The story of how the concept of a pantheon, a building honouring great individuals, spread across Revolutionary Europe and interacted with socio-political and cultural changes. Analysing the canon and iconography of each pantheon, Bouwers shows how the commemoration of war and celebration of nationhood gave way to the protection of elite interests.

In this book Egyptian Archeology and Mathematics meet. The author is an expert in theories and applications in Solid Mechanics and Inverse Problems, a former professor at Ecole Polytechnique and now works with Electricite de France on maintenance operations on nuclear power plants. In the Autumn of 1986, after the end of the operation on the King's chamber conducted under the Technological and Scientific Sponsorship of EDF, to locate a cavity, he was called to solve a mathematical inverse problem, to find the unknown tomb of the King and the density structure of the whole pyramid based on measurements of microgravity made inside and outside of the pyramid. This book recounts the various search operations on the pyramid of Cheops made at the request of the Egyptian and French authorities in 1986-1987. After the premature end of the Cheops operation in the Autumn of 1986, following the fiasco of unsuccessful drillings in the area suspected by both architects G. Dormion and J.P. Goidin and microgravity auscultation, EDF and CPGF (a geophysical company) teams continued their researches with measurements already made, trying this time an inversion of the Newton gravity equation for the entire pyramid and using another theoretical team led by the author. The inverse problem solution confirmed the results of auscultations, but found no cavity. However, the image of the average density at the surface of the entire pyramid forms a sort of square "spiral" probably related to the construction method. In 2000, Jean-Pierre Houdin considered the author's results of 1988 as a confirmation of his theory of the internal ramp tunnel. Since then the author has done additional research and found that classical theories of the construction based on degrees and the particular mode of stones filling can also report the same densitogram. The book is richly illustrated with color figures. It is dotted with information concerning Physics, Mechanics and the History of Egyptian Antiquities. The book ends with the greatest mystery of the pyramid about the unknown tomb of the King and a dream to see the tomb at an unexpected place.

Portrait of Studio Hani Rashid Building on the previous volume Re: Futures (2017), Re: Action presents a selection of innovative designs by Studio Hani Rashid at the University of Applied Arts Vienna's Institute of Architecture. The selected projects address architectural strategies for ensuring vitality in cities and ecosystems as well as sustainable urban growth. In his studio, Hani Rashid, co-founder of the visionary New York firm Asymptote Architecture, focuses on architecture that responds to current and future ecological changes. Bringing together projects, texts, and conversations, the book highlights creative ways in which architecture can contribute to the development of a sustainable, progressive, and livable urban future. Innovative experimental architectural designs for vibrant cities and ecosystems Explores how architecture can respond to ecological changes With contributions by Hani Rashid, Anab Jain, Greg Lynn, Timothy Morton, Claudia Pasquero, and others

How to Read Architecture is based on the fundamental premise that reading and interpreting architecture is something we already do, and that close observation matters. This book enhances this skill so that given an unfamiliar building, you will have the tools to understand it and to be inspired by it. Author Paulette Singley encourages you to misread, closely read, conventionally read, and unconventionally read architecture to stimulate your creative process. This book explores three essential ways to help you understand architecture: reading a building from the outside-in, from the inside-out, and from the position of out-and-out, or formal, architecture. This book erodes boundaries between the frequently compartmentalized fields of interior design, landscape design, and building design with chapters exploring concepts of terroir, scenography, criticality, atmosphere, tectonics, inhabitation, type, form, and enclosure. Using examples and case studies that span a wide range of historical and global precedents, Singley addresses the complex interaction among the ways a building engages its context, addresses its performative exigencies, and operates as an autonomous aesthetic object. Including over 300 images, this book is an essential read for both undergraduate and postgraduate students of architecture with a global focus on the interpretation of buildings in their context.

In this ground-breaking book, the first to provide an overview of the theory and practice of experimental architecture, Rachel Armstrong explores how interdisciplinary, design-led research practices are beginning to redefine the possibilities of architecture as a profession. Drawing on experts from disciplines as varied as information technology, mathematics, poetry, graphic design, scenography, bacteriology, marine applied science and robotics, Professor Armstrong delineates original, cutting-edge architectural experiments through essays, quotes, poetry, equations and stories. Written by an acknowledged pioneer of architectural experiment, this visionary book is ideal for students and researchers wishing to engage in experimental, practice-based architectural and artistic research. It introduces radical new ideas about architecture and provides ideas and inspiration which students and researchers can apply in their own work and proposals, while practitioners can draw on it to transform their creative assumptions and develop thereby a distinctive "edge" to stand out in a highly competitive profession.

