Artist, diarist, collector, and writer Peter Beard (1938-2020) fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He collaborated with Francis Bacon and Salvador Dali, he made diaries with Andy Warhol, worked on books with scientists like Dr. Norman Borlaug, Dr. Richard Laws, and Alistair Graham, and toured with Truman Capote, Terry Southern, and the Rolling Stones-all of whom are brought to life, literally and figuratively, in his work. He delved into the world of fashion for its beautiful women, taking Vogue stars like Veruschka to Africa and bringing new ones back to the U.S. with him. After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen) in the early 1960s, Beard bought 50 acres next to her farm with the stipulation that he would film and write about the land and its flora and fauna. He witnessed the dawn of Kenya's population explosion, which challenged finite resources and stressed animal populations-including the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he saw-with diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works, including The End of the Game. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard used his photographs as a canvas onto which he superimposed multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings, and often swaths of animal blood used as paint. In 2006, TASCHEN first published the book that has come to define his oeuvre, signed by the artist and published in two volumes. It sold out instantly and became a highly sought-after collector's item. In the decade since, the monograph has been revived in two smaller versions; but sometimes, bigger is better. Now, the book you haven't been able to get your hands on is available in one large-format volume.

Lampooned during his lifetime for his style as much as his subject matter, French painter Edouard Manet (1832-1883) is now considered a crucial figure in the history of art, bridging the transition from Realism to Impressionism. Manet's work combined a painterly technique with strikingly modern images of contemporary life, centered on the urban Paris experience. He recorded the city's parks, bars, and cabarets, often delighting in the frisson of underground or provocative content. The Paris salon rejected his Dejeuner sur l'herbe with its juxtaposition of fully dressed men and a nude woman, while the steady gaze and unabashed pose of the prostitute Olympia, a very modern reworking of Titian's Venus of Urbino, caused a society scandal. This richly illustrated book introduces Manet's work and his uniquely influential combination of Realism, Impressionism, and reworked Old Masters that would become paradigms of a brave new world for generations of modernists to come. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

Angela Merkel: an era ends-and with it a project unique in the world. Between 1991 and 2021 this remarkable politician was photographed year after year, with a short hiatus, by Herlinde Koelbl. Each time they came together, a headshot and a three-quarter-length shot were taken before a plain white background; images that document with authenticity the astonishing ascent of a 37-year-old political outsider to one of the most powerful politicians in the free world. This long-term photo study strikingly shows how the traces of power changed Merkel, who at the start of this extraordinary photographic ritual was still almost 15 years away from becoming the first woman chancellor of Germany. What did she have to learn, how did she have to change in order to persist, indeed to survive politically? How did politics impact her private life? The renowned photo artist succeeded in capturing Merkel's human side through other means apart from her camera lens. Usually extremely reserved, the politician answered Koelbl's questions with such surprising openness and intimacy that, according to the Guardian, the two women share "one of the most unusual relationships in modern politics." Herlinde Koelbl presents a documentary portrait in words and images, of a kind that does not exist for any other global leader. It travels through time, spanning the Angela Merkel epoch-from the first year to the last. It is the portrait of an extreme physical and psychological transformation, and the written record of a unique rapport. Also available as an Art Edition of 125 copies (No. 1-125), with the print Angela Merkel, 1994/2018, signed by Herlinde Koelbl

Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644-1720) did-commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder. Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions. In both volumes, Volkamer draws on years of hands-on experience to present a far-reaching account of citrus fruits and how to tend them-from a meticulous walk-through of how to construct temporary orangeries, glasshouses, and hothouses for growing pineapples to commentary on each fruit variety, including its size, shape, color, scent, tree or shrub, leaves, and country of origin. In each plate, Volkamer pays tribute to the verdant landscapes of Northern Italy, his native Nuremberg, and other sites that captured his imagination. From Genovese sea views to the Schoenbrunn Palace, each locale is depicted in the same exceptional detail as the fruit that overhangs it. We witness branches heavy with grapefruits arching across a sun-bathed yard in Bologna and marvel at a huge pineapple plant sprouting from a South American town. The result is at once a fantastical line-up of botanical beauty and a highly poetic tour through the lush gardens and places where these fruits grew.Few colored sets of Volkamer's work are still in existence today. This publication draws on the two recently discovered hand-colored volumes in the city of Furth's municipal archive in Schloss Burgfarrnbach. The reprint also includes 56 newly discovered illustrations that Volkamer intended to present in a third volume.

