The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: United States; Social Science / Customs

First published in 2006. Part painting in prose, part delightful narrative, this book is filled with clever observations, memorable characters and the authors' own paintings and drawings. It will prove irresistible to anyone interested in the culture of the French village.

For many Evangelical Christians, a trip to the Holy Land is an integral part of practicing their faith. Arriving in groups, most of these pilgrims are guided by Jewish Israeli tour guides. For more than three decades, Jackie Feldman-born into an Orthodox Jewish family in New York, now an Israeli citizen, scholar, and licensed guide-has been leading tours, interpreting Biblical landscapes, and fielding questions about religion and current politics. In this book, he draws on pilgrimage and tourism studies, his own experiences, and interviews with other guides, Palestinian drivers and travel agents, and Christian pastors to examine the complex interactions through which guides and tourists "co-produce" the Bible Land. He uncovers the implicit politics of travel brochures and religious souvenirs. Feldman asks what it means when Jewish-Israeli guides get caught up in their own performances or participate in Christian rituals, and reflects on how his interactions with Christian tourists have changed his understanding of himself and his views of religion.

For many Evangelical Christians, a trip to the Holy Land is an integral part of practicing their faith. Arriving in groups, most of these pilgrims are guided by Jewish Israeli tour guides. For more than three decades, Jackie Feldman-born into an Orthodox Jewish family in New York, now an Israeli citizen, scholar, and licensed guide-has been leading tours, interpreting Biblical landscapes, and fielding questions about religion and current politics. In this book, he draws on pilgrimage and tourism studies, his own experiences, and interviews with other guides, Palestinian drivers and travel agents, and Christian pastors to examine the complex interactions through which guides and tourists "co-produce" the Bible Land. He uncovers the implicit politics of travel brochures and religious souvenirs. Feldman asks what it means when Jewish-Israeli guides get caught up in their own performances or participate in Christian rituals, and reflects on how his interactions with Christian tourists have changed his understanding of himself and his views of religion.

Johann Ludwig Burckhardt (1784-1817), the great Swiss Orientalist, devoted his regrettably short life to travels and explorations in Africa and the near east, under the aegis of the African association. Under the name of Shaikh Ibrahim Ibn Abdullah and wearing local dress, he gained a profound knowledge of Islamic Law and Customs, and a mastery of both contemporary and classical Arabic of the Qur'an seldom equalled by a European. Burckhardt arrived in Cairo from Syria in 1812. Later he travelled up the Nile and thence eastward through Shendi and Suakin to make the pilgrimage to Mecca and Medina, returning across the Red sea to Suez in 1815. He visited Mt Sinai the next year, but while waiting in Cairo, planning an epic journey across the Sahara, he contracted dysentry and died. He had a deep empathy for Islam, and was buried as a holy pilgrim in the muslim cemetery there.The African Society undertook the publishing of his Journals, and these valuable works are being meticulously republished in facsimile edition by Darf publishers, so they are once more accessible to both scholars and travellers as well as the informed reader.

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

With considerable skill, Mueller skids around the globe from failed state to ravaged war zone to desolate no-man's-land, from Beirut to Basra via Belfast and Bihac, to try to unpick why we humans seem so prone to plucking war from the jaws of peace, why so much that can go wrong does go wrong, over and over again, and how and why some conflicts suddenly, quietly, inexplicably seem to find themselves solved. It's a surprisingly sunny book given the mire in which he finds himself. And it is a notably entertaining and eye-opening tour of the world's moral basements in the vein of Holidays in Hell or Emergency Sex.

Exciting: documents a recent journey through difficult and at times hostile territory

In the early 1960s, travel-writer Simon Gandolfi drove a VW from England to Goa where he rented a bungalow on the beach at Calangute. And it was on Calangute beach that Gandolfi met and loved Vanessa and explored with her much of the subcontinent. The 2008 terrorist attack on the Taj Hotel in Mumbai prompted Gandolfi to re-explore the subcontinent on a small motorcycle. Collecting a Honda 125 from the factory outside Delhi, he rode for six months and 12,000 kilometres. He rediscovers the rented bungalow become a beach bar, his and Vanessa's bedroom a bottle store - and he learns of Vanessa's death soon after their parting. Memories of his travels with Vanessa became his companions as he continued his ride and are the connecting link in this chronicle of two journeys in which Gandolfi explores both the changes in India and in himself.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

"What a beautiful book. I knew it was going to be poetic, but I was knocked over twice by its compelling narrative drive and quiet sense of humor."--Sherman Alexie

Diane Thiel's "The White Horse: A Colombian Journey" takes us on a magically real journey into the Pacific coast rain forests of Colombia. Equal parts travel narrative, ecological essay, historical account, and memoir, this book allows us to experience a reality stranger than fiction.

The Women of Cairo: Scenes of Life in the Orient, first published in 1929, describes the trip to Egypt and other locations in the Ottoman Empire taken by French Romanticist Gerard de Nerval. The book focuses on both reinforcing and dispelling the old ways in which people saw the Orient, as well as examining their old and new customs. This book is perfect for those studying history and travel.

