Beautiful, empowering and exhilarating: She Explores is a spirited celebration of female bravery and courage, and an inspirational companion for any woman who wants to travel the world on her own terms. Combining breathtaking travel photography with compelling personal narratives, She Explores shares the stories of 40 diverse women on unforgettable journeys in nature: women who live out of vans, trucks, and vintage trailers, hiking the wild, cooking meals over campfires, and sleeping under the stars. Women biking through the countryside, embarking on an unknown road trip, or backpacking through the outdoors with their young children in tow. Complementing the narratives are practical tips and advice for women planning their own trips, including preparing for a solo hike, must-haves for a road-trip kitchen, planning ahead for unknown territory, and telling your own story. A visually stunning and emotionally satisfying collection for any woman craving new landscapes and adventure. Gale Straub is the founder of She-Explores.com, a media platform for curious, creative women who love travel and outdoor adventure. For any woman who has ever been called outdoorsy... or who wants to be. Beautiful, empowering, and exhilarating, She Explores will inspire even the most outdoor-averse woman to connect with the landscape, take a leap of faith and find her community. Makes a wonderful birthday, graduation, or new going away gift for an adventurous woman. Great coffee table book to spark conversation about travel and exploration.

Kangchenjunga is the third highest mountain in the world and a notoriously difficult and dangerous mountain to climb. First climbed from the west in 1955 by a British team comprising Joe Brown, George Band, Tony Streather and Norman Hardie, it waited over twenty years for a second ascent. The third ascent, from the north, was made in 1979 by a four-man team including the visionary British alpinist Doug Scott. Completed before his death in 2020, and edited by Catherine Moorehead, Kangchenjunga is Doug Scott's final book. Scott explores the mountain and its varied people - the mountain sits on the border between Nepal and Sikkim in north-east India - before going on to look at Western approaches and early climbing attempts on the mountain. Kangchenjunga was in fact long believed to be the highest mountain in the world, until in the nineteenth century it was demonstrated that Peak XV - Everest - was taller. Out of respect for the beliefs of the Sikkimese, no climber has ever set foot on the very top of Kangchenjunga, the sacred summit. Scott's own relationship with the mountain began in 1978, three years after his first British ascent of Everest with Dougal Haston. The assembled team featured some of the greatest mountaineers in history: Scott, Joe Tasker, Peter Boardman and Georges Bettembourg. The plan was for a stripped-down expedition the following spring - minimal Sherpa support, no radios, largely self-financed. It was the first time a mountain of this scale had been attempted by a new and difficult route without the use of oxygen, and with such a small team. Scott, Tasker and Boardman summited on 16 May 1979, further consolidating their legends in this golden era. Kangchenjunga is Doug Scott's tribute to this sacred mountain, a paean for a Himalayan giant, written by a giant of Himalayan climbing.

At age 60 William Chapman began writing down his memoirs and this book contains his engaging and enjoyable diary entries in the late nineteenth century.

The book is divided as follows:

• the story of his life (called “Reminiscences concerning the life of William James Bushnell Chapman”) until 1902, written at his home Mont Verdun or Sandula, Mombolo, Angola and dated 22nd March 1918, his sixtieth birthday anniversary.
• his reminiscences from 1903 to 1916
• an account of the entry of the Trek-Boers into Angola and of their sojourn during the forty-eight years they struggled in that country under Portuguese rule, which he was still writing in 1932.

Through these diaries, and with extensive research by Nicol Stassen, we are offered a unique insight into Chapmans’s journeys, travels and encounters.

The ketch, "Queequeg" is a one of a kind, handcrafted, wooden piece of sculpture, the culmination of 3000 years of seafaring experience. In these days of lookalike fiber glass boats she is unique. If you once see her, you do not soon forget her This book tells the story of a five year voyage from Maine to Mexico on the Intercoastal Waterway,the Florida Keys and the Bahamas. It documents day by day experiences,including the wonderful people we met, the sights we saw, and several near fatal occurences; the joy ,monotony anxiety and fear that are the lot of the smallboat cruiser. The anxiety and fear overpower the joy for some people and many sailboat owners never get more than a day's sail from their home port All Hail! to those early adventurers and circumnavigators sailing the the uncharted oceans with the most primitive navigation instruments.

