Every war has its "bridge"--Old North Bridge at Concord, Burnside's Bridge at Antietam, the railway bridge over Burma's River Kwai, the bridge over Germany's Rhine River at Remagen, and the bridges over Korea's Toko Ri. In Vietnam it was the bridge at Thanh Hoa, called Dragon's Jaw. For seven long years hundreds of young US airmen flew sortie after sortie against North Vietnam's formidable and strategically important bridge, dodging a heavy concentration of anti-aircraft fire and enemy MiG planes. Many American airmen were shot down, killed, or captured and taken to the infamous "Hanoi Hilton" POW camp. But after each air attack, when the smoke cleared and the debris settled, the bridge stubbornly remained standing. For the North Vietnamese it became a symbol of their invincibility; for US war planners an obsession; for US airmen a testament to American mettle and valor. Using after-action reports, official records, and interviews with surviving pilots, as well as untapped Vietnamese sources, Dragon's Jaw chronicles American efforts to destroy the bridge, strike by bloody strike, putting readers into the cockpits, under fire. The story of the Dragon's Jaw is a story rich in bravery, courage, audacity, and sometimes luck, sometimes tragedy. The "bridge" story of Vietnam is an epic tale of war against a determined foe.

More than a quarter of a century after the last Marine Corps Huey left the American embassy in Saigon, the lessons and legacies of the most divisive war in twentieth-century American history are as hotly debated as ever. Why did successive administrations choose little-known Vietnam as the "test case" of American commitment in the fight against communism? Why were the "best and brightest" apparently blind to the illegitimacy of the state of South Vietnam? Would Kennedy have pulled out had he lived? And what lessons regarding American foreign policy emerged from the war?

"The Columbia Guide to the Vietnam War" helps readers understand this tragic and complex conflict. The book contains both interpretive information and a wealth of facts in easy-to-find form. Part I provides a lucid narrative overview of contested issues and interpretations in Vietnam scholarship. Part II is a mini-encyclopedia with descriptions and analysis of individuals, events, groups, and military operations. Arranged alphabetically, this section enables readers to look up isolated facts and specialized terms. Part III is a chronology of key events. Part IV is an annotated guide to resources, including films, documentaries, CD-ROMs, and reliable Web sites. Part V contains excerpts from historical documents and statistical data.

'My Vietnam' is Dave Morgan's story. A typical 20 year old, he was forced into extraordinary circumstances in Vietnam. The Vietnam War would expose Dave to an omnipresent danger and sheer terror that would impact him forever. Dave's story focuses on his time as a soldier and his return psychologically exhausted to a divided nation.

Presenting new perspectives on the Vietnam War, its global repercussions, and its role in modern history, this volume reveals "America's War" as an international event that reverberated worldwide. The essays address political, military, and diplomatic issues and the cultural and intellectual consequences of "Vietnam." They compare the Vietnam War to other major conflicts in world history. "America's War" is depicted as a global event whose origins and characteristics deserve an interdisciplinary treatment.

Many came to see cold war liberals during the Vietnam War as willing to invoke the democratic ideal, while at the same time tolerating dictatorships in the cause of anticommunism. This volume of essays demonstrates how opposition to the war, the military-industrial complex, and the national security state crystallized in a variety of different and often divergent political traditions. Indeed, for many of the individuals discussed, dissent was a decidedly conservative act in that they felt the war threatened traditional values, mores, and institutions.

Many came to see cold war liberals during the Vietnam War as willing to invoke the democratic ideal, while at the same time tolerating dictatorships in the cause of anticommunism. This volume of essays demonstrates how opposition to the war, the military-industrial complex, and the national security state crystallized in a variety of different and often divergent political traditions. Indeed, for many of the individuals discussed, dissent was a decidedly conservative act in that they felt the war threatened traditional values, mores, and institutions.

