Few aspects of daily existence are untouched by technology. The learning and teaching of music is no exception and arguably has been impacted as much or more than other areas of life. Digital technologies have come to affect music learning and teaching in profound ways, influencing everything from how we create, listen, share, consume, interact, and conceptualize musical practices and the musical experience. For a discipline as entrenched in tradition as music education, this has brought forth myriad views on what does and should constitute music learning and teaching. To tease out and elucidate some of the salient problems, interests, and issues, The Oxford Handbook of Technology and Music Education critically situates technology in relation to music education from a variety of perspectives: historical, philosophical, socio-cultural, pedagogical, musical, economic, policy, and so on, organized around four broad themes: Emergence and Evolution; Locations and Contexts: Social and Cultural Issues; Experiencing, Expressing, Learning and Teaching; and Competence, Credentialing, and Professional Development. Chapters from a highly diverse group of junior and senior scholars provide analyses of technology and music education through intersections of gender, theoretical perspective, geographical distribution, and relationship to the field. The Oxford Handbook of Technology and Music Education's dedication to diversity and forward-facing discussion provides contrasting perspectives and conversational voices rather than reinforce traditional narratives and prevailing discourses.

Letter From The Editor.- Letter From The Editor.- Architecture, Mathematics and Perspective.- Giotto and Renaissance Perspective.- Perspective, a Visionary Process: The Main Generative Road for Crossing Dimensions.- Perspective in a box.- Juan Bautista Villalpando and the Nature and Science of Architectural Drawing.- Perspective versus Stereotomy: From Quattrocento Polyhedral Rings to Sixteenth-Century Spanish Torus Vaults.- The Sunlight Effect of the Kukulcan Pyramid or The History of a Line.- Some Adaptations of Relativity in the 1920s and the Birth of Abstract Architecture.- Book Reviews.- The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe.- The Geometry of an Art. The History of Perspective from Alberti to Monge.- Forma y Representacion. Un Analisis Geometrico.

We grasp and transform the world through interplays of quantification and qualification. The cross pollination of geometric and literary figures is deeply embedded in our cognitive habits, instruments of inquiry and the constructed environment. Through time, thought has reflected on the visible processes and products of material craft to explain and train the invisible workings of the mind. Recursively, material craft embodies a tradition of splitting ideas into categorical parts and compositional units for reassembly. Although the mathematical and verbal arts are often placed in contrast, human inventions manifest a weave of alphanumerics. Mythic parables, geometric proofs, memory arts, poems, algorithms, buildings and cities emerge from the intercourse of measure and explication. This special issue of the "Nexus Network Journal" considers architectonic examples of past, present and potential geometries of rhetoric.

Letter from the Editor.- Letter from the Editor.- Recalling Eero Saarinen 1910-2010.- How the Gateway Arch Got its Shape.- Saarinen's Shell Game: Tensions, Structures, and Sounds at MIT.- The Next Largest Thing: The Spatial Dimensions of Liturgy in Eliel and Eero Saarinen's Christ Church Lutheran, Minneapolis.- Morphocontinuity in the work of Eero Saarinen.- Eero Saarinen, Eduardo Catalano and the Influence of Matthew Nowicki: A Challenge to Form and Function.- Eero Saarinen's North Christian Church in Columbus, Indiana.- Other Research.- On the Modular Design of Mughal Riverfront Funerary Gardens.- Discontinuous Double-shell Domes through Islamic eras in the Middle East and Central Asia: History, Morphology, Typologies, Geometry, and Construction.- At the Other End of the Sun's Path: A New Interpretation of Machu Picchu.- The Body, the Temple and the Newtonian Man Conundrum.- Book Review.- The Symbol at Your Door: Number and Geometry in Religious Architecture of the Greek and Latin Middle Ages.- Conference Report.- Architecture and Mathematics. A seminar to celebrate Professor emeritus Staale Sinding-Larsen's 80th birthday.- Erratum.- Erratum to: The Sunlight Effect of the Kukulcan Pyramid or The History of a Line.

This book deals with the economic aspects of changing attitudes in arts and sciences. The effects of the public good character of culture, along with the very long production period and lifetime for its products, are emphasized, since both contribute to the failure of normal market solutions. Embodiment of ideas, and the consequences of modern reproduction technology for protection of property rights are closely examined.

