This book explores the significance of the now-lost pavilion built in the Buckingham Palace Gardens in the time of Queen Victoria for understanding experiments in British art and architecture at the outset of the Victorian era. It introduces the curious history of the garden pavilion, its experimental contents, the controversies of its critical reception, and how it has been digitally remediated. The chapters discuss how the pavilion, decorated with frescos and encaustics by some of the most prominent painters of the mid-nineteenth century, became the center of a national conversation about an identity for British art, the capacity of its artists, and the quality of Royal and public taste. Beyond an examination of the pavilion's history, this book also introduces a digital model which restores the pavilion to virtual life, underscoring the importance of the pavilion for Victorian aesthetics and culture.

Grab a highlighter and prepare your heart for The Great Jewish Mystery. The time has come to expose friends, family, and particularly our children to this mystery, which will eventually impact the world. The Middle East receives global coverage daily, yet this mysterious topic is never discussed. Worldwide conspiracies now exist to deny efforts that will uncover this mystery. Therefore, the three major religions?Judaism, Christianity, and Islam?can no longer sit on the sidelines and avoid tough questions from this book.

In addition, this Jewish mystery briefly combats the fallacies of The Da Vinci Code by Dan Brown. Brown clearly attacked what the Jews consider sacred and made erroneous claims about the Dead Sea Scrolls. This book seeks to encourage millions not to be intimidated by man-made traditions or spiritual challenges. Finally, this book is a phenomenal quick reference guide to the best-kept Middle East secret. Come, let us reason together

Urban Environments and Health in the Philippines offers a retrospective view of women street vendors and their urban environments in Baguio City, designed by American architect and planner Daniel Burnham in the early twentieth century, and established by the American imperial government as a place for healing and well-being. Based on a transdisciplinary multi-method study of street vendors, the author offers a unique perspective as a researcher of the place, to ultimately ask how marginalized women authenticate and democratize prime urban spaces for their livelihoods. This book provides a portal to another way of seeing and understanding streets and people, covering spatial units at multiple scales, design imperialism and its impact on health, and resilience strategies for challenging realities. Blending subjects of architecture, planning, and health, this book is an ideal read for those interested in fields of urban planning and design, public health, landscape architecture, geography, and social sciences.

For Christopher Day, architecture isn't just about the appearance of buildings but how they're experienced as places to be in. Occupants' experience can differ radically from designers' intentions as their concerns and thinking differ. Additionally, multi-sensory ambience, spatial sequential experience and embodied spirit resonate in the human soul. Sustainable design means much more than energy-efficiency: if sustainable buildings don't also nourish the soul, occupant-building interaction will lack care and eco-technologies won't be used efficiently. This major revision of his classic text builds on more than forty years of experience ecological design across a range of climates, cultures and budgets, and 25 years hands-on building. Treating buildings as environments intrinsic to their surroundings, the book explores consensus design, economic and social sustainability, and how a listening approach can grow architectural ideas organically from the interacting, sometimes conflicting, requirements of place, people and situation. This third edition, comprehensively revised to incorporate new knowledge and address new issues, continues Day's departure from orthodox contemporary architecture, offering eye-opening insights and practical design applications. These principles and guidelines will be of interest and value to architects, builders, planners, developers and homeowners alike. Reviews of the first edition ... one of the seminal architecture books of recent times Professor Tom Wooley, Architects Journal The 'bible' of many architects and those interested in architecture. Centre for Alternative Technology ... an inspiration to all those who care about the influence of the environment on Man's health and well-being. Barrie May, The Scientific and Medical Network At last an architect has written a sensitive and caring book on the effects of buildings on all our lives. Here's Health This gentle book offers a route out of the nightmare of so much callous modern construction. I was inspired. Colin Amery, The Financial Times

This pivot sets Muslim shrines within the wider context of Heritage Studies in the Muslim world and considers their role in the articulation of sacred landscapes, their function as sites of cultural memory and their links to different religious traditions. Reviewing the historiography of Muslim shrines paying attention to the different ways these places have been studied, through anthropology, archaeology, history, and religious studies, the text discusses the historical and archaeological evidence for the development of shrines in the region from pre-Islamic times up to the present day. It also assesses the significance of Muslim shrines in the modern Middle East, focusing on the diverse range of opinions and treatments from veneration to destruction, and argues that shrines have a unique social function as a means of direct contact with the past in a region where changing political configurations have often distorted conventional historical narratives.

