When John F. Kennedy was shot, millions were left to wonder how America, and the world, would have been different had he lived to fulfill the enormous promise of his presidency. For many historians and political observers, what Kennedy would and would not have done in Vietnam has been a source of enduring controversy.
Now, based on convincing new evidence--including a startling revelation about the Kennedy administration's involvement in the assassination of Premier Diem--Howard Jones argues that Kennedy intended to withdraw the great bulk of American soldiers and pursue a diplomatic solution to the crisis in Vietnam.
Drawing upon recently declassified hearings by the Church Committee on the U.S. role in assassinations, newly released tapes of Kennedy White House discussions, and interviews with John Kenneth Galbraith, Robert McNamara, Dean Rusk, and others from the president's inner circle, Jones shows that Kennedy firmly believed that the outcome of the war depended on the South Vietnamese. In the spring of 1962, he instructed Secretary of Defense McNamara to draft a withdrawal plan aimed at having all special military forces home by the end of 1965. The "Comprehensive Plan for South Vietnam" was ready for approval in early May 1963, but then the Buddhist revolt erupted and postponed the program. Convinced that the war was not winnable under Diem's leadership, President Kennedy made his most critical mistake--promoting a coup as a means for facilitating a U.S. withdrawal. In the cruelest of ironies, the coup resulted in Diem's death followed by a state of turmoil in Vietnam that further obstructed disengagement. Still, these events only confirmed Kennedy's view about South Vietnam's inability to win the war and therefore did not lessen his resolve to reduce the U.S. commitment. By the end of November, however, the president was dead and Lyndon Johnson began his campaign of escalation. Jones argues forcefully that if Kennedy had not been assassinated, his withdrawal plan would have spared the lives of 58,000 Americans and countless Vietnamese.
Written with vivid immediacy, supported with authoritative research, Death of a Generation answers one of the most profoundly important questions left hanging in the aftermath of John F. Kennedy's death.
Death of a Generation was a CHOICE Outstanding Academic Title for 2003.

"Body Counts: The Vietnam War and Militarized Refuge(es)" examines how the Vietnam War has continued to serve as a stage for the shoring up of American imperialist adventure and for the (re)production of American and Vietnamese American identities. Focusing on the politics of war memory and commemoration, this book retheorizes the connections among history, memory, and power and refashions the fields of American studies, Asian American studies, and refugee studies not around the narratives of American exceptionalism, immigration, and transnationalism but around the crucial issues of war, race, and violence--and the history and memories that are forged in the aftermath of war. At the same time, the book moves decisively away from the "damage-centered" approach that pathologizes loss and trauma by detailing how first- and second-generation Vietnamese have created alternative memories and epistemologies that challenge the established public narratives of the Vietnam War and Vietnamese people. Explicitly interdisciplinary, "Body Counts" moves between the humanities and social sciences, drawing on historical, ethnographic, cultural, and virtual evidence in order to illuminate the places where Vietnamese refugees have managed to conjure up social, public, and collective remembering.

Based on extensive research in the Russian archives, this book examines the Soviet approach to the Vietnam conflict between the 1954 Geneva conference on Indochina and late 1963, when the overthrow of the South Vietnamese president Ngo Dinh Diem and the assassination of John F. Kennedy radically transformed the conflict.
The author finds that the USSR attributed no geostrategic importance to Indochina and did not want the crisis there to disrupt detente. The Russians had high hopes that the Geneva accords would bring years of peace in the region. Gradually disillusioned, they tried to strengthen North Vietnam, but would not support unification of North and South. By the early 1960s, however, they felt obliged to counter the American embrace of an aggressively anti-Communist regime in South Vietnam and the hostility of its former ally, the People's Republic of China. Finally, Moscow decided to disengage from Vietnam, disappointed that its efforts to avert an international crisis there had failed.

In this new collection of essays on the Vietnam War, eminent scholars of the Second Indochina conflict consider several key factors that led to the defeat of the United States and its allies. The book adopts a candid and critical look at the U.S.’s stance and policies in Vietnam, and refuses to condemn, excuse, or apologize for America’s actions in the conflict. Rather, the contributors think widely and creatively about the varied reasons that may have accounted for the U.S.’s failure to defeat the North Vietnamese Army, such as role played by economics in America’s defeat. Other fresh perspectives on the topic include American intelligence failure in Vietnam, the international dimensions of America’s defeat in Vietnam, and the foreign policy of the Democratic Republic of Vietnam.