Gathering twenty essays written over twenty years, Figments of the Architectural Imagination explores the frontiers of speculative architectural design, theory, and pedagogy to offer clear-eyed and incisive treatments of some of the most important projects, practices, and polemics at work making contemporary architecture contemporary. These sharp and insightful texts, whether addressing the impact of digital technology, the design of an effective hotel, the emergence of the Los Angeles vanguard, or the proper execution of a thesis project, combine frontline reportage, archival scholarship, trenchant prose, and impressive critical acumen to cut through the cacophony of recent architectural discourse with uncommon clarity, intelligence, rigor, and wit. Taken together, these essays provide essential orientation for practitioners, academics, students, and aficionados hoping to understand how contemporary architecture came to be where it is and to speculate on where it might go next.

In this volume scientists from different disciplines present their experience and their scientific work in progress. These concern the properties of a series of stones that have been used for the erection of some of the most important stone monuments of international cultural heritage and are also used today for substitution of missing parts or completion of damaged ones. It deals with the subject globally and contains unpublished research results.

The Spring 2011 (vol. 13 no. 1) issue of the Nexus Network Journal features eight papers that resulted from the 2010 Nexus conference section on Shape and Shape Grammars. Guest editor Lionel March provides an introduction for the entire group. The papers were selected to spread themes as widely and representatively as possible. George Stiny provides a keynote paper with theoretical insights, while other papers range from pedagogical applications in the architectural studio to shape language and style in classical Chinese architecture; from shape grammars and descriptions used to 'decode Alberti', to their use as an aid to the rehabilitation of housing stock in Lisbon; from the creation of a design system involving a parametric shape grammar with descriptions to generate urban block layouts within a defined spatial region, to a novel example of a kinetic shape grammar simulating human body movements. Among the authors are George Stiny, Mine Ozkar, Andrew Li, Jose Duarte, Rudi Stouffs, Mario Kruger, Filipe Coutinho, Jose Beirao Alexandra Paio, Benamy Turkienicz, Sara Eloy, Maria da Piedade Ferriera, Duarte Cabral de Mello, and others."

In "Frontier Fictions," Firoozeh Kashani-Sabet looks at the efforts of Iranians to defend, if not expand, their borders in the nineteenth and early twentieth centuries, and explores how their conceptions of national geography influenced cultural and political change. The "frontier fictions," or the ways in which the Iranians viewed their often fluctuating borders and the conflicts surrounding them, played a dominant role in defining the nation. On these borderlands, new ideas of citizenship and nationality were unleashed, refining older ideas of ethnicity.

Kashani-Sabet maintains that land-based conceptions of countries existed before the advent of the modern nation-state. Her focus on geography enables her to explore and document fully a wide range of aspects of modern citizenship in Iran, including love of homeland, the hegemony of the Persian language, and widespread interest in archaeology, travel, and map-making. While many historians have focused on the concept of the "imagined community" in their explanations of the rise of nationalism, Kashani-Sabet is able to complement this perspective with a very tangible explanation of what connects people to a specific place. Her approach is intended to enrich our understanding not only of Iranian nationalism, but also of nationalism everywhere.

Light in Architecture explores the role of light in buildings throughout history and the many disparate ways in which architects have approached the phenomenon around the world. Translated and updated from the best-selling Spanish original, this book highlights the significance of light on human perception by examining the ways in which it can be harnessed and manipulated to achieve particular objectives or experiences - and tackles the fallacy that 'more' light necessarily means 'better' light. With increasing relevance to modern urbanism, it also considers what happens when we build in or around pre-existing architecture - how light can be improved, restored or even destroyed in the process. Extensively researched and beautifully illustrated, Light in Architecture offers a fascinating study of how a greater understanding of this intangible, freely available material can improve our built environment and quality of life.

Looking afresh at the implications of Jacques Derrida 's thinking for architecture, this book simplifies his ideas in a clear, concise way. Derrida 's treatment of key philosophical texts has been labelled as "deconstruction," a term that resonates with architecture. Although his main focus is language, his thinking has been applied by architectural theorists widely.

As well as a review of Derrida 's interaction with architecture, this book is also a careful consideration of the implications of his thinking, particularly on the way architecture is practiced.

The title of this issue of the Nexus Network Journal, "Architecture, Mathematics and Structure," is deliberately ambiguous. At first glance, it might seem to indicate the relationship between what buildings look like and how they stand up. This is indeed one aspect of what we are concerned with here. But on a deeper level, the fundamental concept of structure is what connects architecture to mathematics. Both architecture and mathematics are highly structured formal systems expressed through a symbolic language. For architecture, the generating structure might be geometrical, musical, modular, or fractal. Once we understand the nature of the structure underlying the design, we are able to "read" the meaning inherent in the architectural forms. The papers in this issue all explore themes of structure in different ways.

