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Arts & Crafts > Fine Art Supplies > Watercolour > Watercolour Colour
Mummy Bauxite (Natural Iron Oxides) is a warm cinnamon brown colour. This product in its modern form is extremely lightfast, semi-transparent and low-staining.
Daniel Smith : Watercolour Paint : 15ml : Purpurite Genuine : Series 2
Amazonite Genuine is a strong, pure, teal colour that is completely transparent and non-staining. The precious mineral pigment contained in this paint is sourced from Brazil and named after the Amazon river.
Burnt Tiger's Eye Genuine is a warm reddish-brown. To make this watercolour paint Tiger's Eye stone is calcinated to change the iron oxide from cool to warm in hue. This product lends itself to portraiture and landscapes as it is both warm flesh tone and a natural compliment to greens.
Hematite Burnt Scarlet Genuine is a reddish brown colour. Hematite (also known as bloodstone) is milled to a fine pigment to create a dramatic reddish brown watercolour. This paint is highly granulated and is a useful tool for adding texture to rugged landscapes, wood, stone and brick.
Hematite Violet Genuine is a rugged violet brown colour. Hematite stones are milled to a fine pigment to create this stunning watercolor. When heavily diluted it becomes a soft dove grey. This product brings a new life to natural textures such as tree bark and rock.
Hematite is a heavy silvery-black when used concentrated, but softens to a dove grey in a thin wash. Hematite (or Bloodstone) is ground from a heavy silvery-black mineral rich in iron. This mineral powder makes up the pigment portion of this watercolour paint.
Natural Kingman Green Turquoise Genuine captures the magic and mystery of the ancient Southwest in a subtle greenish turquoise. It is mined near Kingman, Arizona, which lies along a Native American trade route.Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 15ml tube of Daniel Smith Watercolour Paint in Kingman Green Turquoise Gen.
Bismuth Vanadate Yellow (PY184) is low staining yellow green colour. This product is excellent for adding to portrait mixtures to create dark flesh tones.
Quinacridone Deep Gold (PO48 PY150) is a ruddy golden-orange. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency. Quinacridone Deep Gold is a vibrant alternative to Burnt Sienna.
Burgundy Red Ochre (PR102) is strong, reddish-brown pigment that is reminiscent of the earthy hues used by prehistoric men to capture the forms of animals on cave walls.
Sleeping Beauty Turquoise Genuine is a soft yet vibrant blue that comes from the Sleeping Beauty Mountain in Arizona. Unlike other turquoise colours this pigment is lightfast, permanent and vivid. Try this product in a wash to create a beautiful granular texture.
Minnesota Pipestone is a warm, soft, earthy pink. This paint is semi-opaque, lightfast, and granulates beautifully in washes. Made from ground American pipestone and synthetic pigments, this product both honours history of the indigenous American people and speaks of the modern age.
Green Gold (PY150 PY3 PG36) is a green shade with bright yellow undertones and golden highlights. This product, if used in concentrated form, has a rich and transparent olive-green tone.
Lapis Lazuli Genuine is a subtle blue-grey with a slight reflective quality and three-dimensional effect. This glittering pyrite paint is completely unlike synthetic ultramarine blues. Mined in South America, Daniel Smith's lapis lazuli is of gemstone quality and represents 80% of a tube's contents (the rest composed of a natural binder).
English Red Earth (PR101) is, when at full strength, a similar colour to Burnt Sienna. This product can be made into a wash that has a warm pink-brown tint with a soft granulation.
English Red Ochre (PR101) is a transparent sun-baked brick red with a rose-blush undertone. This product makes a wonderful highlight when painting red roses.
Permanent Yellow Deep (PY110) is a bright tangerine colour. When added to water this pigment forms a light peachy wash. This product is ideal for when the seasons turn and the landscape becomes an autumnal fiery orange-yellow.
Transparent Yellow Oxide (PY42) is a earth toned amber- yellow. Moderately granulated, permanent and lightfast, Transparent Yellow Oxide is useful for adding a soft golden glow to paintings. This product's complete transparency gives glazes a crystalline clarity and mixtures a clean vibrancy.
Transparent Red Oxide (PR101) is a highly transparent burnt orange with under tones of cinnamon and tobacco. A warm and non-staining hue, Transparent Red Oxide makes an exquisite glaze when painted over French Ochre for a fiery glow.
Transparent Brown Oxide (PR101) is a non-staining rich brown that becomes a soft peach brown diluted into a wash. This granulating pigment creates a mature textured green when combined with Permanent Green or can be used as a glaze to paint mysterious shadows.
Pyrrol Orange (PO73) is a smooth, semi-transparent orange. This versatile hue can capture subjects as diverse as the glory summer garden or the magic of a tropical sunset.
Verona Gold Ochre (PY150) is a golden yellow brown pigment. This paint is so called as its pigment is mined in the ancient Italian city. Verona Gold Ochre's unusual pigment gives it a surprising clarity and warmth for an earth colour.
German Greenish Raw Umber (PBr7) is a cool, earthy neutral brown with a hint of green. This product is a natural colour for use in landscapes.
Phthalo Blue (Red Shade) (PB15) is a deep intense blue with a red undertone. This product is a wonderful tool for painting skies (a small daub of pigment will product will yield sufficient mixture to cover a large area) or for capturing transparent containers filled with water. |
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