Light in Architecture explores the role of light in buildings throughout history and the many disparate ways in which architects have approached the phenomenon around the world. Translated and updated from the best-selling Spanish original, this book highlights the significance of light on human perception by examining the ways in which it can be harnessed and manipulated to achieve particular objectives or experiences - and tackles the fallacy that 'more' light necessarily means 'better' light. With increasing relevance to modern urbanism, it also considers what happens when we build in or around pre-existing architecture - how light can be improved, restored or even destroyed in the process. Extensively researched and beautifully illustrated, Light in Architecture offers a fascinating study of how a greater understanding of this intangible, freely available material can improve our built environment and quality of life.

The Spring 2011 (vol. 13 no. 1) issue of the Nexus Network Journal features eight papers that resulted from the 2010 Nexus conference section on Shape and Shape Grammars. Guest editor Lionel March provides an introduction for the entire group. The papers were selected to spread themes as widely and representatively as possible. George Stiny provides a keynote paper with theoretical insights, while other papers range from pedagogical applications in the architectural studio to shape language and style in classical Chinese architecture; from shape grammars and descriptions used to 'decode Alberti', to their use as an aid to the rehabilitation of housing stock in Lisbon; from the creation of a design system involving a parametric shape grammar with descriptions to generate urban block layouts within a defined spatial region, to a novel example of a kinetic shape grammar simulating human body movements. Among the authors are George Stiny, Mine Ozkar, Andrew Li, Jose Duarte, Rudi Stouffs, Mario Kruger, Filipe Coutinho, Jose Beirao Alexandra Paio, Benamy Turkienicz, Sara Eloy, Maria da Piedade Ferriera, Duarte Cabral de Mello, and others."

"When nature inspires our architecture-not just how it looks but how buildings and communities actually function-we will have made great strides as a society. Biophilic Design provides us with tremendous insight into the 'why, ' then builds us a road map for what is sure to be the next great design journey of our times."
-Rick Fedrizzi, President, CEO and Founding Chairman, U.S. Green Building Council
"Having seen firsthand in my company the power of biomimicry to stimulate a wellspring of profitable innovation, I can say unequivocably that biophilic design is the real deal. Kellert, Heerwagen, and Mador have compiled the wisdom of world-renowned experts to produce this exquisite book; it is must reading for scientists, philosophers, engineers, architects and designers, and-most especially-businesspeople. Anyone looking for the key to a new type of prosperity that respects the earth should start here."
-Ray C. Anderson, founder and Chair, Interface, Inc.
The groundbreaking guide to the emerging practice of biophilic design
This book offers a paradigm shift in how we design and build our buildings and our communities, one that recognizes that the positive experience of natural systems and processes in our buildings and constructed landscapes is critical to human health, performance, and well-being. Biophilic design is about humanity's place in nature and the natural world's place in human society, where mutuality, respect, and enriching relationships can and should exist at all levels and should emerge as the norm rather than the exception.
Written for architects, landscape architects, planners, developers, environmental designers, as well as building owners, Biophilic Design: The Theory, Science, and Practice of Bringing Buildings to Life is a guide to the theory, science, and practice of biophilic design. Twenty-three original and timely essays by world-renowned scientists, designers, and practitioners, including Edward O. Wilson, Howard Frumkin, David Orr, Grant Hildebrand, Stephen Kieran, Tim Beatley, Jonathan Rose, Janine Benyus, Roger Ulrich, Bert Gregory, Robert Berkebile, William Browning, and Vivian Loftness, among others, address:
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The basic concepts of biophilia, its expression in the built environment, and how biophilic design connects to human biology, evolution, and development.
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The science and benefits of biophilic design on human health, childhood development, healthcare, and more.
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The practice of biophilic design-how to implement biophilic design strategies to create buildings that connect people with nature and provide comfortable and productive places for people, in which they can live, work, and study.
Biophilic design at any scale-from buildings to cities-begins with a few simple questions: How does the built environment affect the natural environment? How will nature affect human experience and aspiration? Most of all, how can we achieve sustained and reciprocal benefits between the two?
This prescient, groundbreaking book provides the answers.

Letter From The Editor.- Letter From The Editor.- Architecture, Mathematics and Perspective.- Giotto and Renaissance Perspective.- Perspective, a Visionary Process: The Main Generative Road for Crossing Dimensions.- Perspective in a box.- Juan Bautista Villalpando and the Nature and Science of Architectural Drawing.- Perspective versus Stereotomy: From Quattrocento Polyhedral Rings to Sixteenth-Century Spanish Torus Vaults.- The Sunlight Effect of the Kukulcan Pyramid or The History of a Line.- Some Adaptations of Relativity in the 1920s and the Birth of Abstract Architecture.- Book Reviews.- The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe.- The Geometry of an Art. The History of Perspective from Alberti to Monge.- Forma y Representacion. Un Analisis Geometrico.

