A finalist for the Pulitzer Prize, Duong Van Mai Elliott's The Sacred Willow illuminates recent Vietnamese history by weaving together the stories of the lives of four generations of her family. Beginning with her great-grandfather, who rose from rural poverty to become an influential landowner, and continuing to the present, Mai Elliott traces her family's journey through an era of tumultuous change. She tells us of childhood hours in her grandmother's silk shop, and of hiding while French troops torched her village, watching while blossoms torn by fire from the trees flutter "like hundreds of butterflies" overhead. She makes clear the agonizing choices that split Vietnamese families: her eldest sister left her staunchly anti-communist home to join the Viet Minh, and spent months sleeping in jungle camps with her infant son, fearing air raids by day and tigers by night. And she follows several family members through the last, desperate hours of the fall of Saigon-including one nephew who tried to escape by grabbing the skid of a departing American helicopter. Based on family papers, dozens of interviews, and a wealth of other research, this is not only a memorable family saga but a record of how the Vietnamese themselves have experienced their times.

DISCOVER THE EXHILARATING TRUE STORY BEHIND THE ACTION-PACKED CLASSIC FILM 'GOOSE AND MAVERICK MOVE OVER . . .' Admiral James Stavridis ________ March 1969. American jets are getting shot down at an unprecedented rate over Vietnam. In an urgent effort to regain the advantage the Admirals turn to a young naval aviator called Dan Pedersen. Officially, the programme he set up was called the US Navy Fighter Weapons School. To everyone else it was known simply as TOPGUN. Pedersen's hand-picked team of instructors - the Original Eight - were the best of the best. Together, they revolutionised aerial warfare and rediscovered the lost art of fighter combat. This is the extraordinary, thrilling story of how TOPGUN saw America reclaim the skies, by the man who created it. ________ 'It's hard to read Dan Pederson's Topgun and not think of Tom Cruise. A pleasure to read' Wall Street Journal 'Direct, vivid and unvarnished. A high-flying, supersonic tale' Hampton Sides, author of Ghost Soldiers 'Topgun earned Dan Pedersen the title of American Hero' Washington Times 'A riveting seat-of-the-pants flight into the lethal world of the fighter pilot' Dan Hampton, author of Viper Pilot

'The best 'bird's eye view' of the helicopter war in Vietnam in print today ... Mills has captured the realities of a select group of aviators who shot craps with death on every mission' R.S. Maxham, Director, US Army Aviation Museum The aeroscouts of the 1st Infantry Division have three words emblazoned on their unit patch: Low Level Hell. It was the perfect concise defininition of what those intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow. They were the aerial eyes of the division in search of the enemy. Too often for longevity's sake they found the Viet Cong and the fight was on. These young pilots, who were usually 19 to 22 years old, invented the book as they went along.

Joseph A. Fry's Letters from the Southern Home Front explores the diversity of public opinion on the Vietnam War within the American South. Fry examines correspondence sent by hundreds of individuals, of differing ages, genders, racial backgrounds, political views, and economic status, reflecting a broad swath of the southern population. These letters, addressed to high-profile political figures and influential newspapers, took up a myriad of war-related issues. Their messages enhance our understanding of the South and the United States as a whole as we continue to grapple with the significance of this devastating and divisive conflict.

Fifty years since the signing of the Paris Peace Accords signaled the final withdrawal of U.S. troops from Vietnam, the war's mark on the Pacific world remains. The essays gathered here offer an essential, postcolonial interpretation of a struggle rooted not only in Indochinese history but also in the wider Asia Pacific region. Extending the Vietnam War's historiography away from a singular focus on American policies and experiences and toward fundamental regional dynamics, the book reveals a truly global struggle that made the Pacific world what it is today. Contributors include: David L. Anderson, Mattias Fibiger, Zach Fredman, Marc Jason Gilbert, Alice S. Kim, Mark Atwood Lawrence, Jason Lim, Jana K. Lipman, Greg Lockhart, S. R. Joey Long, Christopher Lovins, Mia Martin Hobbs, Boi Huyen Ngo, Wen-Qing Ngoei, Nathalie Huynh Chau Nguyen, Noriko Shiratori, Lisa Tran, A. Gabrielle Westcott