The idea of climbing a tree for shelter, or just to see the earth from another perspective, is as old as humanity. In this neat TASCHEN edition, take a tour of some of our finest arboreal adventures with 50 of the most beautiful, inventive, and enchanting tree houses around the world. From romantic to contemporary, from famed architects to little-known craftsmen, you'll scale the heights to visit all manner of treetop structures, from a teahouse, restaurant, hotel, and children's playhouse to simple perches from which to contemplate life, enjoy the view, and discover that tree houses take as many forms as the imagination can offer. With an abundance of gorgeous photographs and illustrations, this is an ode to alternative living, where playful imagination meets eco-sensitive finesse. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Part design history, part trip down musical memory lane, this anthology of jazz album artwork is above all a treasure trove of creative and cultural inspiration. Spanning half a century, it assembles the most daring and dynamic jazz cover designs that helped make and shape not only a musical genre but also a particular way of experiencing life. From the 1940s through to the decline of LP production in the early 1990s, each chosen cover design is distinct in the way it complements the energy of the album's music with its own visual rhythms of frame, line, text, and form. To satisfy even the most demanding of music geeks, each record cover is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more.

Very few artists can claim such lasting and worldwide fame and importance as Michelangelo Buonarroti (1475-1564). The nickname il divino ("the divine one") has been applied to him since the 1530s right through to today: his achievements as a sculptor, painter, and architect remain unparalleled and his creations are among the best-known artworks in the world. This Bibliotheca Universalis edition is devoted to the artist's graphic work, a testimony to his masterly command of line, form, and detail, from architectural studies to anatomically perfect figures. The book brings together some of the artist's finest drawings from museums and collections around the world as well as some of his own notes and revisions, offering stunning proximity not only to the ambition and scope of Michelangelo's practice but also his working process. A chapter with a compilation of newly attributed and reattributed drawings provides further insights into Michelangelo's varied graphic oeuvre and the ongoing exploration of his genius. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

This comprehensive collection offers a thorough overview of typeface design from 1628 to the mid-20th century. Derived from a distinguished Dutch collection, a series of exquisitely designed catalogues traces the evolution of the printed letter via specimens in roman, italic, bold, semibold, narrow, and broad fonts. Borders, ornaments, initial letters, and decorations are also included, along with lithographic examples, letters by sign writers, inscription carvers, and calligraphers. The first part of the book covers pre-20th-century typefaces, with texts by editor Cees de Jong and collector Jan Tholenaar. The second part deals with the period from 1900 to the mid-20th century, and contains a historical outline by Alston W. Purvis. Featured type designers include: William Caslon, Fritz Helmuth Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan Tschichold, A. M. Cassandre, Aldo Novarese, and Adrian Frutiger.

On December 15, 1868, Carl Friedrich Philipp von Martius (1794-1868), Professor of Botany at the University of Munich and director of the Royal Botanic Garden, was carried to his grave in a coffin covered with fresh palm leaves. These were a reference to his groundbreaking Historia naturalis palmarum: opus tripartitum (Natural History of Palms: a work in three volumes), published between 1823 and 1853. At the time, this encyclopedic treasury contained the sum of human knowledge on the topic, and included 240 exquisite chromolithographic illustrations, including landscape views of palm habitats and botanical dissections. This epic folio was based on von Martius's expedition to Brazil and Peru with zoologist Johann Baptist von Spix, sponsored by King Maximilian I of Bavaria, to investigate natural history and native tribes. From 1817 to 1820 the pair traveled over 2,250 km (1,400 miles) throughout the Amazon basin, the most species-rich palm region in the world, collecting and sketching specimens. On their return both men were awarded knighthoods and lifetime pensions. In his epic work, von Martius outlined the modern classification of palm, produced the first maps of palm biogeography, described all the palms of Brazil, and collated the sum of all known genera of the palm family. Apart from his own collection of specimens and notes, von Martius also wrote about the findings of others. Von Martius's folio is unusual in its inclusion of cross-sectioned diagrams, conveying the architecture of these mighty trees, which central Europeans would have found hard to imagine accurately. Equally remarkable are the color landscapes showing various palms-often standing alone-which have a simple and elegant beauty. This famous work is an unrivaled landmark in botanic illustration and taxonomy.

