Monocle's latest book is a celebration of the Nordic region, with some surprises, quirks and - maybe - a sauna or two along the way. Monocle's journalists, editors and photographers have returned time and again to all corners of northern Europe for insights, inspiration and ideas for living better. This book isn't about hammering the overhyped hygge trend or fussing over foamy food. Much the opposite - it's about a shared but distinct set of values that have helped varied nations excel in quiet diplomacy, thoughtful design and reasoned debate. Monocle looks beyond the cliches and uncovers the folks, firms and stories that help the region rank highly for everything in everything from art and architecture to eating well. Far from lumping these different nations together, the Monocle team will highlight the people, places and products that show the Nordics in all their nuances: lessons we can all learn from makers in Norway's high north or retailers reaching higher in Reykjavik; the firms building bridges in Denmark or selling Swedish soft power abroad. The world can learn a lot from our knowing northern neighbours - and The Monocle Book of the Nordics is the ideal place to start.

A Turn in the South is a reflective journey by V. S. Naipaul in the late 1980s through the American South. Naipaul writes of his encounters with politicians, rednecks, farmers, writers and ordinary men and women, both black and white, with the insight and originality we expect from one of our best travel writers. Fascinating and poetic, this is a remarkable book on race, culture and country. 'Naipaul's writing is supple and fluid, meticulously crafted, adventurous and quick to surprise. And, as usual, there's the freshness and originality of his way of looking at things' Sunday Times 'Naipaul writes as if a modern oracle has chosen to speak through him. It is a tissue of brilliantly recorded hearsay, of intense listening by a man with a remarkable ear' New York Times Review of Books 'This is a journey below the Mason-Dixon line into a society riven by too many defeats; the broken cause of the old Confederacy, and the frustrated anger of Southern blacks whose power is circumscribed . . . It is the best thing outside fiction that I have read on the Old South pregnant with the new since W. J. Cash's The Mind of the South published over fifty years ago' Sunday Telegraph

Cv Publications series of Guides to English counties is launched with my survey of Oxfordshire. It has been a journey of discovery. Rather than just passing from point A to B my excursions followed an ad-hoc schedule of diverse routes. I found myself turning down obscure side lanes leading to little villages hidden in a marvellous landscape of deep countryside. Documenting over one hundred centres the county gradually revealed itself as largely unspoilt by the industrial sprawl. Oxford itself is of course very lively and cosmopolitan, but communications and facilities are as good in the many market towns. I was really interested to note the range of properties both old and new and the particular character of an area. I hope that my guide provides details and insights that will assist your own enquiries for a new location' - Sarah James.

Changing the narrative of mountaineering books, Sherpa focuses on the people who live and work on the roof of the world. Amid all the foreign adventurers that throng to Nepal to scale the world's highest peaks there exists a small community of mountain people at the foothills of Himalayas. Sherpa tells their story. It's the story of endeavour and survival at the roof of the world. It dives into their culture and tells of their existence at the edge of life and death. Written by Ankit Babu Adhikari - a writer, social science researcher and musician - and Pradeep Bashyal - a journalist with the BBC based in Nepal - Sherpa traces their story pre- and post-mountaineering revolution, their evolution as climbing crusaders with previously unpublished stories from the most notable and incredible Sherpas of the last 50 years. This is the story of the Sherpas.

"Sometimes there were only two and sometimes there were four, but usually there were three of us..." During his years as a schoolboy, a student and then a young dentist in the 1960s, John Furniss and his friends took every opportunity to escape from their work and studies and go climbing together, first in England, Wales and Scotland and later tackling the more challenging peaks of the Austrian and German Alps. Adding the vertical metres together, during that fondly remembered decade they scaled more than 13 times the height of Mount Everest. They were years of adventure and daring, featuring occasional narrow squeaks and some amusing brushes with the local language and culture. Most of all they were years of comradeship, which John still remembers with great fondness more than forty years on.

In April 2004, Barbara Egbert and Gary Chambers and their precocious 10-year-old daughter Mary embarked on a 2,650-mile hike from Mexico to Canada along the famed Pacific Crest Trail. This the well-told tale of their epic adventure, which required love, perseverance, and the careful rationing of toilet paper. Six months later, Mary would become the youngest person ever to successfully walk the entire trail.The trio weathered the heat of the Mojave, the jagged peaks of the Sierra, the rain of Oregon, and the final cold stretch through the Northern Cascades. They discovered which family values, from love and equality to thrift and cleanliness, could withstand a long, narrow trail and 137 nights together in a 6-by-8-foot tent. Filled with tidbits of wisdom, practical advice, and humor, this story will both entertain and inspire readers to dream about and plan their own epic journey.

