Collected in this 3-in-one omnibus edition are Kant's ground breaking critiques. The Critique of Pure Reason, The Critique of Practical Reason, and The Critique of Judgement. The Critique of Pure Reason is one of the most influential philosophy books of all times. Kant's influence on modern perception of reason cannot be over estimated. Here Kant redefines reason and gives us the tools to understand reason on two levels: the empirical and the metaphysical. The Critique of Practical Reason is the second of Immanuel Kant's three critiques and it deals with Kant's own moral philosophy and his views on free will. A masterpiece of philosophical writing. In The Critique of Judgement Kant states that "Philosophy may be said to contain the principles of the rational cognition that concepts afford us of things (not merely, as with logic, the principles of the form of thought in general irrespective of the objects), and, thus interpreted, the course, usually adopted, of dividing it into theoretical and practical is perfectly sound."

This book features more than 20 papers that celebrate the work of Hajnal Andreka and Istvan Nemeti. It illustrates an interaction between developing and applying mathematical logic. The papers offer new results as well as surveys in areas influenced by these two outstanding researchers. They also provide details on the after-life of some of their initiatives. Computer science connects the papers in the first part of the book. The second part concentrates on algebraic logic. It features a range of papers that hint at the intricate many-way connections between logic, algebra, and geometry. The third part explores novel applications of logic in relativity theory, philosophy of logic, philosophy of physics and spacetime, and methodology of science. They include such exciting subjects as time travelling in emergent spacetime. The short autobiographies of Hajnal Andreka and Istvan Nemeti at the end of the book describe an adventurous journey from electric engineering and Maxwell's equations to a complex system of computer programs for designing Hungary's electric power system, to exploring and contributing deep results to Tarskian algebraic logic as the deepest core theory of such questions, then on to applications of the results in such exciting new areas as relativity theory in order to rejuvenate logic itself.

Psychoanalysis and the Politics of Family aims to raise a sophisticated and highly accessible debate around the family, self-making and the political and cultural implications of liberation. The text proposes a new way to read the Lacanian theory of Oedipus and through this reading resituate a series of important political and theoretical debates that have concerned intellectual life over the last forty years. It is written with an accessible style so that both specialists in Lacanian and Marxist theory and a broader cross-section of readers interested in understanding the implications of debates across populist and Marxist perspectives that have occupied the global left since the 2008 economic crash. The text aims to resituate the way theories of emancipation and liberation are theorized from a distinctive psychoanalytic and Lacanian point of view. In resituating the infamous "Oedipus complex" in a new light, the text re-opens a series of debates with important theoretical interlocutors, including the influential American historian and psychoanalytic thinker Christopher Lasch, whose thought has witnessed a significant renaissance of interest today, to the staunch critic of Freud and Lacan, Rene Girard, to Gilles Deleuze and Felix Guattari and their widely read Anti-Oedipus series that disputes the Freudian and Lacanian notions of Oedipus.

Speculative realism is one of the most talked-about movements in recent Continental philosophy. It has been discussed widely amongst the younger generation of Continental philosophers seeking new philosophical approaches and promises to form the cornerstone of future debates in the field. This book introduces the contexts out of which speculative realism has emerged and provides an overview of the major contributors and latest developments. It guides the reader through the important questions asked by realism (what can I know? what is reality?), examining philosophy's perennial questions in new ways. The book begins with the speculative realist's critique of 'correlationism', the view that we can never reach what is real beneath our language systems, our means for perception, or our finite manner of being-in-the-world. It goes on to critically review the work of the movement's most important thinkers, including Quentin Meillassoux, Ray Brassier, and Graham Harman, but also other important writers such as Jane Bennett and Catherine Malabou whose writings delineate alternative approaches to the real. It interrogates the crucial questions these thinkers have raised and concludes with a look toward the future of speculative realism, especially as it relates to the reality of time.