John Vanvorden--the Flying Dutchman--is a Vietnam pilot and one of the rugged few who know the danger and thrill of combat while piloting the U.S. Army's UH-1H "Huey" Iroquois helicopter. He experiences screaming descents into hot landing zones to place military assault troops and rescue wounded soldiers. He has the clarity of mind to survive seven days of horror in a Vietnamese jungle swamp while the psychology of a fellow soldier is severely tested. He's got the guts to buck military orders and battle his own brass to pursue an investigation when a botched operation spells disaster for the men under him. Based on the authors' personal experiences in the Vietnam War, Huey is an authentic, action-filled book of historical fiction. Originally published 30 years ago, this moving novel became a New York Times bestseller within days of publishing. Editorial Reviews "Those who have read the classic book of helicopter combat in Vietnam, "Chickenhawk" by Robert Mason, but who still have an appetite for more books of that sort can do no better than to read this novel." - "The VVA Veteran," Books in Review II Book Excerpt: From eight thousand feet, the Flying Dutchman flew his chopper into a nose-high attitude and peeled off into a single-ship approach. His passengers were looking straight down at the ground from the open doorway. Before anyone could blink, they were diving toward the ground at four thousand feet a minute, about as fast as a helicopter can come out of the sky with its main rotor still attached. The 12.7's opened up. Tracer rounds looked like basketballs zooming by. The supersonic bullets popped as they passed, breaking the sound barrier. When a bullet found its mark, it smacked the ship like a baseball bat. As soon as the troops on the ground had hefted the two critical cases into each side, John blasted out low level, taking fire from the ground. He knew the Huey didn't have long before it became battered magnesium. . . .

This is the eighth volume in a planned 10-volume operational and chronological series covering the Marine Corps' participation in the Vietnam War. A separate topical series will complement the operational histories. This particular volume details the gradual withdrawal in 1970-1971 of Marine combat forces from South Vietnam's northernmost corps area, I Corps, as part of an overall American strategy of turning the ground war against the North Vietnamese and Viet Cong over to the Armed Forces of the Republic of Vietnam. Marines in this period accomplished a number of difficult tasks. The III Marine Amphibious Force transferred most of its responsibilities in I Corps to the Army XXIV Corps, which became the senior U.S. command in that military region. III MAF continued a full range of military and pacification activities within Quang Nam Province, its remaining area of responsibility. Developing its combat and counterinsurgency techniques to their fullest extent, the force continued to protect the city of Da Nang, root out the enemy guerrillas and infrastructure from the country, and prevent enemy main forces from disrupting pacification. At the same time, its strength steadily diminished as Marine s redeployed in a series of increments until, in April 1971, the III Marine Amphibious Force Headquarters itself departed and was replaced for the last month of Marine ground combat by the 3d Marine Amphibious Brigade. During the redeployments, Marine logisticians successfully withdrew huge quantities of equipment and dismantled installation s or turned them over to the South Vietnamese. Yet this was also a time of troubles for Marines. The strains on the Armed Services of a lengthy, inconclusive war and the social and racial conflicts tormenting American society adversely affected Marine discipline and cohesion, posing complex, intractable problems of leadership and command. Marines departed Vietnam with a sense that they had done their duty, but also that they were leaving behind many problems unsolved and tasks not completed.

A study of poetry written primarily by Vietnam veterans during and after the war. Drawing on a wealth of material often published in small presses and journals, the book highlights the horrors of war and the continuing traumas of veterans in a post-Vietnam America that has largely rewritten the Vietnam war to suit dominant national ideologies. The analysis dwells on poems of solidarity wherein American veterans reach out to their former enemy. The concluding chapter on Vietnamese poems in translation extends the circle of memory and trauma In its inclusion of Vietnamese perspectives Chattarji's study marks a departure from earlier works that have largely concentrated on Vietnam as a war rather than as a country. This is a significant addition to Vietnam studies and should be of interest to specialists in literature and culture studies, as well as those with a more general interest in the subject.