This book presents a selection of the best papers from the HEaRT 2013 conference, held in Cosenza, Italy, which provided a valuable forum for engineers and architects, researchers and educators to exchange views and findings concerning the technological history, construction features and seismic behavior of historical timber-framed walls in the Mediterranean countries. The topics covered are wide ranging and include historical aspects and examples of the use of timber-framed construction systems in response to earthquakes, such as the gaiola system in Portugal and the Bourbon system in southern Italy; interpretation of the response of timber-framed walls to seismic actions based on calculations and experimental tests; assessment of the effectiveness of repair and strengthening techniques, e.g., using aramid fiber wires or sheets; and modelling analyses. In addition, on the basis of case studies, a methodology is presented that is applicable to diagnosis, strengthening and improvement of seismic performance and is compatible with modern theoretical principles and conservation criteria. It is hoped that, by contributing to the knowledge of this construction technique, the book will help to promote conservation of this important component of Europe's architectural heritage.

The "active image" refers to the operative nature of images, thus capturing the vast array of "actions" that images perform. This volume features essays that present a new approach to image theory. It explores the many ways images become active in architecture and engineering design processes and how, in the age of computer-based modeling, images play an indispensable role. The contributors examine different types of images, be they pictures, sketches, renderings, maps, plans, and photographs; be they analog or digital, planar or three-dimensional, ephemeral, realistic or imaginary. Their essays investigate how images serve as means of representing, as tools for thinking and reasoning, as ways of imagining the inexistent, as means of communicating and conveying information and how images may also perform functions and have an agency in their own. The essays discuss the role of images from the perspective of philosophy, theory and history of architecture, history of science, media theory, cognitive sciences, design studies, and visual studies, offering a multidisciplinary approach to imagery and showing the various methodologies and interpretations in current research. In addition, they offer valuable insight to better understand how images operate and function in the arts and sciences in general.

The concept of conserving heritage for future generations is not a new idea. However, with recent digital advances, this task can be done much more efficiently and cultural properties can be better preserved for future populations. Digital Innovations in Architectural Heritage Conservation: Emerging Research and Opportunities highlights the most innovative trends in electronic preservation techniques. Featuring extensive coverage on relevant topics such as cultural complexities, participative heritage, architectural backgrounds, and virtual reconstruction, this is an ideal publication for all academicians, graduate students, engineers, and researchers interested in expanding their knowledge on current heritage conservation systems and practices.

Soon after 1900 in both North America and Europe the evolution from the tradition of Mediterranean and Gallic architectural styles to modernism began. This phenomenon was due, in part, to American industrial architecture and the work of Frank Lloyd Wright. Wright's building and architectural treatises of 1898-1908, with the additional help of Dutch propaganda on his behalf, significantly influenced European practitioners and theorists. European architecture within and outside of Holland reflects an adaptation of Wright's theories along with the structural determinism of American industrial buildings. With new evidence and fresh analysis culled from Dutch and American archives, personal correspondence, and professional material, this study examines the weight of Wright's works and words and those of the Dutchmen H.P. Berlage, Theo van Doesburg, Jan Wils, J.J.P. Oud, William Dudok, and Hendrik Theodor Wijdeveld.

This new insight on the effects of Wright's architectural theories and designs, coupled with an extensive guide for further research, will attract art and architecture scholars and historians on both sides of the Atlantic and will also be of interest to social historians, artists, and architects. Events and new theories, including the assertion that Hendrik Theodor Wijdeveld was the catalytic source behind Wright's Taliesin Fellowship established in 1932, are presented in clear accessible language. Tied to the text are numerous visual presentations of significant designs and buildings.

Providing the most comprehensive source available, this book surveys the state of the art in artificial intelligence (AI) as it relates to architecture. This book is organized in four parts: theoretical foundations, tools and techniques, AI in research, and AI in architectural practice. It provides a framework for the issues surrounding AI and offers a variety of perspectives. It contains 24 consistently illustrated contributions examining seminal work on AI from around the world, including the United States, Europe, and Asia. It articulates current theoretical and practical methods, offers critical views on tools and techniques, and suggests future directions for meaningful uses of AI technology. Architects and educators who are concerned with the advent of AI and its ramifications for the design industry will find this book an essential reference.

