If you take even the slightest interest in the design of your toothbrush, the history behind your washing machine, or the evolution of the telephone, you'll take an even greater interest in this completely updated edition of Industrial Design A-Z. Tracing the evolution of industrial design from the Industrial Revolution to the present day, the book bursts with synergies of form and function that transform our daily experience. From cameras to kitchenware, Lego to Lamborghini, we meet the individual designers, the global businesses, and above all the genius products that become integrated into even the smallest details of our lives. Alongside star designers like Marc Newson and Philippe Starck and major global brands like Braun and Apple, lesser-known and newcomer entries such as Brompton Bicycles and Enercon wind turbines attest to product design's restless pace, as well as to today's most pressing challenges and priorities to which it must turn its creative invention. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Global travel can be a wearying business: mass tourism, overcrowded planes, chaotic airports, heightened security, cookie-cutter hotel chains, well-worn tourist trails. Finding even a sliver of adventure can sometimes feel impossible. But take heart: for all of us with an unfulfilled spirit of wanderlust, The Golden Age of Travel evokes an era when traveling the world was a thrilling new possibility for those with the resources, time, imagination, and daring. This richly illustrated volume charts the travel heyday of 1869 to 1939. Bedecked with ephemera and precious turn-of-the-century photochroms, it follows six classic tours favored by Western adventurers in the prewar era, including such famous traveler-writers as Charles Dickens, Jules Verne, F. Scott Fitzgerald, Mark Twain, and Goethe. From the Grand Tour of Europe, a traditional rite of passage for young English aristocrats, to the Far East, barely touched by Western influence, to the famous Trans-Siberian Railway, we follow each journey through its itinerant stops and various modes of transport: trains, boats, cars, planes, horses, donkeys, and camels. With pages brimming with archival travel posters, guides, tickets, leaflets, brochures, menus, and luggage stickers, the book evokes all the romance, elegance, not to mention the sheer sense of novelty, that enthralled these golden-age passengers. Through decadent new cities, or wild, rugged terrains, this is your passport to a long-lost epoch of adventure and wide-eyed wonder at the world.

A bird-monster devouring sinners, naked bodies in tantric contortions, a pair of ears brandishing a sharpened blade: with just 20 paintings and nine drawings to his name, Netherlandish visionary Hieronymus Bosch (c. 1450-1516) secured his place as a pillar of art history. To this day, the painter par excellence of hell and its demons continues to puzzle and enthrall scholars, artists, designers, and musicians alike. Based on the best-selling XXL edition, which saw TASCHEN commission new and exclusive photography of details and recently restored works, this large-scale monograph presents Bosch's complete oeuvre. Texts from art historian and Bosch expert Stefan Fischer dissect the many compelling elements that populate each scene, from hybrid creatures of man and beast to Bosch's pictorial use of proverbs and idioms. By tying together the elusive threads of his oeuvre into one exhaustive overview, this book reveals just what it was about Bosch and his painting that proved so immensely influential. Features: Impeccable full-page reproductions celebrating the artist's staggering compositional scope Enlarged details unveiling the most intricate and bizarre scenes as much as the unsuspected technical minutiae, from subtle brush-strokes to the grain of the canvas A fold-out spread drawn from the legendary Last Judgement A special chapter focusing on Bosch's most famous work, the mesmerizing and terrifying triptych The Garden of Earthly Delights

A flaneur and photographer at once, Eugene Atget (1857-1927) was obsessed with walking the streets. After trying his hand at painting and acting, the native of Libourne turned to photography and moved to Paris. He supplied studies for painters, architects, and stage designers, but became enraptured by what he called "documents" of the city and its environs. His scenes rarely included people, but rather the architecture, landscape, and artifacts that made up the societal and cultural stage. Atget was not particularly renowned during his lifetime but in the 1920s came to the attention of the Dada and Surrealist avant-garde through Man Ray. Four of his images, with their particular fusion of mimesis and mystery, appeared in the surrealist journal, La Revolution Surrealiste, while Ray and much of his artistic circle purchased Atget prints. Atget's fame grew after his death, with several articles and a monograph by Berenice Abbott. Several leading photographers, including Walker Evans and Bill Brandt, have since acknowledged their debt to Atget. This fresh TASCHEN edition gathers some 500 photographs from the Atget archives at Musee Carnavalet and the Bibliotheque Historique de la Ville de Paris to celebrate his outstanding eye for the urban environment and evocation of a Paris gone by. Down main streets and side streets, past shops and churches, through courtyards and arcades and the 20 arrondissements, we find a unique portrait of a beloved city and the making of a modern photographic master. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

