Many came to see cold war liberals during the Vietnam War as willing to invoke the democratic ideal, while at the same time tolerating dictatorships in the cause of anticommunism. This volume of essays demonstrates how opposition to the war, the military-industrial complex, and the national security state crystallized in a variety of different and often divergent political traditions. Indeed, for many of the individuals discussed, dissent was a decidedly conservative act in that they felt the war threatened traditional values, mores, and institutions.

Many came to see cold war liberals during the Vietnam War as willing to invoke the democratic ideal, while at the same time tolerating dictatorships in the cause of anticommunism. This volume of essays demonstrates how opposition to the war, the military-industrial complex, and the national security state crystallized in a variety of different and often divergent political traditions. Indeed, for many of the individuals discussed, dissent was a decidedly conservative act in that they felt the war threatened traditional values, mores, and institutions.

The Vietnam War was an immense national tragedy that played itself out in the individual experiences of millions of Americans. The conflict tested and tormented the country collectively and individually in ways few historical events have. The Human Tradition in the Vietnam Era provides window into some of those personal journeys through that troubled time. The poor and the powerful, male and female, hawk and dove, civilian and military, are all here. This rich collection of original biographical essays provides contemporary readers with a sense of what it was like to be an American in the 1960s and early 1970s, while also helping them gain an understanding of some of the broader issues of the era. The diverse biographies included in this book put a human face on the tensions and travails of the Vietnam Era. Students will gain a better understanding of how individuals looked at and lived through this contro-versial conflict in American history.

This textbook is the true account of three soldiers who wouldn't stop fighting the enemy and never raised the white flag during a firefight. One soldier, an Army Aviator, was shot down and fell 800 feet in his burning helicopter. Another was an infantry Sergeant stationed at LZ Bert when it was overrun by the North Vietnamese Army. The third was a retired Sergeant from the USAF who was wounded in a motor attack on the American Embassy. All three men had been wounded more than once in firefights and received impact awards for heroism during combat with the enemy. All have been denied the wearing of the Purple Heart by the Chief of the Army Awards Branch. This book contains images of research papers, letters and pictures the author used to verify their stories of the Vietnam War.

In 1966 a young Army lieutenant from small-town Oklahoma set foot in the Central Highlands of Vietnam as a raw, inexperienced Huey pilot. Ray Clark would serve two harrowing tours in Vietnam, developing his piloting skills in combat. Clark has written an engrossing, poignant, and often humorous account of America's combat helicopter pilots and crew members: their adventures, triumphs and tragedies as they fought in a war like no other in America's history. A natural and masterful storyteller, Clark shares a personal memoir of war that Americans should heed carefully. Just Let Me Walk Away is a chronicle of a defining point in U.S. history, a tale of an unpopular war and the soldiers charged to fight it. This riveting, personal story is written with passion, dignity, and a commitment to truth. A day in the life of these American veterans is a story largely untold, an uncelebrated truth that Clark is compelled to reveal.

J. William Fulbright was the longest serving and most powerful chair of the Senate Foreign Relations Committee. Both an intellectual and an internationalist, he had great influence over the course of American foreign relations in the 1960s and 1970s. Fulbright was also the most prominent, and the most effective, of the first American critics of the Vietnam War. His criticism was particularly galling and damning to Lyndon Johnson because Fulbright was a principled internationalist who could not be dismissed as an ideologue. Fulbright used hearings by the Foreign Relations Committee as a forum in which to advance his powerful critique of the war, and his writings constitute an ongoing, comprehensive critique of American foreign policy. This abridgement of Woods' prize-winning biography of J. William Fulbright presents the full story of Fulbright's role as one of the leading congressional opponents of the Vietnam War.

Throughout the past decade, defenders of the U.S. role in Vietnam have argued that America's defeat was not the result of an illegitimate intervention or military shortcomings, but rather a failure of will because national leaders, principally Lyndon B. Johnson, forced the troops to "fight with one hand tied behind their backs." In this volume, Robert Buzzanco disproves this theory by demonstrating that political leaders, not the military brass, pressed for war; that American policymakers always understood the problems and peril of war in Indochina; and that civil-military acrimony and the political desire to defer responsibility for Vietnam helped lead the United States into the war. For the first time, these crucial issues of military dissent, interservice rivalries, and civil-military relations and politics have been tied together to provide a cogent and comprehensive analysis of the U.S. role in Vietnam.