A study of poetry written primarily by Vietnam veterans during and after the war. Drawing on a wealth of material often published in small presses and journals, the book highlights the horrors of war and the continuing traumas of veterans in a post-Vietnam America that has largely rewritten the Vietnam war to suit dominant national ideologies. The analysis dwells on poems of solidarity wherein American veterans reach out to their former enemy. The concluding chapter on Vietnamese poems in translation extends the circle of memory and trauma In its inclusion of Vietnamese perspectives Chattarji's study marks a departure from earlier works that have largely concentrated on Vietnam as a war rather than as a country. This is a significant addition to Vietnam studies and should be of interest to specialists in literature and culture studies, as well as those with a more general interest in the subject.

In 1963, a frustrated President Kennedy turned to the Pentagon for help in carrying out subversive operations against North Vietnam- a job the CIA had not managed to handle effectively. Thus was born the Pentagon's Special Operations Group(SOG). Under the cover name"Studies and Observation Group," SOG would, over the next eight years, dispatch numerous spies to North Vietnam, create a triple-cross deception program, wage psychological warfare by manipulating North Vietnamese POW's and kidnapped citizens, and stage deadly assaults on enemy soldiers traveling the Ho Chi Minh Trail. Written by the country's leading expert on SOG, here is the story of that covert war-one that would have both spectacular and disastrous results.

Friendly Fire, in this instance, refers not merely to a tragic error of war, witnessed at least as much in Vietnam as in American wars before and since - it also refers, metaphorically, to America's war with itself during the Vietnam years. Starting from this point, Kinney's book considers the concept of 'friendly fire' from multiple vantage points, and portrays the Vietnam age as a crucible where America's cohesive image of itself shattered - pitting soldiers against superiors, doves against hawks, feminism against patriarchy, racial fear against racial tolerance. Through the use of extensive evidence from the film and popular fiction of Vietnam (e.g Kovic's Born on the Fourth of July, Didion's Democracy, O'Brien's Going After Cacciato, Rabe's Sticks and Stones and Streamers), Kinney draws a powerful picture of a nation politically, culturally, and socially divided, and a war that has been memorialized as a contested site for art, media, politics, and ideology.

Combat helicopter pilots in the Vietnam War flew each mission in the face of imminent death. Begun as a series of letters to Department of Veterans Affairs, this compelling memoir of an aircraft commander in the 116th Assault Helicopter Company-""The Hornets""-relates his experience of the war in frank detail. From supporting the 25th Infantry Division's invasion of Cambodia, to flying the lead aircraft in the 101st Airmobile Division's pivotal invasion of Laos, the author recounts the traumatic events of his service from March 1970 to March 1971.

Every war has its "bridge"--Old North Bridge at Concord, Burnside's Bridge at Antietam, the railway bridge over Burma's River Kwai, the bridge over Germany's Rhine River at Remagen, and the bridges over Korea's Toko Ri. In Vietnam it was the bridge at Thanh Hoa, called Dragon's Jaw. For seven long years hundreds of young US airmen flew sortie after sortie against North Vietnam's formidable and strategically important bridge, dodging a heavy concentration of anti-aircraft fire and enemy MiG planes. Many American airmen were shot down, killed, or captured and taken to the infamous "Hanoi Hilton" POW camp. But after each air attack, when the smoke cleared and the debris settled, the bridge stubbornly remained standing. For the North Vietnamese it became a symbol of their invincibility; for US war planners an obsession; for US airmen a testament to American mettle and valor. Using after-action reports, official records, and interviews with surviving pilots, as well as untapped Vietnamese sources, Dragon's Jaw chronicles American efforts to destroy the bridge, strike by bloody strike, putting readers into the cockpits, under fire. The story of the Dragon's Jaw is a story rich in bravery, courage, audacity, and sometimes luck, sometimes tragedy. The "bridge" story of Vietnam is an epic tale of war against a determined foe.

From 1967-1971, Stuart Steinberg served in the U.S. Army as an explosive ordnance disposal specialist. In January 1968, he was sent to Dugway Proving Grounds in Utah, where chemical and biological weaponry was stockpiled, staying there until July 1968. Steinberg was involved in helping to clean up the worst nerve gas disaster in American history on March 13, 1968. As a result, he volunteered to serve in Vietnam from September 4, 1968 to March 24, 1970. This is What Hell Looks Like explores the difficult and traumatic situations faced by Steinberg and his teammates across their time in Vietnam. This volume also examines the causes and consequences of post-traumatic stress disorder though Steinberg's honest account of his experiences, including his subsequent addiction to prescription painkillers. Documenting Steinberg's personal journey through "Hell," his account casts further light on life during the Vietnam War.

