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Arts & Crafts > Fine Art Supplies > Watercolour > Watercolour Colour
Terre Ercolano (PBr7 PR101) is a natural bold brick red. This pigment is semi-transparent and lightfast. Try depicting the desert or red rocks with this earthy, granulating paint.
Pompeii Red (PBr7) is a dramatic rusty red-orange that is made from earth that has been heated to attain a burnt colour. This earth creates a granulated texture in the paint. This texture is wonderful for depicting sunlit hills or rough material folds. When mixed with Carmine a lovely vermillion with a slight pink undertone is produced.
Yellow Ochre (PY43) is a yellow-orange brown colour. This transparent shade is a sublime mixing colour and its uses are almost limitless as it works well with all other transparent pigments.
Viridian (PG19) is a cool blue green. Non-staining mixtures and transparent glazes can be produced with ease with this pigment. Viridian can modify reds and make limitless combinations with Quinacridones colours. This paint is an ideal addition to any portrait painter's palette.
Venetian Red (PR101) is an earthy red-brown. A medium staining pigment, Venetian Red lifts with some difficulty when dry, but leaves a special warm afterglow when blotted at the damp state. This product is ideal for architectural depictions as due to its granular texture and red brick colouring. Venetian Red is also a great tube to reach for when painting Autumnal scenes.
Van Dyck Brown (Blend of PBr7) is a deep, dark brown made of siennas and umbers. Ideal for texturing and staining, this semi-transparent colour makes a good replacement for Sepia.
Ultramarine Violet (PV15) is a soft purple hue. This is slightly granular, low-staining pigment and can be used to create delightful mottled washes.
Ultramarine Red (PV15) is a blue toned violet. This product is lightfast, slightly granulated, and non-staining.
Ultramarine Blue (PB29) is a cooler, bluer version of French Ultramarine. Both colours share excellent permanence, lightfastness and transparency. Ultramarine Blue can be used straight for vibrant crayon-like colour or mixed with a cool red for dark, effective neutrals.
Ultramarine Turquoise (PB29 PG7) is a deep dark turquoise. This colour is granular, low-staining equivalent of Phthalo Turquoise and can be used to create unusual grainy washes.
Sepia (PBr7 PBk9) is a rich black-brown which is an essential in any basic palette. A soft mushroom shade is formed when this colour is diluted. A low staining and lightfast colour, Sepia is ideal for pastoral landscapes and shadows.
Sap Green (PO49 PG7) is a bright yellow-green that mixes well with most pigments. Blend with French Ultramarine to create forest shadows or with Burnt Sienna and Burnt Orange to produce warmer toned greens. Sap Green can be lifted with knife to form blades of grass of with a sponge to create natural looking textures.
Rose of Ultramarine (PB29 PV19) is a purple hue in which the blue settles and the rose lifts. This separation gives a colour a multi-dimensional quality that self-mixed purples struggle to achieve. This product is particularly effective when juxtaposed with Phthalo Blue.
Raw Umber Violet is a deep burgundy-brown colour. This product is unique to Daniel Smith as is the result of a blend of Raw Umber and Quinacridone Violet.
Raw Umber (PBr7) is a rich dark brown. This inorganic pigment is semi-transparent, medium tinting, and extremely permanent. This product is ideal for evoking mood or lending depth to a field.
Quinacridone Pink (PV42) is a rich, low staining pink. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency. Try with mixing with Indigo for deep dusty purples, or Indanthrone Blue for rich, clear purples.
Quinacridone Violet (PV19) is a bright fuchsia violet. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency. Try mixing Quinacridone Violet with a clean primary green.
Quinacridone Sienna (PO48 PR209 PY150) is a orange terracotta hue similar to Burnt Sienna but with finer particles. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency. Try using damp under Indigo or Payne's Gray to create compressed orange pools surrounded by greys.
Quinacridone Rose (PV19) is a vivid red-violet colour. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency. Try with Indigo for deep dusty purples, or Indanthrone Blue for rich, clear purples.
Quinacridone Gold (PO49) is a yellow sienna colour. It is an excellent low-staining, golden yellow pigment that can enhance any mixture. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency.
Quinacridone Coral (PR209) is a clear red tinged with pink and orange. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency.
Quinacridone Burnt Orange (PO48) is a warm brown-orange hue. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency. Quinacridone Burnt Orange produces effective sky washes when added to a grey-blue mix or mossy landscapes when combined with Sap Green.
Pyrrol Scarlet is a fire engine red similar in colour to Cadmium or Permanent Red although cleaner in colour. This modern synthetic-organic pigment disperses evenly as it is less granular than Perylene hues.
Phthalo Green (Yellow Shade) (PG36) is a deep intense green with a yellow undertone. Transparent and highly staining in both concentrated and dilute states, Phthalo Green (Yellow Shade) is ideal for dark and clean glazes.
Phthalo Blue (Green Shade) (PB15) is a deep intense blue with a green undertone. A transparent, staining pigment this shade produces vibrant greens when mixed with Hansa Yellow. This product is a wonderful tool for depicting cool, clean staining shadows and reflected light on windows. |
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