The Islamic Orient studies the travel accounts of four British travelers during the nineteenth century. Through a critical analysis of these works, the author examines and questions Edward Said's concept of "Orientalism" and "Orientalist" discourse: his argument that the orientalist view had such a strong influence on westerners that they invariably perceived the orient through the lens of orientalism. On the contrary, the author argues, no single factor had an overwhelming influence on them. She shows that westerners often struggled with their own conceptions of the orient, and being away for long periods from their homelands, were in fact able to stand between cultures and view them both as insiders and outsiders. The literary devices used to examine these writings are structure, characterization, satire, landscape description, and word choice, as also the social and political milieu of the writers. The major influences in the author's analysis are Said, Foucault, Abdel-Malek and Marie Louise Pratt.

By a winner of the Stanford Dolman Award for Travel Writing "Sayarer is a precise and passionate writer . . . We need writers who will go all the way for a story, and tell it with fire. Sayarer is a marvellous example" HORATIO CLARE On the eve of its centenary year and elections that will shape the coming generations, Julian Emre Sayarer sets out to cycle across Türkiye, from the Aegean coast to the Armenian border. Meeting Turkish farmers and workers, Syrian refugees and Russians avoiding conscription, the journey brings to life a living, breathing, cultural tapestry of the place where Asia, Africa and Europe converge. The result is a love letter to a country and its neighbours - one that offers a clear-eyed view of Türkiye and its place in a changing world. Yet the route is also marked by tragedy, as Sayarer cycles along a major fault line just months before one of the most devastating earthquakes in the region's modern history. Always engaged with the big historical and political questions that inform so much of his writing, Sayarer uses his bicycle and the roadside encounters it allows to bring everything back to the human level. At the end of his journey we are left with a deeper understanding of the country, as well as the essential and universal nature of political power, both in Türkiye and closer to home.

"What's the strangest thing you've ever seen or experienced?" Gina and Scott Gaille have traveled to more than 100 countries, including many off-the-beaten-path places in Africa, South America, and Asia. Wherever they go, they ask this question. Everyone has a story, and some are truly extraordinary. Strange Tales of World Travel recounts 50 of these Bizarre, Mysterious, Horrible, Hilarious encounters, including: Daring Diplomat, who ate the flesh of the venomous cobra bird in the Sahara Desert Pearl Trader, who survived a fever through a harrowing "human" honey treatment in Oman Agent Ghost, who was shot and left to die in a garbage dump in Africa Death-Defying Instagrammer, who stepped on the tail of the world's sixth most venomous snake in Australia to take a better photo Human Pet, who became a prince's prisoner in Qatar Imperial CEO, who made a minion fly twelve hours to Paris from Abu Dhabi to buy clean underwear Gorilla Doll, who broke the rules of visiting Rwandan gorillas and got dragged up the side of a volcano Strange Tales of World Travel presents unforgettable stories that celebrate the unique character of countries around the globe-and the distinctive characters that make travel endlessly intriguing and exhilarating.

Not content with walking the Pennine Way as a modern day troubadour, an experience recounted in his bestseller and prize-wining Walking Home, the restless poet has followed up that journey with a walk of the same distance but through the very opposite terrain and direction far from home. In Walking Away Simon Armitage swaps the moorland uplands of the north for the coastal fringes of Britain's south west, once again giving readings every night, but this time through Somerset, Devon and Cornwall, taking poetry into distant communities and tourist hot-spots, busking his way from start to finsh. From the surreal pleasuredome of Minehead Butlins to a smoke-filled roundhouse on the Penwith Peninsula then out to the Isles of Scilly and beyond, Armitage tackles this personal Odyssey with all the poetic reflection and personal wit we've come to expect of one of Britain's best loved and most popular writers.

In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice's appeal has affected Western culture since 1800.

Interrogating the multiple ways in which travel was narrated and mediated, by and in response to, nineteenth-century British travelers, this interdisciplinary collection examines to what extent these accounts drew on and developed existing tropes of travel. The three sections take up personal and intimate narratives that were not necessarily designed for public consumption, tales intended for a popular audience, and accounts that were more clearly linked with discourses and institutions of power, such as imperial processes of conquest and governance. Some narratives focus on the things the travelers carried, such as souvenirs from the battlefields of Britain's imperial wars, while others show the complexity of Victorian dreams of the exotic. Still others offer a disapproving glimpse of Victorian mores through the eyes of indigenous peoples in contrast to the imperialist vision of British explorers. Swiss hotel registers, guest books, and guidebooks offer insights into the history of tourism, while new photographic technologies, the development of the telegraph system, and train travel transformed the visual, audial, and even the conjugal experience of travel. The contributors attend to issues of gender and ethnicity in essays on women travelers, South African travel narratives, and accounts of China during the Opium Wars, and analyze the influence of fictional travel narratives. Taken together, these essays show how these multiple narratives circulated, cross-fertilised, and reacted to one another to produce new narratives, new objects, and new modes of travel.