And Bring the Darkness Home is a haunting exploration of how the mental scars of war destroyed an international cricket career, tore a family apart and left destitute a man who seemed to have it all. Tony Dell was the only Test cricketer to fight in the Vietnam War. His journey to the summit of the game, playing for Australia against England in the Ashes, was as unlikely and meteoric as any in cricket history. His descent was painful and harrowing. It was in his mid-60s, living in his mother's garage, that he learned the truth about what had led him on a path of self-destruction. A diagnosis of post-traumatic stress disorder allowed him to piece together the ruins of his life and also to search for answers, for himself and the thousands of other sufferers. The restlessness and urgency that once drove him to the top of the game was turned on authorities who refused to learn the lessons from history. PTSD robbed Tony Dell of memories of his playing career and left a palpable sense of loss. It also gave him a life-changing mission.

Major John L. Plaster, a three-tour veteran of Vietnam tells the story of the most highly classified United States covert operatives to serve in the war: The Studies and Observations Group, code-named SOG. Comprised of volunteers from such elite military units as the Army's Green Berets, the USAF Air Commandos, and Navy SEALs, SOG agents answered directly to the Pentagon's Joint Chiefs, with some missions requiring approval from the White House. Now for the first time, the dangerous assignments of this top-secret unit can at last be revealed

Vietnam is an ancient and beautiful land, with a deep history of occupational conflict that remains an enigma in Americans' collective memory. It is still easy to forget that Vietnam is a country and not a war, even as America's role in Vietnam inflamed and divided the American citizenry in ways that are still evident today. It is as if Vietnam's civil war resurrected our own. And if you are a Vietnam War veteran or a family member of a vet, it's worse, because, even after a half-century, many of the wounds won't heal. What do you do when you have given up on forgetting? Chuck Forsman is one of a sizable number of aging Vietnam vets who have found deep satisfaction in revisiting Vietnam, supporting charities, orphanages, and clinics, doing volunteer work and more-anything to redeem what the U.S. military did there. He is also a renowned painter and photographer who depicts places and environments in ways that become unforgettable visual experiences for the contemporary viewer. Lost in Vietnam chronicles a journey, not a country. They were taken on visits averaging two months each and two-year intervals over a decade. Forsman traveled largely by motorbike throughout the country-south, central, and north-sharing his experiences through amazing photographs of Vietnam's lands and people. His visual journey of one such veteran's twofold quest: the one for redemption and understanding, and the other to make art. The renowned Le Ly Hayslip introduces the book and sets the table for Forsman's incredible sojourn.

Phil Gioia grew up an army brat during the decades after World War II. Drawn to the military, he attended the Virginia Military Institute, then was commissioned in the U.S. Army, where he completed Jump School and Ranger School. Not even a year after college graduation, he landed in Vietnam in early 1968-in the first weeks of the Tet offensive, which marked a major escalation of the war. Commanding a company in the 82nd Airborne Division, Gioia led his paratroopers into the city of Hue for intense fighting-danger was always just around the corner -and the grisly discovery of mass graves. Wounded, he was sent home in May but returned with the 1st Cavalry Division a year later, this time leading a rucksack company of light infantry. Inserted into far-flung landing zones, Gioia and his men patrolled the jungles and rubber plantations along the Cambodian border, looking for a furtive enemy who preferred ambushes to set-piece battles and nighttime raids to daylight attacks. Danger Close! recounts the Vietnam War from the unique boots-on-the-ground perspective of a young officer who served two tours in two different divisions. He tells his story thoughtfully, straightforwardly, and always vividly, from the raw emotions of unearthing massacred human beings to the terrors of fighting in the dark, with red and green tracers slicing the air. Hard to put down and hard to forget, Danger Close! will remind readers of the best Vietnam memoirs, like Guns Up! and Baptism.