A definitive intellectual history of landscape urbanism It has become conventional to think of urbanism and landscape as opposing one another-or to think of landscape as merely providing temporary relief from urban life as shaped by buildings and infrastructure. But, driven in part by environmental concerns, landscape has recently emerged as a model and medium for the city, with some theorists arguing that landscape architects are the urbanists of our age. In Landscape as Urbanism, one of the field's pioneers presents a powerful case for rethinking the city through landscape. Charles Waldheim traces the roots of landscape as a form of urbanism from its origins in the Renaissance through the twentieth century. Growing out of progressive architectural culture and populist environmentalism, the concept was further informed by the nineteenth-century invention of landscape architecture as a "new art" charged with reconciling the design of the industrial city with its ecological and social conditions. In the late twentieth and early twenty-first centuries, as urban planning shifted from design to social science, and as urban design committed to neotraditional models of town planning, landscape urbanism emerged to fill a void at the heart of the contemporary urban project. Generously illustrated, Landscape as Urbanism examines works from around the world by designers ranging from Ludwig Hilberseimer, Andrea Branzi, and Frank Lloyd Wright to James Corner, Adriaan Geuze, and Michael Van Valkenburgh. The result is the definitive account of an emerging field that is likely to influence the design of cities for decades to come.

In celebration of the 2009 International Year of Astronomy, this issue of the Nexus Network Journal is devoted to relationships between astronomy, mathematics and architecture. Ancient cultures looked to the heavens in order to identify timeless principles for their own creations. Knowledge gained in astronomy was transformed into culture through architecture and design. Papers in this issue look at how astronomy influenced architecture and urban design.

Since its first publication in 1982, Modern Architecture Since 1900 has become established as a contemporary classic. Worldwide in scope, it combines a clear historical outline with masterly analysis and interpretation. Technical, economic, social and intellectual developments are brought together in a comprehensive narrative which provides a setting for the detailed examination of buildings. Throughout the book the author's focus is on the individual architect, and on the qualities that give outstanding buildings their lasting value. For the third edition, the text has been radically revised and expanded, incorporating much new material and a fresh appreciation of regional identity and variety. Seven chapters are entirely new, including expanded coverage of recent world architecture. Described by James Ackerman of Harvard University as 'immeasurably the finest work covering this field in existence', this book presents a penetrating analysis of the modern tradition and its origins, tracing the creative interaction between old and new that has generated such an astonishing richness of architectural forms across the world and throughout the century.

Pierre Bourdieu is arguably one of the twentieth century s greatest socio-philosophical thinkers and his writings have much to offer anyone interested in the ways that people value, consume and produce architecture. Bourdieu spent much of his life attempting to understand cultural consumption and production through detailed empirical research that included studies of dwellings, art, museums, photography and aesthetics. This book introduces the architectural reader to Bourdieu s key writings on culture and outlines the ways in which they offer powerful practical tools and novel conceptual frameworks for understanding architectural value, taste, and practice.

This book explores new architectural and design perspectives on the contemporary urban condition. While architects and urban designers have long maintained that their actions, drawings, and buildings are "post-critical," this book seeks to expand the critical dimension of architecture and urbanism. In a series of historical and theoretical studies, this book examines how the materialities, forms, and practices of architecture and urban design can act as a critique towards the new urban condition. It proposes not only new concepts and theories but also instruments of analysis and reflection to better understand the current counter-hegemonic tendencies in both disciplinary strategies and appropriation tactics. The diversely international selection of chapters, from Brazil, Portugal, Spain, Sweden, the United States, and the Netherlands, combine different theoretical and empirical perspectives into a new analysis of the city and architecture. Demonstrating the need for new critical urban and architectural thinking that engages with the challenges and processes of the contemporary urban condition, this volume will be a thought-provoking read for academics and students in architecture, urban design, geography, political science, and more.

