This new book of essays from the author of Wild tracks the turning light of the day and seasons, an almanac of the turning times. Beginning in night and winter, it moves to dawn and spring, then noon and summer and finally evening and autumn. Set partly at the author's home in Wales, the book journeys widely, searching for a dead father in Prague, listening to the Sky-Grandmothers of Mexican myth and staying with the people of West Papua who, when they know they will fall over laughing, lie down first. It asks: what is the real gift of the misunderstood Goddess Nemesis? Why should flowers be prescribed as medicine? What do male zebra finches dream of? Where do the sands of time run fastest, and how is that connected to the age of anxiety? It explores the dawn chorus; the tradition of sacred hospitality; dust from the time before the sun even existed; the twilight time of the trickster and the daily rituals of morning. In all of these it asks: why does light, through the hours of the day and the seasons of the year, affect us? Griffiths concludes this extraordinary collection by deciding that light is in fact how we think.

When the artist Louis Jansen van Vuuren first visited Paris he could never have imagined that he would end up owning a château in rural France. Almost French is the highly entertaining account of his induction over the past 21 years into all things French: snooty waiters, high-brow countesses, numerous faux pas with the French language and of course, several encounters with the infamous French bureaucracy.

Turning the dilapidated château into a boutique hotel with his life partner, Hardy Olivier, required patience and perseverance. Many lessons were learnt the hard way. Four heaters are not enough to heat an entire château and they will blow your power supply.

And practising your French is a must. On a visit to the butcher, Louis asked for “sheep socks” when he was after leg of lamb. Talk about butchering the lamb!

Louis interweaves the stories about his life in France with fascinating snippets of history, culture and tradition. A must for all Francophiles.

Craving an escape from everyday life, Gregor Ewing writes a personal account of his 1,000 mile walk over nine weeks with collie Meg that takes them through the central belt of Scotland, literally following in Robert the Bruce's footsteps. From Kintyre, Arran and Ardrossan north to Ayr through Glasgow to Fort William and Elgin, south to Inverurie, Aberdeen and Dundee, over the Forth to Edinburgh and Berwick upon Tweed then east through Roxburghshire to Bannockburn, Gregor frames his expedition with historical background that follows Robert the Bruce's journey to start a campaign which led to his famous victory seven years later.

This is the first book of its kind to include extensive analysis of the travelogues of Baghdad in relation to historiography. This book contains analysis of the stages of travel writing in general and the objectives of the writers, which makes it appealing for people who are keen to learn about the travelogues worldwide. The research in this book encompasses a number of disciplines, including urban history, architecture, literature, travel writing, history of Baghdad, Islamic studies, heritage and conservation. Because of this variety it would appeal to many academics from different backgrounds. Apart from academics, this book would appeal to other people who are interested in history, literature, Arabic, Islamic cities, and learning in general. Some photos and diagrams that are used in this book are taken from original sources that have been rarely published before.

'Electrifying.' Anne Applebaum 'Mesmerising.' Financial Times 'Seductive and terrifying in equal measure.' The Times 'Required reading.' Observer A journey into the glittering, surreal heart of 21st century Russia: into the lives of Hells Angels convinced they are messiahs, professional killers with the souls of artists, bohemian theatre directors turned Kremlin puppet-masters, supermodel sects, post-modern dictators and oligarch revolutionaries. This is a world erupting with new money and new power, changing so fast it breaks all sense of reality, where life is seen as a whirling, glamorous masquerade where identities can be switched and all values are changeable. It is home to a new form of authoritarianism, far subtler than 20th century strains, and which is rapidly expanding to challenge the global order. An extraordinary book - one which is as powerful and entertaining as it is troubling - Nothing is True and Everything is Possible offers a wild ride into this political and ethical vacuum.