The cornerstone of modern fantasy: An exciting new compilation of Hans Christian Andersen s world-famous fairy tales The Fairy Tales of Hans Christian Andersen presents the most famous Andersen stories, including classics such as The Little Mermaid, The Ugly Duckling, and The Princess and the Pea, in a highly esteemed 1942 translation by Jean Hersholt. This lovingly designed book contains a sparkling and unexpected selection of beautiful artwork from the 1840s to the 1980s by such artist greats as Kay Nielsen, the beloved Arthur Rackham, the eccentric Tom Seidmann-Freud (niece of Sigmund Freud), and the groundbreaking film animator Lotte Reiniger, as well as exciting, newly discovered talents. The collection also features historic and contemporary silhouettes, which enrich the presentation of Andersen s tales in a unique format, pairing one tale with one artist, and make this a fresh addition to children s libraries as well as to adult art-book collections. In addition to the tales and illustrations, the compilation also contains a presentation of Andersen s legacy, brief historical introductions to each fairy tale, and extended artists biographies in the appendix. Meant for the whole family, this precious edition shares the eternal magic of Andersen s tales, celebrating his tender, heartfelt stories that have entered both our collective imagination and the literary canon. Brings together the most famous Hans Christian Andersen tales in a one-of-a-kind design Includes illustrations by famous artists from Austria, Britain, the Czech Republic, Denmark, Germany, Japan, Sweden, the Ukraine, and the United States Features the highly esteemed translation by Jean Hersholt, accessible to readers of all ages Contains dozens of all-new silhouettes specially commissioned for the book The following 23 fairy tales are featured in the book: The Princess and the Pea, The Nightingale, The Swineherd, The Old Man Is Always Right, The Little Mermaid, The Emperor s New Clothes, The Darning Needle, Twelve by Mail, The Brave Tin Soldier, The Snow Queen, The Flea and the Professor, Thumbelina, The Sweethearts, Ole Shut-Eye, Five Peas in a Pod, The Ugly Duckling, Little Ida s Flowers, The Shepherdess and the Chimney Sweep, The Flying Trunk, The Little Match Girl, The Tinderbox, The Pen and Inkstand, and The Farmyard Cock and the Weathercock About the translator Danish-born Jean Hersholt (1886 1956) was a Hollywood actor and radio star who dedicated years of his life to translating all of Andersen s tales from the original Danish. His English translations were first published in 1942. He was also an avid collector of Andersen books, letters, and manuscripts, amassing the largest collection of Anderseniana in the United States, and eventually donating it to the Library of Congress, Washington, D. C.. Hersholt s most famous acting roles were as Shirley Temple s grandfather in the film Heidi (1937) and on the popular radio show Dr. Christian (1937 1954). The Jean Hersholt Humanitarian Award is presented at the Oscars."

Fantasy art, that colorful blend of myth, muscle and sexy maidens, took off in 1923 with the launch of Weird Tales magazine, was reinvigorated in the 1960s with The Lord of the Rings, Conan the Barbarian paperbacks with Frank Frazetta covers, and the late '60s emergence of fantasy psychedelia. It went big in the '70s with the role-playing game Dungeons & Dragons, the brilliant French magazine Metal Hurlant, and the first Star Wars film. The number of active artists peaked in that decade, but a new generation of fans discovered the genre through fantasy trading card games in the '90s, leading to a massive interest in the art form today. Frank Frazetta's oil paintings-when they infrequently come to market-have sold for more than $ 5 million in recent years. Fans line up at Comic-Cons to meet Boris Vallejo, Rodney Matthews, Greg Hildebrandt, Michael Whelan, and Philippe Druillet, and memorialize dead icons HR Giger, Jeffrey Catherine Jones, and Frazetta. Imagine how eagerly they'll welcome TASCHEN's History of Fantasy Art, including all the artists listed above and more. This monster-sized tome features original paintings, contextualized by preparatory sketches, sculptures, calendars, magazines, and paperback books for an immersive dive into this dynamic, fanciful genre. Insightful bios go beyond Wikipedia to give a more accurate and eye-opening look into the life of each artist. Complete with tipped-in chapter openers, this collection will reign as the most exquisite and informative guide to this popular subject for years to come.