Climate, environment, history, and technology are transforming architecture worldwide. The second volume in the Homes for Our Time series documents this housing revolution. What role do homes play in our endangered world? How can they innovate? In Sri Lanka, Palinda Kannangara created the Frame Holiday Structure on a budget of $ 40,000. Built from steel scaffolding, exposed brick, and wood floors, the house can be easily disassembled and moved, adapting to the reality of the nearby floodplain. Luciano Lerner Basso's Fortunata House in Brazil accommodates the surrounding nature: it was built around a tree of an endangered species and sits upon stilts so as not to disturb the forest floor. Miller Hull's Loom House near Seattle has been called "the world's most environmentally ambitious home renovation" because of its reliance on recycled materials and its efficient energy use. Modern architectural history has been viewed primarily from a Western perspective and formed by men. More than 60 buildings from Vietnam, South Africa, India, China, and beyond-designed by men, women, and collectives-mark the end of this era. There is no longer a predominant style, and there probably never will be again. With photos by renowned architectural photographers, and precise descriptions as well as drawings from architectural offices, Philip Jodidio charts the diverse, sustainable architecture of the future. The private homes featured range from modest to extravagant. A beautiful house is always also a dream-and this book invites you to do just that.

Steelworks

Pierre Koenig's modern materials

There are few images of 20th-century architecture more iconic than the nighttime view of Case Study House #22. At its eagle's nest promontory above Los Angeles, the building is a vision of streamlined glass and steel, its slick lines echoing the twinkling city boulevards below. With this and his other equally innovative build for the famous project of the Arts & Architecture magazine, American architect Pierre Koenig (1925-2004) became one of the leading figures of the Modern movement.

While still a student of architecture, Koenig designed and built his first exposed steel house in 1950, proving that the use of prefabricated materials could allow for spatial freedom in affordable houses. Throughout his career, he would champion socially responsible design, as well as buildings that responded deftly and directly to the Southern Californian climate. Through windows, water, terraces, skylights, and glazing, his buildings optimized the rapport between inside and outside, while aiming for a simplistic purity of appearance.

Through all of Koenig's major projects, including the Johnson House (1962) and Oberman House (1962), this book introduces an architect pioneering in method and material and iconic of his time, as fueled by experimentalism as the postwar optimism of the age.

Andy Warhol and Jean-Michel Basquiat's complex relationship captivated the art world then and now. At a time when Warhol was already world famous and the elder statesman of New York cool, Basquiat was a downtown talent rising rapidly from the graffiti scene. Together, they forged an electrifying personal and professional partnership. As a prolific documentarian of his own world, Warhol extensively photographed and wrote of his friendship with Basquiat, all played against the backdrop of 1980s downtown New York City. It reveals not only the emotional depth of their relationship but also its ambiguities, extremities, and complexities. Produced in collaboration with The Andy Warhol Foundation and Jean-Michel Basquiat's estate, this book chronicles the duo's relationship in hundreds of previously unpublished photographs of Basquiat along with a dynamic cast of characters from Madonna to Grace Jones, Keith Haring to Fela Kuti. The shots are accompanied by entries from the legendary Andy Warhol Diaries, selected collaborative artworks, and extensive ephemera. Touching, intimate, and occasionally sardonic, Warhol on Basquiat is a voyeuristic glimpse into the lives of two of modern art's brightest stars.

Inventing Modernity.

The godfather of Italian design.

Italian architect and designer Gio Ponti (1891-1979) is difficult to pin down. With an extraordinarily prolific output and eclectic style, his oeuvre remains one of the most diverse and groundbreaking in design history. Trained initially in architecture, Ponti soon moved into industrial and interior design, experimenting with ceramics, silverware, and glass. Ponti's key works are spread throughout this extensive overview, including structures of all kinds, from small residential dwellings to high-rise buildings, schools, and office blocks.

The home was one of Ponti's recurring interests and central areas of innovation. His talent for total design--a careful consideration of both interior and exterior space--is charted in the glossy reproductions, floor plans, and drawings featured in this edition. Ponti's colorful, carefree, and elegant spaces blended an expressive neoclassicism with emerging modernist sensibility.