'It has been hand-planted by Tsarinas and felled by foresters. It has been celebrated by peasants, worshipped by pagans and painted by artists. It has self-seeded across mountains and rivers and train tracks and steppe and right through the ruined modernity of a nuclear fall-out site. And like all symbols, the story of the birch has its share of horrors (white, straight, native, pure: how could it not?). But, maybe in the end, what I'm really in search of is a birch that means nothing: stripped of symbolism, bereft of use-value . . . A birch that is simply a tree in a land that couldn't give a shit.' The birch, genus Betula, is one of the northern hemisphere's most widespread and easily recognisable trees. A pioneer species, the birch is also Russia's unofficial national emblem, and in The White Birch art critic Tom Jeffreys sets out to grapple with the riddle of Russianness through numerous journeys, encounters, histories and artworks that all share one thing in common: the humble birch tree. We visit Catherine the Great's garden follies and Tolstoy's favourite chair; walk through the Chernobyl exclusion zone and among overgrown concrete bunkers in Vladivostok; explore the world of online Russian brides and spend a drunken night in Moscow with art-activists Pussy Riot, all the time questioning the role played by Russia's vastly diverse landscapes in forming and imposing national identity. And vice-versa: how has Russia's dramatically shifting self-image informed the way its people think about nature, land and belonging? Curious, resonant and idiosyncratic, The White Birch is a unique collection of journeys into Russia and among Russian people.

Pakistan's largest city is a sprawling metropolis of 20 million people. A place of political turbulence, where lavish wealth and absolute poverty sit side by side, and where the lines between idealism and corruption can quickly blur. Through the stories of those who know the city best - including a journalist, an activist, and an ambulance driver - Samira Shackle paints a vivid, vibrant and often violent portrait of Karachi over the past decade: a period during which the Taliban arrived in Pakistan, adding to the daily perils of its residents and pushing their city into the international spotlight. Nuanced and fast-paced, Karachi Vice is an immersive, electrifying journey around one of the most compelling cities in the world.

Perfect Camping for You in Montana. From the Cabinet Mountain Wilderness in the northwest to the Yellowstone River Valley in the south, the new full color edition of Best Tent Camping: Montana by Jan and Christiana Nesset is a guidebook for car campers who like quiet, scenic, and serene campsites. This completely updated guidebook includes 50 private, state park, and state and national forest campgrounds divided into distinct regions; detailed campground maps; key information such as fees, restrictions, and dates of operation; driving directions; and ratings for beauty, privacy, spaciousness, security, and cleanliness. Whether you are a native Montanan in search of new territory or a vacationer on the lookout for that dream campground, this book by local outdoor adventurers Jan and Christina Nesset unlocks the secrets to the best tent camping Montana has to offer.

The Inside Passage to Alaska, with its outer fringes and entailments, is a very complicated sea-route. Parts of it are open ocean, parts of it no wider than a modest river, and it has been in continuous use for several thousand years. Its aboriginal past - still tantalizingly close to hand - puts the inside passaged on terms of close kinship with the ancient sea of the Phoenicians and the Greeks. This book is much more than a book about a sea voyage; it is about Jonathan Raban's journey home to his father who is dying; about his crumbling relationship with his wife and also about the historical journey of the maddening Vancouver in his search for the North West Passage.

Travel and Representation is a timely volume of essays that explores and re-examines the various convergences between literature, art, photography, television, cinema and travel. The essays do so in a way that appreciates the entanglement of representations and travel at a juncture in theoretical work that recognizes the limits of representation, things that lie outside of representation and the continuing power of representation. The emphasis is on the myriad ways travelers/scholars employ representation in their writing/analyses as they re-think the intersections between travelers, fields of representation, imagination, emotions and corporeal experiences in the past, the present and the future.