Throughout history, intrepid men and women have related their experiences and perceptions of the world's great cities to bring them alive to those at home. The thirty-eight cities covered in this entertaining anthology of travellers' tales are spread over six continents, ranging from Beijing to Berlin, Cairo to Chicago, Lhasa to London, St Petersburg to Sydney and Rio to Rome. This volume features commentators across the millennia, including the great travellers of ancient times, such as Strabo and Pausanias; those who undertook extensive journeys in the medieval world, not least Marco Polo and Ibn Battuta; courageous women such as Isabella Bird and Freya Stark; and enterprising writers and journalists including Mark Twain and Norman Lewis. We see the world's great cities through the eyes of traders, explorers, soldiers, diplomats, pilgrims and tourists; the experiences of emperors and monarchs sit alongside those of revolutionaries and artists, but also those of ordinary people who found themselves in remarkable situations, like the medieval Chinese abbot who was shown round the Sainte-Chapelle in Paris by the King of France himself. Some of the writers seek to provide a straightforward, accurate description of all they have seen, while others concentrate on their subjective experiences of the city and encounters with the inhabitants. Introduced and contextualized by bestselling historian Peter Furtado, each account provides both a vivid portrait of a distant place and time and an insight into those who journeyed there. The result is a book that delves into the splendours and stories that exist beyond conventional guidebooks and websites.

Chloe Chard assembles fascinating passages from late eighteenth-century and early nineteenth-century accounts of travel in Italy, by Northern Europeans, writing in English (or, in some cases, translated into English at the time); 'Tristes Plaisirs' includes writings by Charles Dupaty, Maria Graham, Anna Jameson, Sydney Morgan, Henry Matthews and Hester Lynch Piozzi. The extracts often focus on the labile moods that contribute to the 'triste plaisir' of travelling (as Madame de Stael termed it): moods such as restlessness, anxiety, exhaustion, animal exuberance, sexual excitement and piqued curiosity. The introduction considers some of these responses in relation to the preoccupations and rhetorical strategies of travel writing during the Romantic period and introductory commentaries examine the ways in which the passages take up a series of themes, around which the five chapters are ordered: 'Pleasure', 'Rising and sinking in sublime places', 'Danger and destabilization', 'Art, unease and life', and 'Gastronomy, Gusto and the Geography of the Haunted'. -- .

In 1951 the Australian writers Charmian Clift and George Johnston left grey, post-war London for Greece. Settling first on the tiny island of Kalymnos, then Hydra, their plan was to live simply and focus on their writing, away from the noise of the big city. The result is two of Charmian Clift's best known and most loved books, the memoirs Mermaid Singing and Peel Me a Lotus. Mermaid Singing relays the culture shock and the sheer delight of their first year on the tiny sponge-fishing island of Kalymnos. Clift paints an evocative picture of the characters and sun-drenched rhythms of traditional life, long before backpackers and mass tourism descended. On Hydra, featured in the companion volume, Peel Me a Lotus, Clift and Johnston became the centre of an informal community of artists and writers including the then unknown Leonard Cohen who lodged with them, and his future girlfriend Marianne Ihlen.

These new essays tell the stories of daring reporters, male and female, sent out by their publishers not to capture the news but to make the news-indeed to achieve star billing-and to capitalize on the Gilded Age public's craze for real-life adventures into the exotic and unknown. They examine the adventure journalism genre through the work of iconic writers such as Mark Twain and Nellie Bly, as well as lesser-known journalistic masters such as Thomas Knox and Eliza Scidmore, who took to the rivers and oceans, mineshafts and mountains, rails and trails of the late nineteenth century, shaping Americans' perceptions of the world and of themselves.

New Directions is delighted to announce beautiful new editions of these three classic Sebald novels, including his two greatest works, The Emigrants and The Rings of Saturn. All three novels are distinguished by their translations, every line of which Sebald himself made pitch-perfect, slaving to carry into English all his essential elements: the shadows, the lambent fallings-back, nineteenth-century Germanic undertones, tragic elegiac notes, and his unique, quiet wit.

At a fateful travel writing workshop, Barbara, Louise, and Janet knew they had to collaborate. Soon, Wendy joined them, and the new writing group got to work.

LOUISE enjoys easy travels, wine, and good food. She takes you deep inside a Hungarian wine cellar and travels from Dawson City in the wild north of Canada, to Guadeloupe and Barbados. JAN adores the sea. She recounts the adventures of flying around Cape Horn, exploring the Galapagos, and learning to jump off a boat near Ireland's wild Aran Islands.

WENDY seeks out those places most of us wouldn't dare to visit. She's been to much of Africa and Asia and calls Pakistan her second home. While sick in Malawi, she found refuge in a tea estate. In Germany, the discovered lost Jewish roots.

BARBARA, the group's hiker, has traveled through Mali, fed hungry children in Kinshasa, and trekked around Mont Blanc and into the Himalayas for a glimpse into the Dragon Kingdom of Bhutan and the Valley of the Flowers in India.

