The Vietnam War is anything but a forgotten war. Even today, the strategies that led to an unexpected American defeat are hotly debated, and much remains controversial and unclear, which is not surprising given the nature of the combat in which the Vietnamese guerrilla warfare eventually won out over high-tech weaponry. The task of clarifying the issues without oversimplifying this complex war that impacted the world is undertaken by The A to Z of the Vietnam War: first in its chronology, then in its introduction, but mainly in a substantial dictionary section including hundreds of entries on significant persons (military and political), places, events, armed units, battles and lesser engagements, and weapons. And for those seeking further information, an extensive bibliography is included.

It took courage and a certain sense of wild adventure to be a combat medic during the Vietnam War, and William 'Doc' Osgood exemplified their daring attitude. Serving in the 101st Airborne Division, Osgood would see combat in the deadly A Shau Valley and all along the Ho Chi Minh Trail. Hawk Recon is a story of what arguably was the most dangerous job in the deadliest part of Vietnam as told by a US Special Forces Green Beret. This is the tale of paratrooper combat medics of the 101st Airborne Air Cavalry fighting in the largest NVA base camp in South Vietnam-the A Shau Valley. Their war was was fought mostly in the mountains and on the Ho Chi Minh Trail.

Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it. Even for many people who experienced the Vietnam War first hand, memories of that conflict have often been shaped by the popular films that depicted it: The Quiet American, The Green Berets, The Deer Hunter, Coming Home, Platoon, Full Metal Jacket, and Apocalypse Now, among others. Vietnam War on Film examines how the war is portrayed through a selection of ten iconic films that represent the war through dramatization and storytelling as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events, followed by ten chapters, each of which focuses on a specific Vietnam War movie. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A final section of "Resources" provides a comprehensive annotated bibliography of print and electronic sources to aid students and teachers in further research. Provides a unique guide to the Vietnam War experience for film history buffs, students and scholars of history, and fans of the cinema Offers equal emphasis on the films themselves and the historical events depicted Presents carefully researched and highly informative coverage Stimulates debate over the various ways the war was interpreted and experienced

This book explores the international leadership of the AFL-CIO, the UAW and UAW Local 600, the world's largest union local, and reveals that overall, working-class response to the Vietnam War mirrored that of the American society as a whole.

This new, extensively researched volume (volume two in the series) is a comprehensive guide to the history, development, wear, and use of uniforms and equipment during American military advisors involvement in the Vietnam War. Included are insignia, headgear, camouflage uniforms, modified items, Flak vests, boots, clothing accessories, paper items and personal items from the years 1957-1972, all examined in great detail. Using re-constructed and period photos, the author presents the look and appearance of American Army, Navy, and Marine Corps advisors in Vietnam. ARVN Ranger, Airborne, and ARVN infantry advisors, all have their own chapter, along with Junk Force, RAG Force, and South Vietnamese Naval and Marine Corps advisors.

First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.

When American forces arrived in Vietnam, they found themselves embedded in historical village and frontier spaces already shaped by past conflicts. American bases and bombing targets followed spatial and political logics influenced by the footprints of previous wars in central Vietnam, and these militarized landscapes continue to shape postwar land-use politics. Footprints of War traces the long history of conflict-produced spaces in Vietnam, beginning with early modern wars and the French colonial invasion in 1885 and continuing through the collapse of the Saigon government in 1975. Drawing on extensive archival research and years of interviews and fieldwork in the hills and villages around the city of Hue, David Biggs integrates historical geographic information system (GIS) data and uses aerial, high-altitude, and satellite imagery to render otherwise inscrutable sites as living, multidimensional spaces. This personal and multilayered approach yields an innovative history of the lasting traces of war in Vietnam and a model for understanding other militarized landscapes.

On June 7, 1998 CNN broadcast Valley of Death, the story of a 1970 raid into Laos by U.S. Special Forces. According to the report, Operation Tailwind had used sarin nerve gas to kill U.S. soldiers who had defected to the North Vietnamese. After a firestorm of controversy, CNN retracted the report, ruining the career of rising star April Oliver and compromising the network's credibility. Called "the TV news story of the year" by TV Guide, CNN's Operation Tailwind fiasco was the biggest news scandal of the 1990s. Hearing about the story after its broadcast, Jerry Lembcke was struck by its resemblance to war legends and myths. His search for the origins of the tale, and an explanation for why top-level journalists would believe it, led him into the shocking world of political paranoia, where conspiracy theory, popular culture, religious fundamentalism, and the fantasies of war veterans cross paths. Approaching the story as a case study in why people believe what they do, Lembcke reversed the normal inquiry into how journalists shape what the rest of us know, to ask questions about the social forces that shape what journalists know. With a likeness to Herbert Gans' 1980 classic, Deciding What's News, Jerry Lembcke's CNN's Tailwind Tale is at once a study of American journalism that opens a window on America itself. Special link to the author's interview on Radio Nation discussing this new book - CNN's Tailwind Tale

