Addressing the collection, representation and exhibition of architecture and the built environment, this book explores current practices, historical precedents, theoretical issues and future possibilities arising from the meeting of a curatorial a ~subjecta (TM) and an architectural a ~objecta (TM).

Striking a balance between theoretical investigations and case studies, the chapters cover a broad methodological as well as thematic range. Examining the influential role of architectural exhibitions, the contributors also look at curatorship as an emerging attitude towards the investigation and interpretation of the city. International in scope, this collection investigates curation, architecture and the city across the world, opening up new possibilities for exploring the urban fabric.

The only text available that can be used as a productive introduction and framework for teaching, learning about and researching home. Written in a manner that is well received and accessible to undergraduates, yet also contains sophisticated ideas for researchers. New edition will retain and further develop its core argument about a critical geography of home It will significantly update the references, examples, research boxes and illustrations in each chapter, critically engaging with the wide cross-disciplinary range of research in this field since its publication. The second edition will address existing and new themes in greater depth, including home and temporality, the 'un-making' of home, home beyond the West, and home and religion. It will also include a new chapter on 'Home and the city,' New research boxes throughout the book will highlight recent and ongoing doctoral and postdoctoral research on home. A new cover image will better reflect the book's content and make it clear that it is a second edition.

The focal main objective of the book is to constitute a meaningful linkage among research problems, geoinformation methods and corresponding applications. The research goals, related both to theoretical and practical issues, derive from multidisciplinary fields such as archaeology, history, geography, landscape planning, environment, geoinformation science, geology and geomorphology. All the aforementioned scientific areas have the spatial dimension in common, i.e. the vast amount of spatially referenced data. Their research issues can be addressed and analysed with geoinformation technology; though, the researchers should get familiar to the range of available geoinformation methods. The book provides description of a variety of research problems issues and technological ?solutions?approaches that can be used to support processes of data capturing, mapping and analysis. These techniques and concepts are illustrated on numerous practical examples. along with specific examples, where these have been applied. The current structure of the book includes the following four chapters: introduction, data capturing and mapping, analysis and modelling, and study cases. In the following we provide a more detailed content of each chapter listing the main topics included within the selected articles.

"Sources of Architectural Form" provides a critical history of Western architecture theory from the ancient world to the present day. It focuses on design theory's central question: how does the architect generate architectural form? Theorists necessarily tackle this fundamental question in order to explain a number of puzzling issues including the origins of style, the persistence of tradition and the role of genius.
This book describes the major design theories in eight chronological periods, conveying their flavour with contemporary quotations. Each theory is analysed for its strengths and weaknesses. Gelernter identifies an important relationship between theories of design and theories of knowledge, and so explains and analyses each period's dominant epistemological concepts. Contemporary theorists of education are also examined, as many theorists from Vitruvius to Gropius included precepts for teaching as integral components of their ideas.

* International experts in the field explore the relationship of building design to the urban setting* Enables building professionals to adopt environmental design strategies in their daily work* Designed as an academic module that can satisfy postgraduate certificate requirements and is suitable for distance learning* Includes a free CD-ROMThe importance of an integrated approach in urban design is becoming increasingly apparent. This book explains how to overcome related challenges in environmental design of urban buildings and offers guidance on the use of new materials and techniques and the integration of new philosophies.Supported by the European Commission 's SAVE 13 programme, the book includes contributions from experts at the National and Kapodistrian University of Athens, Greece, the Hellenic Open University, Greece, Cambridge Architectural Research and REHVA/University of Ljubljana.

In this invaluable and thought-provoking book, Vladimir Belogolovsky reflects on nearly 20 years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito, Glenn Murcutt, Renzo Piano, Moshe Safdie, Ric Scofido, Richard Serra, Frank Stella, Michael Sorkin, Stanley Tigerman, Bernard Tschumi, Lin Utzon, Massimo Vignelli, Madelon Vriesendorp, and so many others. He exposes the complexity of their thought processes, while comparing and contrasting them to one another to distill more than 101 ideas. His engaging narrative captures the stories behind every project and every personality while exploring many important questions, including what makes a building architecture? How would a Futurist solve problems vs those whose focus is on nostalgia? The selection of interviews gathers many answers and intentions, but inevitably, also many more questions. Imagine Buildings Floating Like Clouds represents a diverse group of multitalented, creative people who work in disparate places culturally and climatically and came of age in very different times-from the revolutionary 1960s to our own time, when the future, for many, is being more feared than desired.