The Vietnam War was an immense national tragedy that played itself out in the individual experiences of millions of Americans. The conflict tested and tormented the country collectively and individually in ways few historical events have. The Human Tradition in the Vietnam Era provides window into some of those personal journeys through that troubled time. The poor and the powerful, male and female, hawk and dove, civilian and military, are all here. This rich collection of original biographical essays provides contemporary readers with a sense of what it was like to be an American in the 1960s and early 1970s, while also helping them gain an understanding of some of the broader issues of the era. The diverse biographies included in this book put a human face on the tensions and travails of the Vietnam Era. Students will gain a better understanding of how individuals looked at and lived through this contro-versial conflict in American history.

The U.S. Marine Corps' Combined Action Program (CAP) in Vietnam was an enlightened gesture of strategic dissent. Recognizing that search-and-destroy operations were immoral and self-defeating and that the best hope for victory was "winning hearts and minds," the Corps stationed squads of Marines, augmented by Navy corpsmen, in the countryside to train and patrol alongside village self-defense units called Popular Forces. Corporal Edward F. Palm became a combined-action Marine in 1967. His memoir recounts his experiences fighting with the South Vietnamese, his readjustment to life after the war, and the circumstances that prompted him to join the Corps in the first place. A one-time aspiring photojournalist, Palm includes photographs he took while serving, along with an epilogue describing what he and his former sergeant found during their 2002 return to Vietnam.

J. William Fulbright was the longest serving and most powerful chair of the Senate Foreign Relations Committee. Both an intellectual and an internationalist, he had great influence over the course of American foreign relations in the 1960s and 1970s. Fulbright was also the most prominent, and the most effective, of the first American critics of the Vietnam War. His criticism was particularly galling and damning to Lyndon Johnson because Fulbright was a principled internationalist who could not be dismissed as an ideologue. Fulbright used hearings by the Foreign Relations Committee as a forum in which to advance his powerful critique of the war, and his writings constitute an ongoing, comprehensive critique of American foreign policy. This abridgement of Woods' prize-winning biography of J. William Fulbright presents the full story of Fulbright's role as one of the leading congressional opponents of the Vietnam War.

Phil Gioia grew up an army brat during the decades after World War II. Drawn to the military, he attended the Virginia Military Institute, then was commissioned in the U.S. Army, where he completed Jump School and Ranger School. Not even a year after college graduation, he landed in Vietnam in early 1968-in the first weeks of the Tet offensive, which marked a major escalation of the war. Commanding a company in the 82nd Airborne Division, Gioia led his paratroopers into the city of Hue for intense fighting-danger was always just around the corner -and the grisly discovery of mass graves. Wounded, he was sent home in May but returned with the 1st Cavalry Division a year later, this time leading a rucksack company of light infantry. Inserted into far-flung landing zones, Gioia and his men patrolled the jungles and rubber plantations along the Cambodian border, looking for a furtive enemy who preferred ambushes to set-piece battles and nighttime raids to daylight attacks. Danger Close! recounts the Vietnam War from the unique boots-on-the-ground perspective of a young officer who served two tours in two different divisions. He tells his story thoughtfully, straightforwardly, and always vividly, from the raw emotions of unearthing massacred human beings to the terrors of fighting in the dark, with red and green tracers slicing the air. Hard to put down and hard to forget, Danger Close! will remind readers of the best Vietnam memoirs, like Guns Up! and Baptism.

Extraordinary Valor is the true story of American Special Forces officer John Duffy, and South Vietnamese paratrooper, Le Van Me, as they fight to defend Charlie Hill, a key to holding Vietnam's Central Highlands during North Vietnam's 1972 Easter Offensive. John Joseph Duffy was born in Brooklyn, New York; Le Van Me in a small village outside the old imperial capital of Hue in South Vietnam. Living on opposite sides of the globe, they come together in the heat of war in Southeast Asia when Major Duffy is assigned as the American advisor to the elite South Vietnamese 11th Airborne Battalion where Me is second in command. The battalion receives the order to "Fight to the death" on Charlie Hill. After two weeks of intense combat, hundreds lay dead and those still standing are out of food, water, and medical supplies. Their ammunition is nearly gone. Duffy and Me draw on their bond of friendship and trust to make a selfless two-man last stand against the final North Vietnamese human wave assault. Both are badly wounded, Duffy multiple times. Their heroic action allows 36 members of the 471-man battalion to escape and be rescued. The rest are killed, captured, or missing in action. This is their story.