The founder and nearly lifelong editor of domus magazine never ceased to develop and reinvent his style. From the Denver Art Museum to his collection of churches, from bespoke homeware to the symbol of modern Milan, the Pirelli Tower, this monograph provides an introduction to Ponti's exuberant creativity and illustrious career.

George Eastman's career developed in a particularly American way. The founder of Kodak progressed from a delivery boy to one of the most important industrialists in American history, and a crucial innovator in photographic history. Eastman died in 1932, and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world, containing over 400,000 images and negatives-among them the work of such masters as Alfred Stieglitz, Edward Steichen, and Ansel Adams. Home also to 23,000 cinema films, five million film stills, one of the most important silent film collections, technical equipment and a library with 40,000 books on photography and film, the George Eastman House is a pilgrimage site for researchers, photographers, and collectors from all over the world. This volume curates the most impressive images from the collection in chronological order to offer an incomparable overview of photographic history. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Undressed to impress. When it comes to pleasure, size doesn't matter, as we all know it's quality, not quantity, that counts. But let's admit it: a big penis is undeniably compelling. Big shoulders, big lapels, and big hair may come and go, but the big penis never goes out of fashion. With those possessing more than 8 inches (20 cm) making up less than 2 per cent of the world's population, this rare accessory will always fascinate (a word, coincidentally, derived from the Latin fascinum, meaning both phallus and magical spirit).In this companion volume to "The Big Book of Breasts", we explore the centuries-old fascination with the large phallus, a fascination common to men and women alike. This hefty book is profusely illustrated with over 400 historic photos of spectacular male endowments, including rare photos of the legendary John Holmes. The majority of the photographs are from the 1970s, when the sexual revolution first freed photographers to depict the male entirely nude. Photographers include Bob Mizer of Athletic Model Guild, David Hurles of Old Reliable, Colt, Falcon, Sierra Domino, Third World, and Champion Studios, with each of these iconic photographers interviewed or profiled, along with information about each of their models. And if this isn't enough, the book closes with a special surprise comparable to the Guinness Book of Records' - Norma Stitz featured in "The Big Book of Breasts"!

The photographer and filmmaker Bruce Weber is associated with a wide array of imagery: humanist portraits of artists, actors, and athletes; fashion spreads charged with emotion, irreverence, and nostalgia; lyrical tributes to eroticism and an arcadian vision of the American landscape. All these things-and golden retrievers, too. Since the very beginning, Weber has been accompanied on his travels by a pack of these benevolent canines, who have populated his photographs for fashion campaigns, prominent magazines, and the pages of his personal scrapbooks in equal measure. The Golden Retriever Photographic Society is Weber's first career-spanning collection of these photographs, one he describes as his most personal. In the introduction to the monograph, Weber remarks, "People sometimes say to me, 'In my next life, I want to come back as one of your dogs.'" Paging through this volume, we understand the sentiment. For five decades, these golden retrievers have been foils for Weber's imagination, storybook characters in the expansive life he has created with wife, Nan Bush. This book celebrates the human-animal bond, illuminating how connection to one's pets can fuel creativity, provide companionship, and foster an abundance of joy.

Say no to silicone: The greatest natural breasts of our times Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes's The Outlaw and Frederick's of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World's Largest Natural Breasts. The 420 pages of this book contain the most beautiful and provocative black and white and color photos ever created of these iconic women, plus nine original interviews, including the first with Tempest Storm and Uschi Digard in over a decade, and the last with Candy Barr before her untimely death in 2005. In a world where silicone is now the norm, these spectacular real women stand as testament that nature knows best. The editor: Dian Hanson is a twenty-five-year veteran of men's magazine publishing. She began her career at Puritan magazine in 1976 and went on to edit a variety of titles, including Partner, Oui, Hooker, Outlaw Biker, and Juggs magazines. In 1987 she took over the ?60s title Leg Show and transformed it into the world's best-selling fetishpublication. Most recently, she authored TASCHEN's Terryworld, Tom of Finland: The Comic Collection and History of Men's Magazines six-volume set.