Once Upon a Distance War tells the stories of such young Vietnam war correspondents as Neil Sheehan, Peter Arnett, and David Halberstam, providing a riveting chronicle of high adventure and brutal slapstick, gallantry and cynicism, as well as a vital addition to the history they shaped. "Prochnau . . . tells a Vietnam story we haven't heard before. . . . Complex, witty, and humane."--Tobias Wolff. of photos.

Artillery XO...back into the Ia Drang Valley is my story of entering the Vietnam War in January 1966 as a young artillery officer and volunteer. It follows my adventures and experiences with the people I meet through my assignment as an executive officer of a 105mm howitzer battery and a bloody contest with a hard core North Vietnamese unit at the base of Chu Pong Mountain on the Cambodian border, in the same area where the 1st Air Cav became famous in a similar but more prolonged fight six months earlier, now recounted in a popular book "We Were Soldiers...and Young" (Random House 1992)

SERGEANT BACK AGAIN-THE ANTHOLOGY contains the first collection of published critical and clinical writings regarding the earliest characterizations and manifestations of combat-related post-traumatic stress disorder (PTSD) based on the central characters and actions dramatized in Charles Coleman's universally-acclaimed portrayal of PTSD in his Vietnam War-era cult classic, Sergeant Back Again. Six highly-respected scholars, historians, and psychiatrists "weigh in" on the social, political, and medical aspects and consequences of the emergence of post-traumatic stress disorder during and after the Vietnam War. "This is clearly the first account of the causes and effects of PTSD on U.S. Servicemen and women, based on the case of Specialist Andrew Collins, a line medic and later a surgical specialist who served in Vietnam in 1970." It is THE "Vietnam War novel that made PTSD Real " (Philip Beidler, Ph.D.) and looks at comparisons of Coleman's dramatic portrayal to those of Hemingway, Heller and Kesey while fast-forwarding to what has happened to-and will likely continue to occur-among veterans of Iraq and Afghanistan. Skillfully analyzing scenes from the battlefield and then on the closed wards of Chambers Psychiatric Pavilion at Fort Sam Houston and the psychological milieu of both the patients and staff during the 1970s, Veterans' psychiatrist Harold Kudler, M.D., explores the military medical establishment's dilemma in trying to understand veterans returning from Vietnam and attempting to classify and "treat" them for something as yet unknown: PTSD. Now, thirty years after arriving at a definition of PTSD, "Psychiatry is still struggling to see beyond abstractions in order to find the patients it left behind." Now, fast-forward to Iraq, Afghanistan, and the dramatic jump in active duty and veterans' suicides culminating in "the real heart of darkness that defines psychological trauma." "One sees now in Sergeant Back Again] a story we probably recognized but did not know at the time 1980] how to read, at least in its newest, challenging, creative iteration," states Vietnam combat veteran and novelist Philip Beidler, Ph.D. "But its uniqueness is its attempt to speak in a bold literary way about an emergent, newly-identified, peculiarly war-related form of psychological trauma increasingly associated with representations of Vietnam veterans' attempts to deal with war-related experiences and memory. This story is to some degree my story. But mainly it will remain even beyond the book-in its real touch of genius to me-the stories contained in the spurious letters." Here, too, historian and socio-political critic of film and literature of the Vietnam War era, Tony Williams, Ph.D., juxtaposes numerous points of view from social and literary archives of the time and insightfully contrasts Norman Mailer (who "provided his own answers as to Why are we in Vietnam?") with Coleman's rendering of "certain strategies of vision to depict what later became known as PTSD and which makes book truly remarkable in its original context and extremely relevant today." This theme of "vision" in Sergeant Back Again is again echoed by Nathan Beck, screenwriter and film critic of the Vietnam Era: "This is a riveting, detailed vision of one man's struggle to free himself from the grip of PTSD in which the protagonist, US Army medic Andy Collins, comes to discover that field hospitals are combat zones of their own, where the enemy is death, dismemberment, and psychological dislocation in which the men working over the wasted are eventually wasted themselves." John Presley, Ph.D., historian, essayist and authority on the life and works of WWI writer Robert Graves, continues the theme of vision and contrast as he dissects the very fabric of the men who became the "walking wounded" from WWI to the Vietnam War. SERGEANT BACK AGAIN: THE ANTHOLOGY is a watershed work of major significance in understanding the signs, symptoms and treatment f