This timely collection of essays by leading international scholars across religious studies and the environmental humanities advances a lively discussion on materialism in its many forms. While there is little agreement on what ‘materialism’ means, it is evident that there is a resurgence in thinking about matter in more animated and active ways. The volume explores how debates concerning the new materialisms impinge on religious traditions and the extent to which religions, with their material culture and beliefs in the Divine within the material, can make a creative contribution to debates about ecological materialisms. Spanning a broad range of themes, including politics, architecture, hermeneutics, literature and religion, the book brings together a series of discussions on materialism in the context of diverse methodologies and approaches. The volume investigates a range of issues including space and place, hierarchy and relationality, the relationship between nature and society, human and other agencies, and worldviews and cultural values. Drawing on literary and critical theory, and queer, philosophical, theological and social theoretical approaches, this ground-breaking book will make an important contribution to the environmental humanities. It will be a key read for postgraduate students, researchers and scholars in religious studies, cultural anthropology, literary studies, philosophy and environmental studies.

The "organic" is by now a venerable concept within aesthetics, architecture, and art history, but what might such a term mean within the spatialities and temporalities of film? By way of an answer, this concise and innovative study locates organicity in the work of Bela Tarr, the renowned Hungarian filmmaker and pioneer of the "slow cinema" movement. Through a wholly original analysis of the long take and other signature features of Tarr's work, author Thorsten Botz-Bornstein establishes compelling links between the seemingly remote spheres of film and architecture, revealing shared organic principles that emphasize the transcendence of boundaries.

This stunning revised and updated edition takes you on a thrilling tour through the fascinating, eclectic and stylish abodes of some of the world's best-known architects. Not only do these pages offer a rare glimpse into each architect's personal, private environment, but each uniquely designed project provides insight into how each architect marries trends with their own personal philosophy, and how they inject interior design flair into their own contemporary domain. Combining rich photography and spectacular imagery with an incisive summary by a leading architecture specialist, Architects at Home provides a rich source for those keen to delve into the design aesthetics, concepts and innovations of prominent architects from around the globe.

Architecture is expected to be solid, stable and reassuring-physically, socially and psychologically. Bound to each other, the architectural and the material are considered inseparable.
Jonathan Hill, architect and architectural historian, argues that the immaterial is as important to architecture as the material and has as long a history and so "Immaterial Architecture" explores the often conflicting forces that draw architecture towards either the material or the immaterial. The book discusses the pressures on architecture and the architectural profession to respectively be solid matter and solid practice, and considers concepts that align architecture with the immaterial, such as the superiority of ideas over matter, command of drawing, and design of spaces and surfaces.
Focusing on immaterial architecture as the perceived absence of matter more than the actual absence of matter, Hill devises new means to explore the creativity of the user and the architect. Users decide whether architecture is immaterial, but architects, and any other architectural producers, create material conditions in which that decision can be made. "Immaterial Architecture" advocates an architecture that fuses the immaterial and the material, and considers its consequences, challenging preconceptions about architecture, its practice, purpose, matter and use.

When Seon (Zen) Buddhism was first introduced to Korea around Korea's late Silla and early Goryeo eras, the function of the "beopdang" (Dharma hall) was transfused to the lecture hall found in ancient Buddhist temples, establishing a pivotal area within the temple compound called the "upper monastic area." By exploring the structural formation and dissolution of the upper monastic area, the author shows how Korea established its own distinctive Seon temples, unlike those of China and Japan, in the course of assimilating a newly-introduced foreign culture as its own. To accomplish this, the author analyzed the inscriptions on stone monuments which recorded the lives of eminent monks and also numerous excavated temple ruins. These analyses give us a new perspective on the evolution of the upper monastic area, which had the beopdang as its center, at a time when early Seon temples were being established under very adverse and unstable circumstances. The exploration of the spatial organization and layout of Korean Seon temple architecture has illuminated the continuity between Korean Buddhist temples of both the ancient and medieval eras.