Around the globe, contemporary protest movements are contesting the oligarchic appropriation of natural resources, public services, and shared networks of knowledge and communication. These struggles raise the same fundamental demand and rest on the same irreducible principle: the common. In this exhaustive account, Pierre Dardot and Christian Laval show how the common has become the defining principle of alternative political movements in the 21st century. In societies deeply shaped by neoliberal rationality, the common is increasingly invoked as the operative concept of practical struggles creating new forms of democratic governance. In a feat of analytic clarity, Dardot and Laval dissect and synthesize a vast repository on the concept of the commons, from the fields of philosophy, political theory, economics, legal theory, history, theology, and sociology. Instead of conceptualizing the common as an essence of man or as inherent in nature, the thread developed by Dardot and Laval traces the active lives of human beings: only a practical activity of commoning can decide what will be shared in common and what rules will govern the common's citizen-subjects. This re-articulation of the common calls for nothing less than the institutional transformation of society by society: it calls for a revolution.

Why care about intellectual humility? What is an intellectual virtue? How do we know who is intellectually humble? The nature of intellectual virtues is a topic of ancient interest. But contemporary philosophy has experienced unparalleled energy and concern for one particular virtue over the past 30 years: intellectual humility. Intellectual Humility: An Introduction to the Philosophy and Science draws on leading research to provide an engaging and up-to-date guide to understanding what it is and why it's important. By using ten big questions to introduce the concept, this introduction presents a vibrant account of the ideas behind intellectual humility. Covering themes from philosophy, psychology, education, social science, and divinity, it addresses issues such as: What human cognition tells us about intellectual virtues The extent to which traits and dispositions are stable from birth or learned habits How emotions affect our ability to be intellectually humble The best way to handle disagreement The impact intellectual humility has on religion or theological commitments Written for students taking the University of Edinburgh's online course, this textbook is for anyone interested in finding out more about intellectual humility, how it can be developed and where it can be applied.

Restrictive border protection policies directed toward managing the flow of refugees coming into neoliberal democracies (and out of failing nation-states) are a defining feature of contemporary politics. In this book, Veronica Tello analyses how contemporary artists-such as Tania Bruguera, Isaac Julien, Rosemary Laing, Dinh Q. Le, Dierk Schmidt, Hito Steyerl, Lyndell Brown and Charles Green-negotiate their diverse subject positions while addressing and taking part in the production of images associated with refugee experiences and histories. Tello argues that their practices, which manifest across a range of contexts including Cuba, the United States, Australia and Europe, represent an emergent, global paradigm of contemporary art, 'counter-memorial aesthetics'. Counter-Memorial Aesthetics, Tello argues, is characterized by its conjunction of heterogeneous signifiers and voices of many times and places, generating an experimental, non-teleological approach to the construction of contemporary history, which also takes into account the complex, disorienting spatial affects of globalization. Spanning performance art, experimental 'history painting', aftermath photography and video installation, counter-memorial aesthetics bring to the fore, Tello argues, how contemporary refugee flows and related traumatic events critically challenge and conflict with many existing, tired if not also stubborn notions of national identity, borders, history and memory. Building on the writings of such thinkers as Michel Foucault and Jacques Ranciere, this book offers a useful concept of 'counter-memory' for the twenty-first century. It shows how counter-memorial aesthetics is not only central to the nexus of contemporary art and refugee histories but also how it can offer a way of being critically present with many other, often interrelated, global crises in the contemporary era.