During the Vietnam War, the United States embarked on an unusual crusade on behalf of the government of South Vietnam. Known as the pacification program, it sought to help South Vietnam's government take root and survive as an independent, legitimate entity by defeating communist insurgents and promoting economic development and political reforms. In this book, Richard Hunt provides the first comprehensive history of America's "battle for hearts and minds," the distinctive blending of military and political approaches that took aim at the essence of the struggle between North and South Vietnam. Hunt concentrates on the American role, setting pacification in the larger political context of nation building. He describes the search for the best combination of military and political action, incorporating analysis of the controversial Phoenix program, and illuminates the difficulties the Americans encountered with their sometimes reluctant ally. The author explains how hard it was to get the U.S. Army involved in pacification and shows the struggle to yoke divergent organizations (military, civilian, and intelligence agencies) to serve one common goal. The greatest challenge of all was to persuade a surrogate-the Saigon government-to carry out programs and to make reforms conceived of by American officials. The book concludes with a careful assessment of pacification's successes and failures. Would the Saigon government have flourished if there had been more time to consolidate the gains of pacification? Or was the regime so fundamentally flawed that its demise was preordained by its internal contradictions? This pathbreaking book offers startling and provocative answers to these and other important questions about our Vietnam experience.

'The best 'bird's eye view' of the helicopter war in Vietnam in print today ... Mills has captured the realities of a select group of aviators who shot craps with death on every mission' R.S. Maxham, Director, US Army Aviation Museum The aeroscouts of the 1st Infantry Division have three words emblazoned on their unit patch: Low Level Hell. It was the perfect concise defininition of what those intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow. They were the aerial eyes of the division in search of the enemy. Too often for longevity's sake they found the Viet Cong and the fight was on. These young pilots, who were usually 19 to 22 years old, invented the book as they went along.

On his second combat tour, Nick Brokhausen served in Recon Team Habu, CCN. This unit was part of MACV-SOG (Military Assistance Command Vietnam Studies and Observations Group), or Studies and Observations Group as it was innocuously called. The small recon companies that were the center of its activities conducted some of the most dangerous missions of the war, infiltrating areas controlled by the North Vietnamese in Laos, Vietnam, and Cambodia. The companies never exceeded more than 30 Americans, yet they were the best source for the enemy's disposition and were key to the US military being able to take the war to the enemy. This was accomplished by utilizing both new and innovative technology, and tactics dating back to the French and Indian Wars. This small unit racked up one of the most impressive records of awards for valor of any unit in the history of the United States Army. It came at a terrible price, however; the number of wounded and killed in action was incredibly high. Those missions today seem suicidal. In 1970 they seemed equally so, yet these men went out day after day with their indigenous allies - Montagnard tribesmen, Vietnamese, and Chinese Nungs - and faced the challenges with courage and resolve. Whispers in the Tall Grass is the second volume of Nick's riveting memoir of his time with MACV-SOG. Written in the same irreverent, immediate style that made We Few a cult classic, this book continues Nick's hair-raising adventures behind enemy lines, and movingly conveys the bonds that war creates between soldiers.

Vietnam, January, 1968. As the citizens of Hue are preparing to celebrate Tet, the start of the Lunar New Year, Nha Ca arrives in the city to attend her father's funeral. Without warning, war erupts all around them, drastically changing or cutting short their lives. After a month of fighting, their beautiful city lies in ruins and thousands of people are dead. Mourning Headband for Hue tells the story of what happened during the fierce North Vietnamese offensive and is an unvarnished and riveting account of war as experienced by ordinary people caught up in the violence.

Sheehan's tragic biography of John Paul Vann is also a sweeping history of America's seduction, entrapment and disillusionment in Vietnam.

The mission:

Become the most skilled, highly-trained, and deadliest

fighter pilots in the world.

The place: TOP GUN

In the darkest days of the Vietnam War, the U.S. Navy's kill ratio had fallen to 2:1 -- a deadly decline in pilot combat effectiveness. To improve the odds, a corps of hardened fighter pilots founded the Fighter Weapons School, a.k.a. TOP GUN. Utilizing actual enemy fighter planes in brutally realistic dogfights, the Top Gun instructors dueled their students and each other to achieve a lethal new level of fighting expertise. The training paid off. Combining the latest weaponry and technology, mental endurance, and razor-sharp instincts, the Top Gunners drove the Navy's kill ratio up to an astounding 12:1, dominating the skies over Vietnam.

This gripping account takes you inside the cockpit for an adventure more explosive than any fiction -- in a dramatic true story of the legendary military school that has created the most dangerous fighter pilots the world has ever seen.