'Fascinating' - Robert Macfarlane, author of The Old Ways 'Truly a thing of wonder' - Kerri ni Dochartaigh, author of Thin Places 'Lyrical [and] thoughtful' - Cal Flyn, author of Islands of Abandonment Visiting Iceland as an anthropologist and film-maker in 2008, Sarah Thomas is spellbound by its otherworldly landscape. An immediate love for this country and for Bjarni, a man she meets there, turns a week-long stay into a transformative half-decade, one which radically alters Sarah's understanding of herself and of the living world. She embarks on a relationship not only with Bjarni, but with the light, the language, and the old wooden house they make their home. She finds a place where the light of the midwinter full moon reflected by snow can be brighter than daylight, where the earth can tremor at any time, and where the word for echo - bergmal - translates as 'the language of the mountain'. In the midst of crisis both personal and planetary, as her marriage falls apart, Sarah finds inspiration in the artistry of a raven's nest: a home which persists through breaking and reweaving - over and over. Written in beautifully vivid prose The Raven's Nest is a profoundly moving meditation on place, identity and how we might live in an era of environmental disruption.

This unique book is the first to bring together a group of influential China experts to reflect on their cultural and social encounters while travelling and living in the People's Republic. Filling an important gap, it allows scholars, journalists, and businesspeople to reflect on their personal memories of China. Private experiences-vivid and often entirely unanticipated-often teach more about how a society actually works than a planned course of study can. Such experiences can also expose the sometimes naive misconceptions visitors often bring with them to China. China experts relate stories that are always interesting but also more: they tell not just anecdotes but telling anecdotes. Why are there no campus maps? (Because, if you don't know where you're going and why, you don't need to be here.) What's the allure of Mickey Mouse? (He could break all sorts of rules and get away with it.) What's a sworn brother in China? (Somebody who fights for your honor even when you're not looking.) Covering nearly a half-century from 1971 to the present, these stories open a vivid window on a rapidly evolving China and on the zigzag learning curve of the China trippers themselves.

The river of life has followed an unusual course for Mary Stickney. World traveler, artist and writer, she became familiar with American embassies and diplomatic outposts abroad while the wife of a U.S. Foreign Service agricultural scientist. In River of Pearls, she recounts adventures and family life in Southeast Asia during the Viet Nam War era. The story begins in exotic Bangkok, Thailand, and continues to Manila, Bataan, Corregidor and remote mountain villages of the Philippines. The journey also travels to Saigon and Danang, South Viet Nam, as the author spent time there as a civilian with her husband, who was working in a pacification program of the U.S. Agency for International Development. After retuning to America, she found herself suddenly alone, went back to college and shaped a new life and a new career for herself. the wonders, excitement, the sorrows and the surprising joys of exploring far corners of the globe with an open heart and mind. River of Pearls is her second book, following Jungle Paths and Palace Treasures (2001). The danger and romance of the lands comes alive in the book. --The Florida Times-Union ...the adventure of a lifetime, told here in lively, highly readable detail. This book will appeal to a wide audience, both young and old, travel-buffs and armchair globetrotters. --Foreign Service Journal

My First Summer in the Sierra is the incredible true story of John Muir's iconic time spent working in the California mountain range of the Sierra Nevada's. In this republished edition, read about his experience that shaped so much of environmental stewardship today. In the summer of 1869, a young John Muir joined a crew of shepherds working in the foothills of California's Sierra Nevada mountains. Spending countless hours working with the group, Muir also worked tirelessly to advocate for the land's protection. His efforts eventually transpired into the founding of Yosemite Valley as a national park, a landmark event in the history of United States environmentalism. A glimpse into Muir's private journals, My First Summer in the Sierra is the remarkable retelling of his time there. Full of humorous anecdotes and insightful prose, John Muir personal narrative will likely inspire you to pack up your belongings and head for the mountains.