Architecture is expected to be solid, stable and reassuring-physically, socially and psychologically. Bound to each other, the architectural and the material are considered inseparable.
Jonathan Hill, architect and architectural historian, argues that the immaterial is as important to architecture as the material and has as long a history and so "Immaterial Architecture" explores the often conflicting forces that draw architecture towards either the material or the immaterial. The book discusses the pressures on architecture and the architectural profession to respectively be solid matter and solid practice, and considers concepts that align architecture with the immaterial, such as the superiority of ideas over matter, command of drawing, and design of spaces and surfaces.
Focusing on immaterial architecture as the perceived absence of matter more than the actual absence of matter, Hill devises new means to explore the creativity of the user and the architect. Users decide whether architecture is immaterial, but architects, and any other architectural producers, create material conditions in which that decision can be made. "Immaterial Architecture" advocates an architecture that fuses the immaterial and the material, and considers its consequences, challenging preconceptions about architecture, its practice, purpose, matter and use.

This book looks at causative reasons behind creative acts and stylistic expressions. It explores how creativity is initiated by design cognition and explains relationships between style and creativity. The book establishes a new cognitive theory of style and creativity in design and provides designers with insights into their own cognitive processes and styles of thinking, supporting a better understanding of the qualities present in their own design. An explanation of the nature of design cognition begins this work, with a look at how design knowledge is formulated, developed, structured and utilized, and how this utilization triggers style and creativity. The author goes on to review historical studies of style, considering a series of psychological experiments relating to the operational definition, degree, measurement, and creation of style. The work conceptually summarizes the recognition of individual style in products, as well as the creation of such styles as a process before reviewing studies on creativity from various disciplines, presenting case studies and reviewing works by master architects. Readers will discover how creativity is initiated by design cognition. A summary of the correlations between creativity and style, expressed as a conceptual formula describing the cognitive phenomenon of style and creativity concludes the work. The ideas presented here are applicable to all design fields, allowing designers to comprehend and improve their design processes to produce creative, stylistically unique products.

Provocative, timely and extensive in scope, Architecture and its Ethical Dilemmas examines the changing role of architects and the particular professional dilemmas they face.
Architects and designers are constantly confronted by these ethical issues ranging from professional issues to more philosophical questions. Should architects spend some of their clients' money on features that would improve buildings even if they're not necessary or part of the clients' design brief? Who is architecture for? As the products of the architect's work are often in the public domain and reflect society's values, are architects too merely servants of society? What place does the professional architect-client relationship have in the 21st century? Can aesthetics be disassociated from ethics in a visual medium?
A cast of leading writers and practitioners tackle these questions from a range of perspectives across architecture, the building and design industries, social theory and philosophy to contribute to the growing literature in the sociology of the professions.

A participative approach to architecture challenges many of the normative values of traditional architecture and, in particular, issues of authorship, control, aesthetics and the role of the user. The book explores how a participative approach may lead to new spatial conditions, as well as to new types of architectural practices and investigates the way that the user has been included in the design process. Where many architectural books concentrate on formal or aesthetic issues, this book explicitly opens up the social and political aspects of our built environment, and the way that the eventual users may shape it. As government policies throughout the world call for more involvement by people in the making of their environment, the issue of participation has become of central concern to architects, clients, funders, users and government officers. However, participation often remains as a token gesture; this book promises to make a major contribution to the field by arguing for a more considered approach to architectural participation. Architecture and Participation brings together leading international practitioners and theorists in the field, ranging from the 1960s pioneers of p

This comprehensive guide to the planning and design of airport terminals and their facilities covers all types of airport terminal found around the world and highlights the environmental and technical issues that the designer has to address. Contemporary examples are critically reviewed through a series of case studies. This new edition covers the most recent examples of high quality, technically advanced designs from the Far East, Europe and North America.
This book will be a source of inspiration and guiding principles for those who design, commission or manage airport buildings.

Researching urban space and the built environment is an accessible guide for historians keen to explore the spatial dimensions of the past. Written in a clear and lively style, it equips readers with the tools to effectively plan, research and write innovative spatial histories. By outlining and summarizing the theories and methodologies particularly pertinent to spatial research, and by providing hands-on advice on locating evidence and archives, the book supports researchers in the development of their own original projects. Through engagement with a rich array of primary evidence and useful historiographical case-studies, the guide opens up a huge variety of research possibilities. This book is the ideal research companion for undergraduate and postgraduate students, as well as independent researchers. It is especially tailored for students in history and related disciplines in the humanities encountering spatial themes and methodologies for the first time. -- .