Outspoken, professional and fearless, Lt.Col.John Paul Vann went to Vietnam in 1962, full of confidence in America's might and right to prevail. He was soon appalled by the South Vietnamese troops' unwillingness to fight, by their random slaughter of civilians and by the arrogance and corruption of the US military. He flouted his supervisors and leaked his sharply pessimistic - and, as it turned out, accurate - assessments to the US press corps in Saigon. Among them was Sheehan, who became fascinated by the angry Vann, befriended him and followed his tragic and reckless career.

First published in 1915, Towards International Government considers the consequences of war for global diplomacy and the alliance system. Hobson argues that, to reduce armaments and the possibility of another world war, an organisational structure of international government must be put into place. An extension of the League of Nations, Hobson proposes that this council would need to hold legislative powers enabling it to impose economic sanctions and, if necessary, the ability to deploy an international force. This is a fascinating and exceptionally forward-thinking work, of great importance to economic and political historians of the twentieth century.

Between 1965 and 1973, hundreds of thousands of ordinary Americans participated in one of the most remarkable and significant people's movements in American history. Through marches, rallies, draft resistance, teach-ins, civil disobedience, and non-violent demonstrations at both the national and local levels, Americans vehemently protested the country's involvement in the Vietnam War.

Rethinking the American Anti-War Movement provides a short, accessible overview of this important social and political movement, highlighting key events and key figures, the movement's strengths and weaknesses, how it intersected with other social and political movements of the time, and its lasting effect on the country. The book is perfect for anyone wanting to obtain an introduction to the Anti-War movement of the twentieth century.

The body of work assembled in this collection falls within the tradition of how wars are remembered, and written of, by their surviving veterans. The War I Survived Was Vietnam, and my writing about it, excepting a few poems, has been confined to the staples of non-fiction: memoir, reporting, criticism and commentary. Among the articles reproduced here, criticism is by far the dominant voice in which I have processed my post-war reflections. A good deal of this work also ventures into the exploratory realm of the American veteran identity, to include my personal struggle to outdistance the demons of PTSD. As print has evolved into digital media, my criticism has migrated increasingly to the blogosphere permitting the restrictive boundaries of the book review to blossom over the more far ranging horizons of the essay. Several of these works are of relevance to how the Vietnam experience is being archived by scholars for historical interpretation. Prior to my career in the writing life, I was a political activist advocating for the welfare of GIs and veterans, notably around the health effects of exposure during active service to deadly radiation and poisonous herbicides. Selected material on these topics has also been included in this collection.

A Guardian Best Book of the Year "A gripping study of white power...Explosive." -New York Times "Helps explain how we got to today's alt-right." -Terry Gross, Fresh Air The white power movement in America wants a revolution. Returning to a country ripped apart by a war they felt they were not allowed to win, a small group of Vietnam veterans and disgruntled civilians who shared their virulent anti-communism and potent sense of betrayal concluded that waging war on their own country was justified. The command structure of their covert movement gave women a prominent place. They operated with discipline, made tragic headlines in Waco, Ruby Ridge, and Oklahoma City, and are resurgent under President Trump. Based on a decade of deep immersion in previously classified FBI files and on extensive interviews, Bring the War Home tells the story of American paramilitarism and the birth of the alt-right. "A much-needed and troubling revelation... The power of Belew's book comes, in part, from the fact that it reveals a story about white-racist violence that we should all already know." -The Nation "Fascinating... Shows how hatred of the federal government, fears of communism, and racism all combined in white-power ideology and explains why our responses to the movement have long been woefully inadequate." -Slate "Superbly comprehensive...supplants all journalistic accounts of America's resurgent white supremacism." -Pankaj Mishra, The Guardian

