Nickel Azo Yellow (PY150) is brown tinted ochre that is both transparent and staining. This product is beautiful when used alongside Nickel Titanate Yellow and Naples Yellow.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: TransparentGranulating: NoStaining: Low

Perylene Maroon (PR179) is a dark-red brown hue. This paint is semi-transparent and highly staining. Pleasing textures can be created when Perylene Maroon is used with a salt application.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: Semi-TransparentGranulating: NoStaining: Staining

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Shin Han Pass takes its name from a subway or metro pass. Like a travel pass that allows access to unlimited modes of transportation, ShinHan Pass allows both transparent and opaque techniques to be realised within a single tube. A combination of watercolour and acrylic, ShinHan Pass also exhibits characteristics of gouache. A low amount of gum arabic and glycerin in this paint makes brush strokes more free and colours appear more saturated.

ShinHan Pass paints are made of the world's best pigments. These vivid colours are lightfast and each colour maintains its own integrity when blending.

ACMI certified.

Non-toxic.

QoR retains the best qualities of traditional watercolours, while expanding the range and versatility of each colour. QoR's exclusive binder (Aquazol) provides a greater density of colour than conventional watercolours, offering vivid depth of colour with every brushstroke. The unique QoR formula gives vibrant, intense colours that stay brilliant even after they dry. It provides the subtlety, transparency and flow of a great watercolour, with colours that have as much vibrancy and fire as those of acrylic or oil paint. QoR offers a greater resistance to cracking and flaking than other watercolours. It also exhibits excellent re-solubility in water and glazing qualities. CI Name : PR122Pigment Name : QuinacridoneCommon Name : N/AASTM Lightfastness : NAOpacity : TStaining : Staining

Colour number/code: 322

Series number: 1

Chemical Description: Copper phthalocyanine, Carbon black, Complex sodium alumino-silicate containing sulphur

Colour index name: PB15, PBk7, PB29

Colour index number: 74160, 77266, 77007

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: O

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Jadeite Genuine is a deep, dark-green that can be softened to the palest jade wash with the addition of water. This product is made using jadeite variety of jade as opposed to the nephrite form.ASTM Lightfastness Rating: ExcellentGranulating: YesStaining: Non-StainingTransparency: Semi-transparentDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. PrimaTek Watercolours are made from minerals, often semi precious minerals, that have been ground into pigments, mixed with gum arabic (the binder) and milled into PrimaTek Watercolours. The first was Lapis Lazuli Genuine in 1998, since then, many more have been added such as Amethyst Genuine, Piemontite Genuine and Serpentine Genuine. Most of these colours have wonderful granulating effects that some artists have called 'magical'.This is a 5ml tube of Daniel Smith Primatek Watercolour Paint in Jadeite Genuine.

Contents Include: Colours may vary36 x Old Holland Watercolour Half Pans

1 x Transparent Chinese White 003, 1 x Naples Yellow-Reddish Extra 112, 1 x Cadmium Yellow Lemon 009, 1 x Scheveningen Yellow Light 012, 1 x Old Holland Red Gold Lake 133, 1 x Cadmium Red Light 021, 1 x Alizarin Crimson Lake Extra 163, 1 x Old Holland Magenta 181, 1 x Old Holland Bright Violet 193, 1 x Paynes Grey 214, 1 x Parisian Blue Extra 034, 1 x Indigo Extra 033, 1 x Manganese Blue 041, 1 x French Ultramarine Light Extra 037, 1 x Cobalt Blue 250, 1 x Scheveningen Green Deep 049, 1 x Sap Green Lake Extra 292, 1 x Hookers Green Lake Deep Extra 301, 1 x Olive Green Dark 307, 1 x Yellow Ochre Light 053, 1 x Burnt Sienna 061, 1 x Burnt Umber 070, 1 x Sepia Extra 355, 1 x Ivory Black Extra 074, 1 x Gamboge Lake Extra 124, 1 x Brilliant Pink 175, 1 x Van Dyck Brown Extra 072, 1 x Raw Umber 069, 1 x Dioxazine Mauve 202, 1 x Blue Lake 229, 1 x Old Holland Violet-Grey 208, 1 x Green Earth 052, 1 x Old Holland Blue-Grey 259, 1 x Turquoise Blue Deep 265, 1 x Old Holland Golden Green 295, 1 x Raw Sienna Light 056

Series number: 1

Chemical Description: Pyrrole

Colour index name: PR 264

Colour index number: 561300

Permanence rating: A

ASTM Lightfastness Rating: N/L

Transparency/Opacity: SO

Granulating/Staining: St

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

The colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment in water colour, ie. granulating, staining or even wash. The resultant colour spectrum ensures the largest number of colours can be mixed from the range. The optimum brilliance of every colour in the Artists' Water Colour range is unparalleled by any other water colour. Remarkably, this brilliance is combined with high permanence.

Series number: 1

Chemical Description: Natural iron oxide

Colour index name: PBr 7

Colour index number: 77491

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: G

ShinHan Artists Watercolour is crafted with the finest high-grade Gum Arabic. To enhance the clarity and depth of colour, single-pigments are used whenever possible and the usage of mixed pigments has been limited. This is a 15ml tube of ShinHan Lilac.Please note, due to trading agreements we are unable to ship ShinHan products to Russia.

Series number: 4

Chemical Description: Cobalt titanate

Colour index name: PG 50

Colour index number: 77377

Permanence rating: AA

ASTM Lightfastness Rating: N/L

Transparency/Opacity: SO

Granulating/Staining: G

Pigment: Cobalt-zincsiliciumoxide, Spinel (Co, Al)Lightfastness: *****Opacity: Semi-transparentDescription: Very lightfast, deep blue, more reddish than tone 487, cobalt blue light. Coarse-grained. Tone and chemistry very similar to smalts blue of the late middle age. Often used to paint sky and horizon.