Here, they share adventures and mishaps, frustrations and delights. They invite readers in for intimate reflections on what it means to travel-and why they are so drawn in by the planet's many siren songs.

First published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.

This book brings together theories of spatiality and mobility with a study of travel writing in the Victorian period to suggest that 'idleness' is an important but neglected condition of subjectivity in that era. Contrary to familiar stereotypes of 'the Victorians' as characterized by speed, work, and mechanized travel, this books asserts a counter-narrative in which certain writers embraced idleness in travel as a radical means to 're-subjectification' and the assertion of a 'late-Romantic' sensibility. Attentive to the historical and literary continuities between 'Romantic' and 'Victorian', the book reconstructs the Victorian discourse on idleness. It draws on an interdisciplinary range of theorists and brings together a fresh selection of accounts viewed through the lens of cultural studies as well as accounts of publication history and author biography. Travel texts from different genres (by writers such as Anna Mary Howitt, Jerome K. Jerome and George Gissing) are brought together as representing the different facets of the spectrum of idleness in the Victorian context.

In the depths of winter in 1705 the young Johann Sebastian Bach, then unknown as a composer and earning a modest living as a teacher and organist, set off on a long journey by foot to Lubeck to visit the composer Dieterich Buxterhude, a distance of more than 250 miles. This journey and its destination were a pivotal point in the life of arguably the greatest composer the world has yet seen. Lubeck was Bach's moment, when a young teacher with a reputation for intolerance of his pupils' failings began his journey to become the master of the Baroque. More than three hundred years later, the writer Horatio Clare set off to recreate this walk, following in Bach's footsteps. The result of this journey is Something of his Art, an imaginative evocation of what the twenty-year-old composer would have seen and felt on his long journey is a sustained visualisation of the landscape, light and wildlife of early eighteenth century northern Germany. Bach becomes Clare's walking companion, a vestigial but real presence, as he acutely observes the season and places he passes through.

A special anniversary edition with an updated chapter set 25 years on by Chris Stewart. Over two decades ago we set up Sort of Books to help our friend, the some-time Genesis drummer Chris Stewart, bring his sunlit stories of life on a Spanish mountain farm to print. Ever the optimist, Chris hoped to earn enough money to buy a second-hand tractor for his farm. He got his tractor, as the book spent a year on the Sunday Times Top 10 charts and went on to sell a million and a half copies. His story is a classic. A dreamer and an itinerant sheep shearer, he moves with his wife Ana to a mountain farm in Las Alpujarras, an oddball region in the south of Spain. Misadventures gleefully unfold as Chris discovers that the owner had no intention of leaving. He meets their neighbours, an engaging mix of farmers, shepherds and New Age travellers, and their daughter Chloe is born, linking them irrevocably to their new life. The hero of the piece, however, is the farm itself - a patch of mountain studded with olive, almond and lemon groves, sited on the wrong side of a river, with no access road, water supply or electricity. Could life offer much better than that?

Twee vriendinne besluit om die spoor van die die Nama-mense (afstammelinge van die Khoi-Khoi) van die Noord-Kaap te volg. Hulle vertrek met die doel om uit te vind hoe hulle "gefragmenteerde" kulturele ervaringe eenders of anders as die van Annie en haar mense, die sogenaamde Kaapse bruinmense is. Maar wat begin het as 'n soeke na "objektiewe" feite en inligting, het mettertyd gelei tot 'n proses van selfondersoek en 'n ontdekkingstog wat deur noue, intieme interaksie met die mense van Namakwaland, hoop skep dat lampe aangesteek kan word wat die "andersheid", maar veral die "eendersheid" van die verskillende etniese en kulturele groepe in SA sal uitlig.