We grasp and transform the world through interplays of quantification and qualification. The cross pollination of geometric and literary figures is deeply embedded in our cognitive habits, instruments of inquiry and the constructed environment. Through time, thought has reflected on the visible processes and products of material craft to explain and train the invisible workings of the mind. Recursively, material craft embodies a tradition of splitting ideas into categorical parts and compositional units for reassembly. Although the mathematical and verbal arts are often placed in contrast, human inventions manifest a weave of alphanumerics. Mythic parables, geometric proofs, memory arts, poems, algorithms, buildings and cities emerge from the intercourse of measure and explication. This special issue of the "Nexus Network Journal" considers architectonic examples of past, present and potential geometries of rhetoric.

Our contemporary condition, governed by the abstract apparatus of the capitalist market, demands a critical reading of the distribution, ownership, and use of common resources such as land. This is especially true in Britain with its long history of privatisation stemming from land enclosure. The latest research campaign of Laboratory Basel (laba), a satellite studio of the Ecole Polytechnique Federale de Lausanne, investigated the English manor house and how it can serve as a testing ground to reassess Britain's complex and ongoing relationship with the countryside. The south-west of England, the most rural region of one of the more densely populated countries in Europe, reflects all the absurdities of a globalised country under pressure to develop economically, physically and environmentally. Highly protected landscapes, both natural and composed, form the backdrop to historic seats of political power and wealth, whilst sites of intense modern productivity are neatly concealed behind natural veils. Manor Lessons: Commons Revisited, the concluding volume of laba's Teaching and Research in Architecture series, explores the lessons that can be learned from the compound history of the Manorial System, whose forgotten feudalistic origins were once rooted in the idea of the land, not as private property but as common ground.

Letter from the Editor.- Letter from the Editor.- Recalling Eero Saarinen 1910-2010.- How the Gateway Arch Got its Shape.- Saarinen's Shell Game: Tensions, Structures, and Sounds at MIT.- The Next Largest Thing: The Spatial Dimensions of Liturgy in Eliel and Eero Saarinen's Christ Church Lutheran, Minneapolis.- Morphocontinuity in the work of Eero Saarinen.- Eero Saarinen, Eduardo Catalano and the Influence of Matthew Nowicki: A Challenge to Form and Function.- Eero Saarinen's North Christian Church in Columbus, Indiana.- Other Research.- On the Modular Design of Mughal Riverfront Funerary Gardens.- Discontinuous Double-shell Domes through Islamic eras in the Middle East and Central Asia: History, Morphology, Typologies, Geometry, and Construction.- At the Other End of the Sun's Path: A New Interpretation of Machu Picchu.- The Body, the Temple and the Newtonian Man Conundrum.- Book Review.- The Symbol at Your Door: Number and Geometry in Religious Architecture of the Greek and Latin Middle Ages.- Conference Report.- Architecture and Mathematics. A seminar to celebrate Professor emeritus Staale Sinding-Larsen's 80th birthday.- Erratum.- Erratum to: The Sunlight Effect of the Kukulcan Pyramid or The History of a Line.

Biophilic and Bioclimatic Architecture is a guide to innovative architectural design for architects, engineers and other specialists who are working with biophilic and bioclimatic architectural concepts.

Biophilic and Bioclimatic Architecture has three parts:
Part I focuses on the relationship between architecture and human needs and the creation process, demonstrating the meaning of architectural value in architectural hypothesis.
Part II opens the way towards a new understanding of biophilic architecture as a response to the negative actions of humans and the negative effects of using natural resources.
Part III shows the benefits of combining the effects of the climate with the notion of human comfort in bioclimatic architecture.