These timely reconsiderations of European Travel writing from the 1930s reassert the oppositional primacy of subjective translations and disavow hermetic notions that travel should or even can be divorced from socio-political or cultural contexts. * Journeys Cultural Encounters offers a rich, varied and yet impressively coherent collection of essays on the meanings and practices of travel writing in 1930s Europe. Carefully building on theoretical interest in travel writing of recent years, the essays follow written journeys to Graham Greene's Liberia and Lorca's Cuba, to Fascist Italy's Greece and France's Indochina, and many more. Throughout, texts and authors are shown to be alive with hybrid constructions of self and of ideological, national and colonial identity. What is more, the book provides compelling reasons for seeing 1930s travel writing as being of particular fascination, lying on a cusp between the Depression, totalitarianism, colonialism and modernism, and the seeds of mass tourism, post-colonialism and globalization.* Re-reading German literature since 1945, Robert Gordon, Cambridge University The 1930s were one of the most important decades in defining the history of the twentieth century. It saw the rise of right-wing nationalism, the challenge to established democracies and the full force of imperialist aggression. Cultural Encounters makes an important contribution to our understanding of the ideological and cultural forces which were active in defining notions of national identity in the 1930s. By examining the work of writers and journalists from a range of European countries who used the medium of travel writing to articulate perceptions of their own and other cultures, the book gives a comprehensive account of the complex intellectual climate of the 1930s. Charles Burdett is lecturer in Italian at the University of Bristol and co-editor of European Memories of the Second World War (1999). He is currently working on representations of Africa in fascist Italy. Derek Duncan is lecturer in Italian at the University of Bristol. He has published extensively on twentieth century Italian literature with particular reference to questions of gender and sexuality.

In 1972, Gilles Mora and his wife Francoise left France to teach the French language in public schools in Louisiana. At the time, he knew nothing about photography. Fascinated by the Deep South, however, Mora soon started a photographic project on its culture. Greatly influenced by artists such as Walker Evans, Ben Shahn, Eudora Welty, and Clarence John Laughlin; playing music with some of the major figures of the rockabilly scene, including Carl Perkins; and infused with the sensuality of the South, Mora produced a unique body of pictures over more than twenty years. Rarely exhibited or published, the images in Antebellum present a kind of travelogue, a photographic recording of Mora's personal mythologies, which evoke the disappearing world of the Deep South.

'One of the non-fiction books of the year.' Andrew O' Hagan A powerful, evocative and deeply personal journey into the world of missing people When Francisco Garcia was just seven years old, his father, Christobal, left his family. Unemployed, addicted to drink and drugs, and adrift in life, Christobal decided he would rather disappear altogether than carry on dealing with the problems in front of him. So that's what he did, leaving his young wife and child in the dead of night. He has been missing ever since. Twenty years on, Francisco is ready to take up the search for answers. Why did this happen and how could it be possible? Where might his father have gone? And is there any reason to hope for a happy reunion? During his journey, which takes him all across Britain and back to his father's homeland of Spain, Francisco tells the stories of those he meets along the way: the police investigators; the charity employees and volunteers; the once missing and those perilously at risk around us; the families, friends and all those left behind. If You Were There is the moving and affecting story of one man's search for his lost family, an urgent document of where we are now and a powerful, timeless reminder of our responsibility to others.

When Jet McDonald cycled four thousand miles to India and back, he didn't want to write a straightforward account. He wanted to go on an imaginative journey. The age of the travelogue is over: today we need to travel inwardly to see the world with fresh eyes. Mind is the Ride is that journey, a pedal-powered antidote to the petrol-driven philosophies of the past. The book takes the reader on a physical and intellectual adventure from West to East using the components of the bike as a metaphor for philosophy, which is woven into the cyclist's experience. Each chapter is based around a single component, and as Jet travels he adds new parts and new philosophies until the bike is 'built'; the ride to India is completed; and the relationship between mind, body and bicycle made apparent.

Hundreds of hardy people have tried to carve a living in the Alaskan bush, but few have succeeded as consistently as Heimo Korth. Originally from Wisconsin, Heimo traveled to the Arctic wilderness in his feverous twenties. Now, more than three decades later, Heimo lives with his wife and two daughters approximately 200 miles from civilization -- a sustainable, nomadic life bounded by the migrating caribou, the dangers of swollen rivers, and by the very exigencies of daily existence.
In "The Final Frontiersman," Heimo's cousin James Campbell chronicles the Korth family's amazing experience, their adventures, and the tragedy that continues to shape their lives. With a deft voice and in spectacular, at times unimaginable detail, Campbell invites us into Heimo's heartland and home. The Korths wait patiently for a small plane to deliver their provisions, listen to distant chatter on the radio, and go sledding at 44 below zero -- all the while cultivating their hard-learned survival skills that stand between them and a terrible fate.
Awe-inspiring and memorable, "The Final Frontiersman" reads like a rustic version of the American Dream and reveals for the first time a life undreamed by most of us: amid encroaching environmental pressures, apart from the herd, and alone in a stunning wilderness that for now, at least, remains the final frontier.