The countless events being held to celebrate the 150th anniversary of his birth make a clear statement to the enduring appreciation for the work of Gustav Klimt. Not that it takes such a special occasion for the press and the public to start talking about Klimt. More than two hundred articles about the artist appeared online in August 2011 alone, in comparison with barely seventy on Rembrandt within the same period. This media publicity set editor Tobias G. Natter thinking about the value of compiling the present book. During his lifetime, Klimt was a controversial star whose works made passions run high; he stood for Modernism but he also embodied tradition. His pictures polarized and divided the art-loving world. Journalists and general public alike were split over the question: For or against Klimt? The present publication therefore places particular emphasis upon the voices of Klimt's contemporaries via a series of essays examining reactions to his work throughout his career. Subjects range from Klimt's portrayal of women to his adoption of landscape painting in the second half of his life. The cliche that Gustav Klimt was a man of few words who rarely put pen to paper is vehemently dispelled: no less than 179 letters, cards, writings and other documents are included in this monograph. This wealth of archival material, assembled here for the first time on such a scale, represents a major contribution to Klimt scholarship. Defining features of this edition: Catalog of Klimt's complete paintings All known letter correspondence Featuring new photographs of the Stoclet Frieze commissioned exclusively for this book

While anchoring his practice in the traditions of antiquity and the Renaissance, Auguste Rodin (1840-1917) paved the way for modern sculpture. From a very early stage, he was interested in movement, the expression of the body, chance effects, and the incomplete fragment. It was these elements that gave shape, and the impression of life, to such famous works as The Kiss and The Thinker. Produced in collaboration with the Musee Rodin, this TASCHEN Basic Art introduction examines the formative years of Rodin's training as well as the key stages of his subsequent career. It retraces the genesis of his sculptures and monuments from both a historical and an aesthetic point of view and illuminates the links between his different works. The reader gains access to the artist's ideas, as well as to the real material processes in his studio-the modeling in clay, the passage from plaster to bronze or to marble, enlargement, the creation of assemblages, and his deeply sensual erotic drawings. An inexhaustible source of inspiration for subsequent generations of artists, Rodin's work incorporated innovation and transgression, but above all an unrivaled passion for working in front of the living model and for capturing the truth of human experience and forms. With rich illustration and texts from Francois Blanchetiere, this book invites us to discover-and rediscover-this priceless legacy. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

In I Love You, Mario Testino presents a celebration of weddings. A beginning in life -that is also a culmination and a public promise - captured by a unique photographic point of view which shows beauty not only in emotion and tradition, but in the complete intimacy of shared joy. Featuring essays by the illustrious fashion designer Carolina Herrera and party expert Riccardo Lanza, the book traces Testino's memories of many iconic moments and many unknown ones, captured in the privacy of close friendship and family. Unparalleled access unveils the secret, the tender, the wild and the festive of such celebrations, some of which can be considered the most talked-about unions of the past four decades. I Love You is a homage to weddings and to everything they comprise. A love declaration and a glimpse into the heart of brides getting ready, special rites among friends, the zest of extraordinary parties. Every image showing the unique fantasies of a life to start anew. "LONG LIVE LOVE!" - Mario Testino Also available in an Art Edition with the signed and numbered print Chiara Slewett, Rio de Janeiro, 2005

Hailed the "Prince of the Impressionists", Claude Monet (1840-1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working "en plein air" with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye. Monet's interest in this space "between the motif and the artist" encompassed too the ephemeral nature of each image we see. In his beloved water lily series, as well as in paintings of poplars, grain stacks, and the Rouen cathedral, he returned to the same motif in different seasons, different weather conditions, and at different times of the day, to explore the constant mutability of our visual environment. This book offers the essential introduction to an artist whose works simultaneously reflected upon the purpose of a picture and the passage of time, and in so doing transformed irrevocably the story of art. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

