This book is a unique source of information about U.S. troop involvement in South Vietnam from 1965 to 1972. It stresses that Vietnam was a war without fronts or battle lines-a war different from any that the United States had previously fought.

This six-volume collection of essential articles on the American involvement in the Vietnam Wa encompasses the political, social, and military aspects of the war.

This six-volume collection of essential articles on the American involvement in the Vietnam Wa encompasses the political, social, and military aspects of the war.

Contents:
1. Haines, Harry W Disputing the Wreckage: Ideological Struggle at the Vietnam Veterans Memorial, Vietnam Generation 1 [1989]
2. Wagner-Pacifici, Robin and Barry Schwartz The Vietnam Veterans Memorial: Commemorating A Difficult Past, American Journal of Sociology 97 [1991]
3. Sturken, Marita The Wall, the Screen, and the Image: The Vietnam Veterans Memorial, Representations 35 [1991]
4. Jeffords, Susan Women, Gender and the War, Critical Studies in Mass Communication 6 [1989]
5. Smith, Lorrie Back Against the Wall: Anti-Feminist Backlist in Vietnam War Literature, Vietnam Generation 1 [1989]
6. Mithers, Carol Lynn Missing in Action: Women Warriors in Vietnam, Cultural Critique 3 [1986]
7. Marling, Carol Ann The Statute Near the Wall, Smithsonian Studies in American Art 1 [1987]
8. Bellhouse, Mary L and Lawrence Litchfield Vietnam and Loss of Innocence: An Analysis of the Political Implications of the Popular Literature of the Vietnam War, Journal of Popular Culture 16 [1982]
9. Uchmanowicz, Pauline Vanishing Vietnam: Whiteness and the Technology of Memory, Literature and Psychology 41 [1995]
10. Charlot, John Vietnamese Cinema: First Views, Journal of Southeast Asian Studies 22 [1991]
11. Katzman, Jason From Outcast to Cliche: How Film Shaped, Warped and Developed the Image of the Vietnam Veteran, 1967-1990, Journal of American Culture 16 [1993]
12. Clark, Michael Remembering Vietnam, Cultural Critique 3 [1986]
13. Berg, Rick Losing Vietnam: Covering the War in an Age of Technology, Cultural Critique 3 [1986]
14. Rowe, John Carlos From Documentary to Docudrama: Vietnam on Television in the 1980s, Genre 21 [1988]
15. Auster, Albert Reflections of the Way Life Used to Be: Tour of Duty, China Beach, and the memory of the Sixties, Television Quarterly 24 [1990]
16. Ballard-Reisch, Deborah China Beach and Tour of Duty: American Television and Revisionist History of The Vietnam War, Journal of Popular Culture 25 [1991]
17. Jason, Philip K The Noise is Always in My Head: Auditory Images in the Literature of the Vietnam War, Midwest Quarterly 37 [1996]

Why everything you think you know about Australia's Vietnam War is wrong. When Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every misconception. He wasn't alone. In Australia's Vietnam, Dapin reveals that every stage of Australia's commitment to the Vietnam War has been misunderstood, misinterpreted and shrouded in myth. From army claims that every national serviceman was a volunteer; and the level of atrocities committed by Australian troops; to the belief there no welcome home parades until the late 1980s and returned soldiers were met by angry protesters. Australia's Vietnam is a major contribution to the understanding of Australia's experience of the war and will change the way we think about memory and military history. Acclaimed journalist and bestselling military historian Mark Dapin busts long-held and highly charged myths about the Vietnam War Dapin reveals his own mistakes and regrets as a journalist and military historian and his growing realisation that the stereotypes of the Vietnam War are far from the truth This book will change the way military history is researched and written