Throughout the past decade, defenders of the U.S. role in Vietnam have argued that America's defeat was not the result of an illegitimate intervention or military shortcomings, but rather a failure of will because national leaders, principally Lyndon B. Johnson, forced the troops to "fight with one hand tied behind their backs." In this volume, Robert Buzzanco disproves this theory by demonstrating that political leaders, not the military brass, pressed for war; that American policymakers always understood the problems and peril of war in Indochina; and that civil-military acrimony and the political desire to defer responsibility for Vietnam helped lead the United States into the war. For the first time, these crucial issues of military dissent, interservice rivalries, and civil-military relations and politics have been tied together to provide a cogent and comprehensive analysis of the U.S. role in Vietnam.

Once Upon a Distance War tells the stories of such young Vietnam war correspondents as Neil Sheehan, Peter Arnett, and David Halberstam, providing a riveting chronicle of high adventure and brutal slapstick, gallantry and cynicism, as well as a vital addition to the history they shaped. "Prochnau . . . tells a Vietnam story we haven't heard before. . . . Complex, witty, and humane."--Tobias Wolff. of photos.

Get out! Run! We must leave this place! They are going to destroy this whole place! Go, children, run first! Go now!

These were the final shouts nine year-old Kim Phuc heard before her world dissolved into flames―before napalm bombs fell from the sky, burning away her clothing and searing deep into her skin. It’s a moment forever captured, an iconic image that has come to define the horror and violence of the Vietnam War. Kim was left for dead in a morgue; no one expected her to survive the attack. Napalm meant fire, and fire meant death.

Against all odds, Kim lived―but her journey toward healing was only beginning. When the napalm bombs dropped, everything Kim knew and relied on exploded along with them: her home, her country’s freedom, her childhood innocence and happiness. The coming years would be marked by excruciating treatments for her burns and unrelenting physical pain throughout her body, which were constant reminders of that terrible day. Kim survived the pain of her body ablaze, but how could she possibly survive the pain of her devastated soul?

Fire Road is the true story of how she found the answer in a God who suffered Himself; a Savior who truly understood and cared about the depths of her pain. Fire Road is a story of horror and hope, a harrowing tale of a life changed in an instant―and the power and resilience that can only be found in the power of God’s mercy and love.

Artillery XO...back into the Ia Drang Valley is my story of entering the Vietnam War in January 1966 as a young artillery officer and volunteer. It follows my adventures and experiences with the people I meet through my assignment as an executive officer of a 105mm howitzer battery and a bloody contest with a hard core North Vietnamese unit at the base of Chu Pong Mountain on the Cambodian border, in the same area where the 1st Air Cav became famous in a similar but more prolonged fight six months earlier, now recounted in a popular book "We Were Soldiers...and Young" (Random House 1992)

Vietnam veteran Don Yost explores the pain and rage of his experience as a correspondent near Mai Laid in 1968, transforming it through writing to a elegaic and powerful memoir, imbued with a significant message for our time.