Artist and photographer Clare Newton rediscovers and records the faint remnants of old London, only made visible when lit by a fleeting low winter's sun. These images are the conduits through time, analysing the sometimes uncomfortable balance between a struggling heritage to exist and the insatiable appetite of modern regeneration. But deep inside East London also lies a Victorian era. The mother of inventions, which not only stimulated change across the world then but even now their lingering artefacts and sayings effect us even in today's hi-tech social world. Strange but true stories that explain how and where artefacts have come from. Including the roots of 'Sarcasm' or the colour purple, both invented in the east end. Or how Shoreditch got its name. This book arose after many previous years exploration for a large exhibition displayed before the Olympics in London, called Riches Uncovered. The facts of which will be made into a series of photographic studies for all to enjoy and smile over. About Clare Newton In 2001 Clare Newton was awarded the British Female Inventor of the Year, and she has received 5 international awards for innovation. Born in London, her creative talents were expressed at a young age, first painting her bedroom to building wooden aeroplanes. But when she was given her first camera, a little Minolta, at the age of 14, it inspired her to build a dark room in the roof of her parents' house, where she taught herself how to shoot and develop photographs, with neighbours encouraging her with small commissions. She took a degree in art and design in East London and worked as a Graphic & Interior Designer for many years. Photography really took off for her when the Olympics came to London. She made her first large photographic installation in 2009, 'Riches Uncovered', a collection of photographic montages to explain and document East London's disappearing heritage. After this first project she went on to produce numerous extraordinary community art projects, involving hundreds of children and adults. The resulting photographic montages were displayed outdoors in unexpected public places, encouraging all to take part, share and learn about local heritage. Clare believes that it is through the passion of creating participatory public projects, that art can positively affect people in different and personal ways, even drawing communities together. Clare's next endeavour was to create Jump4London - the World's Longest Photograph, with 5,000 people taking part, who appeared to jump simultaneously. Two meters high and one kilometre in length, it was printed on 2.5 tons of specialist photographic material, and documented an important piece of London's history as people celebrated the 2012 Olympic Games. It made a Double Guinness World Record as part of the Cultural Olympiad's World Record London.

Travel writing has, for centuries, composed an essential historical record and wide-ranging literary form, reflecting the rich diversity of travel as a social and cultural practice, metaphorical process, and driver of globalization. This interdisciplinary volume brings together anthropologists, literary scholars, social historians, and other scholars to illuminate travel writing in all its forms. With studies ranging from colonial adventurism to the legacies of the Holocaust, The Long Journey offers a unique dual focus on experience and genre as it applies to three key realms: memory and trauma, confrontations with the Other, and the cultivation of cultural perspective.

The second volume of exuberant, lively letters from legendary travel writer Patrick Leigh Fermor

The first collection of letters from Patrick Leigh Fermor, Dashing for the Post, delighted critics and public alike. This second volume, More Dashing, presents a further selection of letters that exude a zest for life and adventure characteristic of the man known to all as 'Paddy'.

Paddy's exuberant letters contain glimpses of the great and the good: a chance conversation with the Foreign Secretary, Anthony Eden, when Paddy opens the wrong door, or a glass of ouzo under the pine trees with Harold Macmillan. They describe encounters with such varied figures as Jackie Onassis, Camilla Parker-Bowles, Oswald Mosley and Peter Mandelson, while also relating adventures with the humble: a 'pick-nick' with the stonemasons at Kardamyli, or a drunken celebration in the Cretan mountains with his old comrades from the Resistance, most of them simple shepherds and goatherds. Paddy was at ease in any company - unfailingly charming, boyish, gentle and fun.

Patrick Leigh Fermor has long been recognised as one of the greatest travel writers of his time. Nowhere is his restless curiosity and delight in language more dazzlingly displayed than in his letters, skilfully edited in this collection by Adam Sisman.

In the summer of 1958, jazz and blues historian Samuel Charters traveled with Ann Danberg to Andros, a remote island "on the wrong side of the wind" in the Bahamas. Living within a small local community descended from a handful of Bahamian slaves, they discovered how the unique historical fusion of disparate cultures on Andros, from Africa and Europe, had resulted in a wealth of traditional music that had stubbornly resisted the influx of modern styles. Combining rare travel and musical elements with Danberg's evocative photographs, Char-ters describes their search for a song so rich and startling in its resonance, they had to follow it to its source. "Just about the best 'what-I-did-on-my-summer-vacation' report ever written." --"Booklist "(starred review)

The French Jesuit Pierre-Francois-Xavier de Charlevoix's 1744 journal of his voyage through French North America-New France, Louisiana, and the Caribbean-is among the richest eighteenth-century accounts of the continent's colonization, as well as its indigenous inhabitants, flora, and fauna. Micah True's new translation of this influential text is the first to appear since 1763. It provides the first complete and reliable English version of Charlevoix's journal and reveals the famous Jesuit to have been a better literary stylist than has often been assumed on the basis of earlier translations. Complemented by a detailed introduction and richly annotated, this volume finally makes accessible to an Anglophone audience one of the key texts of eighteenth-century French America.

