This book is a unique source of information about U.S. troop involvement in South Vietnam from 1965 to 1972. It stresses that Vietnam was a war without fronts or battle lines-a war different from any that the United States had previously fought.

T his BOOK EXAMINES the world confronted by the men of an American combat division during the Vietnam War. Although the unit in question is the 25th Infantry Division, this is not a unit history or standard military chronology. Instead, I try to view all of the major parts of the soldiers' world-including subjects as diverse as climate, living conditions, deadly combat, and morale. The world inhabited by the soldiers of the 25th Division was not theirs alone; the men and women who served with other frontline units in Vietnam will immediately recognize the major landmarks. Using the 25th Division as a focal point, I hope to help the people of today better understand what the Vietnam War was like in fact, not fiction. This work is based on a variety of sources. The documentary foundations come from a great number of 25th Division records generated during the war; the most important of which are the large quarterly Division reports. They, in turn, are complemented by the quarterly reports that came from II Field Force, Vietnam, the Army headquarters for the units operating in the provinces near Saigon. The Center of Military History, Department of the Army, provided these documents to me while I was doing research on the village war in a Vietnamese province. I used this research to write The Dynamics of Defeat: The Vietnam War in Hau Nghia Province (Westview Press, 1991), which deals with the political and military struggle waged by both sides in an important part of the 25th Division's area of operations.

In the midst of the Vietnam War, two titans of the Senate, J. William Fulbright and John C. Stennis, held public hearings to debate the conflict's future. In this intriguing new work, historian Joseph A. Fry provides the first comparative analysis of these inquiries and the senior southern Senators who led them. The Senators' shared aim was to alter the Johnson administration's strategy and bring an end to the war-but from dramatically different perspectives. Fulbright hoped to pressure Johnson to halt escalation and seek a negotiated settlement, while Stennis wanted to prompt the President to bomb North Vietnam more aggressively and secure a victorious end to the war. Publicized and televised, these hearings added fuel to the fire of national debate over Vietnam policy and captured the many arguments of both hawks and doves. Fry details the dramatic confrontations between the Senate committees and the administration spokesmen, Dean Rusk and Robert McNamara, and he probes the success of congressional efforts to influence Vietnam policy. Ultimately, Fry shows how the Fulbright and Stennis hearings provide vivid insight into the debate over why the United States was involved in Vietnam and how the war should be conducted.

** NOW A MAJOR MOVIE STARRING ZAC EFRON, RUSSELL CROWE AND BILL MURRAY THE NEW YORK TIMES BESTSELLER 'An extraordinary story.' - Daily Mail 'An unforgettable, wild ride from start to finish.' - John Bruning 'The astounding true story - from the streets of Manhattan to the jungles of Vietnam.' - Thomas Kelly IT SEEMED LIKE A GOOD IDEA AT THE TIME. As a result of a rowdy night in his local New York bar, ex-Marine and merchant seaman "Chick" Donohue volunteers for a legendary mission. He will sneak into Vietnam to track down his buddies in combat to bring them a cold beer and supportive messages from home. It'll be the greatest beer run ever! Now, decades on from 1968, this is the remarkable true story of how he actually did it. Armed with Irish luck and a backpack full of alcohol, Chick works his passage to Vietnam, lands in Qui Nhon and begins to carry out his quest, tracking down the disbelieving soldiers one by one. But things quickly go awry, and as he talks his way through checkpoints and unwittingly into dangerous situations, Chick sees a lot more of the war than he ever planned - spending a terrifying time in the Demilitarized Zone, and getting caught up in Saigon during the Tet Offensive. With indomitable spirit, Chick survives on his wits, but what he finds in Vietnam comes as a shock. By the end of his epic adventure, battered and exhausted, Chick finds himself questioning why his friends were ever led into the war in the first place.

Code-named the Studies and Observations Group, SOG was the most secret elite U.S. military unit to serve in the Vietnam War-its very existence denied by the government. Composed entirely of volunteers from such ace fighting units as the Army Green Berets, Air Force Air Commandos, and Navy SEALs, SOG took on the most dangerous covert assignments, in the deadliest and most forbidding theaters of operation.
John L. Plaster, a three-tour SOG veteran, shares the gripping account of SOG's stunning operations behind enemy lines-penetrating heavily- defended North Vietnamese military facilities, holding off mass enemy attacks, and launching daring missions to rescue downed U.S. pilots. From sabotage to espionage to hand-to-hand combat, these are some of the most extraordinary true stories of honor and heroism in the history of the U.S. military.