In its heyday, the American circus was the largest showbiz industry the world had ever seen. From the mid-1800s to mid-1900s, traveling circuses performed for audiences of up to 14,000 per show, employed as many as 1,600 men and women, and crisscrossed the country on 20,000 miles of railroad in one season alone. The spectacle of death-defying daredevils, strapping superheroes and scantily clad starlets, fearless animal trainers, and startling "freaks" gripped the American imagination, outshining theater, vaudeville, comedy, and minstrel shows. This book sheds fresh light on the circus phenomenon. With photographic gems of early circus performers, as well as original posters, lithographs, sideshow banners and engravings from the 16th to 19th centuries illustrating the worldwide roots of the circus, readers are transported to a world of thrill and skill, grit and glamor. Highlights include iconic circus photographs by Mathew Brady, Cornell Capa, Walker Evans, Weegee, and Lisette Model, and little-known circus images by Stanley Kubrick and Charles and Ray Eames.

The Wunderkammer, or "cabinet of curiosities," saw collectors gathering objects from many strands of artistic, scientific, and intellectual endeavor, in an ambitious attempt to encompass all of humankind's knowledge in a single room. From the Grand Duke Francesco I de' Medici and Holy Roman Emperor Rudolf II to Archduke Ferdinand II of Habsburg, these aristocratic virtuosos acquired, selected, and displayed the objects in real-life catalogues that represented the entire world-spanning architecture, interior design, painting, sculpture, gemology, geology, botany, biology and taxonomy, astrology, alchemy, anthropology, ethnography, and history. Marvel at the unicorn horns (narwhal tusks), gems, rare coral growths, Murano glasswork, paintings and peculiar mechanical automata. Browse through illustrations of exotic and mythical creatures and discover the famed "Coburg ivories," an astounding collection of crafted artifacts. These collections are nothing short of a journey through time, from the Renaissance and Age of Discovery, the Mannerist and Baroque periods, up to the present day. Although many of these cabinets of curiosities no longer exist, others have been meticulously reconstructed, and new ones born. These marvelous cabinets of curiosities can now be explored by all in this XXL collection. To realize this mammoth undertaking, Massimo Listri traveled to seven European countries over several decades; the result is a set of gorgeous photographs, an authoritative yet accessible introduction, and detailed commentary on each of the 19 chambers highlighting the most remarkable items in each collection. Discover how these timeless treasures both describe and defined civilization, the modern concept of the museum, and our very knowledge of the universe.

Before reaching the tender age of 30, Michelangelo Buonarroti (1475-1564) had already sculpted Pieta and David, two of the most famous sculptures in the entire history of art. As a sculptor, painter, draftsman, and architect, the achievements of this Italian master are unique-no artist before or after him has ever produced such a vast, multifaceted, and wide-ranging oeuvre. This fresh TASCHEN edition traces Michelangelo's ascent to the cultural elite of the Renaissance. Ten richly illustrated chapters cover the artist's paintings, sculptures, and architecture, including a close analysis of the artist's tour de force frescoes in the Sistine Chapel.Full-page reproductions and enlarged details allow readers to appreciate the finest details in the artist's repertoire, while the book's biographical essay considers Michelangelo's more personal traits and circumstances, such as his solitary nature, his thirst for money and commissions, his immense wealth, and his skill as a property investor. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Supermodel, entrepreneur, activist, provocateur. Since her teenage rise to stardom, Naomi Campbell has dazzled the world with her looks, her strength, and her irrepressible spirit. The first black model to grace the cover of French Vogue and TIME magazine, she has been the face of hundreds of magazine covers, countless editorials and advertising campaigns, and a favorite subject for some of the best photographers of the '80s, '90s, and today. Originally published as a signed Collector's Edition of just 1,000 copies, this book gathers the very best of Campbell's portfolio in an updated unlimited XL edition. It features photographs from the likes of Mert Alas and Marcus Piggott, Richard Avedon, Anton Corbijn, Steven Meisel, Helmut Newton, Herb Ritts, Paolo Roversi, Ellen von Unwerth, and Bruce Weber, and includes such unforgettable shoots as Peter Lindbergh's sequence of Naomi dancing as Josephine Baker on the beach for Italian Vogue and Jean-Paul Goude's stunning composition of the model racing against a cheetah for U.S. Harper's Bazaar. The collection also features texts written by Naomi exclusively for this publication alongside magazine covers, ads, video stills, and more. Naomi recalls her childhood; the beginning of her modeling career; working with fashion's greatest designers, including Azzedine Alaia, John Galliano, Marc Jacobs, Karl Lagerfeld, Gianni Versace; and her meteoric rise to superstardom. Photographer biographies and an illustrated appendix are also included. First published as a signed Collector's Edition, now available in an unlimited and updated XL edition