Consensus Design offers a practical step by step guide to co-design; an increasingly important consideration for architects as they compete for work.
The text moves from identifying the methodology of the process to developing a series of principles and practical steps which illustrate how consensus design can be established.
For easy reference, flow charts show the process of achieving consensus design and include variations for different types of project and different groups of people. It gives clear timings so that agreements can be reached within a specific time frame, and also features a number of case studies to illustrate consensus design principles in practice. Case studies include projects in the UK, US, and Sweden.

Consensus design isn't just a utopian ideal. It's the only meaningful way in which people can be involved in shaping where they live and work. It can have an influence on social stability, crime-reduction, personal health and building longevity, all of which in turn have monetary and environmental cost implications. Its consideration can also greatly help architects win work and commissions.
Day argues that when places are designed by professionals for people, many things obvious to the residents are overlooked. When they are designed by lay people, the design can suffer from the lowest common denominator factor. When places are designed by both it tends to end up in conflict. However, Consensus Design shows that co-design is not doomed to either conflict or banality if it is managed correctly.
* An accessible guide that offers practical advice for implementing consensus design
* Learn how to carry out 'inclusive design' and gain the edgeover the competition when bidding for work
* Illustrations of an international range of case studies demonstrate how consensus projects evolve in practice

Emerging Practices in Architectural Pedagogy explores the emergent techniques in architectural education that are helping to bridge the gap between the institutional setting and working practice. It demonstrates how teaching and learning can, and should, be directed towards tackling the real-world problems that students will encounter within their professional careers. Architectural and design practitioners are becoming less specialised, they are embracing cross-disciplinary connections and practical problem-solving. Architecture and design schools must align their teaching to reflect this changing world, and evolve from a fact-based acquisition process to a participatory method of learning. This book uses an extended case-study format to examine large-scale issues. Each chapter represents a specific mode of practice, which is linked to the wider debate on architectural and design pedagogy; this includes collaborative workshops and interventions, issues connected to sustainability and climate change, responses to rapid urbanisation, and, the creation of collaborative relationships across disciplines. The book has an international perspective, with contributions from the United Kingdom, United States of America, and Singapore, and includes a timely discussion on teaching in a remote climate. This book will be an invaluable resource for engaged academics and teaching practitioners interested in playing a key role in the future development of the architectural profession.

Architecture's relationship with its representations is peculiar, powerful and critical. Though driven by belief in the characteristics of physical reality, architecture is identified, discussed, and explained almost entirely through representations. Indeed, the representations are often described as though they were architecture itself. The status of the imaginary project, and the shifts in media technology which affect how we make and see architecture, are part of a construct of media representations, including photographs, exhibitions, journalism, books, critical theory, by which we define what is architecture.

This is Not Architecture assembles architectural writers of different kinds - historians, theorists, journalists, computer game designers, technologists, film-makers and architects - to discuss the characteristics, cultures, limitations and bias of the different kinds of media, and to build up an argument as to how this complex culture of representations is constructed.

Artists' Impressions in Architectural Design analyses the ways in which architects have presented their designs for clients and the public, both historically and contemporarily. It spans a period from the fifteenth to the twenty-first century.
Architects have become familiar with change. The passage of time has brought with it new and revived styles of architecture, as well as innovative tools and techniques for their representation. The result is that while some methods show a view of the architect's concept for a building, others offer an almost real experience of the intended architecture. This book provides a rare and valuable study in which the exciting technological developments of today are placed in context with the rich heritage of the past. It offers an opportunity to learn how architects have chosen to represent their ideas. The authors dare to glimpse into the future and hopefully offer some reassurance for tomorrow.

Artists' Impressions in Architectural Design analyses the ways in which architects have presented their designs for clients and the public, both historically and contemporarily. It spans a period from the fifteenth to the twenty-first century.
Architects have become familiar with change. The passage of time has brought with it new and revived styles of architecture, as well as innovative tools and techniques for their representation. The result is that while some methods show a view of the architect's concept for a building, others offer an almost real experience of the intended architecture. This book provides a rare and valuable study i which the exciting technological developments of today are placed in context with the rich heritage of the past. It offers an opportunity to learn how architects have chosen to represent their ideas. The authors dare to gllimpse into the future, and hopefully offer some reassurance for the architects of tomorrow.

There is no shortage of books about Le Corbusier, or Mies van der Rohe, or De Stijl. This one is different, however, in a number of ways.
First, it does not treat them as separate subjects, but in relation to each other. While their response to De Stijl throws some new light on Le Corbusier and Mies, it is above all De Stijl that can be more sharply defined in relation to them. Second, the purpose of the study is to excavate the philosophical foundations of the work, rather than merely to describe and discuss the work itself. Third, it looks for connections between the aims and ideals of the 1920s and such 'post-modern' concerns as the creation of habitable 'places' and the survival of the historical city.