Distant War: Recollections of Vietnam, Laos and Cambodia, will be the vehicle to the readers' understanding of a war and its aftermath that may seem distant now, but what is important is that it will make readers realize-if they haven't already-that in war, whether in the jungles of Vietnam or the sands of Iraq, in a very real sense, while who wins and who loses is obviously important, what is equally necessary is that good somehow must and shall prevail. Here are 31 stories about those who were there then and what their lives have become now-for the world to know what they suffered, how most survived, and how they overcame adversity. See the Contents listing in the preview for the people included, such as Pat Sajak, Jim Stockdale, Oliver Stone and Nick Ut. 67 photos.

Jim McGarrah's The End of An Era is an insightful, heartbreaking and, at times, hilarious account of his struggles as a veteran in the aftermath of the Vietnam War. In his extraordinary wounding, healing blues song, this combat veteran sings for family, for lovers, for friends, and, always, in each line, for the soldiers gone in another era and the ones now dying in our own.

Vietnam veteran Don Yost explores the pain and rage of his experience as a correspondent near Mai Laid in 1968, transforming it through writing to a elegaic and powerful memoir, imbued with a significant message for our time.

Although the F-4 Phantom II was the most important fighter-bomber to see action with all three American services during the Vietnam War, it was essentially a U.S. Navy design, and the carrier-borne squadron crews were its main operators in combat.

The aircraft pioneered the use of long-range, radar-guided missiles in combat, although the majority of its Vietnam missions involved ground-attack with a variety of innovative ordnance. From 1968 to 1973 the Phantom II was the standard U.S. Navy fighter in Southeast Asia, having replaced several other types. Its performance and versatility enabled it to perform a variety of different missions, and switch roles as necessary, in the assault on some of the world's most heavily defended territory. Including detailed colour profiles and first-person commentary from active participants in the F-4's naval combat history, this is a detailed study of the U.S. armed services' most famous post-war fighter.

Hanoi's Road to the Vietnam War opens in 1954 with the signing of the Geneva accords that ended the eight-year-long Franco-Indochinese War and created two Vietnams. In agreeing to the accords, Ho Chi Minh and other leaders of the Democratic Republic of Vietnam anticipated a new period of peace leading to national reunification under their rule; they never imagined that within a decade they would be engaged in an even bigger feud with the United States. Basing his work on new and largely inaccessible Vietnamese materials as well as French, British, Canadian, and American documents, Pierre Asselin explores the communist path to war. Specifically, he examines the internal debates and other elements that shaped Hanoi's revolutionary strategy in the decade preceding U.S. military intervention, and resulting domestic and foreign programs. Without exonerating Washington for its role in the advent of hostilities in 1965, Hanoi's Road to the Vietnam War demonstrates that those who directed the effort against the United States and its allies in Saigon were at least equally responsible for creating the circumstances that culminated in arguably the most tragic conflict of the Cold War era.

The author and every male member of his immediate family served in the Vietnam war. In 1988, his older brother, Elmo, died from Agent Orange-related cancers linked to his service as a Swift Boat commander during the Vietnam war. In a bitter irony, it was the actions of his father, Admiral Elmo R. Zumwalt, Jr., in ordering the spraying of Agent Orange when he commanded all US naval forces in Vietnam that sealed his brother's fate. People react differently to grief. For the author, it turned to animosity, directed against not only the war but also the enemy against whom we had fought. In 1994, traveling to Vietnam for the first time since the war, he met with Vietnamese leaders to discuss the Agent Orange issue. In doing so, it provided him with the opportunity to learn about the conflict from the perspective of those who had fought it on the other side of the battlefield. As these former enemy veterans began sharing their personal stories of hardship and tragedy-one of which was not too dissimilar from the author's own-he was struck by a stark realization. As difficult and tragic as the war had been for Americans who served, it had taken as much, if not greater, a toll on the Vietnamese. In war, there are never winners-and Vietnam was no exception. Returning to Vietnam more than 50 times to interview hundreds of North Vietnamese Army (NVA) and Viet Cong (VC) veterans, in addition to Vietnamese civilians, the author obtained a better understanding as to the extent of our former enemy's suffering during that war. The result was a metamorphosis, which changed his attitude towards a former foe. "Bare Feet, Iron Will" became the vehicle by which he shares what this metamorphosis taught him.In "Bare Feet, Iron Will" are stories of intrigue, of patience, of ingenuity, of dedication and, most importantly, about a people with no option other than victory. These stories, share unique insights about the war. Intriguing insights evolving into odd coincidences-such as what led a Vietnamese veteran to write a novel, praised by Western critics, about the war; an interview where the author would learn the interviewee had tried to assassinate his father; the earlier-than-realized first American casualty of the Vietnam conflict and what that incident would portend for US involvement. About Vietnam's allies-including China, a country with which Vietnam has fought in almost every century and how China sought at times to give the appearance of helping North Vietnam while not doing so and North Korea, which pressured to send pilots to fight the Americans, only to have Hanoi send the Koreans home, trying to hide their participation by burying North Korean pilots in an obscure cemetery.More than a generation after the war in Vietnam ended, many Americans are still haunted by its memory. More than thirty-four years after the fall of Saigon, it is time to better understand the enemy we fought and the ro1e their "iron will" played.And with that understanding, hopefully many may find the healing they seek.