Colour Index: PB74/PB28

To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its colouristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

Set contains the following colours:Lemon Yellow (215)Cadmium Yellow Light (224)Cadmium Red Light (349) Permanent Carmine (353)Ultramarine Finest (494)Prussian Blue (492)Phthalo Green (519)Permanent Green Olive (534)Yellow Ochre (655)English Venetian Red (649)Sepia Brown (663)Ivory Black (780)

Please note - colours may vary

Traditional Japanese watercolours for professional artists and crafters alike. These extra large pans (4.5 x 2.5cm) of brilliant, luminous, high-performance paints are ideal for sketching, illustration, sumi-e, manga, calligraphy and more. The range includes a good selection of vivid colours with creamy consistencies.

Apply a wet brush to the pans to activate the colours. Gansai pans may exhibit cracking due to extreme dryness or appear rough in texture due to tiny air bubbles, however neither of these traits affect their quality.

Colour number/code: 599

Series number: 1

Chemical Description: Brominated copper phthalocyanine, Quinacridone

Colour index name: PG36, PO49

Colour index number: 74265, 73900

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 314

Series number: 1

Chemical Description: Copper phthalocyanine, Quinacridone, Chlorinated copper phthalocyanine

Colour index name: PB15, PO49, PG7

Colour index number: 74160, 73900, 74260

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Permanency: Moderately Durable Colour

A European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly, thus permitting greater colour density and brush control. It is a colour line with a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or molding in the palette. It may be re-wetted easily like a pan colour. For this reason Holbein does not produce watercolours in pan form but allows artists to create their own selection.

Fill the wells of a suitable palette with the desired colour selection. Permit to dry, then wet the colour when needed. Holbein watercolours produce brilliant transparent washes as well as powerful clean darks when used in more concentrated applications. Engineered to surpass the quality standards set by both North American and European manufacturers, Holbein watercolour is widely preferred around the world for it's handling qualities. Holbein watercolour ranks as the world’s finest.

Pigment: Monoazoyellow, AzocondensationLightfastness: ***Opacity: Semi-opaqueDescription: Warm reddish-yellow brown from 2 modern, organic pigments.

Colour Index: PY65/PBr41



To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.

For fine detail, lines & washes. A traditional and popular head shape for all-purpose water colour work. Can be used for broad strokes yet it will also form a sharp point. They possess good colour holding capacity, sensitivity, spring and durability.

Colour: Red BrownPigment Index: PBr25Transparency: TransparentLightfastness: ExcellentBinder: 7 different natural, water-soluble agents, including: honey, guar gum, gum arabic, and sorbitol.Staining: Semi-StainingMijello Mission Gold Watercolours are a high-quality range of watercolours which have been designed with the help of professional artists.The colours are rich, pure, and have been designed to mirror the natural tones from nature’s palette. These watercolours are handmade by first mixing pigments with mediums and dispersants. The concentration of the pure pigment means a little colour goes a long way and there is very little colour shift from wet to dry. The colours have been formulated for superior lightfastness to better preserve the intensity of your painting. All Mission Gold watercolours are created with safe non-toxic pigments and ingredients.The range contains 105 colours available in 15ml tubes.

PV23, Excellent ligthfastness.Lascaux Aquacryl combine two worlds: they perform as an acrylic paint, yet are as transparent and light as watercolours. Lascaux Aquacryl is suitable not only for traditional watercolour techniques but also for luminous glazes on large formats. The range is highly pigmented, non-ageing and non-yellowing. They are easily soluble when dry and result in a matt finish. They consist of fine, pure, lightfast pigments and water soluble age-resistant acrylic resin.The paint can be applied directly or diluted, not only on water colour paper but on virtually any firm, porous surface with the use of brush, airbrush and a variety of other painting tools. No matter what the concentration, it dries to a velvety matt finish, durably preserving the richness and intensity of colour. Thin applications dry in such a manner that they can be overpainted without dissolving previously applied layers. Conversely, thickly applied layers can be dissolved to produce washes.Lascaux Gesso is recommended as a primer. To achieve a fine-grained texture, Lascaux Structura is especially suitable. By mixing with acrylic mediums, the paints become waterproof. Lascaux Aquacryl can be used in combination with acrylic paints as a mixed technique. Works are permanently protected with Lascaux Fixative without causing any essential change to their character.

Pigment: Benzimidazolon, Isoindolinone, BenzimidazoloneLightfastness: ****Opacity: TransparentDescription: Modern replacement of former animal metabolism product from India, which was prohibited long ago. Classic, very transparent, mix of two pigments.

Colour Index: PY110/PY154



To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint flow even on soft water-colour papers Schmincke only use the best raw materials. In its coloristic appearance the total assortment is particularly harmonious, balanced and complete.

One main ingredient of the water-colour binding medium is Kordofan Gum Arabic from the southern Sahara region. Like most natural products this traditional water-colour binding medium differs from year to year. Therefore Schmincke is testing Gum Arabic every time before purchase and selects only the best crop of the respective year. This adds small but significant quality advantages. Other formula ingredients are selected equally carefully and of course are integrated in each formula in an individual optimised way to obtain a harmonious assortment, that can be easily picked up by the brush.

Another traditional quality criterion is the re-usability of the Horadam Aquarell water-colours while using the same formulation for tubes and pans. Both properties, the reusability and the control of the paint flow can only be achieved by pouring water-colours into pans in a liquid state, which is really unique.