he celebrated these early idols, improving their wardrobes with tight jeans, faded T-shirts, and thigh-high beak-toed Lappish boots. It was a young logger in this gear who appeared on the spring 1957 cover of Physique Pictorial, introducing Tom to the world. In the decades to follow Tom added truckers, repairmen, construction workers, circus roustabouts, and the American cowboy to his roster of working-class heroes. Though just sexual fantasies for him, his portrayal of blue-collar lovers helped working class gays accept their true selves.The Little Book of Tom: Blue Collar traces Tom's fascination with working men in one compact and affordable package. A brawny lineup of multi-panel comics and single-panel drawings and paintings is set alongside archival and contextual material, including historic film stills and posters, personal photos of Tom, sketches, and Tom's own reference photos.

Martin Luther's Bible, first printed in 1534, was not only a milestone for the printing press, but also a momentous event in world history. A UNESCO world heritage masterpiece, Luther's translation from Hebrew and ancient Greek into German made the Bible accessible to laypeople and gave printed reference to a whole new branch of Christian faith: Protestantism. In this meticulous two-volume reprint, TASCHEN presents a complete facsimile of the Luther Bible. Based on a precious copy of the original and printed in color, it reveals the multilayered splendor of this publication, showcasing the meticulous script, elaborate initials, and exquisite color woodcuts from the workshop of Lucas Cranach. In an accompanying booklet, Stephan Fussel, director of the Institute for Book Sciences at the Johannes Gutenberg University in Mainz, adds his expertise to the publication with detailed descriptions of the illustrations, as well as an introduction exploring Luther's life and the seismic significance of his bible.