Buildings and construction are a major contributor to the climate and biodiversity emergency. They account for nearly 40% of energy-related carbon dioxide (CO2) emissions. It is more important than ever for architects to design responsibly and create low-carbon, low-energy buildings for a sustainable future. 101 Rules of Thumb sets out the essential elements of low-energy architecture in a fresh, intuitive way. Where ever-changing technology and complex legislation can cloud the designer's thought-process, this book equips you with the fundamentals you need to minimise CO2 emissions, design for low-energy use and work with, not against, the forces of nature. With reliable, simple rules of thumb, each page focuses on a single piece of guidance along with a clear hand-drawn illustration. The emphasis is on passive low-energy principles, and the rules of thumb cover all the design fundamentals from site and location to orientation and form, peppered with ideas to help the designer think outside the box, drawing inspiration from traditional methods, photoperiodic plants, and the black-tailed prairie dog. An extended, fully updated narrative bibliography explores the sources in detail and provides a valuable springboard for further study. Applicable throughout the world in any climate region, 101 Rules of Thumb is a global primer to be dipped into at any time as a quick means of re-focusing on what's important when designing a new or retrofitted low-energy building. The rules cover: * Site and location * Orientation and form * The low-energy building envelope * Carbon free heating, cooling and lighting * Passive low-energy principles

Offering an in-depth consideration of the impact which humanities have had on the processes of architecture and design, this book asks how we can restore the traditional dialogue between intellectual enquiry in the humanities and design creativity.

Written by leading academics in the fields of history, theory and philosophy of design, these essays draw profound meanings from cultural practices and beliefs. These are as diverse as the designs they inspire and include religious, mythic, poetic, political, and philosophical references.

This timely and important book is not a benign reflection on humanities' role in architectural design but a direct response to the increased marginalization of humanities in a technology driven world. The prioritization of technology leaves critical questions unanswered about the relationships between information and knowledge, transcription and translation, and how emerging technologies can usefully contribute to a deeper understanding of our design culture.

What can political theory teach us about architecture, and what can it learn from paying closer attention to architecture? The essays assembled in this volume begin from a common postulate: that architecture is not merely a backdrop to political life but a political force in its own right. Each in their own way, they aim to give countenance to that claim, and to show how our thinking about politics can be enriched by reflecting on the built environment. The collection advances four lines of inquiry, probing the connection between architecture and political regimes; examining how architecture can be constitutive of the ethical and political realm; uncovering how architecture is enmeshed in logics of governmentality and in the political economy of the city; and asking to what extent we can think of architecture-tributary as it is to the flows of capital-as a partially autonomous social force. Taken together, the essays demonstrate the salience of a range of political theoretical approaches for the analysis of architecture, and show that architecture deserves a place as an object of study in political theory, alongside institutions, laws, norms, practices, imaginaries, and discourses.

The work of Homi K. Bhabha has permeated into numerous publications which use postcolonial discourse as a means to analyze architectural practices in previously colonized contexts, particularly in Africa, Asia, the Middle-East, South-East Asia and, Latin America. Bhabha's use of the concept of a ~spacea (TM) has made his work highly appealing to architects and architectural theorists.

This introductory book, specifically for architects, focuses on Bhabhaa (TM)s seminal book The Location of Culture and reveals how his work contributes to architectural theory and the study of contemporary architectures in general, not only in colonial and postcolonial contexts.

"A civic economy is emerging," this book declares, "one which is fundamentally both open and social." In the aftermath of the financial crisis, and in an era of profound environmental and social change, a collective reflection is taking place on how to share civic prosperity. In the meantime, an increasing number of social innovators are getting on with the job of remaking local economies. Though locally driven, their initiatives are rooted in global cultural and technological trends that preceded the recent economic downturn. "Compendium for the Civic Economy" looks at 25 trailblazing projects, including the Brooklyn Superhero Supply Co., which helps young people with writing skills (while also selling superhero gear); Tcho, a participatory chocolate manufacturer in San Francisco; and various collectively founded or structured supermarkets, hospitals, theaters and even internet providers throughout the United Kingdom and mainland Europe.

This book explores new architectural and design perspectives on the contemporary urban condition. While architects and urban designers have long maintained that their actions, drawings, and buildings are "post-critical," this book seeks to expand the critical dimension of architecture and urbanism. In a series of historical and theoretical studies, this book examines how the materialities, forms, and practices of architecture and urban design can act as a critique towards the new urban condition. It proposes not only new concepts and theories but also instruments of analysis and reflection to better understand the current counter-hegemonic tendencies in both disciplinary strategies and appropriation tactics. The diversely international selection of chapters, from Brazil, Portugal, Spain, Sweden, the United States, and the Netherlands, combine different theoretical and empirical perspectives into a new analysis of the city and architecture. Demonstrating the need for new critical urban and architectural thinking that engages with the challenges and processes of the contemporary urban condition, this volume will be a thought-provoking read for academics and students in architecture, urban design, geography, political science, and more.