One summer, writer and musician, Jasper Winn set himself an extraordinary task. He would kayak the whole way round Ireland - a thousand miles - camping on remote headlands and islands, carousing in bars and paddling clockwise until he got back where he started. But in the worst Irish summer in living memory the pleasures of idling among seals, fulmars and fishing boats soon gave way to heroic struggles through storm-tossed seas ... and lock-ins playing music in coastal pubs. Circling the country where he grew up, Jasper reflects on life at the very fringes of Ireland, the nature and lore of its seas, and his own eccentric upbringing - sprung from school at age ten and left free to explore the countryside and its traditional life. Charming, quietly epic, and with an irresistible undertow of wit, Paddle is a low-tech adventure that captures the sheer joy of a misty morning on Ireland's coast. As the sun breaks through, you'll be longing to set off too.

Toe hy 21 jaar gelede vir die eerste keer in Parys aankom, sou die kunstenaar Louis Jansen van Vuuren hom nooit kon indink dat hy eendag ’n château in die Franse platteland sou besit nie.

In Amper Frans vertel hy op skreesnaakse wyse hoe hy alles wat Frans is ontdek en beproef het – daar is neusoptrekkerige kelners, statige hertoginne, etlike botsings met die berugte Franse burokrasie en natuurlike talle faux pas in sy gebrekkige Frans. Om die vervalle château saam met sy lewensmaat, Hardy Olivier, in ’n boetiekhotel te omskep het groot geduld en uithouvermoë geverg. Talle lesse is op die harde manier geleer. Een daarvan is dat vier verwarmers geensins genoeg is om ’n hele château te verhit nie en dit sal jou dae lank sonder elektrisiteit laat.

Louis vertel ook van kaskenades met hulle gaste en hul eie avonture soos hulle die land platry agter vlooimarkte en avontuur aan. Hy vermeng stories oor hul lewe in Frankryk met brokkies geskiedenis en fassinerende inligting oor eg Franse tradisies.

Dit is ’n moet vir Frankofiele!

"Fresh and diverting, informative and topical without being slight or ephemeral. This supremely well-edited combination of current affairs, journalism, commentary, and fun facts is perfect for our pause-button moment." -Australian Financial Review, Best Books of the Year Fully illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world. IN THIS VOLUME: Growing Uncertainty in California's Central Valley by Anna Wiener * What Does It Mean to Be a Solution? by Vanessa Hua * Shadows in the Valley by Francisco Cantu. Plus: direct democracy and unsustainable development, the rise of the Land Back movement, LA's cultural renaissance in the face of rampant gentrification, visions of the future, the death of the Californian Dream, the burning of Paradise and much more . . . "Wildfire season had already begun, and, as the car pitched along the road through Kings Canyon, I tried to tamp down a feeling like dread. In California, where the effects of global warming are pervasive and unsubtle, spending time in the forest always makes me feel unspeakably lucky and dizzy with remorse. Families in masks stomped through the Giant Forest to pose for photographs in front of General Sherman, a 275-foot-tall tree. Children licked ice-cream bars by the visitor center. In the parking lot, some of the oldest living trees in the world shaded eight-seat SUVs: Kia Tellurides, Chevy Tahoes, Toyota Sequoias." -From "Growing Uncertainty in California's Central Valley" by Anna Wiener

This is Patrick Leigh Fermor's spellbinding part-travelogue, part inspired evocation of a part of Greece's past. Joining him in the Mani, one of Europe's wildest and most isolated regions, cut off from the rest of Greece by the towering Taygettus mountain range and hemmed in by the Aegean and Ionian seas, we discover a rocky central prong of the Peleponnese at the southernmost point in Europe. Bad communications only heightening the remoteness, this Greece - south of ancient Sparta - is one that maintains perhaps a stronger relationship with the ancient past than with the present. Myth becomes history, and vice versa. Leigh Fermor's hallmark descriptive writing and capture of unexpected detail have made this book, first published in 1958, a classic - together with its Northern Greece counterpart, Roumeli.

Here, in this compelling assembly of writings, Pulitzer Prize-winning author Annie Dillard explores the world of natural facts and human meanings.