Peter Clark's year in Vietnam began in July 1966, when he was shipped out with hundreds of other young recruits, as a replacement in the 1st Infantry Division. Clark was assigned to the Alpha Company. Clark gives a visceral, vivid and immediate account of life in the platoon, as he progresses from green recruit to seasoned soldier over the course of a year in the complexities of the Vietnamese conflict. Clark gradually learns the techniques developed by US troops to cope with the daily horrors they encountered, the technical skills needed to fight and survive, and how to deal with the awful reality of civilian casualties. Fighting aside, it rained almost every day and insect bites constantly plagued the soldiers as they moved through dense jungle, muddy rice paddy and sandy roads. From the food they ate (largely canned meatballs, beans and potatoes) to the inventive ways they managed to shower, every aspect of the platoon's lives is explored in this revealing book. The troops even managed to fit in some R&Rwhilst off-duty in the bars of Tokyo. Alpha One Sixteen follows Clark as he discovers how to cope with the vagaries of the enemy and the daily confusion the troops faced in distinguishing combatants from civilians. The Viet Cong were a largely unseen enemy who fought a guerrilla war, setting traps and landmines everywhere. Clark's vigilance develops as he gets used to 'living in mortal terror,' which a brush with death in a particularly terrifying fire fight does nothing to dispel. As he continues his journey, he chronicles those less fortunate; the heavy toll being taken all round him is powerfully described at the end of each chapter.

The Vietnam War was one of the most heavily documented conflicts of the twentieth century. Although the events themselves recede further into history every year, the political and cultural changes the war brought about continue to resonate, even as a new generation of Americans grapples with its own divisive conflict.

America and the Vietnam War: Re-examining the Culture and History of a Generation reconsiders the social and cultural aspects of the conflict that helped to fundamentally change the nation. With chapters written by subject area specialists, America and the Vietnam War takes on subjects such as women s role in the war, the music and the films of the time, the Vietnamese perspective, race and the war, and veterans and post-traumatic stress disorder. Features include:

• chapter summaries
• timelines
• discussion questions
• guides to further reading
• a companion website with primary source documents and tools (such as music and movie playlists) for both instructors and students.

Heavily illustrated and welcoming to students and scholars of this infamous and pivotal time, America and the Vietnam War is a perfect companion to any course on the Vietnam War Era.

With specially commissioned artworks and dynamic combat ribbon diagrams, this volume reveals how the 'last of the gunfighters', as the F-8 was dubbed by its pilots, prevailed against the growing MiG threat of the Vietnamese People's Air Force. When the Vietnam War began, the F-8 was already firmly established as a fighter and reconnaissance aircraft. It entered combat as an escort for Alpha strike packages, braving the anti-aircraft artillery and surface-to-air missiles alongside the A-4 Skyhawk bombers and meeting MiGs for the first time on 3 April 1965. Although the Crusader was nicknamed 'last of the gunfighters', its pilots employed 'secondary' AIM-9D Sidewinder missiles in all but one of their MiG kills, with guns also used as back-up in three. Its 20 mm guns were unreliable as they often jammed during strenuous manoeuvres, although they were responsible for damaging a number of MiGs. However, in combat the F-8 had the highest 'exchange ratio' (kills divided by losses) at six-to-one of any US combat aircraft involved in the Vietnam War. Through the copious use of first-hand accounts, highly detailed battlescene artwork, combat ribbon diagrams and armament views, Osprey's Vietnam air war specialist Peter E. Davies charts the successful career of the F-8 Crusader over Vietnam.

The Vietnam War's influence on politics, foreign policy, and subsequent military campaigns is the center of much debate and analysis. But the impact on veterans across the globe, as well as the war's effects on individual lives and communities, is a largely neglected issue. As a consequence of cultural and legal barriers, the oral histories of the Vietnam War currently available in English are predictably one-sided, providing limited insight into the inner workings of the Communist nations that participated in the war. Furthermore, many of these accounts focus on combat experiences rather than the backgrounds, belief systems, and social experiences of interviewees, resulting in an incomplete historiography of the war. Chinese native Xiaobing Li corrects this oversight in Voices from the Vietnam War: Stories from American, Asian, and Russian Veterans. Li spent seven years gathering hundreds of personal accounts from survivors of the war, accounts that span continents, nationalities, and political affiliations. The twenty-two intimate stories in the book feature the experiences of American, Chinese, Russian, Korean, and North and South Vietnamese veterans, representing the views of both anti-Communist and Communist participants, including Chinese officers of the PLA, a Russian missile-training instructor, and a KGB spy. These narratives humanize and contextualize the war's events while shedding light on aspects of the war previously unknown to Western scholars. Providing fresh perspectives on a long-discussed topic, Voices from the Vietnam War offers a thorough and unique understanding of America's longest war.