The Cabinet of Natural Curiosities is one of the 18th century's greatest natural history achievements and remains one of the most prized natural history books of all time. Though scientists of his era often collected natural specimens for research purposes, Amsterdam-based pharmacist Albertus Seba (1665-1736) was unrivaled in his passion. His amazing collection of animals, plants, and insects from all around the world earned him international fame. In 1731, after decades of collecting, Seba commissioned careful and often scenic illustrations of every specimen. With these meticulous drawings, he arranged for the publication of a four-volume catalog, covering the entire collection from strange and exotic plants to snakes, frogs, crocodiles, shellfish, corals, birds, and butterflies, as well as creatures that are now extinct. Taken from a rare hand-colored original, the best-selling collection features an introduction that contextualizes the fascinating tradition of natural collections to which Seba's curiosities belonged.

Discover a world of decorative ideas with this compendium of history's most elegant patterns and ornamental designs. Once out of print, The World of Ornament brings together the two greatest encyclopedic collections of ornament of the 19th century: Auguste Racinet's L'Ornement polychrome Volumes I and II (1875-1888) and Auguste Dupont-Auberville's L'Ornement des tissus (1877) to provide one lavish, indispensable source book spanning jewelry, tile, stained glass, illuminated manuscript, textile and ceramic ornament. Encompassing classical, Egyptian, Greek, Roman, Etruscan, Asian and middle-Eastern, as well as European designs from medieval times through the 19th century, this compilation of cultures and esthetics offers a primary reference for artists, historians, designers and patternmakers, and anyone engaged in decorative design and impact.

The work of the artist couple Christo (1935-2020) and Jeanne-Claude (1935-2009) resists categorization. It is a hybrid of art, urban planning, architecture, and engineering, but above all an aesthetic uniquely their own: surreal and ethereal environmental interventions that have graced monuments, public parks, and centers of power alike. This compact book spans the complete career of the couple who were born on the very same day, met in Paris, fell in love, and became a creative team like no other. With rich illustration, it spans Christo and Jeanne-Claude's earliest projects in the 1950s right through to The Floating Piers, installed at Lake Iseo, Italy, in 2016. The book celebrates all of the couple's most famous environmental interventions, such as The Gates in New York's Central Park and the Wrapped Reichstag in Berlin, while also featuring early drawings and family photos unknown to the wider public. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