TV presenter, writer and adventurer Alice Morrison gives her own unique and personal insight into Morocco, the place she's made her home. When Alice Morrison headed out to Morocco, it was to take on one of the most daunting challenges: to run in the famous Marathon des Sables. Little did she expect to end up living there. But once she settled in a flat in Marrakech, she was won over by the people, the spectacular scenery and the ancient alleyways of the souks. Soon she was hiking over the Atlas mountains, joining nomads to sample their timeless way of life as they crossed the Sahara desert, and finding peace in a tranquil oasis. Despite more than 10 million tourists coming to Morocco each year, there are remarkably few books about its people, their customs and the extraordinary range of places to visit, from bustling markets to vast, empty deserts. Alice makes sure she samples it all, and as she does she provides a stunning portrait of a beautiful country. As a lone woman, she often attracts plenty of curiosity, but her willingness to participate - whether thigh deep in pigeon droppings in a tannery or helping out herding goats - ensures that she is welcomed everywhere by a people who are among the most hospitable on the planet. Alice came to fame with her BBC2 series Morocco to Timbuktu, and now she joins the ranks of great travel writers who can bring a country vividly to life and instantly transport the reader to a sunnier place. If you're thinking of going to Morocco, or you want to recall your time there, Adventures in Morocco is the ideal book.

Peter Goullart spent nine years in the all-but-forgotten Nakhi Kingdom of south west China. He had a job entirely suited to his inquiring, gossipy temperament: to get to know the local traders, merchants, inn-keepers and artisans to decide which to back with a loan from the cooperative movement. A Russian by birth, due to his extraordinary skill in language and dialects, Goullart made himself totally at home in Likiang, which had been ruled by Mandarin officials descended from ancient dynasties, and was visited by caravans of Tibetan and Burmese travelling merchants, and such mysterious local highland peoples as the Lobos. In his company we get to hear about the love affairs and social rivalries of his neighbours, to attend magnificent banquets, meet ancient dowagers and handsome warriors as well as to catch the sound of the swiftly running mountain streams, the coarse ribaldry of the market ladies and the happy laughter emerging from the wine shops. Through him we are able to travel back to this complex society, which believed simultaneously and sincerely in Buddhism, Taoism and Confucianism, in addition to their ancient Animism and Shamanism.

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

It has been nearly three decades since Shirley MacLaine commenced her brave and public commitment to chronicling her personal quest for spiritual understanding. In testament to the endurance and vitality of her message, each of her eight legendary bestsellers -- from Don't Fall Off the Mountain to My Lucky Stars -- continues today to attract, dazzle, and transform countless new readers. Now Shirley is back -- with her most breathtakingly powerful and unique book yet.

This is the story of a journey. It is the eagerly anticipated and altogether startling culmination of Shirley MacLaine's extraordinary -- and ultimately rewarding -- road through life. The riveting odyssey began with a pair of anonymous handwritten letters imploring Shirley to make a difficult pilgrimage along the Santiago de Compostela Camino in Spain. Throughout history, countless illustrious pilgrims from all over Europe have taken up the trail. It is an ancient -- and allegedly enchanted -- pilgrimage. People from St. Francis of Assisi and Charlemagne to Ferdinand and Isabella to Dante and Chaucer have taken the journey, which comprises a nearly 500-mile trek across highways, mountains and valleys, cities and towns, and fields. Now it would be Shirley's turn.

For Shirley, the Camino was both an intense spiritual and physical challenge. A woman in her sixth decade completing such a grueling trip on foot in thirty days at twenty miles per day was nothing short of remarkable. But even more astounding was the route she took spiritually: back thousands of years, through past lives to the very origin of the universe. Immensely gifted with intelligence, curiosity, warmth, and a profound openness to people and places outside her own experience, Shirley MacLaine is truly an American treasure. And once again, she brings her inimitable qualities of mind and heart to her writing. Balancing and negotiating the revelations inspired by the mysterious energy of the Camino, she endured her exhausting journey to Compostela until it gradually gave way to a far more universal voyage: that of the soul. Through a range of astonishing and liberating visions and revelations, Shirley saw into the meaning of the cosmos, including the secrets of the ancient civilizations of Atlantis and Lemuria, insights into human genesis, the essence of gender and sexuality, and the true path to higher love.

With rich insight, humility, and her trademark grace, Shirley MacLaine gently leads us on a sacred adventure toward an inexpressibly transcendent climax. The Camino promises readers the journey of a thousand lifetimes.

He did not return to Morocco for another twenty-nine years, travelling instead through more than forty countries on the modern map, covering seventy-five thousand miles and getting as far north as the Volga, as far east as China and as far south as Tanzania. He wrote of his travels, and comes across as a superb ethnographer, biographer, anecdotal historian and occasional botanist and gastronome.

With this edition by Mackintosh-Smith, Battuta's "Travels" takes its place alongside other indestructible masterpieces of the travel-writing genre.