..".offers a set of unique perspectives on how travel writers have imagined, experienced and represented other people and other places. It shifts attention to the voices and agency of travellers from the Balkans and the ways in which they have experienced and described the sometimes strange and exotic West... Most fascinating the multi-faceted trajectories of expectations, perceptions and imageries which reverse the standard hegemonic gaze from West to East." . Stephanie Schwandner-Sievers, School of Slavonic and East European Studies, University College London

In writings about travel, the Balkans appear most often as a place travelled to. Western accounts of the Balkans revel in the different and the exotic, the violent and the primitive traits that serve (according to many commentators) as a foil to self-congratulatory defi nitions of the West as modern, progressive and rational. However, the Balkans have also long been travelled from. The region's writers have given accounts of their travels in the West and elsewhere, saying something in the process about themselves and their place in the world. The analyses presented here, ranging from those of 16th-century Greek humanists to 19th-century Romanian reformers to 20th-century writers, socialists and 'men-of-the-world', suggest that travellers from the region have also created their own identities through their encounters with Europe. Consequently, this book challenges assumptions of Western discursive hegemony, while at the same time exploring Balkan 'Occidentalisms'.

Adam Thorpe's home for the past 25 years has been an old house in the Cévennes, a wild range of mountains in southern France. Prior to this, in an ancient millhouse in the oxbow of a Cévenol river, he wrote the novel that would become the Booker Prize-nominated Ulverton, now a Vintage Classic.

In more recent writing Thorpe has explored the Cévennes, drawing on the legends, history and above all the people of this part of France for his inspiration. In his charming journal, Notes from the Cévennes, Thorpe takes up these themes, writing about his surroundings, the village and his house at the heart of it, as well as the contrasts of city life in nearby Nîmes. In particular he is interested in how the past leaves impressions - marks - on our landscape and on us. What do we find in the grass, earth and stone beneath our feet and in the objects around us? How do they tie us to our forebears? What traces have been left behind and what marks do we leave now?

He finds a fossil imprinted in the single worked stone of his house's front doorstep, explores the attic once used as a silk factory and contemplates the stamp of a chance paw in a fragment of Roman roof-tile. Elsewhere, he ponders mutilated fleur-de-lys (French royalist symbols) in his study door and unwittingly uses the tomb-rail of two sisters buried in the garden as a gazebo. Then there are the personal fragments that make up a life and a family history: memories dredged up by 'dusty toys, dried-up poster paints, a painted clay lump in the bottom of a box.'

Part celebration of both rustic and urban France, part memoir, Thorpe's humorous and precise prose shows a wonderful stylist at work, recalling classics such as Robert Louis Stevenson's Travels with a Donkey in the Cévennes.

Research on pilgrimage has traditionally fallen across a series of academic disciplines - anthropology, archaeology, art history, geography, history and theology. To date, relatively little work has been devoted to the issue of pilgrimage as writing and specifically as a form of travel-writing. The aim of the interdisciplinary essays gathered here is to examine the relations of Christian pilgrimage to the numerous narratives, which it generates and upon which it depends. Authors reveal not only the tensions between oral and written accounts but also the frequent ambiguities of journeys - the possibilities of shifts between secular and sacred forms and accounts of travel. Above all, the papers reveal the self-generating and multiple-authored characteristics of pilgrimage narrative: stories of past pilgrimage experience generate future stories and even future journeys.

Simon Coleman moved to Sussex University in 2004, having spent 11 years at Durham University as Lecturer and then Reader in Anthropology, and Deputy Dean for the Faculty of Social Sciences and Health.

John Elsner is Senior Research Fellow at Corpus Christi College, Oxford.

In this series of deft and beautifully written essays, conservationist Stephen Spear and journalist Janice Riley chronicle a year of cultivating blueberries on Cape Cod's Hokum Rock Farm. Spear's family has owned the farm since 1973 and began cultivating blueberries exclusively in 1986, selling thousands of pints each season. The photographs and stories, a blend of nature writing, personal reflection, and practical knowledge, inspire thoughts on the reasons farming is important and the ways we find meaning in the natural world. Learn about the history of blueberry cultivation, the biodiverse flora and fauna on the farm, and facts about blueberries. Also try out the mouth-watering recipes such as lemon pound Bundt cake with blueberries, easy graham crust blueberry pie, and blueberry-cranberry cobbler. Fans of stories about the natural world, farming, or simply Cape Cod, will appreciate this celebration of blueberries and a life lived close to the earth.

Mexico, through the eyes of Sybille Bedford is a country of passion and paradox: arid desert and shrieking jungle, harsh sun and deep shadow, violence and sentimentality. In her frank descriptions of the horrors of travel - through bug-infested jungle, trapped in a broiling stationary train, or in a bus with a dead fish slapping against her face - she gains our trust. But it is the charmed world of Don Otavio which steals our imagination. He is, she says, "one of the kindest men I ever met". She stays in his crumbling ancestral mansion, living a life of provincial ease and observing with glee the intense life of a Mexican neighbourhood.