Although it only lasted three turbulent years, the afterburn of the Blaue Reiter (1911-1914) movement exerted a tremendous influence on the development of modern European art. Named after a Kandinsky painting, The Blue Rider, this loose band of artists, grouped around Russian emigre Wassily Kandinsky and German painter Franz Marc, sought to reject establishment standards and charge into a new artistic unknown. Articulating spiritual values and concerns in an era of rapid industrialization, the artists of the Blaue Reiter were connected by a shared interest in painting, woodcuts, and prints, as well as the symbolic values of color and spontaneous approaches to artwork. Key pieces such as Franz Marc's Blue Horse I (1911), Kandinsky's Picture with a Black Arch (1912), and August Macke's Woman in a Green Jacket (1913) reveal varying subjects, but all channel distorted perspectives, crude lines, and an emphatic, expressionist use of color. The Blaue Reiter was abruptly truncated by the onset of the First World War, which killed two of its leading artists, along with growing dissent between the group's protagonists. This book reveals the movement's remarkable influence despite its brevity, presenting key works, artists, and their reverberating effects. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art History series features: approximately 100 color illustrations with explanatory captions a detailed, illustrated introduction a selection of the most important works of the epoch, each presented on a two-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644-1720) did-commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder. Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions. In both volumes, Volkamer draws on years of hands-on experience to present a far-reaching account of citrus fruits and how to tend them-from a meticulous walk-through of how to construct temporary orangeries, glasshouses, and hothouses for growing pineapples to commentary on each fruit variety, including its size, shape, color, scent, tree or shrub, leaves, and country of origin. In each plate, Volkamer pays tribute to the verdant landscapes of Northern Italy, his native Nuremberg, and other sites that captured his imagination. From Genovese sea views to the Schoenbrunn Palace, each locale is depicted in the same exceptional detail as the fruit that overhangs it. We witness branches heavy with grapefruits arching across a sun-bathed yard in Bologna and marvel at a huge pineapple plant sprouting from a South American town. The result is at once a fantastical line-up of botanical beauty and a highly poetic tour through the lush gardens and places where these fruits grew.Few colored sets of Volkamer's work are still in existence today. This publication draws on the two recently discovered hand-colored volumes in the city of Furth's municipal archive in Schloss Burgfarrnbach. The reprint also includes 56 newly discovered illustrations that Volkamer intended to present in a third volume.

Star Wars exploded onto our cinema screens in 1977, and the world has not been the same since. After watching depressing and cynical movies throughout the early 1970s, audiences enthusiastically embraced the positive energy of the Star Wars universe as they followed moisture farmer Luke Skywalker on his journey through a galaxy far, far away, meeting extraordinary characters like mysterious hermit Obi-Wan Kenobi, space pirates Han Solo and Chewbacca, loyal droids C-3PO and R2-D2, bold Princess Leia and the horrific Darth Vader, servant of the dark, malevolent Emperor. Writer, director, and producer George Lucas created the modern monomyth of our time, one that resonates with the child in us all. He formed Industrial Light & Magic to develop cutting-edge special effects technology, which he combined with innovative editing techniques and a heightened sense of sound to give audiences a unique sensory cinematic experience. In this first volume, made with the full cooperation of Lucasfilm, Lucas narrates his own story, taking us through the making of the original trilogy-Episode IV: A New Hope, Episode V: The Empire Strikes Back, and Episode VI: Return of the Jedi-and bringing fresh insights into the creation of a unique universe. Complete with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters, the XXL-sized tome is an authoritative exploration of the original saga as told by its creator.

"This book is really two books. It is a biography, and it is also a pictorial retrospective of an actress whose greatest love affair was conceivably with the camera," wrote Norman Mailer in his 1973 biography, Marilyn. Now TASCHEN has paired Mailer's original text with Bert Stern's photographs from the legendary Last Sitting-widely considered the most intimate photographs of Monroe ever taken-to create a fitting tribute to the woman who, at the time of her death in 1962, was the world's most famous, a symbol of glamour and eroticism for an entire generation. But though she was feted and adored by her public, her private life was that of a little girl lost, desperate to find love and security. Mailer's Marilyn is beautiful, tragic, and complex. As Mailer reflects upon her life-from her bleak childhood through to the mysterious circumstances of her death-she emerges as a symbol of the bizarre decade during which she reigned as Hollywood's greatest female star. This book, conceived by Lawrence Schiller, Mailer's collaborator on five works, combines the author's masterful text with Stern's penetrating images of the 36-year-old Marilyn. Photographed for Vogue magazine over three days at the Bel-Air Hotel, Marilyn had never allowed such unfettered access, nor had she looked so breathtakingly beautiful. Six weeks later, mysteriously, she was dead. In this bold synthesis of literary classic and legendary portrait-sitting, Mailer and Stern lift the veils of confusion surrounding Monroe-the woman, the star, the sex symbol-and offer profound insight into an iconic figure whose true personality remains an enigma even today.