Contents:
1. Small, Melvin The Impact of the Antiwar Movement on Lyndon Johnson, 1965-1968: A Preliminary Report, Peace and Change 10 [1984]
2. Harrison, Benjamin T Roots of the Anti-Vietnam War Movement, Studies in Conflict and Terrorism 16
3. DeBenedetti, Charles On the Significance of Citizen Peace Activism: America, 1961-1975, Peace and Change 9 [1983]
4. Katz, Milton S Peace Liberals and Vietnam:SANE and the Politics of 'Responsible' Protest, Peace and Change 9 [1983]
5. Shapiro, Herbert The Vietnam War and the American Civil Rights Movement, Journal of Ethnic Studies 16 [1989]
6. Harrison, Benjamin T Impact of the Vietnam War on the Civil Rights Movement in the Midsixties, Studies in Conflict and Terrorism 19
7. DeBenedetti, Charles A CIA Analysis of the Anti-Vietnam War Movement: October 1967, Peace and Change 9 [1983]
8. Schuman, Howard Two Sources of Antiwar Sentiment in America, American Journal of Sociology 78 [1972]
9. Johnson, Robert David The Origins of Dissent: Senate Liberals and Vietnam, 1959-1964, Pacific Historical Review 65 [1996]
10. Garfinkle, Adam No Discharge from that War: Aftermyths of the Antiwar Movement, Orbis 39 [1995]
11. Gartner, Scott, Gary Segura and Michael Wilkenning All Polititcs are Local: Local Losses and Individual Attitudes toward the Vietnam War, Journal of Conflict Resolution 41 [1997]
12. Hall, Mitchell Unsell the War: Vietnam and Antiwar Advertising, The Historian 58 [1995]
13. Buzzanco, Robert Prologue to Tragedy: US Military Opposition to Intervention in Vietnam, 1950-1954, Diplomatic History 17 [1993]
14. Gibson, James L The Policy Consequences of Political Intolerance: Political Repression During the Vietnam Era, Journal of Politics 51 [1989]
15. Katz, Andrew Z Public Opinion and Foreign Policy: The Nixon Administration and the Pursuit of Peace with Honour in Vietnam, Presidential Studies Quarterly 27 [1997]
16.Kahin, George McT The Pentagon Papers: A Critical Evaluation, American Political Science Review 69 [1975]
17. Sweet, Barry Legal Challenges to Presidential Policies on the Use of Military Force, Policy Studies Journal 24 [1996]

The Vietnam War generated controversy long after the guns went silent in Southeast Asia. At first, a consensus emerged that the war had been a tragic 'mistake' in US foreign policy. But with the revival of the Cold War under President Ronald Reagan, who proclaimed that the Vietnam conflict had been a 'noble cause', revisionists began to reinterpret the history and meaning of the war. As a new conflict emerged in Central America, some argued that the lesson of Vietnam was to avoid direct involvement in such struggles, while others insisted that the US could not afford to be paralyzed by a 'Vietnam syndrome' equating all intervention with failure. Among the additional lessons and legacies of the war was its impact on the men who fought in Vietnam. For complex reasons, explored by authors in this volume, powerful myths about Vietnam veterans emerged in postwar American culture.

From Melos to My Lai presents an erudite, provocative and moving analysis of the accounts of violence in the literature and history of ancient Greece and in the film literature and veterans' accounts of the Vietnam War. This comparative investigation examines the nature of violence, its impact on society and culture, especially as reflected from the perspective of the survivors. The survivors include not only actual combatants, but those with whom they interact: their comrades, their wives and children, families and society as a whole.
From Melos to My Lai provides a unique contribution to the study of the impact of violence on its participants and its audience which combines an examination of the artistic representations of violence and the real-life accounts of those involved in it.

Did Ajax and Achilles ever suffer from Post-traumatic stress syndrome?

In this absorbing account, Vietnam veteran and classics scholar Lawrence A Tritle offers an incisive analysis of war and its impact upon the soldier and civilian from the classical age to the present day.
Tritle discusses the links between battlefield experiences that affect the participants and victims of war in every age, drawing examples from sources as diverse as the Iliad, Michael Herr's Dispatches, Thucydides' account of the Pelopenesian Wars, and the Oliver Stone film Platoon. Each instance sheds light on some of the most puzzling phemonena of war and shows how the heroes of epic responded to battle with their own forms of "shellshock," battle-madness and bonding. Tritle examines such issues as:

How can ordinarily decent men can commit acts of extraordinary savagery?

Attitudes toward the "enemy"

The impact of war on waiting wives, lovers and civilian bystanders

Remembering the fallen soldier: from the classic Athenian funeral speech to the Vietnam Wall

How veterans live with physical and psychological injury

This memorable book is for readers who wonder about the meaning and experience of battle, about the impact of war and violence on our culture, and for anyone interested in the culture of ancient Greece.

This book explores the international leadership of the AFL-CIO, the UAW and UAW Local 600, the world's largest union local, and reveals that overall, working-class response to the Vietnam War mirrored that of the American society as a whole.

Throughout the past decade, defenders of the U.S. role in Vietnam have argued that America's defeat was not the result of an illegitimate intervention or military shortcomings, but rather a failure of will because national leaders, principally Lyndon B. Johnson, forced the troops to "fight with one hand tied behind their backs." In this volume, Robert Buzzanco disproves this theory by demonstrating that political leaders, not the military brass, pressed for war; that American policymakers always understood the problems and peril of war in Indochina; and that civil-military acrimony and the political desire to defer responsibility for Vietnam helped lead the United States into the war. For the first time, these crucial issues of military dissent, interservice rivalries, and civil-military relations and politics have been tied together to provide a cogent and comprehensive analysis of the U.S. role in Vietnam.