After more than four decades, the Viet Nam War continues to haunt our national memory, culture, politics, and military actions. In this probing interdisciplinary study, Susan Lyn Eastman examines a range of cultural productions-from memorials and poetry to cinematic and fictional narratives-that have tried to grapple with the psychic afterlife of traumatic violence resulting from the ill-fated conflict in Southeast Asia. Underpinning the book is the notion of "prosthetic memory," which involves memories acquired by those with no direct experience of the war, such as readers and filmgoers. Prosthetic memories, Eastman argues, refuse to relegate the war to the forgotten past and challenge the authenticity of experience, thus ensuring its continued relevance to debates over America's self-conception, specifically her coinage of the "New Vietnam Syndrome," and the country's role in world affairs when it comes to contemporary military interventions. With the notable exception of the Veterans' Memorial in Washington, Eastman's focus is on works produced from the Persian Gulf War (1990-91) through the post-9/11 "War on Terror." She looks not only at American representations of the war-from movies like Randall Wallace's We Were Soldiers to poems by W. D. Ehrhart, Yusef Komunyakaa, and others-but also at novels by Vietnamese authors Bao Ninh and Huong Thu Duong. The experiences of women figure prominently in the book: Eastman devotes a chapter to the Vietnam Women's Memorial and another to Sandie Frazier's novel I Married Vietnam and Oliver Stone's film Heaven and Earth, based on memoirs by Le Ly Hayslip. And by examining Jessica Hagedorn's Dream Jungle, a novel inspired by the filming of Apocalypse Now, she considers how the war's repercussions were felt in other countries, in this case the Philippines. Her investigation of Vietnamese American authors Lan Cao, Andrew Lam, and GB Tran adds a transnational dimension to the study. With its up-to-date perspective on recent works that have heretofore received scant critical notice, this book offers new ways of thinking about one of the most polemic chapters in U.S. history. SUSAN LYN EASTMAN teaches in the Department of English at the University of Tennessee at Chattanooga.

"Body Counts: The Vietnam War and Militarized Refuge(es)" examines how the Vietnam War has continued to serve as a stage for the shoring up of American imperialist adventure and for the (re)production of American and Vietnamese American identities. Focusing on the politics of war memory and commemoration, this book retheorizes the connections among history, memory, and power and refashions the fields of American studies, Asian American studies, and refugee studies not around the narratives of American exceptionalism, immigration, and transnationalism but around the crucial issues of war, race, and violence--and the history and memories that are forged in the aftermath of war. At the same time, the book moves decisively away from the "damage-centered" approach that pathologizes loss and trauma by detailing how first- and second-generation Vietnamese have created alternative memories and epistemologies that challenge the established public narratives of the Vietnam War and Vietnamese people. Explicitly interdisciplinary, "Body Counts" moves between the humanities and social sciences, drawing on historical, ethnographic, cultural, and virtual evidence in order to illuminate the places where Vietnamese refugees have managed to conjure up social, public, and collective remembering.

Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it. Even for many people who experienced the Vietnam War first hand, memories of that conflict have often been shaped by the popular films that depicted it: The Quiet American, The Green Berets, The Deer Hunter, Coming Home, Platoon, Full Metal Jacket, and Apocalypse Now, among others. Vietnam War on Film examines how the war is portrayed through a selection of ten iconic films that represent the war through dramatization and storytelling as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events, followed by ten chapters, each of which focuses on a specific Vietnam War movie. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A final section of "Resources" provides a comprehensive annotated bibliography of print and electronic sources to aid students and teachers in further research. Provides a unique guide to the Vietnam War experience for film history buffs, students and scholars of history, and fans of the cinema Offers equal emphasis on the films themselves and the historical events depicted Presents carefully researched and highly informative coverage Stimulates debate over the various ways the war was interpreted and experienced

This book explores the international leadership of the AFL-CIO, the UAW and UAW Local 600, the world's largest union local, and reveals that overall, working-class response to the Vietnam War mirrored that of the American society as a whole.

First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.