The Vietnam War has been analyzed, dissected, and debated from multiple perspectives for decades, but domestic considerations -- such as partisan politics and election-year maneuvering -- are often overlooked as determining factors in the evolution and outcome of America's longest war. In Vietnam's Second Front: Domestic Politics, the Republican Party, and the War, Andrew L. Johns assesses the influence of the Republican Party -- its congressional leadership, politicians, grassroots organizations, and the Nixon administration -- on the escalation, prosecution, and resolution of the Vietnam War. This groundbreaking work also sheds new light on the relationship between Congress and the imperial presidency as they struggled for control over U.S. foreign policy. Beginning his analysis in 1961 and continuing through the Paris Peace Accords of 1973, Johns argues that the Kennedy, Johnson, and Nixon administrations failed to achieve victory on both fronts of the Vietnam War -- military and political -- because of their preoccupation with domestic politics. Johns details the machinations and political dexterity required of all three presidents and of members of Congress to maneuver between the countervailing forces of escalation and negotiation, offering a provocative account of the ramifications of their decisions. With clear, incisive prose and extensive archival research, Johns's analysis covers the broad range of the Republican Party's impact on the Vietnam War, offers a compelling reassessment of responsibility for the conflict, and challenges assumptions about the roles of Congress and the president in U.S. foreign relations.

The unimagined community proposes a reexamination of the Vietnam War from a perspective that has been largely excluded from historical accounts of the conflict, that of the South Vietnamese. Challenging the conventional view that the war was a struggle between the Vietnamese people and US imperialism, the study presents a wide-ranging investigation of South Vietnamese culture, from political philosophy and psychological warfare to popular culture and film. Beginning with a genealogy of the concept of a Vietnamese "culture," as the latter emerged during the colonial period, the book concludes with a reflection on the rise of popular culture during the American intervention. Reexamining the war from the South Vietnamese perspective, The unimagined community pursues the provocative thesis that the conflict, in this early stage, was not an anti-communist crusade, but a struggle between two competing versions of anticolonial communism. -- .

In 1968 Nguyen Qui Duc was nine years old, his father was a high-ranking civil servant in the South Vietnamese government, and his mother was a school principal. Then the Viet Cong launched their Tet offensive, and the Nguyen family's comfortable life was destroyed. The author's father was taken prisoner and marched up the Ho Chi Minh Trail. North Vietnam's highest-ranking civilian prisoner, he eventually spent twelve years in captivity, composing poems in his head to maintain his sanity. Nguyen himself escaped from Saigon as North Vietnamese tanks approached in 1975. He came of age as an American teenager, going to school dances and working at a Roy Rogers restaurant, yet yearning for the homeland and parents he had to leave behind. The author's mother stayed in Vietnam to look after her mentally ill daughter. She endured poverty and "reeducation" until her husband was freed and the Nguyens could reunite. Intertwining these three stories, "Where the Ashes Are" shows us the Vietnam War through a child's eyes, privation after a Communist takeover, and the struggle of new immigrants. The author, who returned to Vietnam as an American reporter, provides a detailed portrait of the nation as it opened to the West in the early 1990s. "Where the Ashes Are" closes with Nguyen's thoughts on being pulled between his adopted country and his homeland.

Hanoi's Road to the Vietnam War opens in 1954 with the signing of the Geneva accords that ended the eight-year-long Franco-Indochinese War and created two Vietnams. In agreeing to the accords, Ho Chi Minh and other leaders of the Democratic Republic of Vietnam anticipated a new period of peace leading to national reunification under their rule; they never imagined that within a decade they would be engaged in an even bigger feud with the United States. Basing his work on new and largely inaccessible Vietnamese materials as well as French, British, Canadian, and American documents, Pierre Asselin explores the communist path to war. Specifically, he examines the internal debates and other elements that shaped Hanoi's revolutionary strategy in the decade preceding U.S. military intervention, and resulting domestic and foreign programs. Without exonerating Washington for its role in the advent of hostilities in 1965, Hanoi's Road to the Vietnam War demonstrates that those who directed the effort against the United States and its allies in Saigon were at least equally responsible for creating the circumstances that culminated in arguably the most tragic conflict of the Cold War era.

By 1969, the Sikorski H-34 was an older helicopter with severe limitations for combat duty in Vietnam. For pilots like U.S. Marine Lieutenant Rick Gehweiler, the good news was it could still take significant damage and keep flying. His vivid memoir narrates his harrowing, at times deadly flight missions under fire, as experienced in the cockpit, along with anecdotes of tragedy and humor from his 13-month tour through Da Nang and Phu Bai.