In the midst of the Vietnam War, two titans of the Senate, J. William Fulbright and John C. Stennis, held public hearings to debate the conflict's future. In this intriguing new work, historian Joseph A. Fry provides the first comparative analysis of these inquiries and the senior southern Senators who led them. The Senators' shared aim was to alter the Johnson administration's strategy and bring an end to the war-but from dramatically different perspectives. Fulbright hoped to pressure Johnson to halt escalation and seek a negotiated settlement, while Stennis wanted to prompt the President to bomb North Vietnam more aggressively and secure a victorious end to the war. Publicized and televised, these hearings added fuel to the fire of national debate over Vietnam policy and captured the many arguments of both hawks and doves. Fry details the dramatic confrontations between the Senate committees and the administration spokesmen, Dean Rusk and Robert McNamara, and he probes the success of congressional efforts to influence Vietnam policy. Ultimately, Fry shows how the Fulbright and Stennis hearings provide vivid insight into the debate over why the United States was involved in Vietnam and how the war should be conducted.

The Viet Cong have long remained a mystery even to those who fought against them during America's longest and most divisive war. They have been given many acronyms and slang names by the American fighting men; included among them are V.C., Charlie and other less complimentary terms. They have been portrayed in many guises by the American press and popular Hollywood films. None, however, have really addressed the Viet Cong in human terms. This work will strip away the myth and mystery which surrounds the Viet Cong and, through the medium of their own candid photography, present them in human terms. They were everything we were - resourceful, cunning, adaptable, and most of all, human. As did our own American soldiers, they endured life in some of the harshest, most inhospitable terrain on earth. In doing so, they exhibited the will to sacrifice and be sacrificed for the collective goal of unification. Little did they know that we were serving the hidden agenda of the Politburo in Hanoi. In the end, they, like many of our soldiers, were betrayed and abandoned. This book portrays the Viet Cong as seen through their own photography. A cultural obsession, photographs were taken wherever and whenever possible. On many occasions, Allied forces were able to capture such photos. It is from such sources that these photographs are made available, most for the first time ever, to the general public.

This is the first history of the legendary US Army's HAWK missile system, the world's first mobile air-defense missile system, which saw service and combat around the world. Designed to counteract the threat posed by advanced 1950s Soviet-built aircraft, the first HAWK unit became operational in 1959. At its peak, it saw frontline service in the Far East, Panama, Europe, and in the Middle East. Units were also used during the Cuban Missile Crisis, Vietnam War, and Persian Gulf War. In the hands of other nations, HAWK proved its efficacy in combat during the Arab-Israeli Wars, Iran-Iraq War, Chadian-Libyan War, and the Iraqi invasion of Kuwait. Credited with shooting down more than 100 aircraft during its combat career, the HAWK system was respected for its lethality. Such was Soviet concern, that the USSR developed electronic jammers, anti-radiation missiles, and other countermeasures specifically to degrade its effectiveness. The US retired its HAWK systems soon after the Cold War ended in 1991 when air defense priorities shifted from aircraft to ballistic missile defense, yet a modernized version of the system remains in service to this day in many nations. Packed with archive photos and original artwork, this is the first book about the HAWK system. Featuring research from HAWK technical and field manuals, interviews with HAWK veterans, and detailing the authors' personal experiences with HAWK missile units, it provides a comprehensive study of one of the most lethal and effective air missile systems of all time.

American discussions of the Vietnam War tend to gloss over the period from 1972 to the final North Vietnamese offensive in 1975. But on the battlefields, these were brutal times for America's South Vietnamese allies combined with a period of intense diplomatic negotiations conducted under the increasing reality that America had abandoned them. In Peace and Prisoners of War, written in "real-time" as events occurred, Phan Nhat Nam provides a unique window into the harsh combat that followed America's withdrawal and the hopelessness of South Vietnam's attempt to stave off an eventual communist victory. Few others could have written this book. Phan Nhat Nam saw the war for years as a combat soldier in one of South Vietnam's most respected airborne divisions, then as the country's most respected war reporter, and for fourteen years after the war as a prisoner in Hanoi's infamous "re-education" camps, including eight years in solitary confinement. In the war's aftermath anonymity became his fate both inside Vietnam and here in America. But now one of his important works is available, enhanced by an introduction by Senator James Webb, one of the most decorated Marines in the Vietnam War. Webb describes this revealing work as "an unvarnished observation frozen in time, devoid of spin or false retrospective wisdom." Phan's reporting makes clear the sense of doom that foretold the tragic events to come, on the battlefields and in the frustration of negotiating with an implacable enemy while abandoned by its foremost ally. Readers will find this book both enlightening and disturbing, its observations until now overlooked in most histories of the Vietnam War.

Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it. Even for many people who experienced the Vietnam War first hand, memories of that conflict have often been shaped by the popular films that depicted it: The Quiet American, The Green Berets, The Deer Hunter, Coming Home, Platoon, Full Metal Jacket, and Apocalypse Now, among others. Vietnam War on Film examines how the war is portrayed through a selection of ten iconic films that represent the war through dramatization and storytelling as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events, followed by ten chapters, each of which focuses on a specific Vietnam War movie. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A final section of "Resources" provides a comprehensive annotated bibliography of print and electronic sources to aid students and teachers in further research. Provides a unique guide to the Vietnam War experience for film history buffs, students and scholars of history, and fans of the cinema Offers equal emphasis on the films themselves and the historical events depicted Presents carefully researched and highly informative coverage Stimulates debate over the various ways the war was interpreted and experienced

Based on research and personal interviews, this book presents the most successful North Vietnamese pilots' careers from their training years to their missions and aerial victories. There were nineteen aces in the Vietnamese People's Air Force during the war. An additional eight MiG pilots were also successful in dogfights; each claimed four aerial victories. More than 240 illustrations feature rare war-era photography, color MiG profiles, maps of air engagements, and lists of air victories and losses that reconstruct the events that took place over North Vietnam from 1965 to 1973.

This book explores the international leadership of the AFL-CIO, the UAW and UAW Local 600, the world's largest union local, and reveals that overall, working-class response to the Vietnam War mirrored that of the American society as a whole.

The M113 is the most widely used and versatile armoured vehicle in the world. Fielded in 1960 as a simple 'battlefield taxi', over 80,000 M113s would see service with 50 nations around the world and 55 years later, many thousands are still in use. In addition to its original role of transporting troops across the battlefield, specialized versions perform a multitude of other functions including command and control, fire support, anti-tank and anti-aircraft defence, and casualty evacuation. This new fully illustrated study examines the service record of the M113 from its initial fielding through to the end of the Vietnam War. It will also describe the many US, South Vietnamese, and Australian variants of the M113 used in the Vietnam War as well as information on tactics, unit tables of organization and equipment, and a selection of engagements in which the M113 played a decisive role.

With first-hand insight into the into the key role of the US Air Force's fighter-bomber from the Vietnam War through to Operation Desert Storm during the First Gulf War, this book is an unmissable account of some of the most dangerous and demanding missions in the two wars. The advent of the surface-to-air missile (SAM) in the early 1950s threatened the whole concept of aerial bombing from medium and high altitude. Countermeasures were developed during the Korean War, but with little initial success. It was only in the closing stages of the Vietnam War, with the F-4Cww Phantom II (Wild Weasel 4), that this equipment started to become successful enough to allow a substantial investment in converting 116 F-4E Phantom IIs into dedicated SEAD aircraft. This move introduced a new generation of anti-radar missiles which became invaluable in later operations including operations Desert Shield, Desert Storm and Northern Watch over Iraq. This volume features dynamic archival photography from crews who flew the jet, alongside mission accounts and technical details of the development and fielding of the F-4 Wild Weasel in its various iterations. Including specially commissioned artwork of 'sharkmouthed' Phantom IIs in Vietnam jungle camouflage and more modern USAF 'Ghost Gray', this book is the ultimate visual and technical guide to the F-4 Phantom II Wild Weasel Units in combat.

First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.

This guide showcases knives used by America's clandestine military in Southeast Asia during the Vietnam War. It provides the collector and others interested in the period a way of identifying honest SOG (Studies and Observations Group) specimens and separating them from counterfeits. With beautiful color photographs that show a high level of detail, the book identifies all known SOG specimens (over 165 knives) and includes rare personalized knives and custom combat knives made in the United States. Sections of the book focus on Randalls, Eks, Gerbers, and the knives made by tribal artisans in Southeast Asia. This is the eighth in Mike Silvey's series on military knives.

On June 7, 1998 CNN broadcast Valley of Death, the story of a 1970 raid into Laos by U.S. Special Forces. According to the report, Operation Tailwind had used sarin nerve gas to kill U.S. soldiers who had defected to the North Vietnamese. After a firestorm of controversy, CNN retracted the report, ruining the career of rising star April Oliver and compromising the network's credibility. Called "the TV news story of the year" by TV Guide, CNN's Operation Tailwind fiasco was the biggest news scandal of the 1990s. Hearing about the story after its broadcast, Jerry Lembcke was struck by its resemblance to war legends and myths. His search for the origins of the tale, and an explanation for why top-level journalists would believe it, led him into the shocking world of political paranoia, where conspiracy theory, popular culture, religious fundamentalism, and the fantasies of war veterans cross paths. Approaching the story as a case study in why people believe what they do, Lembcke reversed the normal inquiry into how journalists shape what the rest of us know, to ask questions about the social forces that shape what journalists know. With a likeness to Herbert Gans' 1980 classic, Deciding What's News, Jerry Lembcke's CNN's Tailwind Tale is at once a study of American journalism that opens a window on America itself. Special link to the author's interview on Radio Nation discussing this new book - CNN's Tailwind Tale