The decade that followed James Stockdale's seven and a half years in a North Vietnamese prison saw his life take a number of different turns, from a stay in a navy hospital in San Diego to president of a civilian college to his appointment as a senior research fellow at the Hoover Institution. In this collection of essays he offers his thoughts on his imprisonment. Describing the horrors of his treatment as a prisoner of war, Stockdale tells how he discovered firsthand the capabilities and limitations of the human spirit in such a situation. As the senior officer in confinement he had what he humbly describes as 'the easiest leadership job in the world: to maintain the organization, resistance, and spirit of ten of the finest men I have ever known.' His reflections on his wartime prison experience and the reasons for his survival form the basis of the writings reprinted here. In subject matter ranging from methods of communication in prison to military ethics to the principles of leadership, the thirty-four selections contained in this volume are a unique record of what Stockdale calls a 'melting experience' - a pressure-packed existence that forces one to grow. Retired Vice Admiral James B. Stockdale, a Hoover Institution fellow from 1981 to 1996, was Ross Perot's 1992 presidential running mate and a recipient of the Medal of Honor after enduring seven and a half years as a prisoner of war in North Vietnam. He died in 2005 at the age of 81.

This book tells the full story of the US Naval air campaign during the Vietnam War between 1965 to 1975, where the US Seventh Fleet, stationed off the Vietnamese coast, was given the tongue-in-cheek nickname 'The Tonkin Gulf Yacht Club'. On August 2, 1964, USS Maddox became embroiled in the infamous 'Gulf of Tonkin incident' that lead directly to America's increased involvement in the Vietnam War. Supporting the Maddox that day were four F-8E Crusaders from the USS Ticonderoga, signalling the start of the US Navy's commitment to the air war over Vietnam. The Tonkin Gulf Yacht Club was the nickname for the US Navy's Seventh Fleet, Task Force 77, stationed off the coast of Vietnam which, at various points throughout the war, comprised as many as six carriers with 70-100 aircraft on board. The Seventh Fleet played an essential role in supporting operations over Vietnam, providing vital air support to combat troops on the ground and taking part in major operations such as Rolling Thunder and Linebacker I and II. Serving with the US Seventh Fleet during this period and involved in the dramatic history of The Tonkin Gulf Yacht Club was author Tom Cleaver, who was a 20-year-old member of Commander Patrol Forces Seventh Fleet which had operational control over Maddox and Turner Joy. His use of dramatic first-hand experiences from interviews with both American and Vietnamese pilots plus official Vietnamese accounts of the war provides a balanced and personal picture of the conflict from both sides. Detailing the very earliest incident in the Gulf of Tonkin through to the final evacuation of US nationals in 1975, he brings the story of US air intervention into Vietnam vividly to life.

On June 7, 1998 CNN broadcast Valley of Death, the story of a 1970 raid into Laos by U.S. Special Forces. According to the report, Operation Tailwind had used sarin nerve gas to kill U.S. soldiers who had defected to the North Vietnamese. After a firestorm of controversy, CNN retracted the report, ruining the career of rising star April Oliver and compromising the network's credibility. Called "the TV news story of the year" by TV Guide, CNN's Operation Tailwind fiasco was the biggest news scandal of the 1990s. Hearing about the story after its broadcast, Jerry Lembcke was struck by its resemblance to war legends and myths. His search for the origins of the tale, and an explanation for why top-level journalists would believe it, led him into the shocking world of political paranoia, where conspiracy theory, popular culture, religious fundamentalism, and the fantasies of war veterans cross paths. Approaching the story as a case study in why people believe what they do, Lembcke reversed the normal inquiry into how journalists shape what the rest of us know, to ask questions about the social forces that shape what journalists know. With a likeness to Herbert Gans' 1980 classic, Deciding What's News, Jerry Lembcke's CNN's Tailwind Tale is at once a study of American journalism that opens a window on America itself. Special link to the author's interview on Radio Nation discussing this new book - CNN's Tailwind Tale

"He seems to have brought to this book the ear of a musician and the eye of a painter . . . the premier war correspondence of Vietnam."--Washington Post. "The best book I have ever read on men and war in our time."--John le Carre." . . . Dispatches puts the rest of us in the shade."--Hunter S. Thompson.