For Marc Chagall (1887-1985), painting was an intricate tapestry of dreams, tales, and traditions. His instantly recognizable visual language carved out a unique early 20th-century niche, often identified as one of the earliest expressions of psychic experience. Chagall's canvases are characterized by loose brushwork, deep colors, a particular fondness for blue, and a repertoire of recurring tropes including musicians, roosters, rooftops, flowers, and floating lovers. For all their ethereal charms, his compositions were often rich and complex in their references. They wove together not only colors and forms, but also his Jewish roots with his present encounters in Paris, markers of faith with gestures of love and symbols of hope with testimonies of trauma. Across scenes of birth, love, marriage, and death, this dependable artist introduction explores the many versions of Chagall's rich vocabulary. From visions of his native Vitebsk in modern-day Belarus to images of the Eiffel Tower, we explore the unique aesthetic of one of the most readily identifiable modern masters and one of the most influential Jewish artists of all time. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

With a career spanning seven decades, Catalan-born Joan Miro (1893-1983) was a polymath giant of modern art, producing masterworks across painting, sculpture, art books, tapestry, and ceramics, and embracing ideologies as varied as Fauvism, Surrealism, Dada, Magic Realism, Cubism, and abstraction. Over the course of his prodigious output, Miro evolved constantly, seeking to eschew categorization and the approval of "bourgeois" art critics as much as he pursued his own dreamlike worlds. Emerging into the public spotlight in the early 1920s, he first experimented with Fauvism and Cubism before developing a distinctive style of symbols and pictograms, arranged in elusive visual narratives, with frequent reference to Catalan life. As his career progressed, Miro moved towards Surrealism, and, despite never fully identifying with the movement, emerged as one of its most celebrated practitioners with techniques including automated drawing, Lyrical Abstraction, and Color Field painting. In later years, he diversified his media further, working with ceramics, textiles, and even proposing sculptures made of gas. Through his vivid colors, dreamlike fantasies, and enigmatic symbols, this book brings together the numerous strands of Miro's kaleidoscopic oeuvre to introduce his fascinating career, its interaction with major modernist movements, and how it made him into a modernist legend. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

A bird-monster devouring sinners, naked bodies in tantric contortions, a pair of ears brandishing a sharpened blade: with just 20 paintings and nine drawings to his name, Netherlandish visionary Hieronymus Bosch (c. 1450-1516) secured his place as a pillar of art history. To this day, the painter par excellence of hell and its demons continues to puzzle and enthrall scholars, artists, designers, and musicians alike. Based on the best-selling XXL edition, which saw TASCHEN commission new and exclusive photography of details and recently restored works, this large-scale monograph presents Bosch's complete oeuvre. Texts from art historian and Bosch expert Stefan Fischer dissect the many compelling elements that populate each scene, from hybrid creatures of man and beast to Bosch's pictorial use of proverbs and idioms. By tying together the elusive threads of his oeuvre into one exhaustive overview, this book reveals just what it was about Bosch and his painting that proved so immensely influential. Features: Impeccable full-page reproductions celebrating the artist's staggering compositional scope Enlarged details unveiling the most intricate and bizarre scenes as much as the unsuspected technical minutiae, from subtle brush-strokes to the grain of the canvas A fold-out spread drawn from the legendary Last Judgement A special chapter focusing on Bosch's most famous work, the mesmerizing and terrifying triptych The Garden of Earthly Delights

Discover a world of decorative ideas with this compendium of history's most elegant patterns and ornamental designs. Once out of print, The World of Ornament brings together the two greatest encyclopedic collections of ornament of the 19th century: Auguste Racinet's L'Ornement polychrome Volumes I and II (1875-1888) and Auguste Dupont-Auberville's L'Ornement des tissus (1877) to provide one lavish, indispensable source book spanning jewelry, tile, stained glass, illuminated manuscript, textile and ceramic ornament. Encompassing classical, Egyptian, Greek, Roman, Etruscan, Asian and middle-Eastern, as well as European designs from medieval times through the 19th century, this compilation of cultures and esthetics offers a primary reference for artists, historians, designers and patternmakers, and anyone engaged in decorative design and impact.