To travel in North America is to face a delicious quandary: over these vast spaces with so many riches, from glittering cities to eccentric small towns and heart-stoppingly beautiful mountains and plains, how to experience as much as possible in limited time? The New York Times has the answer, offering up dream weekends with practical itineraries in its popular weekly 36 Hours column for nearly two decades. In this fully revised and updated third edition of the best-selling USA & Canada volume, TASCHEN presents the best itineraries from across the continent. You'll find marquee metropolises like New York, Montreal, and Los Angeles; world-famous natural wonders at Niagara Falls and the Grand Canyon; the hidden charm of Rust Belt cities like Duluth and Detroit, as well as 33 new stories including Anchorage, the Berkshires, Boulder, and many more. More than 5,400 hours worth of insightful itineraries to make the most of your stay Practical recommendations for more than 600 restaurants and 450 hotels Comprehensive revisions to all 130 itineraries New destinations including Downtown Miami, Oakland, Chattanooga, and more Color-coded tabs for each region Nearly 1,000 photos 33 new stories Detailed city-by-city maps that pinpoint every stop on your itinerary From Antwerp to Zurich, trust TASCHEN's New York Times 36 Hours series with your next travel adventure.

"Nothing compares to the Alps" wrote the great French historian Jules Michelet in 1868. At the very heart of Europe, the gigantic Alpine mountain range includes some of the most grandiose natural sites in the world, such as Mont Blanc, the Jungfrau, the Matterhorn, and their glaciers. Tourism began in the late 1800s and grew tremendously over the next centuries, especially with the rise of winter sports. This book offers a charming tour of a bygone era, when the first mountain trains and cog railways were carrying men in lederhosen and women in long dresses to the foot of the glacier, when local guides accompanied tourists riding on mules; a time when the first alpinists were considered mad, and skiers were a curiosity. Through photochromes, photographs, and color postcards of the 19th and 20th centuries, through travel posters and tourist brochures, we cross passes such as the Mont-Cenis, Simplon, Brenner, and St. Gotthard; climb Mont Blanc, the Eiger, the Wetterhorn, and the Dolomites; marvel at crystal-clear lakes in Switzerland, Italy, Bavaria, and Slovenia; explore Tyrol, the Via Mala, and the Engadin; and spend the winter season at grand hotels in Gstaad, Grindelwald, Davos, St. Moritz, and Cortina. This is a journey dotted with literary quotes by travel writers that evokes these happy days of pristine snow and untouched slopes!

One of the most creative minds of the 20th century, Walt Disney created a unique and unrivaled imaginative universe. Like scarcely any other classics of cinema, his astonishing collection of animated cartoons revolutionized storytelling on screen and enchant to this day across geographies and generations. In TASCHEN's first volume of one of the most expansive illustrated publications on Disney animation, some 1,500 images and essays by eminent Disney experts take us to the beating heart of the studio's "Golden Age of Animation." This landmark book traces Disney's complete animation journey from the silent film era, through his first full-length feature Snow White and the Seven Dwarfs (1937) and the pioneering artistic experiment Fantasia (1940), right up to his last masterpieces Winnie the Pooh and the Honey Tree (1966) and The Jungle Book (1967). With extensive research conducted through the historical collections of the Walt Disney Company, as well as private collections, editor Daniel Kothenschulte curates some of the most precious concept paintings and storyboards to reveal just how these animation masterpieces came to life. Masterful cel setups provide highly detailed illustrations of famous film scenes while rare pictures taken by Disney photographers and excerpts from story conferences between Walt and his staff bring a privileged insider's view to the studio's creative process. Each of the major animated features that were made during Walt's lifetime-including Pinocchio, Fantasia, Dumbo, Bambi, Cinderella, Peter Pan, Lady and the Tramp, and One Hundred and One Dalmatians-are given their own focus chapter, without forgetting less familiar gems such as the experimental short films of the Silly Symphonies series and underappreciated episodic musical films such as Make Mine Music and Melody Time, all of which receive the same meticulous research and attention. Many unfinished projects, among them the proposed sequels to the legendary musical Fantasia or a homage to Davy Crockett by painter Thomas Hart Benton, are also highlighted with rarely seen artworks, many of them previously unpublished. Throughout, contributions from leading Disney specialists detail the evolution of each respective film. Realizing the Disney style was a collective project and, as much as the master himself, The Walt Disney Film Archives acknowledges the outstanding animators and designers who influenced the style of the studio, among them Albert Hurter, Gustaf Tenggren, Kay Nielsen, Carl Barks, Mary Blair, Sylvia Holland, Tyrus Wong, Ken Anderson, Eyvind Earle, and Walt Peregoy. Copyright (c) 2021 by Disney Enterprises, Inc.