Every war has its "bridge"--Old North Bridge at Concord, Burnside's Bridge at Antietam, the railway bridge over Burma's River Kwai, the bridge over Germany's Rhine River at Remagen, and the bridges over Korea's Toko Ri. In Vietnam it was the bridge at Thanh Hoa, called Dragon's Jaw. For many years hundreds of young US airmen flew sortie after sortie against North Vietnam's formidable and strategically important bridge, dodging a heavy concentration of anti-aircraft fire, surface-to-air missiles and enemy fighters. Many American airmen were shot down, killed, or captured and taken to the infamous POW prisons in Hanoi. But after each air attack, when the smoke cleared and the debris settled, the bridge stubbornly remained standing. For the North Vietnamese it became a symbol of their invincibility; for US war planners an obsession; for US airmen a testament to American mettle and valor. Using after-action reports, official records, and interviews with surviving pilots, as well as previously untapped Vietnamese sources, Dragon's Jaw chronicles American efforts to destroy the bridge, strike by bloody strike, putting readers into the cockpits, under fire. The story of the Dragon's Jaw is a story rich in bravery, audacity, sometimes luck and sometimes tragedy. The "bridge" story of Vietnam is an epic tale of war against a determined foe.

This is a study of media and cultural artifacts that constitute the remembrance of a tragic war as reflected in the stories of eight people who lived it. Using memoir, history, and criticism, "Crossing the Street in Hanoi" is based on scholarly research, teaching, and writing as well as extensive personal journals, interviews, and exclusive primary source material. Each chapter uses a human story to frame an exploration in media and cultural criticism. What weaves these different threads into a whole cloth are the stories of the Vietnam War and the long shadow it casts over American and Vietnamese cultures.

First published in 1915, Towards International Government considers the consequences of war for global diplomacy and the alliance system. Hobson argues that, to reduce armaments and the possibility of another world war, an organisational structure of international government must be put into place. An extension of the League of Nations, Hobson proposes that this council would need to hold legislative powers enabling it to impose economic sanctions and, if necessary, the ability to deploy an international force. This is a fascinating and exceptionally forward-thinking work, of great importance to economic and political historians of the twentieth century.

With first-hand insight into the into the key role of the US Air Force's fighter-bomber from the Vietnam War through to Operation Desert Storm during the First Gulf War, this book is an unmissable account of some of the most dangerous and demanding missions in the two wars. The advent of the surface-to-air missile (SAM) in the early 1950s threatened the whole concept of aerial bombing from medium and high altitude. Countermeasures were developed during the Korean War, but with little initial success. It was only in the closing stages of the Vietnam War, with the F-4Cww Phantom II (Wild Weasel 4), that this equipment started to become successful enough to allow a substantial investment in converting 116 F-4E Phantom IIs into dedicated SEAD aircraft. This move introduced a new generation of anti-radar missiles which became invaluable in later operations including operations Desert Shield, Desert Storm and Northern Watch over Iraq. This volume features dynamic archival photography from crews who flew the jet, alongside mission accounts and technical details of the development and fielding of the F-4 Wild Weasel in its various iterations. Including specially commissioned artwork of 'sharkmouthed' Phantom IIs in Vietnam jungle camouflage and more modern USAF 'Ghost Gray', this book is the ultimate visual and technical guide to the F-4 Phantom II Wild Weasel Units in combat.

Between 1965 and 1973, hundreds of thousands of ordinary Americans participated in one of the most remarkable and significant people's movements in American history. Through marches, rallies, draft resistance, teach-ins, civil disobedience, and non-violent demonstrations at both the national and local levels, Americans vehemently protested the country's involvement in the Vietnam War.

Rethinking the American Anti-War Movement provides a short, accessible overview of this important social and political movement, highlighting key events and key figures, the movement's strengths and weaknesses, how it intersected with other social and political movements of the time, and its lasting effect on the country. The book is perfect for anyone wanting to obtain an introduction to the Anti-War movement of the twentieth century.

By January 1968 the fighting in Vietnam seemed to be at a stalemate. Yet General William Westmoreland, commander of American forces, announced a new phase of the war in which 'the end begins to come into view.' The North Vietnamese had different ideas. In mid-1967, the leadership in Hanoi had started planning an offensive intended to win the war in a single stroke. Part military action and part popular uprising, the Tet Offensive included attacks across South Vietnam, but the most dramatic and successful would be the capture of Hue, the country's cultural capital. At 2:30 a.m. on January 31, 10,000 National Liberation Front troops descended from hidden camps and surged across the city of 140,000. By morning, all of Hue was in Front hands save for two small military outposts. The commanders in country and politicians in Washington refused to believe the size and scope of the Front's presence. After several futile and deadly days, Lieutenant Colonel Ernie Cheatham would finally come up with a strategy to retake the city, block by block and building by building, in some of the most intense urban combat since World War II. With unprecedented access to war archives in the U.S. and Vietnam and interviews with participants from both sides, Bowden narrates each stage of this crucial battle through multiple points of view. Played out over twenty-four days of terrible fighting and ultimately costing 10,000 combatant and civilian lives, the Battle of Hue was by far the bloodiest of the entire war. When it ended, the American debate was never again about winning, only about how to leave. In Hue 1968, Bowden masterfully reconstructs this pivotal moment in the American war in Vietnam.