With meticulous theories and many thousands of paintings, drawings, and watercolors, Paul Klee (1879-1940) is considered one of the most cerebral and prolific leaders of 20th-century European art. Though typically small in scale, his works are remarkable for their sophisticated thought and meticulous nuances of line, color, and tonality. Klee's stylistic formation was shaped by early affiliation with the German expressionist group Der Blaue Reiter and, in particular, by a 1914 trip to Tunisia which transformed his use of color. After the war, he taught at the esteemed Bauhaus school, where his lectures, like his emerging practice, emphasized the symbolic potential of shade, line, and geometry. Klee was also inspired by Cubism, poetry, music, literature, language, and the simplistic power of children's art. Famed for his simple stick figures, he often combined the appearance of untutored naivete with rigorous composition and intellectual significance. This book provides a selection of key Klee works to introduce his style and influence. From sun-drenched landscapes to enigmatic wordplay, discover a world at once simplistic, symbolic, and dazzlingly colorful. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

Daniel Kramer's classic Bob Dylan portfolio captures the artist's transformative "big bang" year of 1964-65. Over the course of a year and a day, Kramer's extraordinary access to Bob Dylan on tour, in concert, and backstage, allowed for one of the most mesmerizing photographic portfolios of any recording artist and a stunning document of Dylan breaking through to superstardom. Highlights include the Lincoln Center's Philharmonic Hall concert with Joan Baez; the Bringing It All Back Home recording sessions; and the now-famous concert at Forest Hills, when Dylan's controversial transition to electric guitar exemplified his constant, cryptic state of becoming. As much a document of a seminal period of rock 'n' roll history as of Dylan himself, the pictures also feature such compelling friends and collaborators as Joan Baez, Johnny Cash, Allen Ginsberg, and Albert Grossman. Bob Dylan: A Year and a Day presents a curated selection of nearly 200 images, including outtakes from the Bringing It All Back Home and Highway 61 Revisited album cover shoots. Previously published by TASCHEN as a signed Collector's Edition, this standard edition is the more affordable boon to any serious photography or Dylan fan. With stories throughout the book by Kramer, this is at once an intimate and evocative testament to a seminal photographer, to a particular point in time, and to an exceptional, mysterious artist at the moment his career went global. First published as a TASCHEN Collector's Edition, now available as an affordable, compact edition

Celebrate the energy, beauty, and grit of New York with this evocative city portrait, featuring pictures from the mid-19th century to the present day alongside an appendix showcasing books, movies, and records inspired by the city that never sleeps. Featured photographers include Weegee, Margaret Bourke-White, William Claxton, and Steve Schapiro.

"If you can't explain it simply, you don't understand it well enough." -Albert Einstein Our everyday lives are filled with a massive flow of information that we must interpret in order to understand the world we live in. Considering the complex variety of data floating around us, sometimes the best-or even only-way to communicate is visually. This unique book presents a fascinating perspective on the subject, highlighting the work of the masters of the profession, creators of breakthroughs that have changed the way we communicate. Information Graphics has been conceived and designed not just for graphics professionals, but for anyone interested in the history and practice of communicating visually. The in-depth introductory section, illustrated with over 60 images (each accompanied by an explanatory caption), features essays by Sandra Rendgen, Paolo Ciuccarelli, Richard Saul Wurman, and Simon Rogers. Looking back all the way to primitive cave paintings as a means of communication, this section gives readers an excellent overview of the subject. The second part of the book is entirely dedicated to contemporary works by today's most renowned professionals, presenting 200 graphics projects, with over 400 examples-each with a fact sheet and an explanation of methods and objectives-divided into chapters by the topics Location, Time, Category, and Hierarchy. Includes: 200 projects and over 400 examples of contemporary information graphics from all over the world-ranging from journalism to art, government, education, business and much more Four essays about the development of information graphics since its beginnings

Discover the completely unique aesthetic of Tadao Ando, the only architect ever to have won the discipline's four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. Philippe Starck defines him as a "mystic in a country which is no longer mystic." Philip Drew calls his buildings "land art" as they "struggle to emerge from the earth." His designs have been described as haiku crafted from concrete, water, light, and space. But to Ando, true architecture is not expressed in metaphysics or beauty, but rather through space that embodies physical wisdom. This thoroughly updated edition spans the breadth of his entire career, including such stunning new projects as the Shanghai Poly Theater and the Clark Center at the Clark Art Institute in Williamstown, Massachusetts. Each project is profiled through photographs and architectural drawings to explore Ando's unprecedented use of concrete, wood, water, light, space, and natural forms. Based on the massive XXL monograph, this edition brings the architect's definitive career overview to an accessible format.