Utopia has become a dirty word in recent scholarship on modernism, architecture, urban planning and gender studies. Many utopian designs now appear impractical, manifesting an arrogant disregard for the lived experiences of the ordinary inhabitants who make daily use of global public and private spaces. The essays in Embodied Utopias argue that the gendered body is the crux of the hopes and disappointments of modern urban and suburban utopias of the Americas, Europe and Asia. They reassess utopian projects - masculinist, feminist, colonialist, progressive - of the late nineteenth and early twentieth centuries; they survey the dystopian landscapes of the present; and they gesture at the potential for an embodied approach to the urban future, to the changing spaces of cities and virtual landscapes.

This stunning revised and updated edition takes you on a thrilling tour through the fascinating, eclectic and stylish abodes of some of the world's best-known architects. Not only do these pages offer a rare glimpse into each architect's personal, private environment, but each uniquely designed project provides insight into how each architect marries trends with their own personal philosophy, and how they inject interior design flair into their own contemporary domain. Combining rich photography and spectacular imagery with an incisive summary by a leading architecture specialist, Architects at Home provides a rich source for those keen to delve into the design aesthetics, concepts and innovations of prominent architects from around the globe.

Architecture can influence the way we feel, and can help us along as we go about our lives, or sabotage our habitual ways of doing things. The essays collected here challenge, and help to define a view of architecture which ranges from the minimal domesticity of Diogenes' barrel, to the exuberant experiments of the contemporary avant-garde. There are essays by philosophers, architects and art historians, including Roger Scruton, Bernard Tschumi, Demetri Pophyrios, Kenneth Frampton, Diane Ghirardo and David Goldblatt. They consider what architecture should be, what it does, and how it is involved in our lives, whether by reminding us of lofty ideals, or exasperating us by generating housework.

Utopia has become a dirty word in recent scholarship on modernism, architecture, urban planning and gender studies. Many utopian designs now appear impractical, manifesting an arrogant disregard for the lived experiences of the ordinary inhabitants who make daily use of global public and private spaces. The essays in Embodied Utopias argue that the gendered body is the crux of the hopes and disappointments of modern urban and suburban utopias of the Americas, Europe and Asia. They reassess utopian projects - masculinist, feminist, colonialist, progressive - of the late nineteenth and early twentieth centuries; they survey the dystopian landscapes of the present; and they gesture at the potential for an embodied approach to the urban future, to the changing spaces of cities and virtual landscapes.

This unique guide provides a systematic overview of the idea of architectural space. Bryan Lawson provides an ideal introduction to the topic, breaking down the complex and abstract terms used by many design theoreticians when writing about architectural space. Instead, our everyday knowledge is reintroduced to the language of design. Design values of 'space' are challenged and informed to stimulate a new theoretical and practical approach to design.This book views architectural and urban spaces as psychological, social and partly cultural phenomena. They accommodate, separate, structure, facilitate, heighten and even celebrate human spatial behaviour.

Using language - speaking and understanding it - is a defining ability of human beings, woven into all human activity. It is therefore inevitable that it should be deeply implicated in the design, production and use of buildings. Building legislation, design guides, competition and other briefs, architectural criticism, teaching and scholarly material, and the media all produce their characteristic texts.
The authors use texts about such projects as Berlin's new Reichstag, Scotland's new Parliament, and the Auschwitz concentration camp museum to clarify the interaction between texts, design, critical debate and response.

eBook available with sample pages: 0203360362

The aim of this book is to expand the subject and matter of architecture, and to explore their interdependence. There are now many architectures. This book acknowledges architecture far beyond the familiar boundaries of the discipline and reassesses the object at its centre: the building. Architectural matter is not always physical or building fabric. It is whatever architecture is made of, whether words, bricks, blood cells, sounds or pixels. The fifteen chapters are divided into three sections - on buildings, spaces and bodies - which each deal with a particular understanding of architecture and architectural matter.
The richness and diversity of subjects and materials discussed in this book locates architecture firmly in the world as a whole, not just the domain of architects. In stating that architecture is far more than the work of architects, this book aims not to deny the importance of architects in the production of architecture but to see their role in more balanced terms and to acknowledge other architectural producers. Architecture can, for example, be found in the incisions of a surgeon, the instructions of a choreographer or the movements of a user. Architecture can be made of anything and by anyone.