More than forty years have passed since the official end of the Vietnam War, yet the war's legacies endure. Its history and iconography still provide fodder for film and fiction, communities of war refugees have spawned a wide Vietnamese diaspora, and the United States military remains embroiled in unwinnable wars with eerie echoes of Vietnam. Looking Back on the Vietnam War brings together scholars from a broad variety of disciplines, who offer fresh insights on the war's psychological, economic, artistic, political, and environmental impacts. Each essay examines a different facet of the war, from its representation in Marvel comic books to the experiences of Vietnamese soldiers exposed to Agent Orange. By putting these pieces together, the contributors assemble an expansive yet nuanced composite portrait of the war and its global legacies. Though they come from diverse scholarly backgrounds, ranging from anthropology to film studies, the contributors are united in their commitment to original research. Whether exploring rare archives or engaging in extensive interviews, they voice perspectives that have been excluded from standard historical accounts. Looking Back on the Vietnam War thus embarks on an interdisciplinary and international investigation to discover what we remember about the war, how we remember it, and why.

Why everything you think you know about Australia's Vietnam War is wrong. When Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every misconception. He wasn't alone. In Australia's Vietnam, Dapin reveals that every stage of Australia's commitment to the Vietnam War has been misunderstood, misinterpreted and shrouded in myth. From army claims that every national serviceman was a volunteer; and the level of atrocities committed by Australian troops; to the belief there no welcome home parades until the late 1980s and returned soldiers were met by angry protesters. Australia's Vietnam is a major contribution to the understanding of Australia's experience of the war and will change the way we think about memory and military history. Acclaimed journalist and bestselling military historian Mark Dapin busts long-held and highly charged myths about the Vietnam War Dapin reveals his own mistakes and regrets as a journalist and military historian and his growing realisation that the stereotypes of the Vietnam War are far from the truth This book will change the way military history is researched and written

A monumental work of research and analysis, this is a history of the Vietnam War in a single province of the Mekong Delta over the period 1930-1975. More precisely, it is a study of the Vietnamese dimension of the "Vietnam War, " focusing on the revolutionary movement that became popularly known as the "Viet Cong." There are several distinctive features to this study: (1) it provides an explanation for the paradox of why the revolutionary movement was so successful during the war, but unable to meet the challenges of postwar developments; (2) it challenges the dominant theme of contemporary political analysis which assumes that people are "rational" actors responding to events with careful calculations of self-interest; (3) it closely examines province-level documentation that casts light on a number of important historical controversies about the war. No other history of the Vietnam War has drawn on such a depth of documentation, especially firsthand accounts that allow the Vietnamese participants to spea directly to us.

In The Rhetoric of War, Harvey Averch explores the relationship between the a priori policy models that decision makers use in war (or peace) and policy analysis, and provides cost-effective alternatives for decision makers in war or peace. The Vietnam War serves as a case study of the effectiveness of many models proposed by political scientists, historians, and policy analysts as capable of improving decision making if only decision makers were persuaded to adopt them. Averch demonstrates that whatever the method, willingness to be personally and organizationally self-critical is a necessary condition for using any policy analysis method in a serious way.

This is a study of media and cultural artifacts that constitute the remembrance of a tragic war as reflected in the stories of eight people who lived it. Using memoir, history, and criticism, "Crossing the Street in Hanoi" is based on scholarly research, teaching, and writing as well as extensive personal journals, interviews, and exclusive primary source material. Each chapter uses a human story to frame an exploration in media and cultural criticism. What weaves these different threads into a whole cloth are the stories of the Vietnam War and the long shadow it casts over American and Vietnamese cultures.

In 1964 Military Assistance Command, Vietnam, activated a joint unconventional task force known as the Studies and Observation Group--MACV-SOG. As a cover its mission was to conduct analysis of lessons learned in combat involved all branches of service. SOG's real mission was to conduct covert strategic reconnaissance missions into Laos, Cambodia, and South Vietnam as well as sabotage and 'Black' psychological operations. Ground, air, and naval assets were employed to insert, collect, extract, and otherwise support these operations. Drawing on detailed, first-hand accounts of the experiences of the service, including action on operations, this book will shed light on one of the most crucial units of the Vietnam War.

Following the Text Offensive, a shift in U.S. naval strategy in 1967-1968 saw young men fresh out of high school policing the canals and tributaries of South Vietnam aboard PBRs (patrol boat, riverine)--unarmored yet heavily armed and highly maneuverable vessels designed to operate in shallow, weedy waterways. This memoir recounts the experiences of the author and his shipmates as they cruised the Viet Cong-occupied backwaters of the Mekong Delta, and their emotional metamorphosis as wartime events shaped the men they would be for the remainder of their lives.