"Cash on Delivery: CIA Special Operations During the Secret War in Laos" is a detailed accounting of a CIA program directed by a CIA operations officer that sent small teams of irregulars behind enemy lines in Laos to find, fix and destroy North Vietnamese Army units, capture NVA soldiers or encourage them to defect, intercept NVA radio communications, and recruit NVA soldiers to spy and report on their comrades. It is a unique contribution to the history of the Vietnam War describing valuable experiences using surrogates to conduct intelligence and combat operations that have little or no adverse impact on the United States government's relations with the peoples and governments of other nations. An important lesson in the post 9/11 world of countering terrorism all over the globe where we do not have enough American troops to get the job done without political consequences. The book also describes the daring and dangerous rescue of Raven 42, a U.S. Air Force forward air controller shot down while supporting Lao irregular surrogate forces fighting NVA main force units in Laos, attempts to infiltrate Cambodia to collect intelligence on the North Vietnamese in early 1970, the effort to uncover information about a missing Air America crewman captured in 1963, the tragic fatal crash of an aircraft carrying four of the author's best Thai operational assistants, and the uncovering of a mole hidden in a Royal Lao government military headquarters. Here are intimate details, that have never before appeared in print, recounting the planning and execution of a variety of special operations, conceived and carried out behind enemy lines by the CIA using only Lao irregular surrogates. The CIA employed surrogates in southern Laos to force the North Vietnamese Army to keep combat units there to defend their logistical supply line rather than send them to fight U.S. and allied forces in South Vietnam. For the duration of U.S. participation in the Vietnam War the CIA succeeded in that goal.

A strike pattern is a signature of violence carved into the land-bomb craters or fragments of explosives left behind, forgotten. In Strike Patterns, poet and anthropologist Leah Zani journeys to a Lao river community where people live alongside such relics of a secret war. With sensitive and arresting prose, Zani reveals the layered realities that settle atop one another in Laos-from its French colonial history to today's authoritarian state-all blown open by the war. This excavation of postwar life's balance between the mundane, the terrifying, and the extraordinary propels Zani to confront her own explosive past. From 1964 to 1973, the United States carried out a covert air war against Laos. Frequently overshadowed by the war with Vietnam, the Secret War was the longest and most intense air war in history. As Zani uncovers this hidden legacy, she finds herself immersed in the lives of her hosts: Chantha, a daughter of war refugees who grapples with her place in a future Laos of imagined prosperity; Channarong, a bomb technician whose Thai origins allow him to stand apart from the battlefields he clears; and Bounmi, a young man who has inherited his bomb expertise from his father but now struggles to imagine a similar future for his unborn son. Wandering through their lives are the restless ghosts of kin and strangers. Today, much of Laos remains contaminated with dangerous leftover explosives. Despite its obscurity, the Secret War has become a shadow model for modern counterinsurgency. Investigating these shadows of war, Zani spends time with silk weavers and rice farmers, bomb clearance crews and black market war scrap traders, ritual healers and survivors of explosions. Combining her fieldnotes with poetry, fiction, and memoir she reflects on the power of building new lives in the ruins.