Brent Bittner, an attorney from Canada, travels to South India with his best friend Kavi for his friend's Indian wedding. He quickly learns how to adapt to an amazing culture that he finds interesting yet often challenging. Later, he is invited to visit the Indian court system by one of his new friends, an Indian attorney. He recounts fascinating stories from before and during the wedding and his time spent with his friend and his friend's family.

Following the wedding, Brent takes three weeks to explore the magic of India. While on a train to Cape Comorin, he meets up with a father and son from Bombay. They nickname him "Swami," the Hindu name for a spiritual guru. While on his trip, Brent learns that his father has died. Later, a visit from his father in spirit becomes a wonderful gift from the grave, confirming and enriching Brent's own spirituality.

This warm, funny, and insightful memoir was created for Brent's son, Keenan, as a present to him on his thirteenth birthday, to encourage him and others to take their own spiritual paths, wherever they may lead.

Geoffrey Chaucer might be considered the quintessential English writer, but he drew much of his inspiration and material from Italy. Without the tremendous influences of Francesco Petrarch and Giovanni Boccaccio, the author of The Canterbury Tales might never have assumed his place as the 'father' of English literature. Nevertheless, Richard Owen's Chaucer's Italy begins in London, where the poet dealt with Italian merchants in his roles as court diplomat and customs official, before his involvement in arranging the marriage of King Edward III's son Lionel in Milan and diplomatic missions to Genoa and Florence. Scrutinising his encounters with Petrarch, Boccaccio, and the mercenary knight John Hawkwood, Owen reveals the deep influence of Italy's people and towns on Chaucer's poems and stories. Much writing on Chaucer depicts a misleadingly parochial figure, but, as Owen's enlightening short study of Chaucer's Italian years makes clear, the poet's life was internationally eventful. The consequences have made the English canon what it is today.

The outer world flew open like a door, and I wondered - what is it that we're just not seeing? In this greatly anticipated sequel to Findings, prize-winning poet and renowned nature writer Kathleen Jamie takes a fresh look at her native Scottish landscapes, before sailing north into iceberg-strewn seas. Her gaze swoops vertiginously too; from a countryside of cells beneath a hospital microscope, to killer whales rounding a headland, to the constellations of satellites that belie our sense of the remote. Written with her hallmark precision and delicacy, and marked by moments in her own life, Sightlines offers a rare invitation to pause and to pay heed to our surroundings.

Meanwhile don't push and squeeze is an account of the year that writer spent teaching at a university in Hangzhou, China. Filled with puzzlement and discovery, it is enriched by the writings of Berold's enthusiastic students and those of his articulate companion. Berold's passion for literature soon takes him well beyond limits of his contract as a 'foreign expert'. This is a wide-ranging and at times very funny title, filled with fresh, startling images of 21st Century China. Robert Berold spent a year teaching creative writing in China, and this is his poetic and delightful record of that year.

The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of the place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped the place into what it is today. Since gaining independence from the UK, Nigeria has been in a state of permanent crisis. Dependence on oil is the glue that has kept together a country deeply divided but obsessed with an ideal of "national unity". But this dependence has eroded institutions, compromised socio-economic development, caused corruption, coup d'etats, and environmental disasters. The arrival of democracy in the 90s failed to bring much improvement. It's estimated that over 100 million Nigerians live under the poverty threshold. Violence is widespread: from the Boko Haram terrorists to the armed secessionist movements and the growing scourge of kidnappings. How to live in a country where the state is absent? In these circumstances, Nigerians bring out all their dynamism, entrepreneurial skills, and their inventiveness. As the generation of generals who governed the country for 60 years dies out, and younger citizens refuse to ignore injustice and violence, the hope is born that a new, vibrant generation will take the country's future into their hands. And, as they are accustomed to doing, fix it.