Peter Lindbergh and Azzedine Alaia, the photographer and the couturier, were united by their love of black, a love that they would cultivate alike in silver print and solid color garments. Lindbergh ceaselessly turned to black and white to signify his search for authenticity in the faces he brought to light. Alaia drew on the monochrome of timeless clothes to create veritable sculptures for the body. In this book, the unique dialogue between the two artists is immortalized in print. Illustrating their community of spirit, its images are a celebration of their artistic partnership and testament to their history-making achievements in photography and fashion. Despite their geographically opposed origins, Lindbergh and Alaia pursued similar horizons. At the same time as Lindbergh's reputation in Germany was growing thanks to his work in Stern magazine, and he set up his studio in Paris in 1978, Alaia was the couturier shrouded in discretion whose sophisticated techniques were a treasured secret amongst the most important clients of Haute Couture. Alaia became the architect of bodies, revealing and unveiling them, while Lindbergh distinguished them by shining a light on their soul and personality. Step by step, they became the creators that dominated their respective disciplines. Both rejected any artifice that distracted from their true subject, and it is with great ease that they came together for a number of powerful collaborations. Shared inspirations and aesthetic values are visible throughout their work. A beach in Le Touquet and the streets of old Paris reference a mutual love of black and white cinema and vast panoramas. The backdrop of an engine room illustrates the memory of an industrial German landscape for one and references the inordinate passion for functional design and architecture held by the other. Alaia's clothes act as pedestals for the smiles and eyes of the women who wear them: Nadja Auermann, Mariacarla Boscono, Naomi Campbell, Anna Cleveland, Dilone, Lucy Dixon, Vanessa Duve, Helene Fischer, Pia Frithiof, Jade Jagger, Maria Johnson, Milla Jovovich, Lynne Koester, Ariane Koizumi, Yasmin Le Bon, Madonna, Kristen McMenamy, Tatjana Patitz, Linda Spierings, Tina Turner, Marie-Sophie Wilson, Lindsey Wixson. For Lindbergh, who built his notoriety on the images of these supermodels, the authenticity of their traits is all that matters. The result is a potent black and white catalogue that reverberates with truthfulness and beauty. The book accompanies the exhibition Azzedine Alaia, Peter Lindbergh at the Fondation Azzedine Alaia, 18 rue de la verrerie, Paris, France. With contritutions by Fabrice Hergott, director of the Musee d'Art Moderne de la Ville de Paris, Paolo Roversi, photographer, and Olivier Saillard, fashion historian and director of the Fondation Azzedine Alaia, Paris.

From the Mediterranean Sea to the Indian Ocean, the vast Sahara to the Cape Verde archipelago, Africa offers a lifetime of travel adventures. Whether you're a wide-eyed newcomer or an ever-returning visitor, the continent promises 54 extraordinarily diverse countries, urban creative hubs, pristine night skies and wildlife, as well as a momentous sense of our human past. In this visual journey through Africa, we discover glimpses of postcard-ready landscapes, rich culture, and incredible interiors, all spied through the doorways and windows of the continent's most stunning hotels. Angelika Taschen takes us to hidden gems across Mozambique, South Africa, and Ethiopia; from a Tanzanian coffee plantation, where guests can enjoy the ultimate Arabica brew in breathtaking surroundings; the iconic Mount Nelson Hotel in Cape Town, painted pink at the end of the First World War and host to many meditators since; to the moving Serengeti Safari Camp, boasting of just a handful of tents that follow the migrations of wildlife all year round. In this updated guide, we discover each hotel through crisp photography as well as key information including directions, contact details, and recommended reading for each destination.