Elite units carried out many dangerous operations during the Vietnam War, the most secret and hazardous of which were conducted by the Studies and Observations Group, formed in 1964. In the years since the Vietnam War, the elite unit known as SOG has spawned many myths, legends and war stories. Special Forces medic Joe Parnar served with SOG during 1968 in FOB2/CCC near the tri-border area that gave them access to the forbidden areas of Laos and Cambodia. Parnar recounts his time with the recon men of this highly classified unit, as his job involved a unique combination of soldiering and lifesaving. His stories capture the extraordinary commitment made by all the men of SOG and reveal the special dedication of the medics, who put their own lives at risk to save the lives of their teammates. Parnar also discusses his medical training with the Special Forces. During his tour with SOG, Parnar served as a dispensary medic, chase medic, Hatchet Force medic and as a recon team member. This variety of roles gave him experience not only in combat but in dealing with and treating the civilians and indigenous peoples of that area. There is a graphic account of a Laotian operation involving America's most decorated soldier, Robert Howard, during which Parnar had to treat a man with a blown-off foot alongside nearly fifty other casualties. It is a reminder of the enormous responsibility and burden that a medic carried. This new edition of SOG Medic makes this highly-praised and sought-after book available again once more, with additional photos and maps.

"Fulbright was erudite and eloquent in all the books he wrote, but this one is his masterpiece. Within its pages lie his now historic remonstrations against a great nation's overreach, his powerful argument for dissent, and his thoughtful propositions for a new way forward . . . lessons and cautions that resonate just as strongly today." - From the foreword by Bill Clinton J. William Fulbright (1905-1995), a Rhodes scholar and lawyer, began his long career in public service when he was elected to serve Arkansas's Third District in Congress in 1942. He quickly became a prominent member of the House Foreign Affairs Committee, where he introduced the Fulbright Resolution calling for participation in an organization that became the United Nations. Elected to the Senate in 1944, he promoted the passage of legislation establishing the Fulbright exchange program, and he served as chairman of the Senate Foreign Relations Committee from 1959 to 1974, longer than any senator in American history. Fulbright drew on his extensive experience in international relations to write The Arrogance of Power, a sweeping critique of American foreign policy, in particular the justification for the Vietnam War, Congress's failure to set limits on it, and the impulses that gave rise to it. The book-with its solid underpinning the idea that "the most valuable public servant, like the true patriot, is one who gives a higher loyalty to his country's ideals than to its current policy"-was published in 1966 and sold 400,000 copies. The New York Times called it "an invaluable antidote to the official rhetoric of government." Enhanced by a new forward by President Bill Clinton, this eloquent treatise will resonate with today's readers pondering, as Francis O. Wilcox wrote in the original preface, the peril of nations whose leaders lack ""the wisdom and the good judgment to use their power wisely and well.

A poignantly written and heartfelt memoir that recounts the author's hair raising-and occasionally hilarious-experience as a young Marine artilleryman in Vietnam. Gritty, unvarnished and often disturbing at times, the book provides a unique window into the lasting physical and emotional wounds of war. Realistic and highly readable, the story is not the typical gung-ho narrative of a combat Marine eager to die for God and country. A somewhat different and interesting perspective and a must read for veterans, Marine Corps buffs, students of the 1960's culture as well as those seeking a better understanding of the influence and relevancy of America's long and indecisive misadventure in Vietnam.

With words and photographs, Rain in Our Hearts takes readers into Alpha Company, 4th Battalion, 31st Infantry, 196th LIB, Americal Division in 1969-1970. Jim Logue, a professional photographer, was drafted and served as an infantryman; he also carried a camera. "In order to take my mind off the war," he would say, "I took pictures." Logue's photos showcase the daily lives of infantrymen: setting up a night laager, chatting with local children, making supply drops, and "humping" rucksacks miles each day in search of the enemy. His camera records the individual experiences and daily lives of the men who fought the war. Accompanying Logue's over 100 photographs is the narrative written by Gary D. Ford. Wanting to reconstruct the story of Alpha Company during the time in which Logue served, Ford and Logue trekked across America to meet with and interview every surviving member whom they could locate and contact. Each chapter of Rain in Our Hearts focuses on the viewpoint and life of one member of Alpha Company, including aspects of life before and after Vietnam. The story of the Company's movements and missions over the year unfold as readers are introduced to one soldier at a time. Taken together, Rain in Our Hearts offers readers a window into the words and sights of Alpha Company's Vietnam War.