Positioned at a crossroads between feminist geographies and modernist studies, Excursions into Modernism considers transnational modernist fiction in tandem with more rarely explored travel narratives by women of the period who felt increasingly free to journey abroad and redefine themselves through travel. In an era when Western artists, writers, and musicians sought 'primitive' ideas for artistic renewal, Joyce E. Kelley locates a key similarity between fiction and travel writing in the way women authors use foreign experiences to inspire innovations with written expression and self-articulation. She focuses on the pairing of outward journeys with more inward, introspective ones made possible through reconceptualizing and mobilizing elements of women's traditional corporeal and domestic geographies: the skin, the ill body, the womb, and the piano. In texts ranging from Jean Rhys's Voyage in the Dark to Virginia Woolf's The Voyage Out and from Evelyn Scott's Escapade to Dorothy Richardson's Pilgrimage, Kelley explores how interactions between geographic movement, identity formation, and imaginative excursions produce modernist experimentation. Drawing on fascinating supplementary and archival materials such as letters, diaries, newspaper articles, photographs, and unpublished drafts, Kelley's book cuts across national and geographic borders to offer rich and often revisionary interpretations of both canonical and lesser-known works.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Whether she is contemplating the history of walking as a cultural and political experience over the past two hundred years ("Wanderlust"), or using the life of photographer Eadweard Muybridge as a lens to discuss the transformations of space and time in late nineteenth-century America ("River of Shadows"), Rebecca Solnit has emerged as an inventive and original writer whose mind is daring in the connections it makes. "A Field Guide to Getting Lost" draws on emblematic moments and relationships in Solnitas own life to explore the issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery. BACKCOVER: aA meditation on the pleasures and terrors of getting losta
a"The New Yorker"
aThis indispensable California writeras most personal book yet.a
a"San Francisco Chronicle"
aAn intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism . . . a book to set you wandering down strangely fruitful trails of thought.a
a"Los Angeles Times"

The road trip is a staple of modern American literature. But nowhere in American literature, until now, has a left-wing economist hit the road, observing and interpreting the extraordinary range and spectacle of U.S. life, bringing out its conflicts and contradictions with humor and insight.

Disillusioned with academic life after thirty-two years teaching economics, Michael D. Yates took early retirement in 2001, with a pension account that had doubled during the dot.com frenzy of the late 1990s. He and his wife Karen sold their house, got rid of their belongings, and have moved around the country since then, often spending months at a time on the road. Michael and Karen spent the summer of 2001 in Yellowstone National Park, where Michael worked as a hotel front-desk clerk. They moved to Manhattan for a year, where he worked for "Monthly Review," From there they went to Portland, Oregon, to explore the Pacific Northwest. After five months of travel in Summer and Fall 2004, they settled in Miami Beach. Ahead of the 2005 hurricane season, they went back on the road, settling this time in Colorado.

Cheap Motels and a Hotplate is both an account of their adventures and a penetrating examination of work and inequality, race and class, alienation and environmental degradation in the small towns and big cities of the contemporary United States.

Over the past several years, "the American in Tuscany" has become a literary subgenre. Launched by the phenomenal success of Frances Mayes's Under the Tuscan Sun, bookstores now burgeon with nimble, witty accounts of this clash in cultures-Americans trying to do American things in Italy and bumping against a brick wall of tradition. Before this subgenre exhausts itself, it's only fair that we hear the other side of the story-that of a native Tuscan and of dozens of Americans who have stormed through his life and homeland, determined to find in it whatever they are looking for, whether quaintness or wisdom, submission or direction. There is no one better to provide this view than Dario Castagno. A Tuscan guide whose client base is predominantly American, Dario has spent more than a decade taking individuals and small groups on customized tours through the Chianti region of Tuscany. Reared in Britain through early childhood, he speaks English fluently and is therefore capable of fully engaging his American clients and getting to know them. Too Much Tuscan Sun is Dario's account of some of his more remarkable customers, from the obsessive and the oblivious to the downright lunatic. It is also a primer on Tuscany--its charms and its culture. Structured around a typical Tuscan year, Dario takes us through the sights, smells, and sounds of Chianti during each of the twelve months, including the festivities and pageantry that accord with the season, most notable the Palio-the bareback horse race that consumes the social energies of the people of Siena for all of July and August. Dario also intersperses an account of his own life and times-that of a transplanted British "little lord" who learns to love the wilds of Chianti; of his discovery and adoption of abandoned peasant farmhouses; of his apprenticeship in the wine industry; and of his arduous transformation from bohemian layabout to thriving Tuscan guide. But the bulk of the book is devoted, with humor and affection, to the Americans he has met-the vain, the silly, the ignorant, the ambitious, the horny, the condescending, the charming, and the outright pathological. Some of them have made his life hell and live in his nightmares; others became lifelong friends.