On a winter's night in 1949 in New York City, young marketing student and budding photographer Walter Chandoha spotted a stray kitten in the snow, bundled it into his coat, and brought it home. Little did he know he had just met the muse that would determine the course of his life. Chandoha turned his lens on his new feline friend-which he named Loco-and was so inspired by the results that he started photographing kittens from a local shelter. These images marked the start of an extraordinary career that would span seven decades. Long before the Internet and #catsofinstagram, Chandoha was enrapturing the public with his fuzzy subjects. From advertisements to greetings cards, jigsaw puzzles to pet-food packaging, his images combined a genuine affection for the creatures, a strong work ethic, and flawless technique. Chandoha's trademark glamorous lighting, which made each cat's fur stand out in sharp relief, would define the visual vocabulary of animal portraiture for generations and inspire such masters as Andy Warhol, who took cues from Chandoha's charming portraits in his illustrated cat book. Cats leaps into the archives of this genre-defining artist, spanning color studio and environmental portraits, black-and-white street photography, images from vintage cat shows, tender pictures that combine his children with cats and more. This is a fitting tribute not just to these beguiling creatures but also to a remarkable photographer who passed away in 2019 at the age of 98; and whose compassion can be felt in each and every frame.

The last decade of the 20th century consolidated once again the fascinating power of the silver screen, both by looking to the future and drawing on the past. It's no exaggeration to say that never before had there been a time when the cinema focused so ironically on its own vanity, and never had it been so intensely preoccupied with itself as a medium. Filmmakers like Steven Soderbergh, David Lynch, Quentin Tarantino, and Ang Lee created worlds that were as cryptic as they were disorientating, while James Cameron and Steven Spielberg conjured up ever more spectacular special effects. Do you dream of wandering the desert with The English Patient? Could you save yourself from the doomed Titanic? Are you still convinced that There's Something About Mary? 100 Movies of the 1990s reviews cinema's most important events from 1991 to 2000 and brings to life a rich variety of movie highlights. The storyline and aesthetic characteristics of each film are presented in an incisive and informative way. Commentaries on actors, directors, and historical or technical aspects of cinema introduce additional features of interest. 100 Movies of the 1990s is specialized yet entertaining, clear yet challenging. A work resembling a great moment of cinema, unforgettable and utterly gripping.

Decouvrez comment des scenes de la vie quotidienne et de delicates touches de couleur ont choque le monde etabli de l'art. Cette introduction de la Petite Collection 2.0 de TASCHEN a l'impressionnisme presente les artistes, les sujets et les techniques qui ont fait sortir les chevalets des ateliers et pousse les artistes a abandonner l'histoire, la religion et le portrait pour saisir le flux et le reflux evanescents de la vie moderne. Cette balade dans les theatres, les cafes et les squares de Paris et de ses environs revele leurs innovations radicales dans le style et les sujets, du principe de la peinture "en plein air" aux coups de pinceau rapides et saccades grace auxquels les impressionnistes mettaient en valeur la spontaneite, le mouvement et les qualites changeantes de la lumiere. On regarde d'un oeil nouveau leurs perspectives non conventionnelles et leur palette de couleurs pures et sans melange, des teintes souvent vives qui eclairent la toile d'une toute nouvelle intensite chromatique. En chemin, on croise les grandes figures de l'impressionnisme comme Edgar Degas, Claude Monet, Berthe Morisot et Camille Pissarro, ainsi que des artistes plus confidentiels qui meritent un reel interet, parmi lesquels Marie Bracquemond, Medardo Rosso et Fritz von Uhde. A propos de la collection Chaque volume de la Basic Art History de TASCHEN contient: une introduction illustree detaillee une selection des plus grandes oeuvres de l'epoque presentees sur une double page avec une reproduction pleine page, une interpretation de l'oeuvre, un portrait et une biographie synthetique de l'artiste une centaine d'illustrations couleur accompagnees de legendes explicatives

Fritz Kahn (1888-1968) was a German doctor, educator, popular science writer, and information graphics pioneer. Chased out of Germany by the Nazis, who banned and burned his books, Kahn emigrated to Palestine, then France, and finally the United States to continue his life's work. In this new edition, TASCHEN celebrates Kahn as a creative genius, particularly adept at the visualization of complex scientific ideas. In such works as Man as Industrial Palace, we see how Kahn deployed vivid visual metaphors to demystify science and how his concepts have influenced generations of scientific illustrators, visual communications specialists, and infographic artists through to today. The book features more than 350 illustrations with extensive captions, three original texts by Fritz Kahn himself, a foreword by Steven Heller, and an essay about Kahn's life and oeuvre.