In the 1680s Isaac Newton wrote the Philosophiae Naturalis Principia Mathematica. At the same time he was also working on a recreation of the plan of Solomon s Temple. In an unpublished manuscript entitled Introduction to the Lexicon of the Prophets, Part two: About the appearance of the Jewish Temple, or more commonly known by its call name Babson MS 0424, he described the architecture of the Temple. His main source for his recreation was the Book of Ezekiel, but he also used and compared it with a wide selection of Jewish, Classical, and contemporary sources, and he demonstrated a good knowledge and understanding of Vitruvius in his search for the truth of Solomon s Temple. The aim of this book is three-fold. First it contains a translation of Babson MS; this is the first translation of this manuscript into English. This manuscript contains two reconstructions of the Temple. Both are working documents that attempt to reconstruct the plan of the Temple using the text of Ezekiel which is supported with a mixture of classical and contemporary sources. The first reconstruction is illustrated. One particular image is of the Temple precinct and it is annotated with letters to match the description in the first reconstruction. This is a well known image and is often reproduced as the plan of Newton s Temple. Although the first description lays out the ground plan it only gives a few details of the uprights and cannot be fully reconstructed. However the second reconstruction is a great deal more detailed in its description and it reveals changes to the first reconstruction in its ground plan it also gives enough description to be full reconstruction. Second, the book provides a commentary to accompany the translation which puts Babson Ms 0434 into context with Newton s other works on science, chronology, prophecy and theology. Although Babson Ms 0434 is a architecture work, Newton also discusses the Temple and its rituals in many of his unpublished papers in its religious context. He conceived the Principia as the exoteric knowledge of nature while the prophets held the esoteric knowledge of nature. The prophets could only be interpreted through hieroglyphs understood through the framework of the architecture and rituals of Solomon s Temple. The Temple was also important to his works on chronology After his death Chronology of Ancient Kingdoms Amended was published in 1728; this contains a small description of Solomon s Temple of barely 3000 words with detailed three drawings, this detail is not reflected in his description. These topics are discussed in detail. Third, the book contains a reconstruction of Newton s plan of the Temple. The three reconstructions, the two in Babson Ms 0434 and the one in Chronology are discussed and compared. The first reconstruction in Babson Ms 0434 and in Chronology are only ground plans and cannot be reconstructed in a three-dimensional model. However, the second reconstruction is a full description of the ground plan and the uprights. The book creates a reconstruct of Newton s verbal description of the Temple using ArchiCad. This reconstruction brings Newton s plan of the Temple alive. This reconstruction is contained within the sample chapter at the end of this proposal.

As Europe's economic stasis persists, the construction of new buildings in Holland continues to follow suit--but the number of new architects entering the profession is increasing. Finding themselves in a radically different landscape to that of previous generations, many of these young architects are taking matters into their own hands, embracing a new reality in which users, residents and clients must become partners, not just links in a supply chain. Vacant property, investment standstills, social contradictions, out-of-touch businesses and environmental demands--this generation has many complex variables to consider. Today's architects are becoming developers and entrepreneurs, creating their own opportunities for commissions, forming cooperatives and providing ideas that are inspiring while also practically applicable. "Reactivate Innovators of Dutch Architecture" examines these developments, signaling an exciting new vitality in Dutch architecture.

Many literary critics seem to think that an hypothesis about obscure and remote questions of history can be refuted by a simple demand for the production of more evidence than in fact exists. The demand is as easy to make as it is impossible to satisfy. But the true test of an hypothesis, if it cannot be shown to con?ict with known truths, is the number of facts that it correlates and explains. Francis M. Cornford [1914] 1934, 220. It was in the autumn of 1997 that the research project leading to this publication began. One of us [GH], while a visiting fellow at the Center for Philosophy of Science (University of Pittsburgh), gave a talk entitled, "Proportions and Identity: The Aesthetic Aspect of Symmetry". The presentation focused on a confusion s- rounding the concept of symmetry: it exhibits unity, yet it is often claimed to reveal a form of beauty, namely, harmony, which requires a variety of elements. In the audience was the co-author of this book [BRG] who responded with enthusiasm, seeking to extend the discussion of this issue to historical sources in earlier periods. A preliminary search of the literature persuaded us that the history of symmetry was rich in possibilities for new insights into the making of concepts. John Roche's brief essay (1987), in which he sketched the broad outlines of the history of this concept, was particularly helpful, and led us to conclude that the subject was worthy of monographic treatment.

In this volume scientists from different disciplines present their experience and their scientific work in progress. These concern the properties of a series of stones that have been used for the erection of some of the most important stone monuments of international cultural heritage and are also used today for substitution of missing parts or completion of damaged ones. It deals with the subject globally and contains unpublished research results.

Now that information technologies are fully embedded into the design studio, Instabilities and Potentialities explores our post-digital culture to better understand its impact on theoretical discourse and design processes in architecture. The role of digital technologies and its ever-increasing infusion of information into the design process entails three main shifts in the way we approach architecture: its movement from an abstracted mode of codification to the formation of its image, the emergence of the informed object as a statistical model rather than a fixed entity and the increasing porosity of the architectural discipline to other fields of knowledge. Instabilities and Potentialities aims to bridge theoretical and practical approaches in digital architecture.