1970 - the height of the Vietnam War. A group of young Forward Air Controllers based in Thailand are assigned with supporting the Truck War and the People's War in southern Laos, where the fate of the Vietnam War, and Laos' very future, is being decided. Tasked with shutting down the Ho Chi Minh Trail - the North Vietnamese supply lines running into South Vietnam - literally stopping the constant stream of trucks in their tracks, these American airmen, call sign "Nail," fly missions 24 hours a day. Daily they run the gauntlet of intense anti-aircraft fire to bring in accurate attacks by American fighter bombers. At night, streams of red tracers scream up from the ground, seeking the metallic flesh of their fragile craft. During the day, they search the skies for the telltale black puffs of smoke that reveal the self-destructive warheads of the North Vietnamese gunners. Even when tragedy befalls the group, they perserve with their mission. But will courage and dedication be enough?

Beginning as a young boy, Jules takes you through the unique process of becoming a Naval Aviator, engages you into his experiences as a brand new pilot in a combat squadron and, finally becoming a flying warrior. Having survived two combat cruises aboard the aircraft carrier USS Kitty Hawk from 1966-1968, compiling 332 career carrier take offs and landings, being shot at daily by enemy fire while completing 200 combat missions over Vietnam, he clearly shares the views of the aviators who flew along with him on these missions while fighting this unpopular war. Jules was awarded the Nation's Distinguished Flying Cross, 21 Air Medals, and many other accolades. After reading this book the reader will have a new understanding and appreciation about the Warriors who protect not only their comrades in arms, but the defense of the nation as well.

The Vietnam War was one of the most heavily documented conflicts of the twentieth century. Although the events themselves recede further into history every year, the political and cultural changes the war brought about continue to resonate, even as a new generation of Americans grapples with its own divisive conflict.

America and the Vietnam War: Re-examining the Culture and History of a Generation reconsiders the social and cultural aspects of the conflict that helped to fundamentally change the nation. With chapters written by subject area specialists, America and the Vietnam War takes on subjects such as women s role in the war, the music and the films of the time, the Vietnamese perspective, race and the war, and veterans and post-traumatic stress disorder. Features include:

• chapter summaries
• timelines
• discussion questions
• guides to further reading
• a companion website with primary source documents and tools (such as music and movie playlists) for both instructors and students.

Heavily illustrated and welcoming to students and scholars of this infamous and pivotal time, America and the Vietnam War is a perfect companion to any course on the Vietnam War Era.

In The Sum of Our Dreams, Louis P. Masur offers a sweeping yet compact history of America from its beginnings to the current moment. For general readers seeking an accessible, single-volume account, one that challenges but does not overwhelm, and which distills and connects the major events and figures in the country's past in a single narrative, here is that book. Evoking Barack Obama's belief that America remains the "sum of its dreams," Masur locates the origin of those dreams-of freedom, equality, and opportunity-and traces their progress chronologically, illuminating the nation's struggle over time to articulate and fulfill their promise. Moving from the Colonial Era, to the Revolutionary Period, the Early Republic, and through the Civil War, Masur turns his attention to Reconstruction, the Gilded Age, the Progressive Age, World War One, the Great Depression, World War Two, the Cold War, Civil Rights, Vietnam, and Watergate, and then laying out clearly and concisely what underlies the divisiveness that has characterized American civic life over the last forty years-and now more than ever. Above all, however, Masur lets the story of American tell itself. Inspired by James Baldwin's observation that "American history is longer, larger, more beautiful and more terrible than anything anyone has ever said about it," he expands our notion of that history while identifying its individual threads. The Sum of Our Dreams will be the new go-to single volume for anyone wanting a foundational understanding of the nation's past, and its present.