This book is mainly concerned with elaborating an account of the unique theoretical essence and activities of philosophy. What manner of civilization should modern humans forge? On what developmental path should a nation embark? What lifestyle should each individual choose? These are the most fundamental issues of our time. Profoundly implicit in the choices outlined above is a deeper question: What are the criteria of choice? An examination of these criteria is a reflection on the premises constituting thought, or a critique of the premises underlying thought. Using a "critique of the premises underlying thought" as the basic idea and hermeneutic principle in philosophy will open a wider theoretical space for contemporary philosophy so as to avoid the predicament of being "pseudo-scientific" or "pseudo-artistic." It will also present contemporary philosophy with a realistic path of development for the task of reflecting on the criteria of choice. This book seeks to formulate concrete philosophical arguments for a critique of the basic beliefs, logic, modes, concepts, and philosophical ideas which constitute thought, with the aim of demonstrating the vigorous self-critique and inexhaustible theoretical space found in philosophical development. This book provides a new principle of interpretation for understanding philosophy and, in turn, uses this principle to develop a critique of the premises underlying thought, thereby furthering the contemporary development of philosophy. This book encompasses a critique of the premises underlying thought, which mainly includes the basic beliefs, logic, modes, concepts, and philosophical ideas constituting thought. Such a critique should comprise five aspects: First, the basic beliefs constituting thought propose a critique of the identity of thought and being; second, the basic logic constituting thought refers to a critique of the formal, intensional, and practical logic of thought; third, the basic modes constituting thought denote a critique of the basic modes by which humans comprehend the world, including commonsense, religion, art, and science; fourth, the basic concepts constituting thought entail a critique centering on being, the world, history, truth, value, and other basic concepts; and finally, the philosophical ideas constituting thought indicate a critique of philosophy itself. A critique aligned on these five aspects will provide a general philosophical overview of the premise critique of thought.

This book is written for software product teams that use AI to add intelligent models to their products or are planning to use it. As AI adoption grows, it is becoming important that all AI driven products can demonstrate they are not introducing any bias to the AI-based decisions they are making, as well as reducing any pre-existing bias or discrimination. The responsibility to ensure that the AI models are ethical and make responsible decisions does not lie with the data scientists alone. The product owners and the business analysts are as important in ensuring bias-free AI as the data scientists on the team. This book addresses the part that these roles play in building a fair, explainable and accountable model, along with ensuring model and data privacy. Each chapter covers the fundamentals for the topic and then goes deep into the subject matter - providing the details that enable the business analysts and the data scientists to implement these fundamentals. AI research is one of the most active and growing areas of computer science and statistics. This book includes an overview of the many techniques that draw from the research or are created by combining different research outputs. Some of the techniques from relevant and popular libraries are covered, but deliberately not drawn very heavily from as they are already well documented, and new research is likely to replace some of it.

Patrick Riordan takes a different approach to the questions of global ethics by following the direction of questioning initially pioneered by Aristotle. For him the most basic question of ethics is 'What is the Good Life?' So in the context of contemporary global ethics the Aristotelian questioner wonders about the good life on a global scale. "Global Ethics and Global Common Goods" fills a gap caused by the neglect of the topic of the good in global ethics.Beginning by outlining answers to questions such as 'What is Good?' and 'Is there a highest good?', chapters follow on to demonstrate the value of a common good perspective in matters of universal human rights and their institutions and practices, the study of international relations and the construction of global institutions, debates about global justice between cosmopolitanism and nationalism and other forms of particularism, and of course debates about globalisation in economic affairs. Philosophical questions provoked by these debates are identified and pursued, such as the question of a common human nature which seems presupposed by the language of universal rights. The possibilities for politics on a world scale are part of the literature of the relevant disciplines, but the perspective of the common good adds a new and distinctive dimension to those debates. The concerns for global security and the challenges of managing conflict are also shown to benefit from a rereading in terms of the goods in common between participants in global political affairs.

Written from the perspective of a practising artist, this book proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is. Jelinek contends that while there are objects called 'art' in museums from deep into human history and from around the globe - from Hans Sloane's collection, which became the foundation of the British Museum, to Alfred Barr's inclusion of 'primitive art' within the walls of MoMA, the Museum of Modern Art - only those that have been made with the knowledge and discipline of art should rightly be termed as such. Policing the definition of art in this way is not to entrench it as an elitist occupation, but in order to focus on its liberal democratic potential. Between Discipline and a Hard Place describes the value of art outside the current preoccupation with economic considerations yet without resorting to a range of stereotypical and ultimately instrumentalist political or social goods, such as social inclusion or education. A wider argument is also made for disciplinarity, as Jelinek discusses the great potential as well as the pitfalls of interdisciplinary and multidisciplinary working, particularly with the so-called 'creative' arts. A passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world.