At the turn of the 20th century, the American photographer Edward Sheriff Curtis (1868-1952) started on his 30-year project to produce a monumental study of North American Indians. Using an approach that was both artistically and scientifically ambitious, he recorded, in words and pictures, the traces of the traditional Indian way of life that was already beginning to die out. With tireless personal commitment Curtis visited 80 American Indian tribes from the Mexican border to the Bering Strait, gaining their confidence through his patience and sensitivity. His work was printed in 20 volumes between 1907 and 1930 as The North American Indian, but with only 272 copies, originals became extremely rare. This book gathers Curtis's entire American Indian portfolio into one publication, offering renewed access to and appreciation of his extraordinary achievement, which is as much a precious historical document as a triumph of the photographic form. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Celebrated around the world as a literary monument, The Divine Comedy, completed in 1321 and written by Dante Alighieri (1265-1321), is widely considered the greatest work ever composed in the Italian language. The epic poem describes Dante's journey through Hell, Purgatory, and Heaven, representing, on a deeper level, the soul's path towards salvation. In the last few years of his life, Romantic poet and artist William Blake (1757-1827) produced 102 illustrations for Dante's masterwork, from pencil sketches to finished watercolors. Like Dante's sweeping poem, Blake's drawings range from scenes of infernal suffering to celestial light, from horrifying human disfigurement to the perfection of physical form. While faithful to the text, Blake also brought his own perspective to some of Dante's central themes. Today, Blake's illustrations, left in various stages of completion at the time of his death, are dispersed among seven different institutions. This TASCHEN edition brings these works together again, alongside key excerpts from Dante's masterpiece. Two introductory essays consider Dante and Blake, as well as other major artists who have been inspired by The Divine Comedy, including Sandro Botticelli, Michelangelo, Eugene Delacroix, Gustave Dore, and Auguste Rodin. With an intimate reading of Blake's illustrations, and many close-ups to allow the most delicate of details to dazzle, this is a breathtaking encounter with two of the finest artistic talents in history, as well as with such universal themes as love, guilt, punishment, revenge, and redemption.

Our Fair Lady: The many facets of Hepburn's beauty, on and off set. In his distinguished career as a Hollywood photographer, Bob Willoughby took iconic photos of Marilyn Monroe, Elizabeth Taylor and Jane Fonda, but remains unequivocal about his favorite subject: Audrey Kathleen Ruston, later Edda van Heemstra Hepburn-Ruston, best known as Audrey Hepburn. Willoughby was called in to shoot the new starlet one morning shortly after she arrived in Hollywood in 1953. It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. She took my hand like...well a princess, and dazzled me with that smile that God designed to melt mortal men s hearts, he recalled. As Hepburn s career soared following her Oscar-winning US debut in Roman Holiday, Willoughby became a trusted friend, framing her working and home life. His historic, perfectionist, tender photographs seek out the many facets of Hepburn s beauty and elegance, as she progresses from her debut to her career high of My Fair Lady in 1963. Willoughby s studies, showing her on set, preparing for a scene, interacting with actors and directors, and returning to her private life, comprise one of photography s great platonic love affairs and an unrivalled record of one of the 20th century s touchstone beauties."