Organic Design in Twentieth-Century Nordic Architecture presents a communicable and useful definition of organic architecture that reaches beyond constraints. The book focuses on the works and writings of architects in Nordic countries, such as Sigurd Lewerentz, Jorn Utzon, Sverre Fehn and the Aaltos (Aino, Elissa and Alvar), among others. It is structured around the ideas of organic design principles that influenced them and allowed their work to evolve from one building to another. Erik Champion argues organic architecture can be viewed as a concerted attempt to thematically unify the built environment through the allegorical expression of ongoing interaction between designer, architectural brief and building-as-process. With over 140 black and white images, this book is an intriguing read for architecture students and professionals alike.

Looking afresh at the implications of Jacques Derrida 's thinking for architecture, this book simplifies his ideas in a clear, concise way. Derrida 's treatment of key philosophical texts has been labelled as "deconstruction," a term that resonates with architecture. Although his main focus is language, his thinking has been applied by architectural theorists widely.

As well as a review of Derrida 's interaction with architecture, this book is also a careful consideration of the implications of his thinking, particularly on the way architecture is practiced.

This book deals with the economic aspects of changing attitudes in arts and sciences. The effects of the public good character of culture, along with the very long production period and lifetime for its products, are emphasized, since both contribute to the failure of normal market solutions. Embodiment of ideas, and the consequences of modern reproduction technology for protection of property rights are closely examined.

A fascinating history of the carbon footprint of our concrete world-from ancient Roman architecture to urban cityscapes-and the trouble it spells for sustainability amidst rapid climate change. For readers of The Sixth Extinction and The Uninhabitable Earth , Concrete explores the history of a material that has been central to architecture and design for thousands of years-and what its future looks like in a world experiencing rapid climate change. Imagine a world without concrete: there'd be no skyscrapers, no grand irrigation projects, no out of season vegetables, no highways. There would be a shortage of electricity, more mud in some places, more solitude in others. But because of the fossil fuels and other resources required to make concrete, there also would also be less carbon dioxide in the atmosphere and less dramatic climate change. In Concrete: From Ancient Origins to a Problematic Future , Mary Soderstrom tells the story of concrete's surprising past, extravagant present, and uncertain future with careful research, lively anecdotes, and thoughtful reflection.

The Revenge of the Real envisions a new positive biopolitics that recognises that how populations govern themselves is literally a matter of life and death. We are grappling with multiple interconnected dilemmas - climate change, pandemics, the tensions between the individual and society - all of which have to be addressed on a planetary scale. Even when separated, we are still enmeshed. Can the world govern itself differently? If so, what models and philosophies are needed? Bratton argues that, instead of thinking of technology as something that happens to society, we must see how it can form the basis of a politics of infrastructure, knowledge, and direct intervention. He urges us to reconsider questions of "surveillance" in the face of necessary testing and care. He asks what did the "mask wars" reveal about the destructive nature of individualism as the basis of sovereignty? The book proposes that it is time to transform how we live, work and thrive. Rethinking governance means rethinking how we interact with each other as a global population, and how we ensure our obligations to each other. For this, we should build a society based in a new rationality of inclusion, care and foresight.

Around 1800, one of the most influential architectural concepts of the last 250 years emerged-that of built spaces as technical devices. Climate, morality, and comfort are the three main themes of this study, and each is vividly examined in separate chapters through synchronous comparison and with the help of examples. The emergence of corresponding metaphors, knowledge, and construction forms is traced over a period of about 70 years. The author focuses particularly on the operative dimension of architecture. Thus, the book provides a historical perspective on a key topic for the future of architecture. The book is aimed at readers interested in architecture, technology or the cultural history of building and living.

Greg Penoyre and Sunand Prasad (recently elected President of the RIBA) have been in practice together for 18 years. In that time, they have garnered an eclectic portfolio of buildings that are both visually striking and practical, and for a variety of uses, including education, healthcare, housing and culture. "Transformations: The Architecture of Penoyre & Prasad" consists of eight essays written by Prasad: 'The Anchor of Function'; 'Architecture, Art and Culture'; 'Plan Section and Elevation'; 'Who Designs?'; 'From DIY to PFI'; 'Environments for Healing'; 'Environments for Learning'; and 'Working with Existing Buildings'. These texts discuss Penoyre and Prasad's engagement with their clients and examines its relationship to both architectural history and the contemporary situations and purposes for which the practice works. "Transformations" provides a unique and personal insight into Penoyre and Prasad's major projects, including Moorfields Eye Hospital, the Rich Mix Centre, Wolverhampton Civic Halls, Woodacre Farm Learning Difficulties Unit and the University of Portsmouth Frewen Library.