In this book Egyptian Archeology and Mathematics meet. The author is an expert in theories and applications in Solid Mechanics and Inverse Problems, a former professor at Ecole Polytechnique and now works with Electricite de France on maintenance operations on nuclear power plants. In the Autumn of 1986, after the end of the operation on the King's chamber conducted under the Technological and Scientific Sponsorship of EDF, to locate a cavity, he was called to solve a mathematical inverse problem, to find the unknown tomb of the King and the density structure of the whole pyramid based on measurements of microgravity made inside and outside of the pyramid. This book recounts the various search operations on the pyramid of Cheops made at the request of the Egyptian and French authorities in 1986-1987. After the premature end of the Cheops operation in the Autumn of 1986, following the fiasco of unsuccessful drillings in the area suspected by both architects G. Dormion and J.P. Goidin and microgravity auscultation, EDF and CPGF (a geophysical company) teams continued their researches with measurements already made, trying this time an inversion of the Newton gravity equation for the entire pyramid and using another theoretical team led by the author. The inverse problem solution confirmed the results of auscultations, but found no cavity. However, the image of the average density at the surface of the entire pyramid forms a sort of square "spiral" probably related to the construction method. In 2000, Jean-Pierre Houdin considered the author's results of 1988 as a confirmation of his theory of the internal ramp tunnel. Since then the author has done additional research and found that classical theories of the construction based on degrees and the particular mode of stones filling can also report the same densitogram. The book is richly illustrated with color figures. It is dotted with information concerning Physics, Mechanics and the History of Egyptian Antiquities. The book ends with the greatest mystery of the pyramid about the unknown tomb of the King and a dream to see the tomb at an unexpected place.

Every age and every culture has relied on the incorporation of mathematics in their works of architecture to imbue the built environment with meaning and order. Mathematics is also central to the production of architecture, to its methods of measurement, fabrication and analysis. This two-volume edited collection presents a detailed portrait of the ways in which two seemingly different disciplines are interconnected. Over almost 100 chapters it illustrates and examines the relationship between architecture and mathematics. Contributors of these chapters come from a wide range of disciplines and backgrounds: architects, mathematicians, historians, theoreticians, scientists and educators. Through this work, architecture may be seen and understood in a new light, by professionals as well as non-professionals.

Volume II covers architecture from the Late Renaissance era, through Baroque, Ottoman, Enlightenment, Modern and contemporary styles and approaches. Key figures covered in this volume include Palladio, Michelangelo, Borromini, Sinan, Wren, Wright, Le Corbusier, Breuer, Niemeyer and Kahn. Mathematical themes which are considered include linear algebra, tiling and fractals and the geographic span of the volume s content includes works in the United States of America and Australia, in addition to those in Europe and Asia."

This book is the first overall and detailed discussion of contemporary Asia's architectural theorisations and phenomena based on its heteroglossic and decolonisation character. Lin presents a theoretical journey of transdisciplinary reflection upon contemporary Asia's pragmatic phenomena which is methodologically achieved by means of elaborations of how tangible Asian architecture can be philosophically theorised and how interchangeable architectural theory is practically 'Asianised'. Discussions in the book are critically integrated with comparative studies focused on Japan, Taiwan, China, Hong Kong, Singapore, Malaysia, Australia, New Zealand and the UK. These empirical examinations are highlights of phenomenal localities, architecture, cities and cultures which reference the historicity of the Asia Pacific, Asia's contemporary architectural situations, and their subtle relationship with the 'West'. The schematisation of intended 'fuzziness' for Asia and its architecture is framed as the notion polychronotypic jetztzeit to represent a present time-place context of contemporary Asian architecture and urbanism. This book will be of great interest to scholars of Asian Studies, Architectural Studies, Postcolonial Studies, Urban Studies and Cultural Studies.

na broad sense Design Science is the grammar of a language of images Irather than of words. Modern communication techniques enable us to transmit and reconstitute images without needing to know a specific verbal sequence language such as the Morse code or Hungarian. International traffic signs use international image symbols which are not specific to any particular verbal language. An image language differs from a verbal one in that the latter uses a linear string of symbols, whereas the former is multi dimensional. Architectural renderings commonly show projections onto three mutual ly perpendicular planes, or consist of cross sections at different altitudes capa ble of being stacked and representing different floor plans. Such renderings make it difficult to imagine buildings comprising ramps and other features which disguise the separation between floors, and consequently limit the cre ative process of the architect. Analogously, we tend to analyze natural struc tures as if nature had used similar stacked renderings, rather than, for instance, a system of packed spheres, with the result that we fail to perceive the system of organization determining the form of such structures. Perception is a complex process. Our senses record; they are analogous to audio or video devices. We cannot, however, claim that such devices perceive."