From men in bowler hats, floating in the sky, to a painting of a pipe above the caption "this is not a pipe", Rene Magritte (1898-1967) created an echo chamber of object and image, name and thing, reality and representation. Like other Surrealist works, Magritte's paintings combine a precise, mimetic technique with abnormal, alienating configurations which defy the laws of scale, logic, and science: a comb the size of a wardrobe, rocks that float in the sky, clouds that drift through an open door. The result is a direct yet disorientating realm, often witty, often unsettling, and always prompting us to look beyond the visible, to "what is hidden by what we see." This introductory book explores Magritte's vast repertoire of visual humor, paradox, and surprise which to this day makes us look and look again, not only at the painting, but at our sense of self and the world. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

As cryptic as they are compelling, the masterpieces of Hieronymus Bosch (c. 1450-1516) remain some of the most enduring enigmas of the art world. Their intricate, allegorical, and often startling content has captivated not only art historians, but also fashion designers, rock stars, writers, and punk rockers, as well as countless modern and contemporary artist successors. Although rooted in the Old Netherlandish tradition, Bosch developed a highly subjective, richly suggestive style to render both the celestial bliss of heaven and the grotesque tortures of hell, most famously and meticulously excecuted in The Garden of Earthly Delights. Here, as in his other known works, his artistic language combined religious humility with a razor-sharp wit, often playing off pictorial versions of contemporary proverbs or figures of speech. This book ties together the elusive threads of Bosch's oeuvre to provide a concise introduction to an at once haunting and enthralling pictorial world. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

With his geometric structures perched upon the hillsides, beaches, and deserts of California, John Lautner (1911-1994) was behind some of the most striking and innovative architectural designs in mid-20th-century America. This introductory book brings together the most important of Lautner's projects to explore his his ingenious use of modern building materials and his bold stylistic repertoire of sweeping rooflines, glass-paneled walls, and steel beams. From commercial buildings to such iconic homes as the Chemosphere, we look at Lautner's sensitivity to a building's surroundings and his unique capacity to integrate structures into the Californian landscape. With several of Lautner's houses now labeled Los Angeles Historic-Cultural Monuments, we'll also consider the architect's cultural legacy, as much as his pioneering of a visual paradigm of 1950s optimism, economic growth, and space-age adventure. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Offering an unrivaled record of architecture and design, the “living diary� of domus was founded by Gio Ponti in 1928. Through the years and decades that followed, the journal charted the major themes and movements of industrial, interior, product, and structural design with an eye for creative excellence as much as editorial rigor. This fresh reprint features domus’ coverage from the transformative years between 1928 and 1939. It is an era famed for the emergence of the International Style when the likes of Le Corbusier, Mies van der Rohe, Marcel Breuer, Alvar Aalto, and Richard Neutra channeled modernist ideals into rectilinear forms, restrained surfaces, and open, luminous interiors. The domus coverage of this decisive decade spanned the details and the grand designs. From soaring steel skyscrapers to tubular furniture, its coverage is a definitive record of how light, form, and pared-down aesthetics combined in the pursuit of an honest and utilitarian form for the modern and rapidly industrializing age. domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers’ and manufacturers’ names

"The deeper the white man went into Africa, the faster the life flowed out of it, off the plains and out of the bush...vanishing in acres of trophies and hides and carcasses." - Peter Beard A landmark publication on Africa, The End of the Game combines Peter Beard's salient text and remarkable photographs to document the overpopulation and starvation of tens of thousands of elephants, rhinos, and hippos in Kenya's Tsavo lowlands and Uganda parklands in the 1960s and '70s. Researched and compiled over two decades, and updated several times since with new material, this is Beard's essential book-a powerful and poignant testimony to the damage done by human intervention in Africa. His own images and writings are supplemented by historical photographs of, and quotations from, the enterprisers, explorers, missionaries, and big-game hunters whose quest for adventure and "progress" were to change the face of a continent: Theodore Roosevelt, Frederick Courteney Selous, Karen Blixen (Isak Dinesen), Philip Percival, J. A. Hunter, Ernest Hemingway, and J. H. Patterson. This new edition includes an interview with conservationist Dr. Esmond Bradley Martin, as well as essays from previous editions by renowned writer Paul Theroux and ecologist Dr. Richard M. Laws, and contributions to the afterword by agronomist Dr. Norman Borlaug. Touching on such themes as distance from nature, density and stress, and loss of common sense, this seminal portrait is as resonant today, amid growing environmental crises, as it was a half century ago.