"The Stanley Kubrick Archives showed up one morning in our offices, where my editor and I circled it like curious apes." -Time Out, New York This is the first book to explore Stanley Kubrick's archives and the most comprehensive study of the filmmaker to date. In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: "It's not a message I ever intended to convey in words. 2001 is a nonverbal experience.... I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content." The philosophy behind Part 1 of The Stanley Kubrick Archives borrows from this line of thinking: from the opening sequence of Killer's Kiss to the final frames of Eyes Wide Shut, Kubrick's complete films are presented chronologically and wordlessly via frame enlargements. A completely nonverbal experience. The second part of the book brings to life the creative process of Kubrick's filmmaking by presenting a remarkable collection of mostly unseen material from his archives, including photographs, props, posters, artwork, set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules. Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick's best interviews.

When is a urinal no longer a urinal? When Marcel Duchamp (1887-1968) declared it to be art. The uproar that greeted the French artist's Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establishment that reverberate right through to today. This essential introduction distills all the daring and the scandal of Duchamp's practice into one essential overview not only of a pioneering creative but also of a critical moment in Western culture. From his groundbreaking blend of abstraction, Cubism, and Futurism in Nude Descending a Staircase (1912) to his forays into the now-iconic "readymades" such as Bicycle Wheel (1913) and Bottle Rack (1914) we explore how Duchamp consistently challenged the notion of what art is and, in so doing, opened up a world of conceptual possibilities beyond the "retinal" experience. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

The field of package design never ceases to expand and innovate, making it one of the most vibrant, competitive, and fast-evolving areas in design today. It is influenced by various factors such as the consumer’s requirements, the ever-increasing marketing demands, evolving environmental policies, and the practice of adhering to the context of cultural aspects and diversity. By developing at such a demanding and rapid pace, package design encompasses many different elements and specialists, including designers, service providers, material suppliers, and printers. As a result, it has become a universe in itself. Pentawards has capitalized on this to create the most dynamic and diverse award in the field, which has existed for 15 years. The Pentawards sets a global benchmark for quality each year by scouting the area’s cleverest and most eclectic designs. The Package Design Book – Volume 2 presents winners from the past decade in celebrating packaging as a kaleidoscopic art form. It showcases not only the new and unexpected developments but also a clear vision of the evolution of the entire industry, especially in the areas of new materials and sustainability. About the series Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe!

Founded in 1928 as a “living diary� by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal. With both style and rigor, it has offered consistent coverage of major themes and stylistic movements in product, structure, interior, and industrial design. This fresh reprint features the highlights from the 1960s issues and documents the daring, practical, and beautiful projects of a decade of futuristic thrill and booming pop culture. Synthetics and plastics hit the stage, leading to radical new design, while conventional notions of elegance give way to fresh exploratory forms. For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and/or grace. Those projects and practitioners that made the grade include Ray and Charles Eames, Gae Aulenti, Kenzo Tange, Verner Panton, Achille and Pier Giacomo Castiglioni, Ettore Sottsass, Carlo Scarpa, Angelo Mangiarotti, Cesare Maria Casati, and Eero Saarinen. domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers’ and manufacturers’ names

The self as a subject is one of the most fascinating and fruitful of artistic enterprises. From the 15th century to today, this collection brings together some of the best examples of self-portraiture to explore the genre's evolution over the centuries as well as the enduring questions of selfhood and self-representation that have besieged human experience for centuries before social media and the selfie. Is a self-portrait of an artist a medium of reflection? Or is it merely a black void, the "false mirror," as the Surrealist Rene Magritte entitled his 1928 painting of an eye? How much does it impart about contemporary notions of beauty, power, and status? From Albrecht Durer to Egon Schiele, Fra Filippo Lippi to Frida Kahlo, this far-reaching collection explores the numerous ways in which artists have taken themselves as subjects, the variety of ingenious methods and perspectives they have used, and the intriguing questions they raise. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art History series features: approximately 100 color illustrations with explanatory captions a detailed, illustrated introduction a selection of the most important works of the epoch, each presented on a two-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist